document.write ("<table border = '0' width = '153' cellpadding = '3' cellspacing = '0' bgcolor = '#003366'><tr><td><font color = '#ffffcc' size = '2' face = 'arial'><center><b>In This Issue<br>May 2011</b></center></font></td></tr><tr><td><center><a class = 'effectslnk3' href='http://www.scena.org/lsm/content.asp?Vol=16&No=8&lan=2'>Vol. 16, No.8<br><img src='http://www.scena.org/lsm/sm16-8/images/sm16-8cover-sm.jpg' border='0' align='bottom'></a></center><br><center><a class = 'effectslnk3' href='http://scena.org/pdf-files/sm16-8_lr.pdf'>Download PDF Version</a></center></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm16-8/sm16-8_holland_en.html'>Dave Holland : Basso Nobile</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm16-8/sm16-8_editorial_en.html'>Editorial</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm16-8/sm16-8_notes.html'>Notes</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm16-8/sm16-8_revolutionaries_en.html'>Classical revolutionaries: Beethoven, The Schuppanzigh Quartet and the new musical culture</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm16-8/sm16-8_chambermusicfest_en.html'>Montreal Chamber Festival Rebounds and Expands</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm16-8/sm16-8_las-notes.html'>La SCENA Express : Notes</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm16-8/sm16-8_lasexpress_en.html'>La SCENA Express</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm16-8/sm16-8_sistema_en.html'>Canada, The Place To Be for All Things Sistema</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm16-8/sm16-8_critiques.html'>Critiques // Reviews</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm16-8/sm16-8_MIMC_en.html'>Searching for the Next Star</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm16-8/sm16-8_chantslibres_en.html'>Chants Libres: Refusing the Status Quo Even After 20 Years</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm16-8/sm16-8_classique101_en.html'>Classical Music 101: The Concerto</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm16-8/sm16-8_talmi_en.html'>Yoav Talmi’s Journey of an Orchestra Conductor, From Kibboutz to Quebec</a></td></tr></table>");