The Palexa Story by Philip Anson
/ December 1, 1997
In November 1996 two young
piano music enthusiasts joined forces to present and record
musicians they admire but who they felt were overlooked by the
Montreal musical establishment. In the twelve months since
Jean-Pascal Hamelin and HEC graduate Alexi Ziskin founded
Productions Polyphonie, they have presented pianists Gabriela
Montero and Constantin Lifschitz in concert at Salle Pierre-Mercure
and have released four recordings on their new record label Palexa
(distributed by Pelleas). Ziskin explains their philosophy: "We
prefer the spontaneity and eventfulness of live recordings over
studio recordings. Many of the pianists we admire feel the same way
and are willing to let us record their recitals ‹ as long as they
have the chance to correct mistakes, of course. We record just one
take, with as few edits as possible. To keep the full dynamic range
we don't compress the sound." The company does not get government
financing. "We try to be self-supporting. Our Montero concert ticket
sales helped defray the cost of her CD. We have private-sector
sponsors to cover the production costs of our next two releases. We
hope that if we focus on unique recording projects with world-class
artists who have international appeal, then CD sales will be
good." Upcoming Palexa releases include Canadian pianist Lucille
Chung's debut recording, volume 2 of Frank Levy's Schubert, and Paul
Stewart's live Moscow Rachmaninov Piano Concerto No. 4. On their historical
"Collections Documents" they will release a live Hamburg recital by
Wilhelm Kempff. Palexa's future recording projects include Gabriela
Montero's concert of Chopin sonatas at the Chapel du Bon Pasteur 19
February 1998 and more Schubert with Frank Levy in late March, again
at the Chapel. "We'd also like to record Martha rgerich's next solo
recital. Martha, if you read this, call us!" - Philip Anson |
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