Dˆ©lices italiens en compagnie de Pentaˆ®dre !

Pentaˆ®dre prˆ©sente :

Rossini, opˆ©ra
et autres dˆ©lices italiens

Le quintette ˆÝ vent Pentaˆ®dre
Sandra Murray, piano
M Traiteur - Jean-Franˆßois Vachon, chef


Samedi 7 mars 2009, 14 h

Espace Dell’ÄôArte
40, rue Jean-Talon Est (Mˆ©tro Jean-Talon / De Castelnau)
Billets : 30 $
Renseignements et billetterie : 514-490-9613 #101
www.pentaedre.com http://www.pentaedre.com

Montrˆ©al, 17 fˆ©vrier 2009 - Pentaˆ®dre vous invite ˆÝ un rˆ©cital autour de la musique de La Cenerentola et de diverses fantaisies d’Äôopˆ©ra, servis avec vins et bouchˆ©es ˆÝ l’Äôitalienne.

Ce sont les sonoritˆ©s colorˆ©es et parfois moqueuses des musiciens de Pentaˆ®dre qui donneront vie aux rires et aux mˆ©chancetˆ©s de l’Äôhorrible belle-famille de Cendrillon lors du prochain concert de l’Äôensemble. C’Äôest au moyen d’Äôune transcription par le clarinettiste allemand Ulf-Guido Schˆ§fer de l’Äôopˆ©ra de Rossini La Cenerentola que les membres de Pentaˆ®dre prendront plaisir ˆÝ personnifier les colorˆ©s personnages du cˆ©lˆ®bre conte en usurpant les envolˆ©es lyriques normalement rˆ©servˆ©es ˆÝ des chanteurs dans quatre extraits de ce chef-d’Äô‰ìuvre de l’Äôopˆ©ra italien.

Pour ouvrir avec brio cet aprˆ®s-midi de musique opˆ©ratique, Pentaˆ®dre propose trois fantaisies mettant en vedette trois des membres de l’Äôensemble, accompagnˆ©s au piano de Sandra Murray,
ainsi qu’Äôune exˆ©cution du virtuose et irrˆ©sistible Quintuor op.124 de Briccialdi.

C’Äôest un rendez-vous pour un aprˆ®s-midi de plaisir musical et gustatif !

Au programme :
L. Bassi Fantaisie sur I Puritani
A. Pasculli Fantaisie sur La Favorita
P.-A. Genin Fantaisie sur La Traviata
B. Briccialdi Quintuor op.124
G. Rossini/U.-G. Schˆ§fer Extraits de La Cenerentola

***

Depuis ses dˆ©buts en 1985, Pentaˆ®dre se consacre ˆÝ la dˆ©couverte d'un rˆ©pertoire de musique de chambre variˆ©, original et souvent moins connu. Composˆ© de cinq musiciens talentueux, dont la technique et la prˆ©cision de jeu sont unanimement reconnues, Pentaˆ®dre effectue des tournˆ©es au Quˆ©bec, au Canada, aux ˆâtats-Unis et en Europe. Rˆ©cipiendaire du Prix OPUS 2002 du Meilleur concert de l’Äôannˆ©e, musique actuelle, contemporaine, ˆ©lectroacoustique, Pentaˆ®dre collabore avec des artistes de renom et participe ˆÝ des crˆ©ations audacieuses, dont rˆ©cemment l’Äôopˆ©ra comique A Chair in Love ou L’ÄôAmour est un opˆ©ra muet avec les mimes Omnibus. Son enregistrement rˆ©cent du Winterreise de Schubert (version de chambre de Normand Forget), avec le tˆ©nor Christoph Prˆ©gardien, s’Äôest attirˆ© des ˆ©loges de la critique internationale.

[Toronto] The Mayhem of Rossini's THE BARBER OF SEVILLE Returns to the COC Stage

Toronto, Ontario ’Äì The Canadian Opera Company’Äôs spring run continues with Gioacchino Rossini’Äôs opera buffa, The Barber of Seville. A comedy of mischievous mayhem and delightful absurdities, Rossini’Äôs The Barber of Seville is eternally popular for its frothy charm and irresistible melodies. Director Michael Patrick Albano, last with the COC for the critically acclaimed Ensemble Studio production of Swoon, returns to stage this production. Peruvian conductor Miguel Harth-Bedoya, music director of the Fort Worth Symphony Orchestra, makes his company debut leading the COC Orchestra and Chorus for nine performances, while assistant conductor Steven Philcox conducts two performances. The Barber of Seville runs April 16 at 7:30 p.m., 19 at 7:30 p.m., 25 at 7:30 p.m., May 2 at 7:30 p.m., 4 at 2 p.m.,

8 at 7:30 p.m., 10 at 4:30 p.m., 13 at 7:30 p.m., 16 at 7:30 p.m., 21 at 7:30 p.m., and 23 at 7:30 p.m., 2008 and is sung in Italian with English SURTITLES’Ñ¢.

The Barber of Seville follows the young Count Almaviva who is in love with the charming Rosina. She is a prisoner in the home of her elderly guardian, Dr. Bartolo, who intends to marry her himself. To gain access to Rosina, Almaviva hires the services of Figaro, the irrepressible barber who spends as much time scheming as he does shaving. Last performed by the COC in 1999, this production brings together set designer John Stoddart and lighting designer Stephen Ross.

Beloved characters and sparkling arias make The Barber of Seville one of the world’Äôs most popular and frequently performed operas. Singing the role of Rosina, the young and beautiful ward, is Albanian soprano Enkelejda Shkosa. Macedonian tenor Blagoj Nacoski, is her admirer, the ardent Count Almaviva. Ms Shkosa has sung with major opera houses around the world including Royal Opera House, Covent Garden. Mr. Nacoski, who recently sang Almaviva with Polish National Opera, also appeared with Frankfurt Oper, Teatro Regio in Parma, and Zurich Opera. Both Ms Shkosa and Mr. Nacoski make their company debuts. Recently appearing with Welsh National Opera and the Metropolitan Opera, Russian baritone Rodion Pogossov makes his COC debut as the mischievous barber, Figaro. Returning to the COC are bass-baritone Patrick Carfizzi as Dr. Bartolo, and bass Burak Bilgili as Don Basilio. COC Ensemble Studio bass Justin Welsh is Fiorello, Ensemble soprano Melinda Delorme is Berta, and Ensemble bass-baritone Alexander Hajek is the Notary.

The Barber of Seville, libretto by Cesare Sterbini, is based on Pierre-Augustin Beaumarchais’Äô satirical Le barbier de Sˆ©ville, which is the first in a series of three plays. The second instalment of the series, Le mariage de Figaro, known in the opera world as Mozart’Äôs Le nozze di Figaro, opened the COC’Äôs current season. The opera premiered in Rome in 1816 under the name Almaviva, ossia l’Äôinutile precauzione, and Rossini maintained this title for four months before he switched it back to the play’Äôs original name. The fame of Rossini’Äôs popular opera quickly spread, and to this day is a mainstay of the operatic repertoire.

Single tickets for The Barber of Seville are on sale and may be purchased online at www.coc.ca, by calling 416-363-8231, or in person at the Four Seasons Centre Box Office (145 Queen St. W., Toronto). Ticket prices for all performances range from $60 to $275. Special young people’Äôs tickets for all performances throughout the season are priced from $30 to $95. These ticket prices apply to those who are 15 years of age or under, accompanied by and sitting next to an adult.

Starting Saturday, March 22, 2008 at 10 a.m., $20 tickets will be available for patrons between the ages of 16 and 29 through the Opera for a New Age program presented by TD Bank Financial Group, and can be purchased online at www.coc.ca or in person at the Four Seasons Centre Box Office (145 Queen St. W., Toronto). Student group tickets are $20 per student and may be purchased by calling 416-306-2356. Remaining Opera for a New Age tickets will be released as $20 rush seats at 11 a.m. the morning of the performance, subject to availability.

Production Sponsor of The Barber of Seville: National Bank Financial

Presenting Sponsor of SURTITLESˆ§: Sun Life Financial

Official Automotive Sponsor of the COC at the Four Seasons Centre for the Performing Arts: Jaguar Land Rover Canada

Official Media Sponsors: CTV and The Globe and Mail

Opening Night Sponsor of the COC: Hilton Toronto

The COC Ensemble Studio is Canada’Äôs premier training program for young opera professionals and provides advanced instruction, hands-on experience, and career development opportunities. The Ensemble Studio is supported by the Government of Canada through the Department of Canadian Heritage, RBC Financial Group, and other generous donors.

BMO Financial Group Pre-Performance Opera Chats

The COC offers free 20-minute introductions to the opera and its themes in the Richard Bradshaw Amphitheatre at the Four Seasons Centre for the Performing Arts, 45 minutes prior to every performance.

Canadian Opera Company Web site

The Canadian Opera Company Web site, at www.coc.ca, contains information on all productions including synopses, historical background, and production photographs.

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For more information or to request production photographs via e-mail, please contact:

Melissa Than, Publicist, tel. 416-306-2369, fax: 416-363-5584, e-mail: melissat@coc.ca
Vanessa Somarriba, Assistant Publicist, tel. 416-306-2303, fax: 416-363-5584, e-mail: vanessas@coc.ca