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Fleming is a naturally stately actress, as ravishing to the eye as to the ear. But it is her voice - and what a voice! - that by its sheer purity and cathartic power pushes one to emotional extremes. Though the musical world is reacting as if Renée Fleming just fell from the sky, she is no newcomer to major American opera houses.The thirty-seven year old singer has been performing since the mid-1980s but the consensus seems to be that her voice underwent a remarkable natural improvement in the early 1990s (Gramophone magazine's Hugh Canning places the change sometime between 1989 and 1992; New York Magazine critic Peter G. Davis confirms a transformation by 1993). By that time Fleming was a happily married mother; and she had her second child just five weeks before her first Desdemona at the Met in 1995. Fleming admits that her new found security helped her to relax and let her voice find its place. Motherhood may also have enriched what was already a superb instrument. In any case, Fleming’s talent is not a product of media hype. She has paid her dues and has arrived at a level of vocal perfection that is no mere accident or gift. Renée Fleming’s upcoming engagements include her first Manon at the Opéra de Paris (Bastille) June 21, 24, 26, 29, July 1, 7, 10. She reprises Massenet’s heroine at the Metropolitan Opera Sept. 23, 26, Oct. 1,4,8,11, 18. Closer to home, Fleming gives one recital of Schubert songs at the Tanglewood Festival July 24. Recommended Discography:
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Following
recent appearances at the Metropolitan Opera as Desdemona (1995), Fiordiligi,
and Marguerite (both 1996), American soprano Renée Fleming has suddenly
become the darling of Met audiences. I have to share the general excitement.
Her final performance of Rusalka on May 10, 1997 was quite simply some
of the most gorgeous singing I have ever heard.