Grammy Award-winner JoAnn Falletta conducts Symphony Nova Scotia
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Halifax, NS ’Äì Symphony Nova Scotia partners with the Canadian New Music Network, Upstream Music Association, and Vocalypse Productions to present ’ÄúNew Music for a New Year,’Äù an innovative concert of all-new Canadian music on Wednesday, January 7 at 7:30 pm at the Sir James Dunn Theatre, Halifax.
Conducted by Symphony Nova Scotia Music Director Bernhard Gueller, ’ÄúNew Music for the New Year’Äù features six brand-new diverse Canadian works for orchestra by composers Mark Armanini, Sandeep Baghwati, Jˆ©rˆ¥me Blais, Tim Brady, Paul Cram, and Derek Charke. The performance also serves as the opening event of the Canadian New Music Network’Äôs international Forum 2010 conference, ’ÄúPartnering Diversity.’Äù
’ÄúSymphony Nova Scotia is always ready to rise to a challenge,’Äù says Gueller. ’ÄúAnd what can be more challenging for musicians and interesting for audiences than to have a whole concert dedicated to contemporary music?
’ÄúWe are very happy to collaborate with the Canadian New Music Network. The music that was sent to me for consideration showed again what at what a high level our composers produce. The first challenge for me was to choose from amongst the submissions. I know audiences will also enjoy the challenge, for the pieces range from very free improvisation to formally structured notation, with lyricism and minimalism.’Äù
Each of the works on the program presents an imaginative new vision of creating music in the 21st century. Paul Cram's Beyond Benghazi is a rollicking collision of jazz improvisation and high-energy orchestral composition, while Derek Charke's Inuit Throat Singing Games is a colourful score crossing cultural boundaries into the North.
Mark Armanini's Heartland features the ethereal playing of Vancouver erhu player Lan Tung, Jerome Blais' Dremlen Feigl oyf di tsvaygn is sung in Yiddish by Halifax's own Janice Jackson, and Tim Brady's Three or Four Days After the Death of Kurt Cobain uses music from the Nirvana song Smells Like Teen Spirit to create a haunting orchestral miniature.
The program also features Sandeep Baghwati's Steel 3 for James Tenney, a work that makes the conductor "compose" the music in real time, working with the players to create the piece during the performance.
During the concert, the composers and soloists will be interacting with the audience and musicians, sharing inside stories about the process, results, and motivations behind their works.
Tickets for this unique performance are $20 / $15 / $10, and are available at the Dalhousie Arts Centre Box Office at 494.3820 or 1.800.874.1669 or online at http://artscentre.dal.ca.
For more information about the Forum 2010 ’ÄúPartnering Diversity’Äù and other concerts during the conference, visit www.newmusicnetwork.ca.
About Symphony Nova Scotia
Symphony Nova Scotia is Nova Scotia’Äôs orchestra. Each year more than 50,000 audience members (including 15,000 young music lovers) join us in communities across Nova Scotia for performances of the music they love ’Äì from baroque and classical to pop and rock and folk. Under the inspirational leadership of Music Director Bernhard Gueller, Symphony Nova Scotia is recognized as one of the finest orchestras in the country. Visit www.SymphonyNovaScotia.ca to learn more, listen online, or subscribe today!
About the Canadian New Music Network
The Canadian New Music Network (CNMN) / Rˆ©seau canadien pour les musiques nouvelles (RCMN) is a network of artists, ensembles, orchestras, production companies, record labels, music educators, music media, musicologists, music lovers and fans who believe in the importance and value of creative music making in Canadian society. The CNMN was founded in November 2005, after almost 3 years of discussions with the national new music community.
Symphony Nova Scotia is grateful to the Canada Council for the Arts, Nova Scotia Tourism, Culture, and Heritage, and the Halifax Regional Municipality for their continued support.
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December 7, 2009
Halifax, NS ’Äì In honour of the 250th anniversary of Handel’Äôs death, Symphony Nova Scotia presents a very special version of his masterpiece Messiah on Friday, December 18 and Saturday, December 19 at 7:30 pm at the Rebecca Cohn Auditorium in Halifax.
Instead of the ’Äústandard’Äù version of Handel’Äôs Messiah that orchestras usually perform this time of year, Symphony Nova Scotia and the 80-member Symphony Nova Scotia Chorus will perform the beloved oratorio in its unaltered original version, which premiered in Dublin, Ireland in 1742 to rave reviews.
’ÄúWords are wanting to express the exquisite Delight it afforded to the admiring crouded Audience,’Äù said a Dublin newspaper the following day.
This ’ÄúDublin’Äù Messiah will be led by Toronto-based Irish conductor Kevin Mallon, who is also a Baroque music specialist. Toronto’Äôs Wholenote Magazine has praised him as ’ÄúCanada’Äôs crown prince of period performance.’Äù
’ÄúAll too often, we get a ’Äòconglomerate’Äô version of Messiah,’Äù says Mallon. ’ÄúPeople have a way of taking a piece from this version and a piece from that. It’Äôs exciting to be doing one particular version from one date and place. It’Äôs the first time that a re-creation like this has been done in Canada.’Äù
Some of the biggest differences between this version of Messiah and the versions we usually hear include:
¬… The standard chorus ’ÄúTheir sound is gone out’Äù was not part of the first performance, as it wasn’Äôt written until 1745.
¬… ’ÄúThe bass accompagnato ’ÄòThus saith the Lord, the Lord of Hosts,’Äô started life as a little arioso,’Äù says Mallon. ’ÄúIf I can decipher Handel’Äôs scribbling we may do a little of it!’Äù
¬… The famous air ’ÄúBut who may abide the day of His coming,’Äù usually performed by an alto, was originally written as a recitative for bass.
¬… The soprano air ’ÄúRejoice greatly, O daughter of Zion’Äù was originally in a lilting 12/8 rhythm.
¬… The aria ’ÄúHow beautiful are the feet,’Äù usually sung by a soprano, was originally written as a duet for two altos plus the chorus.
¬… Several other airs, including ’ÄúIf God be for us’Äù and ’ÄúHe shall feed His flock,’Äù were originally written for solo alto to complement Susannah Cibber, the famous contralto performing at the premiere. Cibber was noted as much for her tumultuous personal life as for her singing, and legend has it that upon hearing her exquisite performance, the chancellor of St Patrick's Cathedral loudly proclaimed "Woman, for this be all thy sins forgiven thee!"
Mallon and the orchestra will be joined by soprano Laura Albino, mezzo-soprano Marion Newman, tenor Lawrence Wiliford, and bass-baritone Sean Watson, along with the Symphony Nova Scotia Chorus, led by chorus master Jeff Joudrey.
Expecting a full house at the 1742 premiere, the Dublin Journal requested that ladies who would ’Äúhonour the performance with their presence be pleased to come without hoops’Äù [hooped skirts] and that men ’Äúkindly leave their swords at home.’Äù
Happily honouring this tradition and also anticipating sell-out performances, the Symphony kindly requests that this year’Äôs audiences do the same.
Get your tickets now! Prices range from $29-49 (HST included), or you can pick up a subscription package and save up to 30%. For tickets and more information, call 494.3820 or visit our website at www.symphonynovascotia.ca.
About Kevin Mallon
Irish musician Kevin Mallon, now resident in Canada, is quickly developing a worldwide reputation. He learned his craft as a violinist with such orchestras as the Hallˆ© and the BBC Philharmonic, and later as concertmaster with Le Concert Spirituel and Les Arts Florissants in Paris. After moving to Canada, he accepted positions with the University of Toronto, the Tafelmusik Baroque Orchestra, and the Toronto Chamber Orchestra, and founded the acclaimed Toronto-based Aradia Ensemble. A world-renowned baroque conductor, Mallon has appeared in concert halls around the world, including Europe, Russia, Japan, and New Zealand. He has made over 40 recordings for Naxos in baroque and classical repertoire.
About Laura Albino, soprano
Laura Albino has quickly emerged as one of Canada's finest young lyric sopranos, and has recently been named a winner of the Ottawa Choral Society's New Discoveries Auditions. Laura's operatic roles include Donna Anna in Mozart's Don Giovanni with the Britten-Pears Young Artist Program in Aldeburgh, England, Mary Warren in Ward's The Crucible with the International Vocal Arts Institute in Tel Aviv, and the role of Bridey in The Midnight Court at the Royal Opera House, Covent Garden. Laura is a member of the Canadian Opera Company’Äôs Ensemble Studio and a favorite guest artist with Kevin Mallon's Aradia baroque ensemble.
About Marion Newman, mezzo-soprano
First Nations mezzo-soprano Marion Newman "has a distinctive, dusky voice that suggests drama with every note" (Toronto Star) and has been noted as "a show stealer" (BBC Music Magazine). In her debut with Cork’Äôs Opera 2005 in the title role of Carmen, she was widely praised for her ’Äúsuperbly sinuous sexuality’Äù and as ’Äúa very exciting new talent’Äù by the Irish Examiner. Marion frequently performs with Kevin Mallon’Äôs Aradia Ensemble.
About Lawrence Wiliford, tenor
Described as having a ’Äúlovely sound,’Äù a ’Äúlithe legato,’Äù and ’Äúbeautifully directional phrasing,’Äù American-born tenor Lawrence Wiliford is quickly gaining international recognition on both the concert and operatic stage. Making his Canadian Opera Company leading role debut in Cosˆ¨ fan tutte on five hours’Äô notice, he received critical acclaim as ’Äúa talented and lyric tenor,’Äù ’Äúserving up an impressive Ferrando.’Äù On the concert stage he has been noted as ’Äúanimated, exciting, and yet at the same time technically unimpeachable.’Äù
About Sean Watson, bass-baritone
With a career that encompasses both opera and oratorio, bass-baritone Sean Watson has sung throughout North America, Europe, and the Middle East. Recent performances included The Bonze in Madama Butterfly with Opera Hamilton, the title role in The Mikado with Toronto Operetta Theatre, and John Estacio's The Houses Stand Not Far Apart with Chorus Niagara and the Orpheus Choir.
About Jeff Joudrey, chorus master
Symphony Nova Scotia chorus master Jeff Joudrey is highly regarded for his vision, musical leadership, and standards of excellence in choral music. Founder of the First Baptist Girls' Choir (1983) and Halifax Camerata Singers (1986), his leadership has provided challenging and rewarding choral opportunities for many Nova Scotia singers. In addition to being Director of Music at First Baptist Church, Jeff is in high demand as a guest conductor, choral clinician, teacher and adjudicator.
About the Symphony Nova Scotia Chorus
The Symphony Nova Scotia Chorus was founded in 2001 under the leadership of conductor Jeff Joudrey to provide a highly trained symphonic chorus for performances with Symphony Nova Scotia. Chorus membership includes the Halifax Camerata Singers as the core choir and auditioned singers from around the province.
About Symphony Nova Scotia
Symphony Nova Scotia is Nova Scotia’Äôs orchestra. Each year more than 50,000 audience members (including 15,000 young music lovers) join us in communities across Nova Scotia for performances of the music they love ’Äì from baroque and classical to pop and rock and folk. Under the inspirational leadership of Music Director Bernhard Gueller, Symphony Nova Scotia is recognized as one of the finest orchestras in the country. Visit www.SymphonyNovaScotia.ca to learn more, listen online, or subscribe today!
Symphony Nova Scotia is grateful to the Canada Council for the Arts, Nova Scotia Tourism, Culture, and Heritage, and the Halifax Regional Municipality for their continued support.
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