Kirill Gerstein Named 2010 Gilmore Artist
Labels: Gilmore Artist Award, Kirill Gerstein, piano
Labels: Gilmore Artist Award, Kirill Gerstein, piano
Labels: canada, competitions, Honens International Piano Competition, piano
Labels: Ang Li, piano, Virtuosi Concerts
Labels: Edmonton Symphony Orchestra, Gabriela Montero, piano
Labels: Leon Fleisher, piano
Festival to Transform
2009
“We are incredibly excited about the Washington International Piano Festival and hope that through beautiful music from some of the world’s most elite artists, participants and observers alike will develop a greater appreciation for the highest standard of classical music,” said Nikita Fitenko, Internationally acclaimed pianist and Co-Director of the festival.
Festival participants will have an opportunity to work with prominent instructors in daily one-on-one coaching sessions as well as educational workshops and master classes. The program also includes seminars presented by outstanding guest lecturers, covering such topics as style, technique, methods and the art of teaching, as well as business aspects of teaching among others. Participants will also have an amazing opportunity to perform in concert at the
Each day of the festival will conclude with piano concerts featuring renowned artists such as Milen Petroff and Ivo Kaltchev performing at the
The concerts are open to the community at a cost of $20. Tickets may be purchased at the door or may be reserved by emailing the Washington International Piano Festival at washingtonpianofest@gmail.com. In addition, the 2009 Festival participants will present three concerts that are free and open to the public. To learn more visit www.WashingtonPianoFest.com.
About WIPF
WIPF is a non-profit arts organization dedicated to the performance and teaching of classical music at the highest standard. The Festival is sponsored by Jordan Kitt's Music and Yamaha.
Labels: festival, piano, washington
Deux soirées de grand piano au Festival de Knowlton
Montréal, le 14 juillet 2009 – Loin de se restreindre au répertoire du bel canto, le Festival de Knowlton accueille cet été deux pianistes exceptionnels. Le mardi 4 août la jeune pianiste Gabriela Montero, qu'on a pu entendre en compagnie d'Itzhak Perlman, Yo-Yo Ma et Anthony McGill à l'assermentation du président américain Barack Obama, interprétera le célèbre Concerto pour piano no 2 de Rachmaninov à l'invitation du Youth Orchestra of the Americas dans. La semaine suivante, le mercredi 12 août, Stephen Kovacevich, qui continue de susciter l'admiration pour ses interprétations de Beethoven, Brahms, Mozart et Schubert depuis plus de 40 ans, offrira un très attendu récital en sol québécois.
« Nous sommes particulièrement heureux d'accueillir ces deux grands pianistes au Festival de Knowlton, a déclaré Marco Genoni, directeur exécutif du Festival. Ainsi, dès cette année, le Festival de Knowlton deviendra un rendez-vous estival pour les amateurs du répertoire pianistique et pour tous ceux qui apprécient les récitals de piano.»
Les interprétations visionnaires et les dons d'improvisatrice de Gabriela Montero lui ont rapidement valu un succès international. Née à Caracas au Venezuela, la pianiste a joué avec de nombreux orchestres, dont le New York Philharmonic, le LA Philharmonic, le Philharmonia Orchestra, le Philharmonique de Rotterdam et le UBS Verbier Chamber Orchestra. Son CD Bach and Beyond a reçu en 2006 la mention « Choc de la musique de l'année » du magazine Le Monde de la musique. Cette même année, elle a également reçu le titre de claviériste de l'année aux Prix Echo Klassik de Munich qui, en 2007, lui décernaient le Prix Klassik sans frontières. Son dernier disque, Baroque, comprenant des improvisations, a été mis en nomination pour un Grammy l'année dernière.
Quant à Stephen Kovacevich, sa réputation internationale a été bâtie à la fois grâce à ses prestations en concert, reconnues pour leur grande profondeur et leur intensité, et aux enregistrements très prisés qu'il a produits tout au long de sa carrière, Ses enregistrements de concertos, notamment ceux de Beethoven, Schumann et Bartók, ont longtemps été des incontournables du catalogue. Son enregistrement du Concerto pour piano no 1 de Brahms a obtenu un Grammy, le Gramophone Award 1993 et a été nommé « disque de l'année » par Stereo Review Record, alors que sa version du 2e concerto du même compositeur obtenait un Diapason d'or. Il a de plus réalisé des enregistrements exceptionnels de sonates de Schubert ainsi que des 32 sonates de Beethoven, réalisant ainsi une des versions les plus renommées à ce jour. M. Kovacevich a récemment enregistré les Variations Diabelli de Beethoven, exactement 40 ans après son premier enregistrement de l'œuvre en 1968. Il reprendra ce chef-d'œuvre lors de cette soirée, ainsi que la Partita no 4 de Bach et les touchantes Scènes d'enfants, regard tendre posé sur l'enfance du compositeur Robert Schumann.
Devant le remarquable succès remporté l'été dernier, le Festival de Knowlton devient une manifestation annuelle d'envergure internationale. Du 4 au 16 août, se succéderont concerts symphoniques, soirées d'airs d'opéra, présentation en version orchestrale de l'opéra Bel Canto La Sonnambula de Vincenzo Bellini, récitals, concerts de la relève, classes de maître pour jeunes chanteurs et activités d'initiation à la musique pour enfants.
Les biographies d'artistes, la programmation et les coordonnées de la billetterie sont disponibles sur le site du festival au www.festivaldeknowlton.com.
Le Festival de Knowlton est présenté par la société Festival de musique de Knowlton inc. avec la participation de l'Orchestre symphonique de Montréal et avec la collaboration de l'Accademia Nazionale di Santa Cecilia de Rome. Le Festival s'appuie également sur l'apport important de plusieurs commanditaires et partenaires financiers dont Bombardier inc., BFL Canada, le Cabinet de relations publiques NATIONAL, le Mouvement des caisses Desjardins, Tourisme Québec, La Ville de Lac Brome, Swiss International Air Lines, Groupe StrataTech et Ultramar.
Labels: Festival de Knowlton, piano
MINSOO SOHN, FIRST LAUREATE OF THE 2006
HONENS INTERNATIONAL PIANO COMPETITION,
MAKES HIS WEILL RECITAL HALL AT CARNEGIE HALL DEBUT THURSDAY, OCTOBER 8, 2009, 8 P.M.
WORKS BY KIRCHNER, BEETHOVEN, AND LISZT; AND TRANSCRIPTIONS OF BEETHOVEN, SCHUBERT AND MOZART
Minsoo Sohn, the First Laureate of the 2006 Honens International Piano Competition, will make his Weill Recital Hall at Carnegie Hall debut in a solo recital on Thursday, October 8, 2009, 8 p.m.
The recital, presented by the Honens International Piano Competition, will feature Beethoven's Diabelli Variations, Leon Kirchner's Interlude II as well as Liszt's transcriptions of works by Beethoven, Schubert, and Mozart.
In addition to winning the Honens International Piano Competition, Mr. Sohn was a top prizewinner at the Rubinstein, Cleveland, Busoni and Hilton Head International Piano Competitions, and received laureate prizes at Belgium's Queen Elisabeth and Santander's Paloma O'Shea Competitions. He has performed in recital halls, at festivals, and with orchestra across North America and Europe.
The Weill Hall program is highly personal to Mr. Sohn: "From my earliest years at the conservatory, I had a tremendous love for the Diabelli Variations without fully understanding the greatness of the composition. I later came to understand this as a triumphant and comprehensive representation of Beethoven's ingenious writing for piano. This musical journey confronts matters of life and death in a most genuine way, but always with humor and love. In some ways, this music is reflective of my life as well; through its ups and downs, it has endured, restoring the spirit of music within me."
William Aide, Chairman of the Fifth Honens International Piano Competition, speaks to Mr. Sohn's artistry: "Minsoo Sohn is an artist of Olympian magnitude. To the Diabelli and Goldberg Variations he brings a structural clarity and an expansive range of dramatic characterization. His Liszt is unsurpassable in its lyric refinement and sonic splendor, qualities reminiscent of great Lisztians of the past, such as Egon Petri and Grigory Ginzburg.
The complete program is as follows:
Kirchner Interlude II
Beethoven 33 Variations on a Waltz by Diabelli, Op. 120
Intermission
Beethoven-Liszt Adelaïde, S.466
Schubert-Listz Gretchen am Spinnrade, S. 558 No. 8
Schubert-Liszt Der Müller und der Bach, S. 565
Mozart-Liszt Réminiscences de Don Juan, S. 418
Tickets for the October 8 recital are $18 to $25, students and seniors $10 and available online at www.carnegiehall.org, or by telephone at Carnegie Charge: (212) 247-7800, or by visiting the Carnegie Hall Box Office Box Office: 57th Street and Seventh Avenue.
About Minsoo Sohn
The First Laureate of Canada's Honens International Piano Competition (2006), Sohn's masterful technique and astonishing artistic expression create performances rich in deep emotion and musical intelligence. His extraordinary interpretation of Bach's Goldberg Variations from the Honens Competition has been broadcast numerous times on the CBC and across the United States on NPR's Performance Today.
Minsoo Sohn was born in Korea and began piano studies at age three. One of his earliest inspirations was Henryk Szeryng's legendary recording of Bach's Sonatas and Partitas for solo violin. While the violin first captured his attention, he grew to appreciate the piano's many voices and tonal colors. It wasn't until Sohn moved to Boston to study with Russell Sherman and Wha Kyung Byun at the New England Conservatory of Music that he was reassured of his career as a concert artist. "I just wasn't sure I would be a musician," he says. "I had interests in many fields and stopped playing. I even dreamed of being an athlete."
Last season, Sohn performed with the Edmonton Symphony Orchestra, was part of the Ottawa International Chamber Music Festival, and was soloist with the Orchestre Symphonique de Québec. His first CD – a disc of Liszt transcriptions and études – was released last fall.
When not sitting at the piano, Sohn can be found watching his beloved Red Sox.
About the Honens International Piano Competition
Founded in 1992, Honens International Piano Competition is one of the world's great music competitions. It is known for its pursuit of the "complete artist" – not only an accomplished soloist, but a musician whose interpretations reflect a wide cultural context, whose well-balanced programs are designed with knowledge and imagination, and who excels in chamber and ensemble performance. Every three years, 21 pianists between the ages of 20 and 30, from all parts of the globe, compete for more than $100,000 CAD (approximately $90,000 USD) in cash prizes, including a comprehensive three-season Artistic and Career Development Program for the laureates, preparing the for the rigors and realities of a professional life in music. This includes arranging performance engagements, production of recordings, residencies at The Banff Centre, promotional and publicity support, professional development opportunities for self-management, and networking opportunities with presenters and artist managers.
Honens searches for musicians whose talent, in the credo of the Competition, "inspires the heart and engages the intellect," whose understanding of his or her art will stem not only from knowledge of a particular composition itself but also from a wide knowledge of related music, of musical literature as a whole, of the other arts, the humanities, and of contemporary culture. Honens is not a series of tests, but rather, a compelling festival of music.
Past Honens Laureates include Maxim Philippov who, in June, 2001, won the Silver Medal at the Van Cliburn Competition; Albert Tiu, who won Juilliard's prestigious William Petschek Award, giving him a debut recital at Alice Tully Hall; Sergei Babayan, appointed Artist-in-Residence at The Cleveland Institute of Music, who founded the Sergei Babayan International Piano Academy in Cleveland and his own chamber music festival in Mexico (Babayan has recorded on the Connoisseur Society, Propiano and Discover International labels); Krzysztof Jablonski, who has recorded two CDs as part of the Polish National Edition of the complete works of Chopin (he has recorded 14 more CDs in Germany, Japan and Poland); Jean-Efflam Bavouzet, who has recorded several CDs of music by Haydn, Schumann, Ohana, Debussy and Chopin, the complete piano works of Ravel, and the recently critically acclaimed complete piano works of Debussy on the Chandos label (he has been nominated Professor-for-Life at the Detmold Hochschule in Germany); 2003 Laureate Winston Choi, Head of Piano Studies at Chicago's Roosevelt University, whose debut CD of the complete piano works of Elliott Carter received rave reviews, and whose CD of the music of Jacques Lenot was awarded the Grand Prix du Disque de l'Académie Charles Cros; Xiang Zou, 2003 First Laureate, who teaches at the Central Conservatory in Beijing; and Honens 2000 First Laureate, Katherine Chi.
The Competition is named for Esther Honens, born in Pittsburgh and educated in Calgary, who became a successful businesswoman. She married John Hillier, who died in the 1970s, then Harold Honens, with whom she developed real estate holdings in Calgary. In 1991, Esther Honens made a capital gift to establish the international piano competition. She died five days after the first competition in 1992. After five competitions, Honens has distinguished itself as one of the most prominent competitions of its kind, worldwide. Additional information is available on-line at www.honens.com.
Labels: concert, Honens International Piano Competition, piano
TWENTY-ONE PIANISTS FROM 12 NATIONS TO COMPETE IN THE SIXTH HONENS INTERNATIONAL PIANO COMPETITION
CALGARY, AB, June 18, 2009 – Today, Honens announced the names of the 21 Quarterfinalists to compete in the Sixth Honens International Piano Competition, which takes place in Calgary, October 22 to November 6, 2009. The pianists come from 12 nations: Canada, China, Hong Kong, Israel, Russia, South Korea, Spain, Switzerland, Taiwan, Ukraine, United Kingdom and the United States.
"Honens continues to attract some of the top young talent from around the world," says Angela Cheng, Chairwoman of the Honens First Jury. "We have selected an incredibly strong group of pianists to advance to the Quarterfinals."
The Honens First Jury selected the 21 Quarterfinalists after a week of deliberations earlier this month at the Banff Centre. Pianists Angela Cheng, Katherine Chi (2000 Honens First Laureate), Matthias Kirschnereit and Ronan O'Hora reviewed 90-videotaped performances from the Competition's first public stage that took place in Calgary, New York and Munich earlier this spring.
"The 21 pianists are musicians one wants to hear again and again," says Stephen McHolm, Honens Executive Director. "They truly represent the kind of complete artist we aim to discover."
The 21 Quarterfinalists include 17 men and 4 women: Michael Brown (from the United States, residing in New York), Michael Bukhman (from Israel, residing in New York), Yunjie Chen (from China, residing in New York), Yue Chu (from China, residing in Chestnut Hill, MA), Ran Dank (from Israel, residing in New York), Jonathan Floril (from Ecuador/Spain, residing in New York), Stanislav Khristenko (from Russia, residing in Oberlin, Ohio), Sangyoung Kim (from South Korea, residing in Boston), Natacha Kudritskaya (from the Ukraine, residing in France), Alexey Lebedev (from Russia, residing in Germany), Ka-ling Colleen Lee (from Hong Kong, residing in Germany) , Soyeon Lee (from South Korea, residing in Princeton, NJ), Misha Namirovsky (from Israel, residing in Germany), Tom Poster (from the United Kingdom, residing in the United Kingdom), Evgeny Starodubtsev from Russia, residing in Russia), Georgy Tchaidze (from Russia, residing in Russia), Gilles Vonsattel (from Switzerland, residing in New York), Daniel Wnukowski (from Canada, residing in the United Kingdom), Chun-Chieh Yen (from Taiwan, residing in Los Angeles), Feng Zhang (from China, residing in China), and Kirill Zwegintsov (from the Ukraine, residing in Switzerland).
Pianists compete for more than $100,000 CAN in cash prizes and one of the competition world's most lucrative career development programs valued at more than $500,000.
Each pianist will perform two recitals in the Competition Quarterfinals (October 22 to 28): a 50-minute solo recital that includes a new work by Canadian composer Brian Current; and a second 40-minute concert for violin and piano with violinist Tereza Stanislav. Twelve pianists move on to the Semifinals (October 30 to November 1) to perform 65-minute recitals that include ten minutes of art song / lieder with Canadian contralto Marie-Nicole Lemieux. Five finalists perform with Austrian conductor Christoph Campestrini and the Calgary Philharmonic Orchestra (November 5 and 6). The prizewinners will be announced on November 6, 2009.
Tickets range from $12 to $85 and are available by calling (403) 299-0140 or online at honens.com.
About Honens
Honens International Piano Competition is among the world's most prestigious events of its kind. It searches the world to discover "Complete Artists" – 21st century musicians for 21st century audiences. The Sixth International Piano Competition, presented by Nexen Inc., and supported by Steinway & Sons, Irene Besse Keyboards Ltd, Macleod Dixon LLP, TransAlta and Enbridge Inc., takes place in Calgary, October 22 to November 6, 2009. For more information visit www.honens.com.
Mary Kenedi and the North Toronto Institute of Music present
Monster Concert in Support of
SickKids Foundation
Massey Hall,
Tickets $45.00 to $25.00 – Call 416-872-4255 or visit the Roy Thomson Hall Box Office
Mary Kenedi is seeing monsters! The respected Canadian pianist, educator and founder of the North Toronto Institute of Music will present a Monster Concert at Massey Hall at
The North Toronto Institute of Music’s Monster Concert continues the long-standing fundraising tradition begun in the 1830s by the composer Czerny and features multiple pianists performing solos, duets and ensemble works. The first known Monster Concert held in
“I’ve always been impressed by what Mona Bates accomplished during her lifetime,” explains Mary Kenedi. “As a musician and teacher I understand the unique privilege we are given as educators to not only inspire passion in our students, but also to instill a lasting sense of discipline that will help them to achieve their goals, musical or otherwise”.
Mary Kenedi founded the North Toronto Institute of Music in 1995 as a welcoming environment for students of all ages to explore their creativity and develop an outlet for self-expression. Based on the understanding that an enhanced musical literacy provides an elevated appreciation of the art form, Mary strives to impart to her students the same passion for music that has fuelled her own compelling musical journey.
As a refugee of the Hungarian Revolution, Mary Kenedi credits her own mother’s strength and resilience for inspiring her to surmount obstacles in both her performance and teaching careers. Whether launching her own teaching academy or embarking on remarkable projects, such as single-handedly staging the upcoming Monster Concert at Massey Hall, Mary Kenedi does so with a survivor’s instinct. This extraordinary talent and drive has earned Mary a renowned reputation as an interpreter of the music of fellow Hungarians, Béla Bartók and Zoltan Kodály, as well as a respected interpreter of contemporary Canadian music. She last appeared at Massey Hall as an ensemble performer during the Royal Conservatory of Music’s 1990 Monster Concert and made her Carnegie Hall debut in 1983. She holds a Licentiate Diploma, Bachelor of Music in Performance and Master of Music in Music Education from the
North Toronto Institute of Music’s Monster Concert is sponsored in-part by Remenyi House of Music with media sponsorship provided by Classical FM. For more information about Mary Kenedi and the
Tickets for the North Toronto Institute of Music’s Monster Concert are $45.00 to $25.00 and are available in person at the Roy Thomson Hall box office,
Labels: benefit concert, Massey Hall, piano, Toronto
Labels: competitions, piano, RCM, Toronto
Pianist Benjamin Hochman plays Mozart’s rarely heard Piano Concerto No.9 in his VSO debut. This is followed up by the huge, exciting, passionate music of Russian master Sergei Prokofiev. Conductor Laureate Kazuyoshi Akiyama returns to conduct the final PricewaterhouseCoopers Masterworks Silver concerts of the season, which take place on Saturday, May 30th and Monday, June 1st at 8pm at the Orpheum Theatre.
Benjamin Hochman came into prominence when he made his New York solo recital debut at the Metropolitan Museum of Art in 2006. Since then, he has achieved widespread acclaim for his performances. Mr. Hochman has performed with several prominent orchestras including the New York Philharmonic, Chicago, Pittsburgh and Cincinnati Symphony Orchestras, Seattle Symphony, New Jersey Symphony, Portland Symphony and the National Arts Centre Orchestra.
"Hochman's demeanor is poised, and quietly confident. His playing is beautiful to hear. From the first moment, his crisp, articulated touch was noticeable, clear but not forceful, even with pedal, and he shaped the phrases in the long cadenza with grace."
- Seattle Post-Intelligencer
Hochman recently appeared at the Bard Music Festival, Bridgehampton Music Festival and Santa Fe Chamber Music Festival. Just prior to travelling to Vancouver, Hochman returned to his native Israel for a special series of concerts and masterclasses. He will also be performing in London, Barcelona, and Amsterdam’s Concertgebouw later in the year.
Born in Jerusalem, Benjamin Hochman is a graduate of the Curtis Institute of Music and the Mannes College of Music where his principal teachers were Claude Frank and Richard Goode. His studies were supported by the America-Israel Cultural Foundation.
Mozart’s Piano Concerto No.9 in E flat Major was a groundbreaking, revolutionary work in its time, helping to “raise the bar” for the piano concerto as a genre and leaving its mark on later concertos by Beethoven and other Romantic composers. Certainly the greatest of the concertos written by Mozart in his time in Salzburg, Classical music author and commentator Charles Rosen also called it “the first unqualified masterpiece in any genre,” and legendary pianist Alfred Brendel characterized the work as “one of the greatest wonders of the world.” The relationship between soloist and orchestra is given unprecedented depth in this concerto, the dialogue and juxtaposition of ideas heightened to a remarkable degree compared to earlier piano concertos. The very opening of the concerto itself is a strong statement for change in the way in which piano concertos were previously written: the soloist is introduced right away after a short heraldic statement by the orchestra; afterword, the orchestra is given a typical, though brief, opening exposition, but it is on the piano’s terms. Later, Mozart goes so far as to turn this dialogue on its head, with the orchestra answering the piano. The second movement is one of utterly poignant expressive brilliance. The C minor atmosphere holds the listener in its thrall as the solo parts, written with such a highly personal and expressive voice, weave their way in and out of discourse with the orchestra in a dreamy, almost tragic manner. And though the finale – one of Mozart’s greatest Rondo finales – is one of virtuosic energy and joy, there is a serious undercurrent at play which keeps the concerto grounded, as if Mozart knew he was creating a work that would lasting impact through generations of composers.
CONCERT INFO
PricewaterhouseCoopers Masterworks Silver Series:
Melody and Power: Mozart and Prokofiev
Saturday & Monday, May 30 & June 1, 8pm, Orpheum Theatre
Kazuyoshi Akiyama, conductor
Benjamin Hochman, piano
Kabalevsky Colas Breugnon: Overture, Op. 24
Mozart Piano Concerto No. 9 in E-flat Major, Jeunehomme
Prokofiev Symphony No. 5 in B-flat Major, Op. 100
Tickets $25 to $78.50 (Student, Senior and Subscriber discounts available)
Tickets available by phone at 604.876.3434 or online at www.vancouversymphony.ca
Generously Supported By:
Series Sponsor: PricewaterhouseCoopers
Video Screen Sponsor: TELUS
Video screen presentations created and produced by students and staff of digital video productions at Columbia Academy.
Labels: piano, vancouver symphony orchestra, VSO
"FREE FOR ALL AT TOWN HALL" OPENS ITS SEVENTH SEASON
WITH A PERFORMANCE BY PIANIST ANNE-MARIE McDERMOTT
SUNDAY, MAY 31, 2009 AT 5PM
PROGRAM INCLUDES THE WORLD PREMIERE OF CHARLES WUORINEN'S FOURTH PIANO SONATA AND THE NEW YORK PREMIERE
OF CLARICE ASSAD'S "WHEN ART SHOWED UP"
SERIES FILLS TWO GAPS, BEGINNING JUST WHEN OTHERS ARE ENDING, AND BEING FREE TO THE PUBLIC
The 2009 "Free For All at Town Hall" series will open on Sunday, May 31, 2009, at 5 p.m. with pianist Anne-Marie McDermott performing a solo recital that includes the
world premiere of Charles Wuorinen's Fourth Piano Sonata, which was written for Ms. McDermott; the New York premiere of Clarice Assad's "When Art Showed Up;" and three Haydn piano sonatas, in honor of the 200th anniversary of the death of the composer.
Ms. McDermott, with Nadja Salerno-Sonnenberg, performed the inaugural concert of "Free For All at Town Hall" in 2003. The series, described in The New Yorker as "the price-is-right concert series," is now in its seventh year of providing New York audiences with high quality, free concerts.
The May 31 program is as follows:
Haydn: Piano Sonata Hob. XVI: 40, in G Major
Haydn: Piano Sonata Hob. XVI: 20, in c minor
Charles Wuorinen: Fourth Piano Sonata (World Premiere)
Intermission
Haydn: Piano Sonata Hob. XVI: 52, in E-Flat Major
Clarice Assad: "When Art Showed Up" (New York Premiere)
Rounding out the 2009 "Free For All at Town Hall" series of concerts on Sunday, June 14, at 2 p.m. will be Hilary Hahn in her only New York recital this season. Ms. Hahn will perform works by Brahms, Bartók, Ives and Ysaÿe.
"Free For All at Town Hall" concludes the series with an all-Schubert program performed by the esteemed Emerson String Quartet on Sunday, June 21, at 5 p.m.
The Town Hall is located near Times Square at 123 West 43rd Street (between 6th Avenue and Broadway). Tickets to all "Free for All" concerts are available only on the day of the concert, at the Town Hall Box Office, starting at noon. Tickets are distributed on a first-come, first-served basis, limit two to a customer, no reservations.
About Anne-Marie McDermott
A fearless elegance surrounds pianist Anne-Marie McDermott as she has proven to be a force to reckon with, exuding an approachable confidence that showcases her versatility and sophistication seen in her solo performances as well as chamber music ensembles. She has a versatile career encompassing over 100 concerts each year in a combination of solo recitals, concerti and chamber music performances. Her repertoire choices are eclectic, spanning works from Bach and Haydn to Prokofiev and Scriabin, to Kernis, Hartke, Tower and Wuorinen.
McDermott debuted with the New York Philharmonic in 1997 under Christian Thielemann and has since appeared with the orchestras of Atlanta, Baltimore, Dallas, Houston, Pittsburgh, and Seattle. In the 2008-2009 season, McDermott will perform with The Philadelphia Orchestra, Buffalo Philharmonic, North Carolina Symphony, Alabama Symphony, San Diego Symphony, the Oregon Mozart Players, and tour with the New Century Chamber Orchestra.
McDermott was named an Artist Member of the Chamber Music Society of Lincoln Center in 1995. She continues her long standing collaboration with violinist, Nadja Salerno- Sonnenberg, including a CD titled "LIVE" released on the NSS label. McDermott also continues her collaboration with Opus One, a piano quartet with Ida Kavafian, Peter Wiley and Steven Tenenbom.
McDermott is the Artistic Director of the Avila Chamber Music Celebration in Curacao, Dutch Antilles, as well as the Ocean Reef Chamber Music Festival.
A winner of the Young Concert Artists Auditions, McDermott was also the recipient of the Avery Fisher Career Development Award, the Andrew Wolf Memorial Chamber Music Award, the Joseph Kalichstein Piano Prize, the Paul A. Fish Memorial Prize, the Bruce Hungerford Memorial Prize, and the Mortimer Levitt Career Development Award for Women Artists.
McDermott has recorded the complete Prokofiev Piano Sonatas, which has just been released in a 3-CD set by Bridge Records. She has also recorded Bach's English Suites and Partitas (named Gramophone Magazine's Editor's Choice), and Gershwin's Complete Works for Piano and Orchestra with the Dallas Symphony and Justin Brown (also named Gramophone Magazine's Editor's Choice).
McDermott began playing the piano at age 5. By 12 she had performed the Mendelssohn Concerto in g minor with the National Orchestral Association at Carnegie Hall. She studied at the Manhattan School of Music as a scholarship student with Dalmo Carra, Constance Keene and John Browning..
About Charles Wourinen
Charles Wuorinen (b. 1938, New York) is one of the world's leading composers. His many honors include a MacArthur Foundation Fellowship and the Pulitzer Prize (the youngest composer to receive the award). His compositions encompass every form and medium, including works for orchestra, chamber ensemble, soloists, ballet, and stage. His newest works include "Time Regained," a fantasy for piano and orchestra for Peter Serkin, James Levine and the MET Opera Orchestra; Second Piano Quintet for Peter Serkin and the Brentano Quartet; Eighth Symphony for the Boston Symphony Orchestra; and the Fourth Piano Sonata, a 17-minute work in four movements, commissioned by Anne-Marie McDermott for premiere on "Free for All at Town Hall." His earlier piano sonatas are the Third written for Alan Feinberg in 1986; the Second written for Jeffrey Swann in 1976; and Sonata (1969) written for Robert Miller. His next project is an opera on Annie Proulx's "Brokeback Mountain."
About Clarice Assad
Clarice Assad is a classical and jazz composer, arranger, pianist, and vocalist.
A native of Rio de Janeiro, Clarice Assad was born into one of Brazil's most famous musical families (she is the daughter of Sergio Assad, one of today's preeminent guitarists and composers), and has performed professionally since the age of seven. Formal piano studies began with Sheila Zagury in Brazil; she then studied with Natalie Fortin and had additional instruction in jazz and Brazilian piano under the tutelage of Leandro Braga.
As a composer, her works have been published in France (Editions Lemoine), Germany (Trekel), and in the United States (Virtual Artists Collective Publishing), and have been performed in Europe, South America, the United States and Japan. Miss Assad's works often have a thematic core, and explore the physical and psychological elements of the chosen story, object or concept.
About "Free For All at Town Hall"
"Free For All at Town Hall" is a production of Twin Lions, Inc., a non-profit concert production company founded by Omus Hirshbein and Jacqueline Taylor. Their goal is to present great musicians in concerts that are free to the public in spaces that are good for both the music and the audience.
The inspiration for this venture came from Ms. Taylor's experience directing a project at the Chamber Music Society of Lincoln Center called "Beethoven 2000." To celebrate the year 2000, the Chamber Music Society presented the Orion String Quartet performing all of Beethoven's string quartets in six concerts. As a gift to the City of New York, the concerts were free. "People thought I was crazy," commented Ms. Taylor. "After all, it is relatively easy to sell the Beethoven String Quartets at Lincoln Center in New York City, so why give them away?" The answer came when the public arrived to pick up their tickets. Four thousand tickets were given away in under two hours, with the line at Alice Tully Hall stretching from Broadway to Amsterdam Avenue.
Twin Lions, Inc. chose to begin in New York's Town Hall - a McKim, Mead and White building completed in 1921 - for several reasons: one, because they believe it to be one of New York City's finest acoustical spaces; and second, the size of the hall (1,500 seats) would allow them to have large audiences. But, perhaps most important, is Town Hall's history. For a long time it was the place for an important young musician to make their New York debut. The list of people who have performed there is staggering, including Marian Anderson, Leonard Bernstein, Isaac Stern, Sergei Rachmaninoff, and Igor Stravinsky, to name only a few.
For listings
"FREE FOR ALL AT TOWN HALL"
ANNE-MARIE McDERMOTT, piano
Sunday, May 31 at 5 p.m.
The Town Hall
123 West 43rd Street (between 6th Avenue and Broadway)
New York, NY 10036
Tickets to all "Free for All" concerts are available only on the day of the concert, at the Town Hall Box Office, starting at noon. Tickets are distributed on a first-come, first-served basis, limit two to a customer; no reservations.
"FREE FOR ALL AT TOWN HALL"
HILARY HAHN, violin
Sunday, June 14 at 2 p.m.
The Town Hall
123 West 43rd Street (between 6th Avenue and Broadway)
New York, NY 10036
Tickets to all "Free for All" concerts are available only on the day of the concert, at the Town Hall Box Office, starting at noon. Tickets are distributed on a first-come, first-served basis, limit two to a customer; no reservations.
"FREE FOR ALL AT TOWN HALL"
EMERSON STRING QUARTET
Sunday, June 21 at 5 p.m.
The Town Hall
123 West 43rd Street (between 6th Avenue and Broadway)
New York, NY 10036
Tickets to all Free for All concerts are available only on the day of the concert, at the Town Hall Box Office, starting at noon. Tickets are distributed on a first-come, first-served basis, limit two to a customer; no reservations.