LSM Newswire

Saturday, March 27, 2010

Pink Martini - Concours video / Video contest

ENGLISH follows
Dpoussirez vos camras, trouvez un preneur de son, montez une quipe de tournage et auditionnez vos amis PINK MARTINI lance un appel aux cinastes de lAmrique du Nord afin de raliser son prochain vidoclip! Tous sont invits prendre part ce grand concours en soumettant un vidoclip ralis pour lune des six chansons du plus rcent album du groupe, Splendor in the Grass : Ninna nanna, Ohayoo Ohio, Splendor in the Grass, O est ma tte?, And Then Youre Gone ou Over the Valley.

Premier prix : Deux billets aller-retour pour Nice, France (dpart dun aroport majeur de lAmrique du Nord), trois nuites pour deux lhtel et deux billets pour assister au concert de Pink Martini au Festival de jazz de Nice le 24 juillet 2010. Le gagnant recevra de plus un montant de 500 Ǩ (ECU) en argent comptant pour dpenses personnelles ainsi quun paquet-cadeau contenant de la marchandise de Pink Martini.
Deuxime prix : Deux billets pour lun des concerts de Pink Martini aux tats-Unis ou au Canada en 2010, 250 $ (CAD) en argent comptant ainsi que de la marchandise de Pink Martini.

Troisime prix : Deux billets pour lun des concerts de Pink Martini aux tats-Unis ou au Canada en 2010, ainsi que de la marchandise de Pink Martini.

La vido doit inclure la version originale et complte de lune des six pices proposes. Les paroles sont accessibles ici.

Les vidoclips comportant des images violentes ou obscnes seront refuss demble.

Les participants doivent tre des rsidents des tats-Unis, du Canada ou du Mexique. Le concours prend fin le 31 mai 2010.

Pour connatre les rglements et les informations du concours, visitez le http://pinkmartini.com/video-contest/north-america/.

Les chansons peuvent tre coutes ici.
Dust off your video cameras, call your boom guy, bring in the best boy and cast your comradeswe want you, filmmakers of North America, to direct our next music video as part of our first ever Music Video Contest! We invite our fans to create a clever, inspired music video for the band for one of six songs from the new CD Splendor in the Grass: Ninna nanna, Ohayoo Ohio, Splendor in the Grass, Ou est ma tete?, And Then Youre Gone, or Over the Valley.

First, Second and Third place winners will receive the following prizes:
First Prize: Two round trip plane tickets to Nice, France (from a major North American airport), three nights for two at a hotel, and two tickets to see Pink Martini perform at the Nice Jazz Festival on July 24, 2010. In addition, the winner will receive 500 euros cash, and a package of special Pink Martini paraphernalia. Instead of above first prize, winner may, alternately, choose a $2500 cash prize.

Second Prize: Two tickets to any Pink Martini show in the US or Canada in 2010, $250 cash, and a package of Pink Martini paraphernalia.

Third Prize: Two tickets to any Pink Martini show in the US or Canada in 2010, and a package of Pink Martini paraphernalia.

The video should include the complete song for whichever song you choose. Lyrics for the songs are available here; songs can be streamed here. Please do not include violent images in the videos.
You must be a resident of the United States, Canada or Mexico to enter this contest. Contest deadline is May 31, 2010.

For a complete list of contest rules and information please visit
http://pinkmartini.com/video-contest/north-america/.

Patrice L'Ecuyer anime La Soire des Jutra

Toutes les informations au : www.lesjutra.ca
Patrice LEcuyer anime
La soire des Jutra en direct
de La Tohu de Montral
la Tlvision de Radio-Canada
Montral, 17 mars 2010 La Soire des Jutra, anime par Patrice LEcuyer, propose un gala blouissant dans lespace grandiose de La Tohu. Cest une premire pour un gala de cette nature et nul doute que le dfi doccuper ce lieu exceptionnel aura un effet lectrisant sur les spectateurs et offrira un cadre particulier la ralisation tlvisuelle. Cette soire magique sera donc diffuse en direct de La Tohu, le dimanche 28 mars 19 h 30 la Tlvision de Radio-Canada.

Couronnant les meilleurs artistes, artisans, techniciens et producteurs du cinma dici, La Soire des Jutra est le moment privilgi de lanne pour les clbrer. Patrice LEcuyer sera entour de prsentateurs bien connus, dont Danielle Proulx, Pascale Bussires, Normand DAmour, Jean-Carl Boucher, Bndicte Dcary, Maxim Gaudette,Sandrine Brisson, Karine Vanasse, Fanny Mallette, Michel Ct ainsi que dautres personnalits surprises. Le gala des Jutra veut aussi tre la vitrine prestigieuse de tous les talents des crateurs du cinma qubcois 2009 et rendre hommage avec classe aux artisans dici. Un gala hors dondes couronnera compter de 19 h La Tohu mme, les laurats dans les catgories Maquillage, Coiffure, Son, Costumes, Direction artistique, Film stant le plus illustr lextrieur du Qubec. Un bref montage des meilleurs moments de ce gala sera diffus pendant La Soire des Jutra o on partagera aussi un moment dmotion en rappelant le souvenir de grands disparus du 7e Art.

Le prix hommage sera dcern Ren Malo, dont la carrire bien remplie comme producteur et distributeur, sera illustre le soir du gala. Sylvain Larocque et Pascal Mailloux apporteront un soin particulier cet hommage afin de tmoigner de la place singulire que M. Malo a occupe durant plus de 30 ans dans le paysage cinmatographique.

Comdien et cinaste de grand talent et reconnu depuis plus de vingt ans comme un de nos metteurs en scne les plus inspirs, Yves Desgagns signe la direction artistique et la mise en scne. Jocelyn Barnab, qui on doit une multitude de productions substantielles, galas, concerts et missions concepts, ralise La Soire deS Jutra, une coproduction de La Grande Nuit du cinma et de Radio-Canada. Mgo assure la direction musicale.
 
Sur ARTV :
La rtrospective NOTRE CINMA et LA FIVRE DES JUTRA
ARTV donnera le coup denvoi de la 12e Soire des Jutra le 28 mars 19 h avec lmission spciale Notre Cinma, anime par Rebecca Makonnen, qui fera un survol des nominations La Soire des Jutra de cette anne.

Puis, vers 22 h, immdiatement aprs le gala diffus Radio-Canada, Ren Homier-Roy et Anne-Marie Withenshaw rencontreront en direct les principaux gagnants de la soire, dont les laurats des prix dinterprtation, dans le cadre de La Fivre des Jutra.
Cette mission sera rediffuse le lendemain, le lundi 29 mars 22 h 30 en direct sur radio-Canada.ca.

Les internautes pourront suivre la Soire des Jutra en direct sur le site radio-Canada.ca/jutra et participer au clavardage tout au long de la soire. Pour ceux qui ne pourront voir le gala en direct, les meilleurs moments seront offerts sur le site aprs la diffusion pendant un mois. Dici l, on peut consulter lalbum photos et la liste des finalistes, ainsi que la bande-annonce des films en nomination dans la catgorie MEILLEUR FILM, et le dfi cinma pour dcouvrir son profil de cinphile.

The Cleveland Orchestra announces Fall 2010 Tokyo Residency and Asian Tour

The Orchestra returns to Tokyo in a four-concert Residency at Suntory Hall

Music Director Franz Welser-Mst leads four programs in Japan and South Korea

Mitsuko Uchida is pianist and conductor for Mozart programs and featured soloist in Beethoven program in Japan

Tour includes first Cleveland Orchestra appearances at Kitara Concert Hall in Sapporo and Hyogo Performing Arts Center in Nishinomiya, Japan, and at Goyang Arts Center and Seoul Arts Center in South Korea

CLEVELAND, March 15, 2010 Music Director Franz Welser-Mst and The Cleveland Orchestra will embark on their tenth international tour together this fall, performing in Japan and South Korea.  Pianist Mitsuko Uchida will join the Orchestra in Japan.  The eight-concert, four-city tour begins with a performance in Sapporo, Japan, on November 10 and ends with a program at the Seoul Arts Center in South Korea on November 21.  The centerpiece of the tour is a Cleveland Orchestra Residency at Suntory Hall in Tokyo, with four concerts at the acclaimed venue.

Pianist Mitsuko Uchida will conduct from the keyboard in all-Mozart programs at Kitara Concert Hall in Sapporo (November 10), at Hyogo Performing Arts Center in Nishinomiya (November 12), and in concerts at Suntory Hall in Tokyo (November 14 and 16).  Ms. Uchida will also be featured as soloist with Franz Welser-Mst conducting an all-Beethoven program consisting of the Piano Concerto No. 4 in G major, Opus 58, and the Symphony No. 3 (Eroica) in E-flat major, Opus 55, at Suntory Hall on November 18.
 
Franz Welser-Mst will conduct a second program at Suntory Hall consisting of Debussys Prelude to the Afternoon of a Faun, Takemitsus Dream/Window, and Bruckners Symphony No. 7 in E major on November 17.  
         
The tour concludes with Mr. Welser-Mst conducting two programs in South Korea. On Saturday, November 20, he leads Debussys Prelude to the Afternoon of a Faun; Divertimento in D major, K. 136; and Beethovens Symphony No. 3 (Eroica) at the Goyang Arts Center. On Sunday, November 21, Mr. Welser-Mst conducts Bruckners Symphony No. 7 in E major and two works excerpted from Benjamin Brittens opera Peter Grimes the Four Sea Interludes and the Passacaglia at the Seoul Arts Center.

The Cleveland Orchestra in Asia
The Orchestra first performed in Japan in 1970 and most recently appeared there in 1998, during a tour of Japan and China.  The Cleveland Orchestra performed in Seoul, South Korea, for the first time in 1970, and most recently appeared there in 1978.  

TOUR FACTS AND HISTORY:
       Kitara Concert Hall:  The Orchestra has previously played in Sapporo in 1970.  This is the Orchestras first performance in Kitara Concert Hall.
       This will be the Orchestras first performance in the city of Nishinomiya, at the Hyogo Performing Arts Center.
       The Cleveland Orchestra has performed 12 times at Suntory Hall in Tokyo, including concerts for a Beethoven series with Christoph von Dohnnyi, the Orchestras former Music Director, in 1993, during which Mitsuko Uchida appeared as piano soloist.  The Orchestra most recently performed at the hall in 1998.
       The Orchestra has previously performed in Seoul in 1970 and 1978. 
       This will be its first time performing at the Goyang Arts Center in Goyang, South Korea, which opened in 2004, and the Seoul Arts Center, in Seoul, which opened in 1988.

International tours of The Cleveland Orchestra are supported by the Frances Elizabeth Wilkinson International Touring Fund.

(A detailed tour schedule, brief Orchestra history,
and biographies of Franz Welser-Mst and Mitsuko Uchida follow.)
 
THE CLEVELAND ORCHESTRA
TOKYO RESIDENCY AND ASIAN TOUR
NOVEMBER 10-21, 2010

SAPPORO, JAPAN
Wednesday, November 10, 2010, at 7:00 p.m.
Kitara Concert Hall
Mitsuko Uchida, conductor/piano
         
MOZART: Divertimento in D major, K.136
MOZART: Piano Concerto No. 20 in D minor, K. 466
MOZART: Piano Concerto No. 27 in B-flat major, K. 595

Nishinomiya, JAPAN
Friday, November 12, 2010, at 7:00 p.m.
Hyogo Performing Arts Center
Mitsuko Uchida, conductor/piano

MOZART: Divertimento in F major, K.138
MOZART: Piano Concerto No. 23 in A major, K. 488
MOZART: Piano Concerto No. 24 in C minor, K. 491

TOKYO, JAPAN
Sunday, November 14, 2010, at 7:00 p.m.
Suntory Hall
Mitsuko Uchida, conductor/piano

MOZART: Divertimento in F major, K.138
MOZART: Piano Concerto No. 23 in A major, K. 488
MOZART: Piano Concerto No. 24 in C minor, K. 491

TOKYO, JAPAN
Tuesday, November 16, 2010, at 7:00 p.m.
Suntory Hall
Mitsuko Uchida, conductor/piano

MOZART: Divertimento in D major, K.136
MOZART: Piano Concerto No. 20 in D minor, K. 466
MOZART: Piano Concerto No. 27 in B-flat major, K. 595

TOKYO, JAPAN
Wednesday, November 17, 2010, at 7:00 p.m.
Suntory Hall
Franz Welser-Mst, conductor

DEBUSSY: Prelude to the Afternoon of a Faun
TAKEMITSU: Dream/Window
BRUCKNER: Symphony No. 7 

TOKYO, JAPAN
Thursday, November 18, 2010, at 7:00 p.m.
Suntory Hall
Franz Welser-Mst, conductor
Mitsuko Uchida, piano

BEETHOVEN: Piano Concerto No. 4
BEETHOVEN: Symphony No. 3 (Eroica)

GOYANG, SOUTH KOREA
Saturday, November 20, 2010, at 8:00 p.m.
Goyang Arts Center
Franz Welser-Mst, conductor

DEBUSSY: Prelude to the Afternoon of a Faun
MOZART: Divertimento in D major, K.136
BEETHOVEN: Symphony No. 3 (Eroica)

SEOUL, SOUTH KOREA
Sunday, November 21, 2010, at 8:00 p.m.
Seoul Arts Center
Franz Welser-Mst, conductor

BRITTEN: Four Sea Interludes from Peter Grimes
BRITTEN: Passacaglia from Peter Grimes
BRUCKNER: Symphony No. 7

A Brief History of The Cleveland Orchestra
Under the leadership of Music Director Franz Welser-Mst, The Cleveland Orchestra has become one of the most sought-after performing ensembles in the world.  In concerts at its winter home at Severance Hall and at each summers Blossom Festival, in residencies from Miami to Vienna, and on tour around the world, The Cleveland Orchestra sets standards of artistic excellence, creative programming, and community engagement.

The Cleveland Orchestras educational programs, a cornerstone of the Orchestras original mission, have introduced nearly four million Cleveland-area schoolchildren to symphonic music since 1921.  During the 2009-10 season, the Orchestra launched a Community Music Initiative that began with orchestral performances led by Franz Welser-Mst in Cleveland Metropolitan School District public schools.  Designed to provide greater access to orchestral music for more of Northeast Ohios citizens than ever before, the Community Music Initiative introduces new programs throughout the year for students from preschool through high school.  The season closes in June 2010 with a free retrospective concert celebrating the tenth anniversary of the Daniel R. Lewis Young Composer fellowships, featuring new works created through this ongoing program.

The partnership with Franz Welser-Mst, now in its eighth season, has earned The Cleveland Orchestra unprecedented residencies in the United States and in Europe, including one at the Musikverein in Vienna the first of its kind by an American orchestra.  The Orchestra returned to Vienna during the 2009-10 season for its fourth Musikverein Residency as part of a nine-concert tour.  The Orchestra regularly appears at European festivals, including an ongoing series of biennial residencies at the Lucerne Festival (featuring Roche Commissions, a project involving the Orchestra, the Festival, and Carnegie Hall).  In the United States, Mr. Welser-Mst and the Orchestra have toured from coast to coast, including regular appearances at Carnegie Hall, and in January 2007 began an unprecedented long-term residency project in Miami, Florida, where they perform annually at the Adrienne Arsht Center for the Performing Arts of Miami-Dade County and provide a wide array of community and educational activities.  In addition, the 2009-10 season marks the announcement of a residency at New Yorks Lincoln Center Festival that starts in 2011 and will feature The Cleveland Orchestra in Vienna State Opera productions.

 The Cleveland Orchestra was founded in 1918 by a group of local citizens.  It has been led by seven music directors (Nikolai Sokoloff 1918-33, Artur Rodzinski 1933-43, Erich Leinsdorf 1943-46, George Szell 1946-70, Lorin Maazel 1972-82, Christoph von Dohnnyi 1984-2002, and Franz Welser-Mst 2002-present), and one musical advisor (Pierre Boulez 1970-72).  Expansion to a year-round schedule was made possible in 1968 with the opening of Blossom Music Center, an outdoor facility in nearby Cuyahoga Falls that is home to the Orchestras Blossom Festival.  Today, touring, residencies, radio broadcasts, and recordings available by internet download and on DVD and CD provide access to the Orchestras music-making to a broad and loyal constituency around the world.
For additional information, please visit clevelandorchestra.com.

Franz Welser-Mst
Music Director
Kelvin Smith Family Endowed Chair
The Cleveland Orchestra

Franz Welser-Mst is in his eighth year as Music Director of The Cleveland Orchestra.  His long-term commitment extends to the Orchestras centennial in 2018.  Under his direction, the Orchestra holds residencies in the United States and Europe, champions living composers, partners with Northeast Ohio public schools and conservatories, and has re-established itself as an operatic ensemble.  Concurrently with his post in Cleveland, Mr. Welser-Mst becomes General Music Director of the Vienna State Opera in the autumn of 2010.

Under Mr. Welser-Msts leadership, The Cleveland Orchestra holds ongoing residencies at Viennas famed Musikverein hall and Switzerlands Lucerne Festival, along with an annual Miami Residency.  In 2011, Mr. Welser-Mst and the Orchestra launch a biennial residency at New Yorks Lincoln Center Festival, which will feature The Cleveland Orchestra in Vienna State Opera productions.

Under Franz Welser-Mst, The Cleveland Orchestra has presented eleven world and fourteen United States premieres.  In 2009, Mr. Welser-Mst led a Zurich Opera production of The Marriage of Figaro at Severance Hall.  He and The Cleveland Orchestra continue the Mozart/Da Ponte operas in Cleveland with Mozarts Cos fan tutte in 2009-10 and Don Giovanni in 2010-11.
 
Recent and upcoming international engagements include a new production of Wagners Ring cycle with stage director Sven-Eric Bechtolf at the Vienna State Opera.  During the 2009-10 season, Mr. Welser-Mst leads additional Ring performances, as well as Wagners Tannhuser and Parsifal, with the Vienna State Opera.  In the summer of 2009, Franz Welser-Mst appeared with the Vienna Philharmonic at the Salzburg Festival, the BBC Proms, and the Lucerne Festival.  He also conducted the Berlin Philharmonic at the 2009 Salzburg Easter Festival.

Following his 1989 American debut and prior to his appointment in Cleveland, Mr. Welser-Mst regularly guest-conducted the orchestras of Boston, Chicago, Cleveland, Los Angeles, New York, and Philadelphia.  Mr. Welser-Mst was music director of the London Philharmonic from 1990 to 1996.  Across his decade-long tenure with the Zurich Opera, culminating in three seasons as General Music Director (2005-08), Mr. Welser-Mst led more than 40 new productions.  In the spring of 2010, he leads Strausss Die Frau ohne Schatten and Mozarts Cos fan tutte in Zurich.
            
Mr. Welser-Msts recordings and videos have won the Gramophone Award, Diapason dOr, Japanese Record Academy Award, and two Grammy nominations.  Mr. Welser-Mst has led The Cleveland Orchestra in video recordings of live performances of the Bruckner Symphonies Nos. 5, 7, and 9.  Mr. Welser-Mst and The Cleveland Orchestra released a recording of Beethovens Ninth Symphony on Deutsche Grammophon in 2007.
            
Mr. Welser-Mst has been recognized by the Western Law Center for Disability Rights and is an honorary member of the Vienna Singverein.  Musical America named him the 2003 Conductor of the Year.
 
Mitsuko Uchida

Mitsuko Uchidas interpretations of a wide range of repertoire have gained her a formidable reputation as a pianist who brings intellectual acuity and musical insight to her performances.   She is particularly noted for her interpretations of Mozart and Schubert, both in the concert hall and on CD, but also has illuminated the music of Berg, Schoenberg, Webern, Boulez, and Beethoven for a new generation of listeners.
 
Ms. Uchida made her Cleveland Orchestra debut in February 1990, and since that time has performed with the Orchestra at Severance Hall, at the Blossom Festival, and on tour to Europe and Japan.  Between 2002 and 2007, she played and conducted from the keyboard an acclaimed series of Mozart piano concertos with The Cleveland Orchestra.  Her most recent appearances with the Orchestra included performances of the Beethoven Piano Concerto No. 4 at Severance Hall and during the Orchestras fall 2009 European tour and Vienna Musikverein Residency. 

Mitsuko Uchidas latest recording with the Cleveland Orchestra features her conducting the ensemble from the keyboard in performances of the Mozart Piano Concertos Nos. 23 (K.488) and 24 (K.491).  The recording was a bestseller in the United Kingdom, ranked Top Ten Exceptional Recordings of 2009 by New Yorker Magazine, and Editors Choice by Gramophone Magazine.
 
Mitsuko Uchida performs throughout the world with many different partners.  She was the focus of a Carnegie Hall Perspectives series titled Mitsuko Uchida: Vienna Revisited and took part in Mozart 250th birthday celebrations in Salzburg.  She has been artist-in-residence at The Cleveland Orchestra as well as with the Berlin Philharmonic, with the Konzerthaus Vienna, and at Salzburg Mozartwoche.
 
Mitsuko Uchida records exclusively for Decca.  In April 2008, BBC Music Magazine presented its Instrumentalist of the Year and Disc of the Year awards to Ms. Uchida.  Her recording of Schoenbergs Piano Concerto with Pierre Boulez and The Cleveland Orchestra won four awards in 2001, including one from Gramophone for best concerto recording.
 
Mitsuko Uchida has demonstrated a long-standing commitment to aiding the development of young musicians and is a trustee of the Borletti-Buitoni Trust.  She is also co-director, with Richard Goode, of the Marlboro Music Festival in Vermont. 

The Cleveland Orchestras 2010-11 season includes wide-ranging programs and initiatives

Community programming, staged opera, alternate concert formats, and traditional orchestral concerts combine to sustain audience growth and support in Northeast Ohio

Mozarts Don Giovanni, starring Simon Keenlyside, concludes the Orchestras Mozart/Da Ponte cycle of fully staged opera

Music Director Franz Welser-Mst opens the season with a public-school performance for the second consecutive year

National and international appearances include annual Miami Residency in its fifth season, new Tokyo Residency, and first academic residency at Indiana University
 
CLEVELAND, March 15, 2010 The Cleveland Orchestra has announced its 2010-11 season. Under the leadership of Music Director Franz Welser-Mst, the Orchestra continues its local programming diversification with numerous initiatives to attract new audiences and support.  Within a full schedule of traditional subscription concerts, the season will feature the new series introduced in 2009 including Fridays@7, Musically Speaking, and the Celebrity Series, alongside fully staged opera.  Also in the coming season, the Orchestra will inaugurate a two week Baroque Festival in Severance Hall. 

Orchestra performances in public schools are an important part of The Cleveland Orchestras history.  Franz Welser-Mst restored that tradition in the 2009-10 season when he conducted the Orchestra in two high schools in Cleveland and one in Miami.  Hundreds of students who had never heard live orchestral music before were able to experience it for the first time.  The Orchestras traditional Education Concerts at Severance Hall for more than 16,000 students annually will continue, as well as the Cleveland Orchestra Family Concert series.
            
The innovative variety of concert programs and formats presents audiences in Northeast Ohio with multiple ways to partake of symphonic music.  Fridays@7 offers a social experience, Musically Speaking brings new audiences and long-time fans closer to the music, and the Celebrity Series spotlights different genres of music. 

Music Director Franz Welser-Msts Programming
Franz Welser-Mst opens his ninth season with The Cleveland Orchestra with a program including Stravinskys The Rite of Spring, in two subscription concerts at Severance Hall and at a Cleveland Metropolitan School District high school.  Also during the 2010-11 season, Mr. Welser-Mst will conduct John Adamss Doctor Atomic Symphony; Bachs Mass in F major (BWV 233); Bartks Music for Strings, Percussion, and Celesta; Bartks Second Piano Concerto and Schumanns Piano Concerto with Pierre-Laurent Aimard; Beethovens Symphonies Nos. 3 and 8; Dvoks Te Deum, Mahlers Symphony No. 4; a fully staged production of Mozarts Don Giovanni; Rossinis Stabat Mater; and Strausss Ein Heldenleben, among 39 performances at Severance Hall, the Miami Residency, and on tour.  Mr. Welser-Mst will lead the fifth Roche Commission, an American premiere of Woven Dreams, by Toshio Hosokawa, in January.  At the end of the season, Mr. Welser-Mst conducts the world premiere of Daniel R. Lewis Young Composer Fellow Jrg Widmanns Flute Concerto and the Cleveland Orchestra premiere of On a Wire, a concerto for eighth blackbird by Jennifer Higdon that is a co-commission by six orchestras.

Franz Welser-Mst will conduct Bruckner Symphonies Nos. 5 and 7 in the 2010-11 season.  He has led the Orchestra in three DVD productions of Bruckner symphonies in three historic venues the Abbey of St. Florian in Linz, Austria, the Musikverein in Vienna, Austria, and in Cleveland at Severance Hall which have been telecast in Europe and the United States.  In 2011, during the Orchestras residency at the Lincoln Center Festival, Mr. Welser-Mst will conduct four Bruckner symphonies.  Mr. Welser-Mst is a native of Linz, Austria, where Bruckner spent the formative years of his career.

Mozarts Don Giovanni
The Mozart/Da Ponte cycle of operas fully staged at Severance Hall concludes as Franz Welser-Mst conducts Don Giovanni on March 19, 22, 24, and 27, 2011.  The production of Don Giovanni will be based on the Zurich Opera production directed by Sven-Eric Bechtolf.  The Orchestras three-season cycle of the Mozart/Da Ponte operas began in 2009, with four performances of Le nozze di Figaro.  The same number of performances of Cos fan tutte were presented in March 2010.

Baritone Simon Keenlyside will perform the title role of Don Giovanni, in his first performances of the role in the United States.  He can switch from genteel seductiveness to physical threat in a moment, registering all the gradations in his wonderfully vital and well-focused singing, wrote the Guardian of London, reviewing a performance by Mr. Keenlyside in Don Giovanni at Covent Garden.  In a review of a 2008 production at the Royal Opera House, the Guardian described Mr. Keenlyside as a tour de force.  Mr. Keenlyside most recently appeared with the Orchestra during a Cleveland Orchestra Musikverein Residency in Vienna in the fall of 2009. 

  The cast for Don Giovanni includes soprano Eva Mei (Donna Anna) in her Cleveland Orchestra debut, soprano Malin Hartelius (Donna Elvira), baritone Ruben Drole (Leporello), tenor Shawn Mathey (Don Ottavio) in his Cleveland Orchestra debut, soprano Martina Jankov (Zerlina), baritone Reinhard Mayr (Masetto) in his Cleveland Orchestra debut, bass-baritone Alfred Muff (Commendatore), and the Cleveland Orchestra Opera Chorus.  The opera will be performed in Italian, with English supertitles.

Orchestras Baroque Festival Features Artist-in-Residence Ton Koopman
Ton Koopman will lead a two-week Baroque Festival with The Cleveland Orchestra at Severance Hall in April and May, including works by J.S. Bach, C.P.E. Bach, and Handel.  Mr. Koopman will become the Orchestras Artist-in-Residence with the 2010-11 season.  He is the founder and conductor of the Amsterdam Baroque Orchestra and Choir, artistic director of the French Festival Itinraire Baroque, Professor at the University of Leiden, and an Honorary Member of the Royal Academy of Music in London.  He was named as Artist-in-Residence for The Cleveland Orchestra in June 2008, following his debut with the Orchestra in February 2008.  The three-year Artist-in-Residence position is supported by the Malcolm E. Kenney Artist-in-Residence Fund. 
 
Jrg Widmann, Daniel R. Lewis Young Composer Fellow
Franz Welser-Mst will conduct the world premiere of Jrg Widmanns Flute Concerto, featuring Cleveland Orchestra Principal Flute Joshua Smith, at Severance Hall in May 2011.  German composer Jrg Widmann is the Orchestras sixth Daniel R. Lewis Young Composer Fellow.  In his second season with the Orchestra, Mr. Widmann will continue to participate in rehearsals, masterclasses, and educational activities.
Mr. Widmann is a winner of the Claudio Abbado Composition Award of the Berlin Philharmonic Orchestra Academy, and most recently the winner of the Chamber Music Society of Lincoln Centers Elise L. Stoeger Prize. The Flute Concerto was commissioned by The Cleveland Orchestra through the Young Composers Fund, established in 1997 by a $1 million gift from Jan R. and Daniel R. Lewis, who reside in Florida.  Mr. Lewis is the Chair of the Musical Arts Association of Miami.  
 
Conductor and Soloist Debuts
Guest conductors making their Cleveland Orchestra debuts in 2010-11 are Ji Blohlvek, Andrey Boreyko, Thomas Dausgaard, and Vladimir Jurowski.  Other artists debuting this season are tenor Shawn Mathey, baritone Reinhard Mayr, soprano Eva Mei, bass-baritone Luca Pisaroni, soprano Jessica Rivera, and the ensemble eighth blackbird.  Mitsuko Uchida appears this season with the Orchestra in Japan, and will perform a solo recital at Severance Hall in February.  Violinist Julia Fischer, cellist Alban Gerhardt, and pianists David Fray and Kirill Gerstein will mark their Severance Hall debuts they have performed with the Orchestra in prior seasons at Blossom Music Center.
 
Returning Artists
            Several conductors make return visits this season: Semyon Bychkov, Herbert Blomstedt, Andrew Davis, Music Director Laureate Christoph von Dohnnyi, Hans Graf, Ton Koopman, Kurt Masur, Matthias Pintscher, and Pinchas Steinberg.  Returning soloists include Pierre-Laurent Aimard, Emanuel Ax, Anna Bonitatibus, Laura Claycomb, Ruben Drole, Andrew Foster-Williams, Horacio Gutirrez, Malin Hartelius, Steven Isserlis, Martina Jankov, Leonidas Kavakos, Simon Keenlyside, Radu Lupu, Christopher Maltman, Martin Mitterrutzner, Alfred Muff, Kelley OConnor, Garrick Ohlsson, and Frank Peter Zimmermann. 
The season features five members of the Orchestra as soloists.  Franklin Cohen, Principal Clarinet, will perform Nielsens Clarinet Concerto; Richard King, Principal Horn, will perform in programs led by Christoph von Dohnnyi; William Preucil, Concertmaster, will perform Mozarts Violin Concerto No. 5; Joshua Smith, Principal Flute, premieres Widmanns Flute Concerto; and Robert Walters, Solo English Horn, will perform Vaskss English Horn Concerto.

Miami Residency
The Cleveland Orchestras annual Miami Residency continues in its fifth season at the Adrienne Arsht Center for the Performing Arts of Miami-Dade County.  The Orchestras Miami Residency includes a series of subscription concerts at the Adrienne Arsht Center as well as education and family concerts, and a broad spectrum of music education and outreach activities in the Miami-Dade community. 

In 2010, Cleveland Orchestra collaborations include New World Symphony fellows and the University of Miamis Frost School of Music students, with masterclasses led by members of The Cleveland Orchestra, reading sessions of new music, access to Cleveland Orchestra working rehearsals, and an upcoming event at the Museum of Contemporary Art in North Miami.  In partnership with Miami-Dade County Public Schools, the Orchestra continues to provide Education Concerts for fifth-grade students, Musical Rainbows for younger school children, and high-school coachings for older students, plus a Cleveland Orchestra Family Concert. 

The Orchestras residency activities in Miami are conceived and made possible with the leadership of the Musical Arts Association of Miami, the Miami-based board governing the Orchestras Miami Residency.
Details of The Cleveland Orchestra 2011 Miami Residency will be announced at a later date.
 
Tokyo Residency and Asian Tour
Music Director Franz Welser-Mst and The Cleveland Orchestra will embark on their tenth international tour together this fall, performing in Japan and South Korea.  Mitsuko Uchida will join the Orchestra in Japan.  The eight-concert, four-city tour begins with a performance in Sapporo, Japan, on November 10 and ends with a program at the Seoul Arts Center in South Korea on November 21.  The centerpiece of the tour is a Cleveland Orchestra Residency at Suntory Hall in Tokyo, with four concerts at the acclaimed venue.  More tour details are available in a separate release.

Indiana University Residency
In January 2011, The Cleveland Orchestra will participate in an intensive residency at Indiana University.  The IU Jacobs School of Music and IU Auditorium have partnered to present a concert during IU Auditoriums season of events and to broaden the orchestras visit to bring additional learning opportunities to students on campus and in the community.  The IU Residency will include masterclasses, coachings, arts administration seminars, and other community and educational activities.  Plans call for every principal musician in The Cleveland Orchestra to teach a class for IU students; students will also have an opportunity to take part in side-by-side rehearsals with The Cleveland Orchestra.

Carnegie Hall and United States Tour
The Orchestra will tour in February to Hill Auditorium, on the campus of the University of Michigan in Ann Arbor, on February 1, and to Symphony Center in Chicago on February 2.  The Orchestra will appear in two programs at Carnegie Hall in New York, on February 4 and 5. At the end of the tour, the Orchestra performs at the New Jersey Performing Arts Center in Newark on February 6.  Franz Welser-Mst will lead all performances, and Pierre-Laurent Aimard will appear as soloist in four of the five programs on the tour.

Alternate Concert Formats Welcome Audiences Seeking New and Different Experiences
The Fridays@7 concert series continues with five programs in 2010-11, following its success in attracting new audiences in 2009-10.  More than 800 new ticket buyers have attended the new series thus far in the 2009-10 season.  The format is an hour-long Orchestra concert at the early start time, followed by entertaining and diverse styles of world music featuring international musicians, along with food and drink in a casual atmosphere. In the 2010-11 season, Franz Welser-Mst, Pinchas Steinberg, and Ji Blohlvek will conduct concerts in the Fridays@7 series.

 As part of the popular Musically Speaking series, an HD presentation of Holsts The Planets will feature breathtaking NASA images projected on a giant screen during the performance.  The complete work includes Women of the Cleveland Orchestra Chorus.  The series also includes a Chicago Symphony Orchestras Beyond the Score program of Prokofievs Symphony No. 5 and a full performance of baroque and classical works led by Ton Koopman, featuring cellist Steven Isserlis, with a preview discussion prior to the performance. 

The Celebrity Series will continue in 2010-11, spotlighting diverse artists and repertoire, embracing many genres.  Guest artists and repertoire for the series will be announced in August.  More people will attend the Celebrity Series per concert than any other series offered by the Orchestra in 2009-10.
 
Subscription and Ticket Information
A variety of subscription options will be available for Thursday, Friday, Saturday, and Sunday concerts.  Subscriptions will go on sale March 22.  Tickets to individual performances go on sale in August.  For more information, call the Ticket Office at (216) 231-1111 or (800) 686-1141 or visit us online at www.clevelandorchestra.com. 

The Severance Hall Ticket Office and Subscription Office are located on street level in the Smith Lobby.  The entrance and 15-minute Ticket Service parking are along the west side of the building, on East Boulevard.  Severance Hall Ticket Office hours are Monday through Friday from 9:00 a.m. to 6:00 p.m. and Saturdays from 10:00 a.m. to 6:00 p.m. (closed Sundays and holidays except for those days with performances, when the Ticket Office will be open three hours prior to each performance).  Severance Hall Subscription Office Hours are Monday through Friday from 9:00 a.m. to 5:00 p.m.

Contact: Ana Papakhian, (216) 231-7476 / Email: anap@clevelandorchestra.com
Jennifer Schlosser, (216) 231-7518 / Email: jschlosser@clevelandorchestra.com

2010-11 Season at Severance Hall  

Thursday, SEPTEMBER 23 at 8 p.m.
Saturday, SEPTEMBER 25 at 8 p.m.
Franz Welser-Mst, conductor
Laura Claycomb, soprano
Kelley OConnor, mezzo-soprano
Andrew Foster-Williams, bass-baritone
Cleveland Orchestra Chamber Chorus

TAKEMITSU  Dream/Window FIRST CLEVELAND ORCHESTRA PERFORMANCES
BACH  Mass in F major, BWV 233 FIRST CLEVELAND ORCHESTRA PERFORMANCES
DEBUSSY  Prelude to the Afternoon of a Faun
STRAVINSKY  The Rite of Spring 

Thursday, SEPTEMBER 30 at 8 p.m.
Saturday, OCTOBER 2 at 8 p.m.
Franz Welser-Mst, conductor

BRITTEN  Four Sea Interludes from Peter Grimes
BRITTEN  Passacaglia from Peter Grimes
BRUCKNER   Symphony No. 7

Friday, OCTOBER 1 at 7 p.m.
Franz Welser-Mst, conductor

Fridays@7

TAKEMITSU  Dream/Window
BEETHOVEN  Symphony No. 3 (Eroica)

Thursday, OCTOBER 7 at 8 p.m.
Friday, OCTOBER 8 at 8 p.m.
Saturday, OCTOBER 9 at 8 p.m.
Sunday, OCTOBER 10 at 3 p.m.
Semyon Bychkov, conductor
Kirill Gerstein, piano Severance Hall debut
 
BRAHMS  Symphony No. 3
RACHMANINOFF  Rhapsody on a Theme of Paganini
RAVEL  La Valse

Thursday, OCTOBER 21 at 8 p.m.
Saturday, OCTOBER 23 at 8 p.m.
Herbert Blomstedt, conductor
Garrick Ohlsson, piano

BRAHMS  Academic Festival Overture
HINDEMITH   Symphony, Mathis der Maler
BEETHOVEN   Piano Concerto No. 5 (Emperor)

Friday, OCTOBER 22 at 11 a.m.
Herbert Blomstedt, conductor
Garrick Ohlsson, piano

HINDEMITH   Symphony, Mathis der Maler
BEETHOVEN   Piano Concerto No. 5 (Emperor)

Thursday, OCTOBER 28 at 8 p.m.
Saturday, OCTOBER 30 at 8 p.m.
Andrew Davis, conductor
William Preucil, violin
Christopher Maltman, baritone
Cleveland Orchestra Chorus

HAYDN   Symphony No. 22 (The Philosopher) FIRST CLEVELAND ORCHESTRA PERFORMANCES
VAUGHAN WILLIAMS   Five Mystical Songs
MOZART   Violin Concerto No. 5, K. 219
VAUGHAN WILLIAMS   Toward the Unknown Region FIRST CLEVELAND ORCHESTRA PERFORMANCES

Thursday, NOVEMBER 4 at 8 p.m.
Matthias Pintscher, conductor
Alban Gerhardt, cello Severance Hall debut

RAVEL  Alborada del gracioso
PINTSCHER  Reflections on Narcissus, for cello and orchestra FIRST CLEVELAND ORCHESTRA PERFORMANCES
RAVEL  Ma Mre lOye (Mother Goose)
DUKAS  The Sorcerers Apprentice

November 10 21, 2010
The Cleveland Orchestra
Tokyo Residency and Asian Tour
Details are provided in a separate news release.

Saturday, NOVEMBER 27 at 8 p.m.
Hans Graf, conductor
Women of the Cleveland Orchestra Chorus

SAARIAHO  Asteroid 4179: Toutatis FIRST CLEVELAND ORCHESTRA PERFORMANCES
MOZART  Symphony No. 41 (Jupiter), K. 551
HOLST  The Planets An HD Odyssey

Sunday, NOVEMBER 28 at 3 p.m.
Hans Graf, conductor
Women of the Cleveland Orchestra Chorus

Musically Speaking

SAARIAHO  Asteroid 4179: Toutatis FIRST CLEVELAND ORCHESTRA PERFORMANCES
MOZART  Symphony No. 41 (Jupiter), K. 551
HOLST  The Planets An HD Odyssey

Thursday, DECEMBER 2 at 8 p.m.
Saturday, DECEMBER 4 at 8 p.m.
Pinchas Steinberg, conductor
Franklin Cohen, clarinet

NICOLAI   Overture to The Merry Wives of Windsor
NIELSEN   Clarinet Concerto
MAHLER   Symphony No. 1

Friday, DECEMBER 3 at 7 p.m.
Pinchas Steinberg, conductor

Fridays@7
 NICOLAI   Overture to The Merry Wives of Windsor
MAHLER   Symphony No. 1

Thursday, JANUARY 6 at 8 p.m.
Friday, JANUARY 7 at 11 a.m.
Saturday, JANUARY 8 at 8 p.m.
Christoph von Dohnnyi, conductor
Richard King, horn

Program to be announced
Thursday, JANUARY 13 at 8 p.m.
Saturday, JANUARY 15 at 8 p.m.
Franz Welser-Mst, conductor
Radu Lupu, piano

WAGNER   Overture to Tannhuser
SCHUMANN   Piano Concerto
R. STRAUSS   Ein Heldenleben

Friday, JANUARY 14 at 7 p.m.
Franz Welser-Mst, conductor

Fridays@7 

WAGNER   Overture to Tannhuser
R. STRAUSS   Ein Heldenleben

Thursday, JANUARY 20 at 8 p.m.
Saturday, JANUARY 22 at 8 p.m.
Franz Welser-Mst, conductor
Pierre-Laurent Aimard, piano

R. STRAUSS:  Trumerei am Kamin from Intermezzo
FIRST CLEVELAND ORCHESTRA PERFORMANCES
HOSOKAWA  Woven Dreams U.S. PREMIERE
BARTK   Piano Concerto No. 2
BARTK   Music for Strings, Percussion, and Celesta

Friday, JANUARY 21 at 11 a.m.
Franz Welser-Mst, conductor
Pierre-Laurent Aimard, piano

HOSOKAWA  Woven Dreams U.S. PREMIERE
BARTK   Piano Concerto No. 2
R. STRAUSS:  Trumerei am Kamin from Intermezzo
FIRST CLEVELAND ORCHESTRA PERFORMANCES

Friday, FEBRUARY 11 at 8 p.m.
Saturday, FEBRUARY 12 at 8 p.m.
Sunday, FEBRUARY 13 at 3 p.m.
Vladimir Jurowski, conductor Cleveland Orchestra debut
Leonidas Kavakos, violin

MUSSORGSKY  Prelude to Khovanshchina
SIBELIUS  Violin Concerto
TCHAIKOVSKY  Manfred Symphony

Thursday, FEBRUARY 17 at 8 p.m.
Saturday, FEBRUARY 19 at 8 p.m.
Thomas Dausgaard, conductor Cleveland Orchestra debut
Frank Peter Zimmermann, violin

SIBELIUS  Symphony No. 7
SZYMANOWSKI  Violin Concerto No. 1
NIELSEN  Symphony No. 4 (The Inextinguishable)

Friday, FEBRUARY 18 at 11 a.m.
Thomas Dausgaard, conductor Cleveland Orchestra debut
Frank Peter Zimmermann, violin

SZYMANOWSKI  Violin Concerto No. 1
NIELSEN  Symphony No. 4 (The Inextinguishable)

Thursday, FEBRUARY 24 at 8 p.m.
Saturday, FEBRUARY 26 at 8 p.m.
Andrey Boreyko, conductor Cleveland Orchestra debut
Robert Walters, english horn

BARTK  Suite from The Wooden Prince
VASKS  English Horn Concerto FIRST CLEVELAND ORCHESTRA PERFORMANCES
PROKOFIEV  Symphony No. 5

Sunday, FEBRUARY 27 at 3 p.m.
Andrey Boreyko, conductor Cleveland Orchestra debut

Musically Speaking Beyond the Score

PROKOFIEV  Symphony No. 5

Thursday, MARCH 10 at 8 p.m.
Saturday, MARCH 12 at 8 p.m.
Franz Welser-Mst, conductor
Jessica Rivera, soprano Cleveland Orchestra debut
Cleveland Orchestra Chorus

DVOK  Te Deum FIRST CLEVELAND ORCHESTRA PERFORMANCES
MAHLER  Symphony No. 4

Saturday, MARCH 19 at 7 p.m.
Tuesday, MARCH 22 at 7 p.m.
Thursday, MARCH 24 at 7 p.m.
Sunday, MARCH 27 at 3 p.m.
Franz Welser-Mst, conductor
Simon Keenlyside, baritone (Don Giovanni)
Eva Mei, soprano (Donna Anna) Cleveland Orchestra debut
Malin Hartelius, soprano (Donna Elvira)
Ruben Drole, baritone (Leporello)
Shawn Mathey, tenor (Don Ottavio) Cleveland Orchestra debut
Martina Jankov, soprano (Zerlina)
Reinhard Mayr, baritone (Masetto) Cleveland Orchestra debut
Alfred Muff, bass-baritone (Commendatore)
Cleveland Orchestra Opera Chorus

MOZART   Don Giovanni, K. 527 FIRST CLEVELAND ORCHESTRA PERFORMANCES
                    (Sung in Italian with English supertitles)

Thursday, MARCH 31 at 8 p.m.
Saturday, APRIL 2 at 8 p.m.
Ji Blohlvek, conductor Cleveland Orchestra debut
Horacio Gutirrez, piano

HAYDN  Symphony No. 96 (Miracle)
RACHMANINOFF  Piano Concerto No. 2
DVOK  Symphony No. 7

Friday, APRIL 1 at 7 p.m.
Ji Blohlvek, conductor Cleveland Orchestra debut
Horacio Gutirrez, piano

Fridays@7

RACHMANINOFF  Piano Concerto No. 2
DVOK  Symphony No. 7

Thursday, APRIL 21 at 8 p.m.
Friday, APRIL 22 at 8 p.m.
Saturday, APRIL 23 at 8 p.m.
Kurt Masur, conductor
David Fray, piano Severance Hall debut

MENDELSSOHN  Overture, The Hebrides (Fingals Cave)
BEETHOVEN  Piano Concerto No. 2
BRAHMS  Symphony No. 4

Thursday, APRIL 28 at 8 p.m.
Saturday, APRIL 30 at 8 p.m.
Ton Koopman, conductor

BACH  Suite No. 1 for Orchestra, BWV 1066
BACH  Brandenburg Concerto No. 1, BWV 1046
HANDEL  Suite from Music for the Royal Fireworks
MOZART  Symphony No. 25, K. 183

Friday, MAY 6 at 11 a.m.
Ton Koopman, conductor
Steven Isserlis, cello

C.P.E. BACH  Sinfonia in D major, Wq. 183, No. 1 FIRST CLEVELAND ORCHESTRA PERFORMANCES
C.P.E. BACH  Cello Concerto in A major, Wq. 172 FIRST CLEVELAND ORCHESTRA PERFORMANCES
HAYDN  Symphony No. 98

Sunday, MAY 8 at 3 p.m.
Ton Koopman, conductor
Steven Isserlis, cello

Musically Speaking 

C.P.E. BACH  Sinfonia in D major, Wq. 183, No. 1 FIRST CLEVELAND ORCHESTRA PERFORMANCES
C.P.E. BACH  Cello Concerto in A major, Wq. 172 FIRST CLEVELAND ORCHESTRA PERFORMANCES
C.P.E. BACH  Sinfonia in G major, Wq. 183, No. 4 FIRST CLEVELAND ORCHESTRA PERFORMANCES
HAYDN  Symphony No. 98

Thursday, MAY 12 at 8 p.m.
Friday, MAY 13 at 8 p.m.
Saturday, MAY 14 at 8 p.m.
Franz Welser-Mst, conductor
Julia Fischer, violin Severance Hall debut

BERG  Violin Concerto
BRUCKNER  Symphony No. 5

Thursday, MAY 19 at 8 p.m.
Saturday, MAY 21 at 8 p.m.
Franz Welser-Mst, conductor
Emanuel Ax, piano

ADAMS  Guide to Strange Places
HAYDN  Piano Concerto in D major
STRAVINSKY  Capriccio for Piano and Orchestra
BEETHOVEN  Symphony No. 8

Friday, MAY 20 at 11 a.m.
Franz Welser-Mst, conductor
Emanuel Ax, piano

ADAMS  Guide to Strange Places
HAYDN  Piano Concerto in D major
BEETHOVEN  Symphony No. 8

Thursday, MAY 26 at 8 p.m.
Saturday, MAY 28 at 8 p.m.
Franz Welser-Mst, conductor
Joshua Smith, flute
Malin Hartelius, soprano
Anna Bonitatibus, mezzo-soprano
Martin Mitterrutzner, tenor
Luca Pisaroni, bass-baritone Cleveland Orchestra debut
Cleveland Orchestra Chorus

WIDMANN  Flute Concerto WORLD PREMIERE
ROSSINI  Stabat Mater

Friday, MAY 27 at 7 p.m.
Franz Welser-Mst, conductor
Joshua Smith, flute
eighth blackbird Cleveland Orchestra debut

Fridays@7

ADAMS  Doctor Atomic Symphony
WIDMANN  Flute Concerto WORLD PREMIERE
HIGDON  On a Wire Concerto for eighth blackbird and Orchestra
FIRST CLEVELAND ORCHESTRA PERFORMANCE

New Centrediscs CD: 3 Concerti Just Released

PIANIST CHRISTINA PETROWSKA QUILICO PLAYS

CONCERTI BY THREE CANADIAN WOMEN COMPOSERS 

Pianist Christina Petrowska Quilico, long a champion of the music of contemporary composers, particularly those of her native Canada, performs works by three Canadian women composers for piano and orchestra, in 3 Concerti, a new Centrediscs release from the Canadian Music Centre.

The new CD (CMCCD 15610) features compositions by Alexina Louie, Larysa Kuzmenko and Violet Archer (1913-2000).  They were recorded for broadcast by CBC Radio over the past two decades.  

3 Concerti marks Petrowska Quilicos 23rd CD, and seventh on the Centrediscs label.   

The CD features the following, all with Petrowska Quilico as piano soloist:

Alexina Louie: Concerto for Piano and Orchestra (1984) with the National Arts Centre Orchestra conducted by Alex Pauk.

Violet Archer: Concerto No.1 for Piano and Orchestra (1956) with the CBC Vancouver Orchestra conducted by John Eliot Gardiner.

Larysa Kuzmenko: Piano Concerto (1995, rev. 1996) with the Toronto Symphony Orchestra conducted by Jukka-Pekka Saraste.  

CDs can be ordered through the Canadian Music Centre, www.musiccentre.ca or via www.petrowskaquilico.com.  

The 3 Concerti project came as result of the Gender and Performance graduate course that Petrowska Quilico teaches at Torontos York University. I wanted the students to hear the brilliance of Canadian women composers, especially in live performance, she said. Thanks to CBC producer David Jaeger, I had recordings of several concerts in which I had premiered womens concerti. From those recordings we chose works that are very different in their compositional styles, yet in which each features a virtuoso piano part. 

Since playing her first concerto Haydns D Major at age 10, Christina Petrowska Quilico has performed an impressive range of repertoire for piano and orchestra, from Bach and Beethoven to Bartok, Gershwin, and Canadians Glenn Buhr, the three women on the new CD, and more.   

The Canadian Music Centre and the Canadian League of Composers honored Petrowska Quilico with The 2007 Friends of Canadian Music Award.  A national jury recognized her for her dedication to Canadian contemporary classical music as well as her unwavering support of this countrys composing community. Throughout her exceptional performing and recording career, Christina Petrowska Quilico has had a profound impact on Canadas classical music community from coast to coast.  She was also among Canadian artists honored by the CMC on its 50th anniversary in November 2009 at the National Arts Centre, and performed Glass Houses by Ann Southam at the special concert celebrating the occasion.

CRITICAL ACCLAIM OF THE FEATURED CONCERTI AND PERFORMANCES:

Violet Archer Concerto:

In his essay on Violet Archer for the book Contemporary Canadian Composers (Oxford University Press), critic Kenneth Winters calls the Archer concerto, a masterpiece and a genuine concerto in terms of display and dynamics. He refers to the ease and virtuosity of both piano and orchestra in the propulsive opening movement, the pensive and lyrical middle movement, and the vigorous finale, which leaves the listener mildly appalled that a work of this calibre should be played so seldom.

Larysa Kuzmenko Concerto:

The concerto, a CBC commission, drew standing ovations when Petrowska Quilico performed it with the Winnipeg Symphony Orchestra and conductor Bramwell Tovey at the Winnipeg New Music Festival, and again with the Toronto Symphony under Jukka-Pekka Saraste.  Elissa Poole wrote in the Globe and Mail of the classically virtuoso performance by soloist Christina Petrowska Quilico. Kuzmenko returned to the grandiose gestures of the romantic piano concerto.  The Toronto Stars William Littler described the concertos broad, sweeping gestures and strong melodic profile of a concerto in the romantic tradition. With the considerable help of its soloist, the nimble-fingered Christina Petrowska Quilico, it was the undoubted hit of the evening.

Alexina Louie Concerto:

Petrowska Quilico twice performed this work with Alex Pauk conducting first with the National Arts Centre Orchestra, and again with the Esprit Orchestra.  William Littler of the Toronto Star noted that able champion of the contemporary keyboard literature, Christina Petrowska Quilico, applied the proverbial hammer and tongs to a piano part full of cluster chords, glissandos and runs, surrounded by enough orchestral goings-on in rapidly changing metres to keep conductor Alex Pauk working overtimeĶ.  The concerto in its deliberately big-boned, splashily and often exotically (complete with lions roar and Chinese gongs) scored...it has life, color and drama enough to keep the ear wondering what is going to happen next.

The Globe and Mails Robert Everett-Green called it, a large-scale exercise in grand-manner composition, a piece that nearly bursts the bounds of the chamber-sized orchestra for which it was written, while reflecting the composers project of bringing into the mainstream of progressive music the sounds of her Chinese heritageĶ.  The pianist, Christina Petrowska Quilico, gave a committed reading of the virtuoso solo part, which makes some fairly athletic demands of the performer.  



Thursday, March 25, 2010

La SCENA Spring 2010 - La Scena Musicale April 2010 Issue


[Version franaise]


The Music Scene Winter 2010

Hello!

La SCENA is pleased to feature on its Spring 2010 cover the musical comedy staging of Belles-Surs by Daniel Blanger and Ren Richard Cyr, based on the theatrical classic by Michel Tremblay. The Arthur LeBlanc Quartet will be the feature of our April La Scena Musicale issue, which readers will find within the La SCENA. Paying subscribers will also receive an exclusive free CD of the Arthur LeBlanc Quartet's recordings of Shostakovich quartets.

Our jazz section will be featuring a sneak peak at the upcoming Miles Davis exhibit at the Muse des beaux-arts in Montreal. In our arts pages, readers will find La SCENA in conversation with Maurice Forget, Wajdi Mouawad, Gabor Szilasi, and many more.

To help plan your summer months, we will also be offering our annual international arts festivals guide. In La SCENA, you will also find a comprehensive arts calendar as well as detailed previews on all the dance, theatre, visual arts, and cinema events you won't want to miss.

There is much more in store for you this issue, including of course our monthly world music section, our musical events and concert calendars, and our reviews.

The deadline for advertising for this issue is March 26 with artwork due on March 29.


Yours sincerely,

Wah Keung Chan
Founding Publisher and Editor
La Scena Musicale
La SCENA
The Music Scene


-------------------------------

La Scena Musicale
 April 2010

/ La SCENA Spring 2010
  • On the Cover (La SCENA): Daniel Blanger, Ren Richard Cyr, and Michel Tremblay
  • On the Cover (La Scena Musicale): Arthur LeBlanc Quartet
  • Deluxe Look: Perfect Binding
  • Guide: International Festivals
  • Distribution: April 1
  • Deadline for ad reservations: March 26
  • Deadline for artwork: March 29
  • Total 25,000 copies, 50,000 readers
  • Montreal: 18,500
  • Quebec City: 2,500
  • Newsstands: 2,000
  • Mailing: 2,000
  • Target Readership: professional and amateur artists, music and art lovers
  • Contact : 514-948-0509 or sales@lascena.org
  • Media Kit: http://ads.scena.or


---------------------------------------------------

MARCH Subscription Sale

March Subscription Sale - Why not consider a subscription?
Until March 31, 2010, new subscribers will get $10-$15 off an LSM subscription if they subscribe online. This savings is equivalent to receiving 4 free issues, and the subscription include benefits such as the Naxos Music Library (39,000 CDs streaming) and free MP3 downloads of the Discovery CD Collection (10 full CDs). Note: New for 2010, only paying subscribers will receive the physical Discovery CD.
http://scena.org/LaSCENACard/index_en.html

Already receive the magazine? 
We recommend the new environment-friendly La SCENA Green Card for only $25/year. Also ideal for non-Canadian readers.


NEW: The La SCENA Green Card

All available online

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Next LSM Benefit Activity

Montral, Thursday, June 3, 2010 at 8 p.m.
Opra de Montral
Cinderella by Massenet
Tickets: $99, $71, $46
10% discount for La Scena Musicale subscribers / La SCENA Card members
Note: other dates available upon request.

Reservations: 514-656-3947, sub@scena.org

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NEW Endowment Fund: 
Our application for the matching program, Placement Culture, has formally been accepted: for every dollar donated to LSM/TMS, the Qubec government will contribute one dollar and fifty cents. Placement Culture is designed to create endowment funds for charitable arts groups like La Scene Musicale/The Music Scene. Our goal is to raise $100,000 until November 30, 2010, which combined with the government contribution, will create a $250,000 endowment. This will help us continue our magazines's excellence and innovation for years to come. We are therefore launching at this time our 2010 endowment fund campaign. Please join our fundraising committee or make a donation.

Please contact 514-948-2520 or info@lascena.org
_____________________________________________________________________________________


Donations Requested:

La Scena Musicale/The Music Scene is a registered charity promoting music and the arts through three magazines and a website. We connect musicians/artists, the arts community and music/art lovers together through education and information. Help us continue our work with a donation (cash or goods) or by volunteering.

Please contact 514-948-2520 or info@scena.org

Donate at CanadaHelps.org or through Paypal
  


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Wednesday, March 24, 2010

La SCENA numro de printemps 2010 / La Scena Musicale avril 2010



[English Version]

LSM Sept 2009

The Music Scene Hiver 2010

Bonjour !

La SCENA est heureuse de mettre en couverture de son numro de printemps 2010 le spectacle musical Belles-Surs de Daniel Blanger et Ren Richard Cyr, bas sur la pice classique de Michel Tremblay. Le Quatuor Arthur LeBlanc sera en vedette dans le numro davril de La Scena Musicale, que les lecteurs trouveront lintrieur de La SCENA. Les abonns payants recevront galement un CD exclusif gratuit de lenregistrement par le Quatuor Arthur LeBlanc de quatuors de Chostakovitch.

Notre section jazz jettera un premier regard sur lexposition Miles Davis venir au Muse des beaux-arts de Montral. Dans nos pages sur les arts, les lecteurs trouveront des entrevues avec Maurice Forget, Wajdi Mouawad, Gabor Szilasi et beaucoup dautres.

Pour vous aider planifier votre t, nous incluons notre guide international annuel des festivals dart. Dans La SCENA, vous trouverez aussi un calendrier des arts complet ainsi que des aperus dtaills des vnements en danse, en thtre, en arts visuels et en cinma que vous ne voudrez pas rater.

Ce numro regorge dautres bonnes choses, dont bien sr notre section mensuelle sur la musique du monde, nos calendriers des vnements musicaux et concerts et nos critiques de disques et de livres.

La date de tombe pour les annonces est le 26 mars, les maquettes devant nous parvenir au plus tard le 29 mars.



Salutations amicales,

Wah Keung Chan
diteur et rdacteur en chef fondateur
La Scena Musicale
La SCENA
The Music Scene
--------------------------------------------------

La Scena Musicale avril 2010 / La SCENA printemps 2010
  • En couverture (La SCENA) : Daniel Blanger, Ren Richard Cyr et Michel Tremblay
  • En couverture (La Scena Musicale) : Quatuor Arthur LeBlanc
  • Sortie : le 1 avril 2010
  • Tombe (publicit) : le 26 mars 2010
  • Maquettes : le 29 mars 2010
  • Tirage : 25 000 exemplaires
  • Qubec : 2 500
  • Montral : 18 500
  • En kiosque : 2 000
  • Abonnements : 2 000
  • Public vis : artistes amateurs et professionnels, passionns de musique et dart
  • Contact : 514-948-0509 ou sales@scena.org
  • Trousse Mdia : http://ads.scena.org

---------------------------------------------------

Promotion Abonnements de mars Pourquoi pas sabonner ?

Jusquau 31 mars 2010, les nouveaux abonns obtiendront une rduction de 10 $ 15 $ sur un abonnement LSM sils sabonnent en ligne. Cette conomie quivaut 4 numros gratuits et labonnement comprend des privilges comme laccs la Discothque Naxos et le tlchargement gratuit de la collection Dcouverte en format MP3 (10 CD).  noter : partir de 2010, seuls les abonns payants recevront le CD Dcouverte matriel.

Nous recommandons aux lecteurs lextrieur du Canada notre option cologique, la Carte verte La SCENA, vendue seulement 25 $/anne.

http://scena.org/LaSCENACard/index_fr.html

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NOUVEAU : la Carte verte La SCENA

Tout disponible en ligne
  • Versions lectroniques de La Scena Musicale/La SCENA (10 numros) et The Music Scene(2 numros)
  • CD Dcouverte mensuels tlchargeables (10 / anne)
  • 39 000 CD @ Discothque Naxos
  • Rductions
  • Seulement 25 $ (taxes incluses)
  • 514-656-3947, sub@scena.org
  • http://scena.org/LaSCENACard/index_fr.html
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Prochaine activit-bnfice LSM

Montral, le jeudi 3 juin 2010 20 h
Opra de Montral
Massenet : Cendrillon
Distribution: voir ce lien
Billets : 99 $, 71 $, 46 $
Rduction de 10 % pour les abonns de La Scena Musicale
noter : autres dates disponibles sur demande.

Rservations : 514-656-3947, sub@scena.org

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Lancement du Fonds de dotation LSM

Notre demande au programme de subventions de contrepartie, Placement Culture, a t officiellement approuve. Par consquent, le gouvernement du Qubec versera 1,50 $ pour chaque dollar de don reu par LSM. Le programme Placement Culture exige que La Scne Musicale cre un fonds de dotation. Notre objectif est de recueillir 100 000 $ au cours des douze prochains mois. Si lon y ajoute la subvention de contrepartie du gouvernement, le montant du fonds slverait 250 000 $. Latteinte de cet objectif est dune extrme importance pour maintenir l'excellence et assurer la survie de nos priodiques, et cest pourquoi nous annonons maintenant le lancement de notre campagne 2010 de contributions au fonds de dotation. Veuillez faire un don ou vous joindre notre comit de financement.

Info : 514-948-2520 ou info@lascena.org

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Dons et bnvoles demands

La Scena Musicale/The Music Scene est un organisme de bienfaisance enregistr qui fait la promotion des arts et de la musique en publiant trois magazines et un site Web. Nous rapprochons les musicien(ne)s et les artistes avec la communaut artistique, les mlomanes et les amateurs d'art. Aidez-nous poursuivre notre travail avec un don (d'argent ou de biens) ou par du travail bnvole. Communiquez avec nous au 514-948-2520 ou  info@scena.org

Donnez  CanaDon.org

No d'organisme de bienfaisance l'ARC : 14199 6579 RR0001
 
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The First Chicago Early Music Festival

CHICAGO EARLY MUSIC FESTIVAL

April 20 25, 2010

 
Inaugural six-day celebration of music of the Medieval, Renaissance, and Baroque eras
at multiple Chicago music venues

The Chicago Early Music Festival debuts as the Citys first festival celebrating music of the Medieval, Renaissance and Baroque eras.  The six-day festival, presented by the Chicago Department of Cultural Affairs and the Chicago Office of Tourism, represents an unprecedented collaboration amongst the City of Chicago and some of Chicagos leading ensembles and organizations, including Chicago Opera Theater, University of Chicago Presents, Baroque Band, International Music Foundation, and the Newberry Consort. 

The Chicago Early Music Festival features free and ticketed performances, workshops, and master classes by internationally renowned musicians in venues throughout the city. 

Chicago ensembles have been presenting Early Music for some time, but this exciting new festival takes it to a new level, showcasing our citys Early Music community and bringing in top international performers, said Cultural Affairs Commissioner Lois Weisberg.  We hope that residents and tourists alike will enjoy this historic and truly wonderful music.

The Chicago Early Music Festival will present music spanning five centuries- from the 14th until the mid-18th century.  Early Music is a term commonly used to describe Western classical music before the time of Mozart, encompassing Medieval chant, the late Baroque masterworks of Handel and Bach, and everything in between.  Pioneers like Wanda Landowska and Arnold Dolmetsch paved the way for a resurgence of interest in Early Music in the mid-20th century, with the rediscovery of historical instruments and long-lost techniques of playing them.  Now, sixty years later, Early Music has finally entered the musical mainstream, with ensembles all over the world playing and singing this music.

For updates to the schedule and more information, visit www.ChicagoEarlyMusicFest.org or call the hotline at 312.742.1938.

SCHEDULE OF CONCERTS

The English Nightingale: Virtuoso Recorder Music from Renaissance to Romantic
Piers Adams, Recorders; Howard Beach, Harpsichord
Tuesday, April 20, 12:15 pm
Enclosed stage of the Jay Pritzker Pavilion in Millennium Park, Michigan Ave at Washington St
Admission: Free
A self-styled modern Pied Piper, British recorder virtuoso Piers Adams performs music spanning four centuries with duo-partner, harpsichordist Howard Beach.  The incredibly diverse program includes renaissance selections by Bassano and Van Eyck, tracing the development of the sonata through Castello, Corelli, and J.S. Bach before arriving at the 19th century with a set of variations by Ernst Kraehmer.

Being Dufay
Tuesday, April 20, 7:30 pm
Chicago Cultural Center, Preston Bradley Hall, 78 E. Washington St

Admission: Free

The hauntingly beautiful Being Dufay combines early music with some of todays most cutting-edge digital techniques in a lush, harmonic sound world. Sound artist Ambrose Field realizes his own score, a mesmerizing series of electronic soundscapes, with former Hilliard Ensemble tenor John Potters expressive rendition of vocal fragments by 15th century composer Guillaume Dufay. 

Dame Myra Hess Concert: A Musical Voyage: Baroque Music from Italy, Germany & France
Brandi Berry, baroque violin; Anna Steinhoff, baroque cello; Jason Moy, harpsichord
Wednesday, April 21, 12:15 pm

Chicago Cultural Center, Preston Bradley Hall, 78 E. Washington St

Admission: Free
Embark on a journey through 18th century Italy, Germany, and France with violinist Brandi Berry, cellist Anna Steinhoff, and harpsichordist Jason Moy, in this program of violin sonatas by Arcangelo Corelli and J.S. Bach, and an exquisite but rarely-heard chaconne of Jacques Morel.  Dame Myra Hess Concerts are a celebrated series of weekly concerts featuring solo and ensemble classical music performed by young musicians. Produced by the International Music Foundation and supported by a grant from the John D. and Catherine T. MacArthur Foundation, the concerts are broadcast live on WFMT (98.7 FM). 

Baroque Band: Vivaldis LEstro Armonico
Wednesday, April 21, 7:30 pm
St. James Cathedral, 65 E. Huron St
Admission: $35; seniors $30; students $15 at 312.235.2368
Chicagos period instrument orchestra, Baroque Band, presents Vivaldis LEstro Armonico (The Harmonic Inspiration) in the exquisite sanctuary of St. James Cathedral.  Violinist Garry Clarke leads the ensemble in scintillating performances of eight concerti from Vivaldis popular and influential collection that features solo cello, and at times, up to four solo violins. 

Ensemble Lipzodes: Shakespeare & the Bassano Family
Thursday, April 22, 12:15 pm
Enclosed stage of the Jay Pritzker Pavilion in Millennium Park, Michigan Ave at Washington St
Admission: Free
Ensemble Lipzodes presents a program inspired by the relationship between Shakespeare and the Bassano family, and their trip to Venice together at the end of 1593.  Famous as performers and instrument makers for the royal courts and churches of English and Italy, the Bassanos are thought to have invented the dulcian family of instruments featured in this concert. The program includes sonnets about the Emilia Bassano, the Dark Lady, and quotations from The Merchant of Venice inspired by the Bassano family.

Mitzi Meyerson, harpsichord
Thursday, April 22, 7:30 pm
Chicago Cultural Center, Preston Bradley Hall, 78 E. Washington St
Admission: Free
Harpsichordist and fortepianist Mitzi Meyerson returns to her native Chicago to present a recital of solo harpsichord music.  Meyerson is one of the worlds most highly regarded early keyboard specialists, with over 50 internationally-acclaimed recordings; a busy teaching schedule at the esteemed Universitt der Knste in Berlin, where she is Professor of Harpsichord; and numerous concert engagements both as a solo artist and with her ensemble, The Bottom Line, which is dedicated to the performance of repertoire for bass and continuo instruments. 

Baroque Dance Performance: Paige Whitley-Bauguess with the Bach and Beethoven Ensemble
Friday, April 23, 12:15 pm
Enclosed stage of the Jay Pritzker Pavilion in Millennium Park, Michigan Ave at Washington St
Admission: Free
Baroque dancer Paige Whitley-Bauguess interprets, recreates, and performs baroque theatre dance in venues all over the world.  She is accompanied in this performance by the Bach and Beethoven Ensemble, one of Chicagos newest, rising-star period instrument ensembles founded by violinist Brandi Berry and oboist Curtis Foster.

Liber Ensemble: Crowned with Laurels presented by University of Chicago Presents
Friday, April 23, 7:30 pm
Rockefeller Memorial Chapel, 5850 S. Woodlawn Ave
Admission: $32; $5 students with valid ID at 773.702.8068
Founded in 1996, vocal ensemble Liber (formerly Liber unUsualis) has soared to prominence for its warm, compelling, and assured performances of medieval and early-renaissance music. The ensemble's mastery of medieval vocal technique and inventive programming have drawn enthusiastic audiences throughout the United States and Europe. This 4-voice program explores the extraordinary repertoire of 14th century Italy and France in settings of poetry by Petrarch, Sacchetti, Boccaccio, and others.

Fair Orianna: Early Movie with Early Music presented by The Newberry Consort
Saturday, April 24, 12 pm
Fullerton Hall at the Art Institute of Chicago, 111 S. Michigan Ave
Admission: $25 at 312.255.3610
Sarah Bernhardts 1912 silent movie, Elizabeth I, is accompanied by music performed by The Newberry Consort, one of the Chicago areas longest running and most successful early music ensembles.  Soprano Ellen Hargis joins the ensemble of viols and violin in an original soundtrack of Elizabethan music compiled by the Consorts director, David Douglass.

Overtures
Saturday, April 24, 12:15 pm
Enclosed stage of the Jay Pritzker Pavilion in Millennium Park, Michigan Ave at Washington St

Admission: Free

A concert showcasing the next generation of early music stars including performers from Northwestern University, DePaul University, Midwest Young Artists, and the Music Institute of Chicago.

Chicago Opera Theater: Giasone
Saturday, April 24, 7:30 pm
Harris Theater, 205 E. Randolph St
Admission: $30 - $120 at 312.704.8414
Francesco Cavallis at-times bawdy adaptation of the myth of Jason and his Argonauts made Giasone one of the 17th centurys most popular operas.  Led by critically acclaimed early music conductor and harpsichordist Christian Curnyn and the gifted young Australian director Justin Way, this production marks the premiere performance of Giasone by a professional opera company in Chicago.  Giasone kicks off Chicago Opera Theaters trilogy of Baroque operas exploring the tragic character of Jasons wife, Medea, in its next three seasons

Sunday Salon Series: Ftes Galantes
Trio Settecento
Sunday, April 25, 3 pm
Chicago Cultural Center, Preston Bradley Hall, 78 E. Washington St

Admission: Free

Period instrument ensemble Trio Settecento combines the virtuosic talents of  Rachel Barton Pine (violin), John Mark Rozendaal (viola da gamba/cello), and David Schrader (harpsichord/organ)in "... some of the most refreshing, life-enhancing Baroque playing heard in years" (Chicago Tribune).  Their French Baroque program includes festive music by Marais and Forqueray, virtuoso sonatas of Leclair and Rebel, one of Rameaus Pieces de Clavecin en Concert, and a suite from Francois Couperins Concert Royaux.

By a Celestial Fountain: Music of William Byrd presented by The Newberry Consort
Sunday, April 25, 7 pm
The Fourth Presbyterian Church of Chicago, 126 E. Chestnut St
Admission: $25; students $5 at 312.255.3610
Presented by the Newberry Consort
The Newberry Consorts viols and singers are joined by keyboardist David Schrader in music by the foremost Elizabethan composer, William Byrd. This concert honors the late musicologist, Howard Mayer Brown, whose scores and instruments were bequeathed to the Newberry Library, and includes his favorite works performed on instruments from his collection.

 

SCHEDULE OF WORKSHOPS & LECTURES

In addition to the events listed below, several of the concerts will be accompanied by a pre-concert lecture.  Visit www.chicagoearlymusicfest.org for more information.

Ensemble Lipzodes: Performing Medieval Song
Thursday, April 22, 2:30 5 pm
Enclosed stage of the Jay Pritzker Pavilion in Millennium Park, Michigan Ave at Washington St
Admission: Free, reservations required to participate in class 312.742.TIXS (8497)
The musicians of Ensemble Lipzodes present a workshop on the performance of vocal repertoire from the Middle Ages.  All are welcome, and no prior experience is necessary!

Paige Whitley-Bauguess: Early Dance Class
Friday, April 23, 2 4:15 pm
Enclosed stage of the Jay Pritzker Pavilion in Millennium Park, Michigan Ave at Washington St
Admission: Free, reservations required to participate in class 312.742.TIXS (8497)
Come experience the intricacies of this popular 17th and 18th century art form in a class given by Baroque dance specialist Paige Whitley-Bauguess.  The musicians of the Bach and Beethoven Ensemble provide the musical accompaniment.  All are welcome, and no prior experience is necessary!

Performance Practice Panel
Presented by Chicago Opera Theater
Thursday, April 22, 1:15 2:15pm
Enclosed stage of the Jay Pritzker Pavilion in Millennium Park, Michigan Ave at Washington St
Admission: Free
An esteemed panel including Giasone conductor Christian Curnyn, University of Chicago Professor Robert Kendrick, Chicago Opera Theater stage director Andrew Eggert, and Baroque violinist Nadja Zwiener discuss early music performance practice.    

 

SCHEDULE OF MASTER CLASSES

 

To participate in any of the master classes, check the festivals website at www.chicagoearlymusicfest.org for application information.  All are welcome to listen and enjoy the music.

Piers Adams, recorder

Tuesday, April 20, 2 4:30 pm
Enclosed stage of the Jay Pritzker Pavilion in Millennium Park, Michigan Ave at Washington St

Admission: Free

Come hear some talented, up-and-coming recorder players!  British recorder virtuoso Piers Adams gives a free master class at Jay Pritzker Pavilion in Millennium Park. 
This event is supported in part by the American Recorder Society, Chicago Chapter.

Mitzi Meyerson, harpsichord
Wednesday, April 21, 2 3:30pm
Enclosed stage of the Jay Pritzker Pavilion in Millennium Park, Michigan Ave at Washington St
Admission: Free
Harpsichordist Mitzi Meyerson, a Chicago native, is a world-renowned early keyboard specialist based in Germany, where she is Professor of Harpsichord and Fortepiano at the Universitt der Knste in Berlin. 

Nadja Zwiener, violin
Presented by Chicago Opera Theater
Wednesday, April 21, 3:30 5 pm
Enclosed stage of the Jay Pritzker Pavilion in Millennium Park, Michigan Ave at Washington St
Admission: Free
German-born violinist Nadja Zwiener is a frequent soloist and concertmaster with some of the leading orchestras and period instrument ensembles in Europe, like the English Concert, Orchestra of the Age of Enlightenment, Les Arts Florissants and others.

Le Fonds Essor: une premire au Qube

Un nouveau fonds de 455 000 $ ddi aux mtiers dart

Qubec, le 12 mars 2010 linitiative de la table des mtiers dart du Conseil de la culture, six partenaires sentendent pour crer un fonds de 455 000 $ sur 3 ans, venant en aide aux artistes et artisans des mtiers dart de la rgion de la Capitale-Nationale. Cette initiative de partenariat permettant la mise en place dun fonds de microcrdit pour supporter les artisans est une premire au Qubec. Le nouveau Fonds ESSOR donne accs du crdit, de laccompagnement et des services adapts.

Ce Fonds vise notamment amliorer les conditions de pratique, susciter des occasions daffaires, permettre la ralisation de prestations publiques et obtenir une formation de matre dans une spcialit donne. Concrtement, le Fonds ESSOR propose des prts pouvant atteindre 20 000 $, remboursables sur un maximum de trois ans, ainsi quun accompagnement soutenu et adapt la ralit des artistes et des artisans.

Les signataires de lentente sont le Centre local de dveloppement (CLD) de Qubec, la Socit de dveloppement des entreprises culturelles (SODEC), le Fonds demprunt Qubec, le Conseil de la culture de la rgion de Qubec, lcole de joaillerie de Qubec et la Maison des mtiers dart de Qubec. La Caisse dconomie solidaire est partenaire commanditaire. Ce fonds sera administr par le Fonds demprunt Qubec.

La communaut sest mobilise afin dapporter une solution concrte aux besoins et aux problmes de financement des artistes et artisans des mtiers dart. Le prsident de la table des mtiers dart du Conseil de la culture, M. Gilles Pelletier, a soulign : Nous sommes fiers que les partenaires aient rpondu notre appel permettant ainsi lamlioration des conditions dexercice des mtiers dart .

Pour plus dinformation, veuillez consulter : www.culture-quebec.qc.ca

Kurt Rosenwinkel Standards Trio Sells Out - SAT. March 27 @ 8pm

Rosenwinkels music represents the sound of the future-just as bebop once did. - Howard Reich, Chicago Tribune
 
Toronto, ON March 12, 2010 The innovative and iconic, 39-year-old guitarist and Verve recording artist Kurt Rosenwinkel is performing in the fourth stunning installment of the Jazz Education and Performance Centre (JPEC) concert series - www.jazzcentre.caOn Saturday, March 27, 2010 at 8 pm, The Kurt Rosenwinkel Standards Trio will take the stage at Glenn Gould Studio, 250 Front Street West. One of the most widely admired jazz artists of his generation, Rosenwinkel will be accompanied by Eric Revis (bass) and Rodney Green (drums) in what promises to be a soul-stirring performance.
Tickets are $35 Regular and $20 for Student/Rush (available by phone or in person with student ID; a limited number of rush seats available 30 minutes before performance time). Tickets are available at the Roy Thomson Hall box office (416) 872-4255 or www.jazzcentre.ca
Kurt is rightfully taking his place alongside significant contemporary figures like Pat Metheny, John Scofield, John Abercrombie and Bill Frisell. While his body of work as a leader is only beginning to develop, he has worked with a cross-generational who's who of players including drummer Paul Motian, vibraphonist Gary Burton, drummer Brian Blade and saxophonists Joe Henderson and Joshua Redman.
Rosenwinkel, who grew up in the U.S. and now lives in Berlin, cultivates his following by bucking tradition and has earned respect for his inventive, original tunes. His last album, Reflections by his Standards Trio, received excellent reviews and his encompassing musical vision has won him a mantel full of superlatives from fellow jazz artists like tenor sax star Joshua Redman, who declared that Rosenwinkel ''is without question one of the greatest artists of our generation."

''He somehow manages to write music that is incredibly sophisticated and complex, but so excruciatingly beautiful," Redman said in a recent conversation. ''He's created his own harmonic world, which in and of itself is a huge accomplishment in jazz. He has this incredible sense of melodic clarity and lyricism. His sound is so personal."

The Jazz Performance and Education Centre, officially founded in 2008, is a registered charity dedicated to the preservation and development of jazz in Canada. The result of a collaboration between business people, musicians and arts professionals who are passionate about jazz in Toronto, JPECs ultimate goal is to create a full-time jazz venue in the city: this first-class, multi-purpose facility will feature performances by top local, national and international jazz talent; educational programming through which fans of all ages can learn about jazz; recording facilities; and a Hall of Fame and Archives which will encompass and preserve Canadas outstanding jazz heritage and tradition. The facility will enhance Torontos reputation as one of the best cities in North America in which to experience live jazz.

"We are delighted to bring this exciting evening of Jazz to Toronto and look forward to supporting years of more great jazz performances, engaging presentations and creative collaboration with Toronto 's jazz community," says JPEC Chair Ray Koskie.

JPECs inaugural season features a variety of exciting programming including concerts at Glenn Gould Studio and the Bluma Appel Theatre, featuring the Oliver Jones Trio, Dianne Reeves, the Ingrid Jensen Quintet, the Kurt Rosenwinkel Trio and the Bill Charlap/Renee Rosnes Duo. The season also celebrates a series of lectures, hosted by the Miles Nadal Jewish Community Centre, led by local jazz musicians and writers including Heather Bambrick, Mark Barnes, Jack Chambers and Andrew Scott; and a series of jazz programs for children hosted by Casa Loma.

For more information on the Jazz Performance and Education Centre, visit www.jazzcentre.ca -
JPECs 2009-2010 season is generously supported by Lead Sponsor Koskie Minsky LLP and Media Partner Jazz.FM91 and National Post.

Jazz to me is a must for everyone. Its exciting, it makes you want to dance and its very cool.
- The Honourable
Lincoln M. Alexander 

Symphony Nova Scotia announces its 2010/11 season

Halifax, NS Symphony Nova Scotia is delighted to announce its 2010/11 concert season! This season the orchestra brings you more great music more classical heavyweights, more Canadian and Maritime content, and more of Nova Scotias best artists and bands.

Theres something for everyone in the new Symphony Nova Scotia season, says Music Director Bernhard Gueller.

We are proud to present concerts such as The Music of the Beatles, Mozarts Requiem, The Nutcracker, Howard Cables Holiday Spectacular, and our annual collaboration with the Nova Scotia Youth Orchestra. Amongst the wealth of leading guest artists are Basia Bulat, Erin Costelo, Meaghan Smith, Jan Lisiecki, and Jon Kimura Parker.

Season ticket packages are now available now for 2010/11. Highlights include:

CELEBRITY CLASSICS SERIES: ten inspiring classical music concerts
  • Halifaxs own Denise Djokic opens the season with Saint-Sans beloved Cello Concerto.
  • The orchestra performs some of the greatest works of the symphonic repertoire: Beethovens Fifth, Brahms Violin Concerto, Schuberts Unfinished symphony, Mozarts Jupiter symphony and moreĶ
  • Young Canadian pianists Jan Lisiecki and Avan Yu join the Symphony to perform two exuberant concertos.
  • The Symphony presents Mozarts stunning Requiem for the first time in a decade.
  • And then, the Scandinavian Festival, with an augmented orchestra to bring you Griegs Peer Gynt Suite and his Piano Concerto with Jon Kimura Parker. Youll also hear Sibelius Symphony no. 2, as well as his unparalleled Violin Concerto.

POPS SERIES: eight lively Maritime and popular music concerts
  • The annual tribute concert takes on the greatest hits of the Beatles!
  • Comedian Steve Smith (a.k.a. Red Green) joins the orchestra for a hilarious symphonic take on everything handy. (And yes, there will be duct tape!)
  • The Symphony brings in more of Cape Bretons best this time, the Barra MacNeils for a foot-stomping Celtic music concert.
  • In a throwback to the hugely successful and sold-out 2007 Motown concert, Dutch Robinson joins the orchestra for Symphonic Soul.
  • Local stars like Meaghan Smith, Erin Costelo, and Sons of Maxwell bring the music home in the Maritime series.
  • Howard Cable conducts the orchestra in a massive holiday pops extravaganza.

BAROQUE SERIES: three exquisite concerts in an intimate venue, plus Handels Messiah
  • Tafelmusiks incomparable Jeanne Lamon returns once again, this time to perform the best of English baroque music.
  • Alexander Weimann, one of the worlds best harpsichordists, performs the baroque music of his home country, Germany.
  • Baroque specialist Noel Edison, director of the Toronto Mendelssohn Choir, comes to Halifax with his authentic, lively interpretation of Handels majestic Messiah.

AND MOREĶ
  • Family concerts include the 20th-anniversary production of the holiday hit The Nutcracker, along with Spooky Chills and Musical Thrills, a very special in-costume Halloween concert complete with costume contest, face painting, and a musical instrument petting zoo!
  • The Nova Scotia Youth Orchestra joins Symphony Nova Scotia for a performance of one of the worlds favourite symphonic works: Mahlers Fifth Symphony.

A brochure outlining Symphony Nova Scotias 2010/11 season is available by calling the box office at 494.3820 or 1.800.874.1669, or by visiting the Symphony Nova Scotia website at www.symphonynovascotia.ca.

Single tickets for Symphony Nova Scotias 2010/11 season go on sale August 3, 2010, and ticket packages are available now.

Ticket package holders receive a host of rewards, including savings of up to 30%, the best available seats in the house, a free open rehearsal pass, free e-programs, and an exclusive subscriber rewards card. And if you're under 30, you can save even more up to 60% with the Under-30 U-Pick package.

To purchase a season ticket package, call 494.3820 or 1.800.874.1669 today!

About Symphony Nova Scotia
Symphony Nova Scotia is Nova Scotias orchestra. Each year more than 50,000 audience members (including 16,000 young music lovers) join us in communities across Nova Scotia for performances of the music they love from baroque and classical to pop and rock and folk. Under the inspirational leadership of Music Director Bernhard Gueller, Symphony Nova Scotia is recognized as one of the finest orchestras in the country. Visit www.SymphonyNovaScotia.ca to learn more, listen online, or subscribe today!

Symphony Nova Scotia is grateful to the Canada Council for the Arts, Nova Scotia Tourism, Culture, and Heritage, and the Halifax Regional Municipality for their continued support.

Opera Lyra Ottawa Opera Studio Competition

Preparing the next generation of Canadas opera stars!
March 11, 2010 NAC Fourth Stage

March 12, 2010...Opera Lyra Ottawa celebrated a grand evening of opera on March 11, 2010 at the NAC Fourth Stage which showcased the next generation of Canadian opera stars.  The evening was hosted by Opera Lyra Ottawas own Tyrone Paterson and OLO Chorus member, Chris Mallory.  The judges for the evening were Brenda Harris (who will perform Lady Macbeth in OLOs upcoming production of Macbeth), Greer Grimsley (in the title role of Macbeth) and Joseph Bascetta (Director of Macbeth).   

Opera Lyra Ottawa Opera Studio members each performed two opera arias and were judged based on the quality of their voices, their presentation, diction, musicality, their tone, as well as choice of repertoire. 

Mark Ellis Gough, Baritone, performed Rivolgete a lui lo sguardo from Mozarts Cosi fan tutte as well as through the port comes the moonshine astray from Benjamin Brittens Billy Budd!  Soprano, Christina Tannous followed her first aria Monicas Waltz from Menottis The Medium by Je suis encor tout tourdie from Massenets Manon.  Graham Thomson, Tenor, who performed in this years Black & White Opera Soiree, sang Ich baue ganz from Mozarts Abduction from the Seraglio and Ah! Mes amis from Donizettis La fille du regiment. Sara Christina Steinert, Mezzo-Soprano performed Una voce poca faĄ from  Rossinis Il Barbiere di Siviglia as well as Sein wir wieder gut from Strausss Ariadne auf NaxosAnd, last but not least, the Opera Lyra Ottawas Opera Studio Award winner and audience-choice winner, Bass, Brian Wehrle impressed the judges and audience with his choice of repertoire singing Sorge infausta una procell from Handels Orlando, and Wie schn ist doch die Musik Strausss Die Schweigsame Frau

The OLO Opera Studio Award         $2,500           Brian Wehrle
The Spotlight Award                     $1,500          Sara Christina Steinert
The New Sun Award                    $1,000          Mark Ellis Gough
The Emerging Artist Award             $500             Graham Thomson
The Emerging Artist Award             $500             Christina Tannous
Audience Choice Award                 $200             Brian Wehrle

Support from our sponsors and donors allows Opera Lyra Ottawa to present internationally renowned Canadian artists, fund our Opera Studio, and develop special initiatives to bring opera to young audiences, such as Young Peoples Opera Matinee and school performances and tours.

The OLO Opera Studio provides professional training that prepares the next generation of Canadian singers, stage directors, conductors / repetiteurs and stage managers for professional operatic careers.  Members have the opportunity to perform on stage and take master classes from renowned opera singers.

Robert Walters to Lead the Oboe Studio at the Oberlin Conservatory of Music

OBERLIN, OHIO (March 11, 2010)Dean of the Oberlin Conservatory of Music David H. Stull has announced the appointment of Robert Walters to the position of professor of oboe and English horn at the conservatory, effective July 1, 2010.

"Robert Walters is a phenomenal artist and teacher who will continue to serve as a brilliant mentor to our students," says Stull. "His extraordinary success in preparing world-class artists will benefit generations of musicians at Oberlin, and we are exceedingly fortunate to have him as a member of our faculty."

Walters assumes leadership of an oboe and English horn studio that has seen a great deal of success, with recent Oberlin graduates being offered principal positions in the Shanghai, Kansas City, and Pacific symphonies and the Santiago Philharmonic. Others have been finalists for principal positions with San Francisco Opera and the Seattle Symphony.

The culture of wind playing and teaching at the Oberlin Conservatory of Music is a long and distinguished one, says Walters. I am thrilled to be part of a faculty that is so deeply committed to shaping and guiding successive generations of young musicians. I love the sense of shared mission that animates absolutely everyone who teaches here.

Walters plays oboe and solo English horn with the Cleveland Orchestra, a position he also held with the Metropolitan Opera and Cincinnati Symphony. He has taught at Bard, Swarthmore, Haverford, and at the University of Pennsylvania. He currently teaches at the Aspen Music Festival, the Colorado College Summer Music Festival, and the New World Symphony.

A fourth-generation music professor and a graduate of both the Curtis Institute of Music and Columbia University, Walters believes that his educational experiences and background instilled in him a strong commitment to teachingespecially at the undergraduate level. The ideals of intensive musical training coupled with a broad education have profoundly shaped my own life, says Walters. It is a great joy for me to help undergraduates forge a similar path for themselves at such a rich and vital time in their lives.

The principles that I share with my students at Oberlin are ones that I constantly refer to while performing with the Cleveland Orchestra, says Walters. My Oberlin students recognize that for me, teaching and playing are, as the poet William Mathews suggests, two parts of a single and seamless investigation.

Throughout his teaching career, Walters has helped students of both instruments attain positions with the orchestras of Atlanta, Baltimore, Cincinnati, Houston, Indianapolis, Los Angeles, New Jersey, Rochester, Seattle, and San Francisco.

The level of playing keeps getting higher and higher, says Walters. Im convinced that our good fortune is a direct result of a teaching style that seeks to mirror that of the Oberlin Conservatory itself. We offer a world-class musical education that places self-discovery on equal footing with instrumental mastery.

Robert Walters
Robert Walters joined the Cleveland Orchestra as solo English horn and oboe at the beginning of the 2004-05 season. He previously held the same positions with the Metropolitan Opera and the Cincinnati Symphony. From 1990 to 1996, he performed and recorded with the Philadelphia Orchestra, Orchestra of St. Lukes, Orpheus Chamber Orchestra, and the Chamber Music Society of Lincoln Center, among other ensembles. He also was a frequent performer with James Levine and the MET Chamber Ensemble at Carnegie Hall.

Walters has appeared as guest soloist with the Chicago Symphony, the Cincinnati Symphony, and the Orpheus Chamber Orchestra at Carnegie Hall. Other solo engagements include performances with the Beijing Radio Symphony and Curtis Symphony Orchestra. He has been a faculty member of the Colorado College Summer Music Festival since 2003 and the Aspen Music Festival since 2005. He became a member of the oboe faculty at the Oberlin Conservatory of Music in February 2006. Previously, he has taught oboe at Bard, Haverford, and the University of Pennsylvania.

A native of Los Angeles, Walters earned a Bachelor of Music degree at the Curtis Institute of Music and a Master of Fine Arts degree at Columbia University, Graduate Writing Division. He spent five summers at the Marlboro Music Festival and toured as a member of Musicians from Marlboro. He also participated in the National Repertory Orchestra, the Bard and Spoleto festivals, and the Kent/Blossom Music program. Walters studied with Richard Woodhams, principal oboe of the Philadelphia Orchestra, and the late John Mack, former principal oboe of the Cleveland Orchestra.

The Oberlin Conservatory of Music Į
Awarded the 2009 National Medal of Arts by President Barack Obama, the Oberlin Conservatory of Music is renowned internationally as a professional music school of the highest caliber. Praised as a national treasure by the Washington Post, the conservatory, founded in 1865 and situated amid the intellectual vitality of Oberlin College since 1867, is the oldest continuously operating conservatory in the United States. Oberlins alumni enjoy illustrious careers in all aspects of the music world. They have achieved prominence as solo performers; chamber, orchestral, and jazz musicians; composers; conductors; and music educators, scholars, and administrators.ĮĮ

Dance Immersion Celebrates 15th Year

dance Immersion
presents its
2010 SHOWCASE
and
CELEBRATES 15TH YEAR
OF
NURTURING CANADIAN DANCE AND DANCERS FROM
THE AFRICAN DIASPORA

Thursday May 27-Saturday May 29, 2010 at 8:00PM
Harbourfront Centre's Fleck Dance Theatre
207 Queens Quay West, 3rd Floor, Toronto, Ontario.

Tickets; $25-$30 (Student/Seniors $20-25)
For tickets and information, Harbourfront Centre Box Office at 416-973-4000.

dance Immersion celebrates its 15th Annual Showcase Presentation with a special array of Canadian talent from some of the country's foremost up-and-coming dance artists whose background hails from the African diaspora.

The 2010 Showcase Presentation is a display of expressive and revealing dance from a talented spectrum of today's African-Canadian dance community.

Companies and individuals performing include:
Montreal's Ghislaine Dote,
Edmonton's Movements,
Toronto's Sharon Harvey, Kashedance, Aya Dance Collective,
and Mafa Makhubalo.

 A Talk-Back follows the performance on opening night (Thursday May 27), giving audience members a chance to interact with the dancers and get a glimpse behind the process of dance creation.

dance Immersion Program Director, Vivine Scarlett, notes, "Our 15th anniversary Showcase Presentation offers a rare opportunity for Toronto to experience and learn from Canada's leading up -and-coming dance artists who will be a part of the Canadian-African dance milieu for years to come."

La Socit Philharmonique de Montral annonce son prochain concert

Grand Concert Vendredi Saint


Montral, le 11 mars 2010 La Socit philharmonique de Montral (www.philharmontreal.com) est heureuse de prsenter le Grand Concert Vendredi Saint auquel se joindront au Chur de lUQM, le Chur de lcole Joseph-Franois-Perrault et la Mancanterie Harmonia Mundi, le 2 avril 2010, 20 h, lglise Saint-Jean-Baptiste (309, rue Rachel Est, Montral, mtro Mont-Royal) sous la direction de maestro Mikls Takcs.

Le maestro Takcs a labor un imposant programme o les mlomanes pourront entendre le Requiem de Faur, lOde la joie de Beethoven ainsi que le Te Deum de Kodly. En slectionnant ces oeuvres, maestro Takcs explique quil a voulu crer un lien entre la vie et la mort : part le sujet de l'amour, deux thmes majeurs ont toujours inspir les potes et les compositeurs; le mystre de la mort et l'nigme de la vie. Le Requiem de Faur, tel un chant du cygne, cherche consoler les humains faisant face la mort. L'Ode la joie, ce testament exaltant de Beethoven et de Schiller, nous rappelle la grandeur de la joie, ce cadeau divin qui ennoblit notre vie phmre ici-bas. Enfin, le Te Deum de Kodly nous fait esprer la prennit de la vie : Christ, pour sauver l'homme, brisant l'aiguillon de la mort, vous avez ouvert le Ciel.

Les solistes invits ce concert sont Michle Bolduc, soprano, Johanne Patry, mezzo-soprano, Franco Tenelli, tnor et Marc Boucher, baryton. Le violon solo sera excut par Eugne Husaruk. Sous sa baguette, au-del de 400 choristes chanteront sur scne. Les voix du Chur de lcole Joseph-Franois-Perrault, dirig par Pascal Ct et celles de la Mancanterie Harmonia Mundi, dirige par Margo Valade-Beaudet tmoigneront de lardeur de la jeunesse lors de cette grande excution.  Je suis trs heureux que la tradition du grand concert du Vendredi saint, que jai cre il y a dj 20 ans, se perptue Montral. Le programme musical de ces grands concerts annuels est loccasion pour nous de prsenter, entre autres, les grands requiem du rpertoire classique, mentionnait maestro Mikls Takcs, directeur gnral et artistique de la Socit philharmonique de Montral. Cette anne, nous avons voulu nous associer de jeunes choristes. Nous sommes persuads que la runion de ces churs offrira une excellente complmentarit en combinant la longue exprience du chur de lUQM avec llan enthousiaste des jeunes., ajoutait-il.
Le public peut se procurer des billets lentre de lglise, une heure avant le concert, au Rseau Admission (514.790.1245) et la Place des Arts (514.842.2112).

Maestro Mikls Takcs

Originaire de Hongrie, Maestro Mikls Takcs demeure une figure marquante du milieu musical montralais, dont la rputation dpasse les frontires du Qubec et du Canada. Maintenant la retraire, il a t professeur associ au Dpartement de musique de lUniversit du Qubec Montral (UQM), o il a enseign pendant 35 ans. Depuis 1978, il dirige le Chur de lUQM. Il est aussi directeur gnral et artistique de la Socit philharmonique de Montral depuis 1982. Maestro Mikls Takcs est le rcipiendaire de plusieurs Prix, Mentions et Mdailles dont celle du Gouverneur gnral du Canada quil recevait en 1992.

La Socit philharmonique de Montral

Maestro Mikls Takcs a redonn vie la Socit philharmonique de Montral (SPM) en 1982; il en est depuis le directeur. Cet organisme fond en 1875 par Arthur Perkins avait mis fin ses activits en 1899. Maestro Takcs a raviv lesprit de croisade pour la vulgarisation du grand rpertoire, demeurant ainsi fidle lorientation que Guillaume Couture avait donne ce regroupement culturel dont laction a t dterminante dans lexistence musicale des Montralais du sicle dernier. La SPM est le partenaire principal et le diffuseur officiel du Chur de lUQM.

Le Chur de lUQM

Dirig depuis 32 ans par maestro Mikls Takcs, ce chur mixte regroupant des personnes de toutes provenances s'inscrit dans la tradition des ensembles musicaux attachs un tablissement d'enseignement. Il se situe galement dans la mission de l'Universit auprs de la collectivit et se rvle de ce fait un organisme de culture et d'ducation : formation musicale des participants; source de dcouvertes artistiques pour le public qui assiste aux concerts.
Sous la direction de son chef attitr, le Chur de lUQM a atteint une notorit internationale et a reu des invitations prestigieuses pour se produire au Carnegie Hall de New York cinq reprises et aussi en Autriche, en France, en Hongrie.

Le Chur de lcole Joseph-Franois-Perrault

Cr en 1978, le dpartement de musique de l'cole accueille annuellement 750 tudiants qui y reoivent un enseignement de qualit suprieure dispens par des ducateurs renomms. En 1981, la CECM et le Conservatoire de musique du Qubec Montral signaient un protocole d'entente visant une collaboration troite pour largir le rayonnement de la musique au sein de la communaut montralaise. Au fil des ans, des concerts conjoints se sont organiss. De plus, les tudiants du Conservatoire ont apport une assistance technique soutenue pour les lves de l'cole o ils ont instaur des interventions individuelles et du travail en sous-groupes.

Mancanterie Harmonia Mundi

 Ce nest pas grand-chose quand nous chantons pour nous-mmes, il est plus beau de chanter deux. Et puis toujours plus, cent, mille, jusqu ce que rsonne la grande Harmonie dans laquelle tous peuvent se sentir unis. Alors seulement nous pourrons dire en ralit : que le monde entier connaisse la joie! (Zoltn Kodly)

Zoltn Kodly (1882-1967) musicien, compositeur et pdagogue hongrois, ne cessa de lutter pour un idal : prserver la jeunesse de la dsolation dune vie sans musique parce que la vie mrite dtre vcue avec plnitude.
Cest la mission de la Mancanterie Harmonia Mundi de Saint-Bruno.

Requiem de Gabriel Faur (1848-1924)
Requiem opus 48

Gabriel Faur sinitie trs tt la musique. C'est 9 ans quil est envoy Paris par ses parents pour suivre les cours de lcole Niedermeyer, cole de musique classique et religieuse. Au cours de ses tudes, il rencontre Camille Saint-Sans, de qui il deviendra un disciple. Lors dun voyage en Allemagne, Faur rencontre galement Wagner et Liszt, qui exercent une influence musicale sur lui.
Luvre la plus clbre du compositeur est sans doute son Requiem; cette uvre a russi presque elle seule forger la popularit du compositeur. crit en 1888, ce Requiem a t compos peu aprs la mort du pre de Faur. Il prsente les pages les plus russies des uvres religieuses du compositeur. Difficile de croire quil se disait athe, lcoute de cette musique dbordante dun sentiment religieux sincre et vridique, mis en vidence par une orchestration originale : lutilisation continue des altos et des violoncelles confre un tat mditatif et contemplatif luvre, les violons tant sollicits rarement dans cette version pour grand orchestre. Dabord destin un effectif instrumental rduit, le Requiem stoffa par la suite pour aboutir la version pour grand orchestre ici prsente.
Une berceuse de la mort, a-t-on dit de cette Messe des Morts; en effet, lide de la mort est vcue non pas comme une souffrance, mais comme une
dlivrance. La paix et la srnit dgages par luvre prouvent que le thme de la mort est exploit de faon lumineuse et nous donne une image paisible de la fin de la vie. (note Par Sarah Ouellet)

Ode la joie de Beethoven (1770-1827)
Symphonie No 9  avec un chur final sur lOde la Joie de Schiller , en r mineur, op. 125

Cest le 7 mai 1824, trois ans avant la mort du compositeur, que fut cre, Vienne, la Neuvime Symphonie de Beethoven. uvre mythique, symbole de la spiritualit humaine cristallise dans le geste artistique, cette dernire symphonie complte par le gant du classicisme viennois apparat comme lapothose de sa musique dorchestre. Prodigieux paradoxe pourtant, car son sommet, dans le quatrime mouvement, la musique instrumentale se mtamorphose en voix humaine. Aprs cette symphonie rvolutionnaire, la musique savante dOccident sest retrouve face des problmes de dfinition qui ont directement conduit lide wagnrienne de fusionner la musique et le drame. Commentant  ce passage brusque de la musique instrumentale la musique vocale , Richard Wagner y peroit une  surabondance de force, un violent besoin de dcharge lextrieur, absolument comparable la ncessit du rveil dun rve qui nous angoisse au plus profond de nous-mmes; et, poursuit-il, ce quil y a de significatif pour le gnie artistique de lhumanit, cest que ce besoin a produit ici un acte artistique par lequel ce gnie a reu un pouvoir nouveau : la capacit dengendrer luvre dart suprme . (Beethoven, Aubier-Montaigne, p. 189). Cette symphonie avec chur, sur lOde la joie de Schiller, est bien  uvre dart suprme  puisquelle met en abme la posie par une posie encore plus englobante, plus essentielle, la musique. (note par Claude Dauphin)

Te Deum de Kodly (1882-1967)
Te Deum du Chteau de Buda

Le Te Deum fut command Kodly dans la foule des prparatifs visant clbrer, en 1936, le deux cent cinquantime anniversaire de la fin de loccupation turque de la Hongrie. Aussi, est-ce par une fanfare incisive de trois trompettes, immdiatement approuve par un tutti des churs, que souvre cette uvre au souffle pique. Toutefois, la vigueur du triomphe ne voile aucunement la profonde mditation quentreprend le compositeur dans cette fresque sacre. Aprs les sonneries de la victoire et de la souverainet retrouve, merge le souvenir dramatique des ravages de la guerre passe. Il y palpite linquitude devant la monte du fascisme et lexacerbation du nationalisme la veille dune nouvelle conflagration des peuples. Du point de vue de lesthtique musicale aussi ce Te Deum simpose comme une uvre dialectique. Dans son creuset no-classique, Kodly compose un heureux mlange de styles o le dpouillement des homophonies grgoriennes se mtamorphose en des dploiements polyphoniques renaissants. La fugue du dbut dont le sujet intervalles inverss et en miroir (Pleni sunt coeli et terra), repris comme second sujet de la double fugue de la fin (In te Domine speravi), en plus de contribuer fortement lunit architecturale de louvrage, y rcupre les procds dun Baroque trs savant. uvre romantique par son orchestration, postromantique par rapport ses audaces harmoniques, elle se termine par une vocation impressionniste qui surprend la soprano solo entre deux cieux, dans un In aeternum hors-temps, le plus convaincant de toute la littrature sacre. (note par Claude Dauphin)

Symphony Nova Scotia launches 2010/11 season with free noon-hour concert

Halifax, NS Join Symphony Nova Scotia for its 2010/11 season launch on Friday, March 12 at 12:30 pm at the Rebecca Cohn Auditorium, Halifax.

This free-of-charge launch event will include an hour-long performance by Symphony Nova Scotia, along with some surprise guest appearances! Symphony sponsors have also donated more than 20 door prizes for the event, including a grand prize of an overnight getaway for two in a luxury car (courtesy of ORegans).

Following the launch, attendees are invited to join Symphony Nova Scotias musicians, staff, and board members outside the auditorium in the Sculpture Court for a Scanway lunch reception and Trius wine tasting. Patrons will also be able to purchase season tickets for the 2010/11 concert season for the first time.

All are welcome to attend. Thank you for supporting Symphony Nova Scotia!

About Symphony Nova Scotia
Symphony Nova Scotia is Nova Scotias orchestra. Each year more than 50,000 audience members (including 16,000 young music lovers) join us in communities across Nova Scotia for performances of the music they love from baroque and classical to pop and rock and folk. Under the inspirational leadership of Music Director Bernhard Gueller, Symphony Nova Scotia is recognized as one of the finest orchestras in the country. Visit www.SymphonyNovaScotia.ca to learn more, listen online, or subscribe today!

Symphony Nova Scotia is grateful to the Canada Council for the Arts, Nova Scotia Tourism, Culture, and Heritage, and the Halifax Regional Municipality for their continued support.

Tuesday, March 23, 2010

Egypts Adam Henein and Irans Parviz Tanavoli unite in a joint exhibition for the first time in the UAE

Egypts Adam Henein and Irans Parviz Tanavoli unite in a joint exhibition for the first time in the UAE



Abu Dhabi, UAE, 10 March 2010: The Abu Dhabi Music & Arts Foundation (ADMAF) today announced details of the visual arts exhibition at the Abu Dhabi Festival 2010. Throughout the whole festival, The Middle East Modern Masters exhibition will be held at the Emirates Palace. The exhibition will feature a joint collection of works by two of the greatest living masters of Middle Eastern art - sculptors Parviz Tanavoli and Adam Henein. The Abu Dhabi Festival takes place from 20 March to 7 April.

HE Hoda I. Al Khamis-Kanoo, Founder of the Abu Dhabi Music & Arts Foundation, commented: The Abu Dhabi Festival is committed to the visual arts. Messages and ideas embodied in this exhibition promise to provoke widespread debate and intrigue as these two masters come together for the first time in Abu Dhabi.

As in previous years the visual arts play an important part in the Abu Dhabi Festival and ADMAF is honored to be able to welcome two of the most prominent Middle Eastern artists, Parviz Tanavoli and Adam Henein. These two esteemed artists will come together with a striking joint collection, which will be a highlight of this years Festival. It is of great significance that such an important collection of modern Middle Eastern art will be shown here in Abu Dhabi, a place which is fast becoming the regional capital for the arts and culture, she pointed out.

According to Kanoo, the Middle East Modern Masters exhibition will explore the distinct styles of these great sculptors, whilst encouraging viewers to pose questions about the progression of Middle Eastern sculpture and its role in the global art world. Each sculptor explores his own unique heritage, with each work calling on its own references, both historical and modern. It is these avenues that audiences to the exhibition are invited to explore and reflect to the works in their own way, she added.


With this Exhibition, we hope to develop further strands of discussion and dialogue about some of the leaders in Middle Eastern sculpture, and the themes that their works explore both individually and together, she said.


The three-week manifestation features more than 90 world-class performances across traditional, classical and jazz music, drama, fine arts, and ballet. Strong educational elements are woven throughout the program with the aim of supporting ADMAFs dedication to furthering education in culture and the arts throughout the UAE. The education program supporting the Middle East Modern Masters exhibition will include opportunities for students and the public to interact with the two internationally acclaimed artists.
 
The schedule includes a walk-through with Adam Henein at the Emirates Palace, which will be open to the public at 11.30am on Sunday 21 March; a Tanavoli Lecture at Al Mamoura Lecture Theatre, open to the public between 6.30pm and 8.30pm on Tuesday 30 March; a Tanavoli workshop at The Ghaf Gallery, which will be held exclusively for students and by invitation only on Wednesday 31 March, and a walk-through with Parviz Tanavoli at the Emirates Palace, which will be open to the public at 11.30am on Saturday 3rd of April 2010.
 
The Abu Dhabi Festival 2010 tickets are available at Virgin Megastores and http://www.timeouttickets.com/ with part of the proceeds going to the Ewaa Shelter for Women and Children. Education and community programs will be hosted across Abu Dhabi and the rest of the UAE.

Sondage PPM d'hiver - La radio de Radio-Canada rejoint plus d'un million de personnes dans le grand Montral

Montral, jeudi 11 mars 2010 la lumire des rsultats PPM parus aujourdhui, la Radio de Radio-Canada rejoint 1 094 000 auditeurs dans le grand Montral (porte minute/semaine).



En rayonnement total, la Premire Chane (95,1 FM Montral) demeure la station francophone qui enregistre la plus forte dure dcoute parmi les stations de Montral, avec 6,7 heures dcoute par semaine par auditeur. Dautre part, avec 12,3 % de part dcoute francophone, elle arrive en 2e position, toutes stations confondues dans le march central de Montral. Cette part dcoute reflte les bons rsultats de la priode des ftes, de la couverture du sisme en Hati et de la couverture radio des Jeux olympiques dhiver Vancouver.


Les matins du week-end conservent leur 1re place toutes stations confondues, et ce, ds 4 h le samedi et 5 h le dimanche avec les missions de Radio Canada International (Tam-tam Canada et Pomme et mandarine), suivies de La semaine verte et des rendez-vous anims par Jol Le Bigot. Dautre part, Cest bien meilleur le matin, en hausse de 1 point et demi par rapport au dernier trimestre, consolide sa 2e position les matins en semaine (devanc de peu par le 98,5 FM).


Dans le march central de Montral, Espace musique (100,7 FM Montral) occupe 2,2 % de part dcoute francophone, une lgre augmentation par rapport au premier trimestre. En rayonnement total dans le grand Montral, la radio musicale enregistre une hausse de volume dcoute (16 %) par rapport au dernier trimestre et, avec 485 000 auditeurs, elle a augment sa porte minute/semaine de 8 %.


On note une augmentation dauditoire notable toute la semaine en matine : du lundi au vendredi la Premire Chane avec Christiane Charette et, le week-end, avec les missions de Jol Le Bigot et la semaine prochaine ; le week-end sur Espace musique avec les rendez-vous classiques dEdgar Fruitier (samedi) et dAlain Lefvre (dimanche), et aussi au moment du multigenre avec Franois Dompierre et du jazz avec Dorothe Berryman le dimanche. On remarque galement une augmentation dauditoire pour les Radiojournaux le matin, tant la semaine que le week-end la Premire Chane.


Les PPM sont des audimtres lectroniques qui sont utiliss par un panel de foyers slectionns au hasard pour reprsenter une communaut. Ces donnes PPM portent sur 13 semaines, soit du 30 novembre au 28 fvrier 2010.

Rvlations Radio-Canada Musique - vidos indits sur le web

ET UN STUDIO 12 COLLECTIF LA RADIO, LA TL ET SUR LE WEB
Montral, jeudi 10 mars 2010 Ds aujourdhui, les internautes peuvent visionner le premier des clips des Rvlations Radio-Canada Musique, en ligne au Radio-Canada.ca/musique. Tout le mois de mars, de mme quen avril et en mai, le public pourra voir des vidos de 30 minutes issues dun spectacle donn par chacune des Rvlations dans la saison 2009-2010.


Cest MARIE-PIERRE ARTHUR qui ouvre le bal avec des extraits dun concert enregistr au Thtre Petit Champlain Qubec. Les amateurs peuvent y entendre entre autres Dposer les armes, Droit devant, Pourquoi et plusieurs autres crations de la talentueuse musicienne.


Ds demain, 11 mars, cest le groupe CHIC GAMINE qui proposera les meilleurs moments de son spectacle donn au Lion dOr Montral, suivi de GUILLAUME ARSENAULT capt lui aussi au Lion dOr partir du 18 mars. En ligne le 25 mars, les internautes pourront voir WESLI dans un montage dentrevues et de prestations enregistres lors de sa participation au Babel Med Marseille, un vnement international majeur dans le milieu des musiques du monde.


Plus tard en saison (avril et mai) seront mis en ligne le clip de la contrebassiste jazz BRANDI DISTERHEFT et ses musiciens enregistrs au Upstairs Montral, ensuite celui du groupe CHINATOWN enregistr au Cabaret du Muse Juste pour rire et celui de la harpiste VALRIE MILOT capte dans les studios de Radio-Canada.


GRAND STUDIO 12 COLLECTIF


Cette srie de vidos musicales indites sera entrecoupe la fin mars par la diffusion dun Studio 12 anim par Rebecca Makonnen qui runira toutes les Rvlations Radio-Canada Musique 2009-2010 sur le mme plateau. Ce spcial Rvlations sera diffus le 26 mars 22 h sur Espace musique (100,7 FM Montral) et rediffus le 28 mars 16 h 30. Le public pourra galement lentendre sur les ondes de la Premire Chane (95,1 FM Montral) le 27 mars minuit, la Tlvision de Radio-Canada le 28 mars 23 h ainsi que sur ARTV le 31 mars 20 h.


Pour assister lenregistrement, le 23 mars, rservez votre place marie-eve.pigeon@radio-canada.ca ou au 514-509-5579.


Ralisation-coordination : Diane Maheux


Les Rvlations Radio-Canada Musique sont une initiative de Radio-Canada ddie la relve musicale au pays, cre pour faire connatre de nouveaux artistes et soutenir les jeunes talents montants, tous genres confondus. Radio-Canada est fire du chemin parcouru par ces groupes et artistes depuis leur nomination en septembre 2009. Ne manquez pas, sur le Web, leurs nouveaux clips musicaux et, lantenne, le grand spcial de Studio 12 pour les dcouvrir, les redcouvrir et encore mieux les apprcier.


Radio-Canada.ca/musique

MARVIN HAMLISCH EVENING | MUSIC FOR ALL SEASONS | MONDAY, 10 MAY 2010

from Belarus to Broadway Celebrating MUSIC!

MUSIC FOR ALL SEASONS PRESENTS GALA EVENING AT THE RUSSIAN TEA ROOMMAY 10, 2010, 6 TO 10:30 P.M.FAMED COMPOSER, CONDUCTOR, PIANISTMARVIN HAMLISCH TO BE HONORED IN EVENT FEATURING APPEARANCES BY JAZZ/CABARET SINGER JACQUI DANKWORTHAND GYPSY-KLEZMER-ROCK BAND GOLEM.



Oscar-Grammy-Emmy-Tony- award-winning composer, conductor, and pianist Marvin Hamlisch, the renowned young British jazz/cabaret singer Jacqui Dankworth, and the popular gypsy-klezmer-rock band Golem are celebrating music and the human spirit on Monday, May 10, 2010; 6 to 10:30 p.m. The event at New Yorks legendary Russian Tea Room, 150 W. 57th Street, from Belarus to Broadway Celebrating MUSIC! is a benefit for Music For All Seasons (MFAS). The evening will feature Marvin Hamlisch speaking about his life and music with interviewer/MC Nancy Shear. Jacqui Dankworth will perform her interpretations of Hamlischs music, and the music of Golem will begin and end the evening.

Proceeds from the evenings event will benefit MFAS, an organization devoted to the healing power of music. The funds raised will be used specifically for interactive musical programs for children living in shelters for victims of domestic violence in New York, New Jersey, Pennsylvania, Connecticut and California. These life-changing programs for children have won national recognition by, among others, The National Endowment for the Arts and the Society for the Arts in Healthcare.


The evening will include a pre-dinner cocktail reception, multi-course dinner, silent auction, the discussion with Marvin Hamlisch and performances by Ms. Dankworth and Golem. Discounted tickets are available now through April 15, by calling toll-free 1.866.524.MFAS (6327) or via online purchase at http://www.musicforallseasons.org/.


Marvin Hamlischs life in music is notable for its great versatility as well as substance. As composer, Hamlisch has won virtually every major award that exists: three Oscars, four Grammys, four Emmys, a Tony and three Golden Globe awards; his groundbreaking show, A Chorus Line, received the Pulitzer Prize.He is the composer of many motion picture scores including his Oscar-winning score and song for The Way We Were and his adaptation of Scott Joplins music for The Sting, for which he received a third Oscar. His prolific output of scores for films include original compositions and/or musical adaptations for Sophies Choice, Ordinary People, The Swimmer, Three Men and a Baby, Ice Castles, Take the Money and Run, Bananas, Save the Tiger, and his latest effort The Informant, (Sept. 2009) starring Matt Damon, and directed by Steven Soderbergh. Marvin Hamlisch holds the position of principal pops conductor for the National Symphony Orchestra, Pittsburgh Symphony Orchestra, Colorado Symphony Orchestra, Milwaukee Symphony Orchestra, Seattle Symphony and San Diego Symphony. Mr. Hamlisch was Musical Director and arranger of Barbra Streisands 1994 concert tour of the U.S. and England as well as of the television special, Barbra Streisand: The Concert (for which he received two of his Emmys). Hamlisch is a graduate of the Juilliard School of Music and Queens College (where he earned a Bachelor of Arts degree). He believes in the power of music to bring people together. Music can make a difference. There is a global nature to music, which has the potential to bring all people together. Music is truly an international language, and I hope to contribute by widening communication as much as I can.


Jacqui Dankworth began her professional career as an actress with the Royal Shakespeare Company and the National Theatre. She began working in musicals and quickly developed a career as a singing and recording artist in her own right. Her performances have taken her worldwide, singing jazz, the music of Gershwin, and collaborating with leading composers. Jacqui is frequently heard on BBC radio as well as hosting the BBC show Jazz Sirens with her mother, Dame Cleo Laine. Jacqui is the daughter of Dame Cleo and the late Sir John Dankworth. Dankworth will be making her only New York appearance this season at the May 10 event.


Golem is a New York City-based gypsy-klezmer-rock band performing in Yiddish, English and Slavic languages. Annette Ezekiel Kogan fronts the group with members Aaron Diskin, Alicia Jo Rabins, Curtis Hasselbring, Taylor Bergren-Chrisman, and Tim Monaghan. The band has performed to great critical acclaim throughout the United States, as well as in Canada, Great Britain, France, Germany, Poland and Sweden.


Nancy Shear is a well-known writer, lecturer, and broadcaster. She has hosted broadcasts of the New York Philharmonic, New Jersey Symphony, and the Frick Collection, and had her own interview program on WNYC. Her writing has appeared in major publications such as Musical America, the New York Times and Lincoln Center Stagebill, and she has authored a book on the cultural phenomenon of The Three Tenors. Her background includes positions as orchestra librarian for The Philadelphia Orchestra, Curtis Institute, and privately for Leopold Stokowski, among other major musicians of our time. She is the interviewer on the successful Conversations series presented by MFAS.


Music For All Seasons, now celebrating its 19th season, was founded in New Jersey and is now active in five states: New York, New Jersey, Connecticut, Pennsylvania and California. By bringing live musical performances to a wide range of institutions including childrens hospitals, retirement facilities, shelters for victims of domestic violence, juvenile detention centers, nursing homes, medical centers, halfway houses and hospices, MFAS aids the physical, mental and spiritual healing processes.


MFAS gained national recognition in its first decade partly through the advocacy of the late actor-musician Dudley Moore, founding president of MFAS Board of Advisors. The celebrated international recording artist, cellist Steven Isserlis, is active in support of the organization as current president of the MFAS Board of Advisors.


MFAS is active in the international community of Arts and Health, while conducting its own research on the beneficial effects of music in the healthcare environment. The organization brings together a wide variety of people and styles of music, provides opportunities for professional artists to serve special audiences, and creates volunteer opportunities that serve local communities.


MFAS programs are supported by The New Jersey State Council on the Arts, the Pennsylvania Arts Council, The National Endowment for the Arts, as well as numerous foundations, corporations and individual donors.

L'lite musicale de l'UdeM au Centre Segal du 22 au 25 mars

Le Centre Segal prsente la srie

Musique UdeM Music

Airs dopra, piano, instruments cordes et combos jazzĶ



Les meilleurs tudiants de la Facult de musique de lUdeM
vous attendent au Centre Segal
du 22 au 25 mars !

Inaugure lautomne 2009, la srie Musique UdeM Musicse poursuit de plus belle au Studio du Centre Segal des arts de la scne,
du 22 au 25 mars prochains.



Tour tour, des concerts dairs dopra, de piano, dinstruments cordes et de combos jazz
enchanteront le public avide de dcouvrir les forces vives de notre relve musicale.

Du lundi 22 au jeudi 25 mars, quatre concerts classiques et jazz, prsents 20 heures,
sont au programme de cette srie de prestige.

Daniel Turp, Martine St-Clair et Gilles Proulx prsideront le 15e RadioDon de Radio Ville-Marie les 30 avril, 1er et 2 mai prochain

Montral, 8 mars 2010 - L'animateur radio Gilles Proulx, la chanteuse Martine St-Clair et l'homme politique Daniel Turp prsideront le 15e Radio-Don de Radio Ville Marie qui se droulera les 30 avril, 1er et 2 mai prochain.



RVM, 15 ans de rendez vous

Pour son 15e anniversaire, Radio Ville Marie (CIRA-FM) organise un radio-don plac sous le signe de la gnrosit et du partage : 50 heures d'missions, 200 invits spciaux et plus de 100 bnvoles qui se relayeront pour recueillir la gnrosit des auditeurs. Pour clbrer cet anniversaire trs spcial, la station a dcid de remettre un prix hommage un grand artiste en reconnaissance pour sa contribution la culture qubcoise, son nom sera dvoil en fin d'vnement, le 1er mai. RVM joue un rle primordial sur le plan culturel. Nous tenons souligner des gens de chez nous qui nous font dcouvrir d'une manire exceptionnelle la beaut et la richesse de notre patrimoine culturel. prcise Jean-Guy Roy, le directeur gnral.

Chaque anne ce grand moment de fte permet la station radiophonique, proprit d'une socit but non lucratif, d'assurer une part importante de son dveloppement. Cette anne, sous le thme : Pour vousĶ depuis 15 ans , l'objectif est de recueillir 140 000 $.

Radio Ville Marie a russi s'imposer en tant que media spcialis et ouvert sur le monde. Avec 150 missions par semaine, une programmation contenu diversifi et une large couverture de la province, le rseau rassemble aujourd'hui 506 000 auditeurs d'aprs un sondage Lger Marketing 2010. Radio Ville-Marie dispose de 6 frquences : Montral (91.3 FM), Sherbrooke (100.3 FM), Trois-Rivires (89.9 FM), Rimouski (104.1 FM), Victoriaville (89.3 FM) et Gatineau (1350 AM) et d'une diffusion travers le monde via son site internet : http://www.radiovm.com/.

Symphony Nova Ame Henderson, Artistic Director of Public Recordings, Brings the World Premiere of relay to Harbourfront Centres World Stage 2009-10

TORONTO, ON (Mar. 11, 2010) Harbourfront Centres World Stage 2009-10 performing arts series is thrilled to host the world premiere of Public Recordings relay at Harbourfront Centres Enwave Theatre, April 7 through April 10.

Public Recordings' Artistic Director Ame Hendersons latest piece, relay, is a collaborative choreographic experiment for seven performers and two musicians that crosses disciplines and continents. Henderson is joined by dance artists Chad Dembski, Katie Ewald, Claudia Fancello, Matija Ferlin, Mairad Filgate, Marie Claire Fort, Brendan Jensen, Barbara Pallomina; designers Trevor Schwellnus and Cathia Pagotto; and composers Eric Chenaux and Eric Craven. These exceptional artists come together to make a performance that asks important questions about the politics and possibility of togetherness. Borrowing from memories of dances past, relay recreates the concept of unison, asking how we maintain our sense of self while working together.

Hendersons unorthodox approach to dance making and movement invention confront the very traditions of dance by activating unison as an extreme gesture of togetherness, allowing for the emergence of sensational difference, connection and participation. A formal element in dance for as long as people have been dancing, she wants to confront the taboos and pleasures of watching and making movement in unison. Each evening before the performance, Henderson will be joined by a special guest for a formal discussion about her work and process.

*Media images and resources: http://media.harbourfrontcentre.com/worldstage/

New for World Stage 2009-10: Visit harbourfrontcentre.com/worldstage to learn about Harbourfront Centres commitment to developing artists and audiences through World Stage initiatives and programmes, such as special events, artist talks and more.

relay


Ame Henderson
Public Recordings
Apr. 7 10, 8 p.m.
Enwave Theatre, 231 Queens Quay West, Toronto
Tickets: $30

Creative Team:


Choreography: Ame Henderson
Created with and performed by: Katie Ewald, Matija Ferlin, Claudia Fancello, Marie Claire Fort, Mairad Filgate, Barbara Pallomina, Brendan Jensen, Chad Dembski
Dramaturgy: Jacob Zimmer
Music made and performed by: Eric Chenaux, Eric Craven
Set and Light: Trevor Schwellnus
Costumes: Cathia Pagotto


Complete information about performance times, single tickets, packages and the Performance Card ($15 tickets for arts workers and students, Tues. Thurs. performances only) is available through the Harbourfront Centre box office by phone at 416-973-4000, or harbourfrontcentre.com/worldstage.


relay is a co-production of The CanDance Network Creation Fund, Harbourfront Centre, Recontres chorographiques internationales de Seine-Saint-Denis, Canada Dance Festival, Agora de la danse and Vancouver East Cultural Centre, and supported by Dance Sections of the Canada Council for the Arts, The Ontario Arts Council and Toronto Arts Council.


Harbourfront Centres World Stage 2009-10 gratefully acknowledges the support of Department of Canadian Heritage, Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council and Westin Harbour Castle, the official hotel of World Stage.

Musicians take to the streets to raise funds for LearnAsOne

11 March 2010: LearnAsOne,a UK-based charity dedicated to funding schools in Africa, today announces the launch of its first annual BuskAsOne, a week of busking events around the world from 19-25 April 2010. The charity is hoping to raise 22,800 to help build schools in rural Zambia.


The busk is open to any musician, singer or instrumentalist, and anyone interested in joining in with the BuskAsOne should register at www.learnasone.org/busk where they will find all the tips and guidance they need for a safe, hassle-free busk. In July, the LearnAsOne team will return to Zambia and share stories, photos and videos from the schools to show it supporters exactly how the funds they raised are spent.


The communities that LearnAsOne work with are extremely dedicated. They are happy to make tens of thousands of bricks by hand and contribute labour for free to give their children the opportunity to go to school. But they cant afford raw materials such as cement, roofing sheets and windows.

This is where the busking money comes in. 22,800 will allow LearnAsOne to fund four new buildings - two new classrooms and two teachers houses. This will secure the education of 60 children every year.


LearnAsOne have also published a step-by-step guide to help buskers join in with the event:


Choose a location and pick a date during our busk week

If its not on private land ask your local council for permission

Email busk@learnasone.organd tell us when and where you are playing

Tell the local press so you can get your photo in the paper. And try to get it filmed and upload onto YouTube too (tag it LearnAsOne)

Busk!

Once youve finished collect up the money and pay the money in online at www.justgiving.com/buskasone


Steve Heyes, Founder of LearnAsOne, says: BuskAsOne promises to not only be a vital fundraising event for these much needed projects in Zambia, but also a fun and inspiring week of musical performances. It costs 5,700 to buy the raw materials to build a classroom or a teachers house. For every new school building funded through BuskAsOne, we will offer the busker who the raises the most money the opportunity to have a school building named in their honour, which we're hoping will be music to the ears of our supporters. So what are you waiting for? Come together and BuskAsOne for a fantastic cause!


The LearnAsOne team, led by founder Steve Heyes, uses social media such as Twitter and Youtube to take its supporters on a virtual journey and meet the rural community in Zambia which needs the school, and show them exactly how they can help facilitate education in this particular community. Using its website (http://www.learnasone.org/) and Twitter, LearnAsOne regularly posts stories and photos from the community, along with a breakdown of the costs to build, equip and run the school. They also offer visitors to the website the chance to ask questions to members of the community, and let them answer in their own words.

Viva Voce - L'vangile en musique la Renaissance

La chorale de chambre acclame de Montral fait renatre les vangiles en musique


Vendredi 26 mars, 2010


19 h 30


Salle Redpath

3461, rue McTavish, Montral - Mtro McGill
Billets disponibles la billetterie de lcole de musique Schulich au 514-398-4547

ou au rseau ADMISSION au 514-790-1245 ou en ligne au http://www.admission.com/

Rgulier : 30 $; ge dor : 25 $; tudiant : 10 $ des tarifs de groupe sont disponibles.

http://www.vivavoce-montreal.com/


Montral, 8 mars 2010 Des corps sortant de leur tombeau, des pressentiments sinistres, des confessions qui changent le cours dune vie bien que ces thmes semblent tirs tout droit dun roman de Dan Brown, ils ont captiv les pratiquants de la Renaissance. Mises en musique, ces histoires peuvent encore ensorceler un auditoire. Au dbut du XVIe sicle, le motet vanglique tait une faon importante de raconter les rcits bibliques, et les motets les plus spectaculaires comprennent des uvres de Jachet de Mantoue, Adrian Willaert, Josquin des Prez, Pierre de Manchicourt et Nicolas Gombert, les compositeurs mis en vedette lors dun spectacle donn la salle de concert Redpath Hall le vendredi 26 mars 19 h 30. Sous la direction de Peter Schubert, les douze chanteurs de VivaVoce dpeindront Jsus marchant sur leau, la Crucifixion ainsi que la rsurrection de Lazare de faon aussi vivante que les tableaux de lpoque.

***

Au sujet de VivaVoce

VivaVoce se dmarque dautres chorales professionnelles canadiennes par son rpertoire vari et souvent audacieux. Sous la direction artistique de Peter Schubert, VivaVoce offre des concerts comments amusants et ducatifs dans divers genres musicaux, depuis le chant grgorien jusqu la musique du XXIe sicle. Lapproche originale adopte par ce chur lui a valu la fidlit de son auditoire ainsi quune reconnaissance dans le milieu de la musique classique. En effet, VivaVoce a reu neuf nominations dans six catgories diffrentes des Prix Opus et a remport un premier prix en 2004. De plus, son coffret de tous les Magnificats de Pierre de la Rue a remport le prix Choc du mois du journal Le Monde de la musique.

The Shaw Festival and IATSE, Local 461 Facilities Bargaining Unit

Niagara-on-the-Lake, Ontario, March 10, 2010 Ķ The Shaw Festival announced today that it is implementing a lockout of the employees represented by IATSE, Local 461 in the Shaws Facilities Department. These are the 16 employees that provide maintenance, grounds crew and housekeeping services. The lockout is effective at 5:00 pm on Wednesday, March 10, 2010 and is limited to the Facilities Department. The employees of the Production and Audience Sales and Services departments, whose contracts expired November 30, 2008, are not included in this lockout.



The Shaw Festival applied for conciliation with the Ontario Labour Relations Board and a mediator was appointed. With the assistance of the mediator, the two parties were able to resolve outstanding issues around wages and benefits; however the unions outstanding issue concerning contracting out of work in the Facilities Department remains unresolved. The Shaw had already committed that there would be no contracting out of any work during the life of the collective agreement and provided additional protection for employees who were impacted by any layoffs in the future. This was not acceptable to the members of the bargaining unit and IATSE, Local 461.

The Shaw Festival has advised IATSE, Local 461 that it is prepared to return to the bargaining table immediately to negotiate the Production and Audience Services collective agreements. The Shaw Festival has not taken any action to lock out employees in those departments. IATSE, Local 461 continues to maintain its position that it will not negotiate the Production and Audience Sales and Services contracts until the parties have reached agreement on the Facilities Department contract.

Executive Director Colleen Blake noted: We wish this issue could be resolved at the bargaining table. To date, we have not been able to do that. Reluctantly, we have made this difficult decision.

Artistic Director Jackie Maxwell went on to say:"To be at this juncture is shocking and heartbreaking but we have no choice. We are an extraordinary theatre company because of the shared belief in the work we do and the immense spirit of collaboration with which we do it. We must hold on to this and look forward to when we come together once more, galvanized and focused on the great theatre that means so much to us all.

Monday, March 22, 2010

EMI Classics Signs Chinese Pianist Yundi

First Release is the Complete Chopin Nocturnes
International Release: March 2010
5099960839121 (2CDs); 5099960839152 (Digital)





Yundi Li, the brilliant young Chinese pianist Ķ has proved a technically astounding pianist who is
by turns elegant and rambunctious, coolly expressive and white hot. (The New York Times)



EMI Classics has signed the superlative young Chinese pianist* Yundi, formerly known as Yundi Li, winner of the 14th International Frederic Chopin Piano Competition in Warsaw. Appropriately, Yundis first EMI release will be the complete Chopin Nocturnes, released to commemorate the composers 200th birthday in 2010. Yundi and EMI Classics together plan to record the complete works for solo piano by Chopin.


Stephen Johns, Vice President, A&R, EMI Classics, said, "We are extremely pleased to be welcoming Yundi to the EMI Classics label. Yundi's musicianship and artistry has already captivated audiences around the world, and his desire continually to seek new challenges mirrors our own ambitions to bring great music in new and innovative ways to a wide public. We are particularly excited by Yundi's championing of the music of Chopin and in this, his anniversary year."


Since the competition that catapulted Yundi onto the international stage, his recitals and appearances with orchestras in Europe, Asia and the United States have been hailed by critics extolling his precise, crystalline technique, keyboard fluidity and boundless enthusiasm. His personality and artistry appeal to audiences of all ages and he is an icon in his native China, where he has inspired millions of young people, who refer to him as the Prince of the Piano. He is equally the toast of national leaders and has been invited to perform for the Chinese Ambassador in Washington, D.C. and for the President of China, Hu Jin Tao at Government House in a celebration of the 10th anniversary of the handover of Hong Kong to China.


Following a recital at the Salle Pleyel in 2009, the critic Grard Mannoni said, With Yundi Li, the sound is Ķ deep, radiant, warm, spacious, highlighted by a perfect use of silence, the element of language so often overlooked by musicians. An exceptional pianistic artĶ. And reviewing an earlier Liszt/Chopin recording, The Times wrote, You can tell [he] has something beyond the dazzle of any new star. The secret? Partly Ķ its his sense of flow. ĶThe other key component is the mastery won over his own finger power. ĶYundi Li already knows how to be subtle even when loud. And when hes restrained he glows with banked fires. Ķ Yundi Li is never reckless; theres always an artist in firm control, sculpting both tone and phrasing.


Yundi hails from Chongqing in the Peoples Republic of China, where he first learned to play the accordion and won first prize in a competition at the age of five. He switched to the piano at seven and subsequently studied with Dan Zhao Yi, one of Chinas most renowned piano teachers.


Yundi has performed with most of the major orchestras in North America, Europe, Russia, Israel and the Far East with conductors including Seiji Ozawa, Lorin Maazel, Gustavo Dudamel, Valery Gergiev, James Levine, Riccardo Chailly and Yuri Temirkanov. He has received particular distinction for his interpretations of concertos by Chopin, Liszt, Prokofiev, Ravel and Tchaikovsky. His recitals throughout North America, including New Yorks Carnegie Hall; England, including Londons Queen Elizabeth Hall; France, including Pariss Thtre du Chtelet and Salle Pleyel; the Salzburg Festival; Switzerland, the Czech Republic, Germany, Finland, Denmark, Luxembourg and across Asia, have touched audiences and critics alike.


Yundis association with EMI Classics and a move to new management are expressions of his ongoing commitment to performing at the top of his profession, using all means at his disposal to reach new audiences.


During 2010, his concerts include a Chopin Birthday Concert in Warsaw on March 1, recitals in Hong Kong, Beirut, Eindhoven, London (Royal Festival Hall), Dortmund, Luxembourg, Strasbourg, Porto, Abu Dhabi, New York (Carnegie Hall), Paris, Frankfurt, Munich and Milan. Concerto engagements include dates with the Toronto Symphony Orchestra / Yannick Nzet-Sguin, the Hong Kong Philharmonic and the San Francisco Symphony.


A video clip of Yundi performing Chopins Nocturne No. 2 from the new album is available on YouTube: http://www.youtube.com/watch?v=KLzYwT9YT-c



Deeply thoughtful and formidably virtuosic, he makes light work of [the concertos]
nightmarish technical demands. Ķ The colossal first movements combined development and cadenza is played with an authority that will make lesser mortals pale with envy and admiration.



(* Gramophone)


'Li's performances are characterized by a striking degree of finesse and tonal shading,
demonstrating a poetic sensibility rare in so youthful a musician. His bravura is equally imposing (Miami Herald)



YUNDI


Chopin: Complete Nocturnes
Release date: March 30, 2010
Order cut off: March 11, 2010


50999 6 08391 2 1
F233 08391 $14.99
2 CDs full price


CROSSOVER CLASSICS (domestic release)
EMI Classics


Yundi Li, the brilliant young Chinese pianist Ķ has proved a technically astounding pianist who is by turns elegant and rambunctious, coolly expressive and white hot. (The New York Times)


Label debut of 25-year old Chinese pianist Yundi (formerly known as Yundi Li) who is devoting his career almost exclusively to Chopin. Yundis first EMI release is the complete Chopin Nocturnes, released to commemorate the composers 200th birthday this year.


In 2000, Yundi was the youngest-ever winner of the 14th International Frederic Chopin Piano Competition in Warsaw.


His next EMI Classics CD release is being planned for September 2010 and there are plans to record all of the composers solo works for piano with Yundi.


Yundi is performing with Yannick Nezet-Seguin and the TSO on June 10th & 12th

Montral Prem1re : Lancement d'une Campagne Clbrant le Talent Innovateur Montralais

English to follow.

Montral, le 10 mars 2010 - La Chambre de commerce du Montral mtropolitain et ses cinq commanditaires piliers - Astral Media, Bell Canada, Hydro-Qubec, le Mouvement des caisses Desjardins et Rio Tinto Alcan - sont fiers de lancer aujourd'hui une nouvelle campagne pour reconnatre le talent innovateur montralais.

Sous le thme MONTRAL PREM1RE, cette campagne met en vedette des innovations nes dans la mtropole. Les messages - qui font entre autres rfrence au simulateur de vol de CAE, au vlo en libre-service BIXI et au Biodme - seront affichs au cours des prochains mois sur des colonnes de rue et des superpanneaux de l'le de Montral ainsi qu' l'intrieur de l'Aroport Pierre-Elliott-Trudeau. La campagne comprend galement un microsite de mme qu'une offensive radio prvue ce printemps.

 
La campagne MONTRAL PREM1RE rend hommage l'innovation et la crativit de nos entreprises. Toutes sont des exemples concrets de russite qui, grce leur gnie et leur talent, contribuent au rayonnement et au succs de notre mtropole. Nous voulons exprimer notre fiert en clbrant nos crateurs d'affaires et notre mtropole, terreau propice la naissance de ces innovations , a dclar le prsident et chef de la direction de la Chambre de commerce du Montral mtropolitain, Michel Leblanc.

 
Nous saluons la collaboration de nos commanditaires piliers, ces entreprises phares de notre conomie qui ont coeur le rayonnement de Montral. Elles se sont toutes engages avec la Chambre faire une diffrence en suscitant un grand mouvement de fiert associ au dynamisme de la mtropole. La campagne MONTRAL PREM1RE est le fruit de cette association , a conclu Michel Leblanc.

 Les six excutions qui pourront tre aperues travers l'le de Montral et sur le microsite de la campagne :



-Prem1re mtropole o l'on cre un simulateur de vol pour le plus gros avion au monde
-Prem1re mtropole o les stations de vlos en libre-service fonctionnent l'nergie solaire
-Prem1re mtropole o un muse vivant runit 4 climats sous un mme toit
-Prem1re mtropole o l'on multiplie les cellules souches en laboratoire
-Prem1re mtropole o l'on fait voyager un microdispositif dans les vaisseaux sanguins
-Prem1re mtropole o l'on prsente un film immersif dans une sphre gante


  propos de la Chambre de commerce du Montral mtropolitain
 

La Chambre de commerce du Montral mtropolitain compte quelque 7 000 membres. Sa mission est de reprsenter les intrts de la communaut des affaires de l'agglomration urbaine de Montral et d'offrir une gamme intgre de services spcialiss aux individus, aux commerants et aux entreprises de toutes tailles de faon les appuyer dans la ralisation de leur plein potentiel en matire d'innovation, de productivit et de comptitivit. La Chambre est le plus important organisme priv au Qubec vou au dveloppement conomique.



*****





MONTRAL F1RST:

A new campaign celebrates Montral's innovative talent

Montral, March 10, 2010 - The Board of Trade of Metropolitan Montreal and its five pillar sponsors-Astral Media, Bell Canada, Hydro-Qubec, Desjardins Group, and Rio Tinto Alcan-are proud to launch a new campaign today to recognize Montral's innovative talent.

With the theme MONTRAL F1RST, this campaign shines a spotlight on innovations born in our metropolis. The messages-which make reference to a CAE flight simulator, the BIXI self-service bike system, and the Biodme, among others-will appear over the coming months on street columns and superboards on the Island of Montral, as well as in Pierre-Elliott-Trudeau Airport. The campaign also includes a microsite as well as radio spots scheduled to air this spring.


"The MONTRAL F1RST campaign pays tribute to the innovation and creativity of our businesses. All are concrete examples of success, which-through their talent-contribute to the reputation and success of our metropolis. We want to express our pride by honouring those that have mastered the art of business, and by celebrating our metropolis, a fertile breeding ground for these innovations," stated the President and CEO of the Board of Trade of Metropolitan Montreal, Michel Leblanc.
"We welcome the collaboration of our pillar sponsors, leading companies in our economy that care deeply about Montral's reach and reputation. They are all committed, along with the Board of Trade, to making a difference by giving rise to a great movement of pride associated with the city's vitality. The MONTRAL F1RST campaign is the result of this association," concluded Michel Leblanc.



The six accomplishments to be featured across the Island of Montral and on the campaign microsite:



-F1rst metropolis to develop a flight simulator for the world's largest airplane
-F1rst metropolis to have solar-powered self-service bike stations
-F1rst metropolis to have a living museum that brings together 4 climates under one roof
-F1rst metropolis to multiply stem cells in the laboratory
-F1rst metropolis to send a micro-device through the blood vessels
-F1rst metropolis to present an immersive film in a giant sphere



About the Board of Trade of Metropolitan Montreal



The Board of Trade of Metropolitan Montreal has some 7,000 members. Its mission is to represent the interests of the business community of Greater Montreal and to provide individuals, merchants, and local businesses of all sizes with a variety of specialized services to help them achieve their full potential in terms of innovation, productivity and competitiveness. The Board of Trade is Qubec's leading private economic development organization.


Stowe Welcomes Alondra de la Parra, Music Director, and Philharmonic Orchestra Of The Americas To Summer Home

International Award-Winning Classical Guitarist
Pablo Sinz Villegas Headlines
Music Festival of the Americas at Stowe

Stowe, VT (March 3, 2010) --- The Music Festival of the Americas at Stowe returns in August with a schedule of outstanding events and dynamic guests from the world of opera and classical music. Twenty-nine year old conductor Alondra de la Parra returns to direct the Philharmonic Orchestra of the Americas in their summer home and will be joined by award-winning Spanish classical guitarist Pablo Sinz Villegas, opera stars from Placido Domingos Washington National Opera Domingo-Cafritz Young Artists Program and Ben Capps, the orchestras principal cellist.

Ms. de la Parra, founder of the Philharmonic Orchestra of the Americas, and her New York City-based orchestra recently finished their second international tour, and over the past year have shared stages with Patti Labelle, Jose Feliciano, Carlos Santana, Gloria Estefan, John Legend and actor Geoffrey Rush. Ms. de la Parra and the POA recently completed a Sony Classical 2-CD recording celebrating Mexicos Bicentennial and featuring master works by Mexican composers.

The Music Festival of the Americas will expand to four days, August 18-21, and performances take place at 8:00 pm at Symphony Court, Topnotch Resort & Spa in Stowe, Vermont. Tickets are available by calling 802.760.6797 or online.

On Wednesday, August 18, Ms. de la Parra will conduct the POA Chamber Orchestra and delight the audience with Conducting 101.

Thursday, August 19th, she will conduct the full orchestra and be joined by opera stars from Placido Domingos Domingo-Cafritz Young Artist Program. Jennifer Lynn Waters, who moved audiences last year with exceptional arias and duets from Puccini, Verdi and Bizet, will be joined this summer by Ukrainian baritone Oleksandr Pushniak.

 
On Friday, August 20th, the orchestra will accompany Spanish classical guitarist Pablo Sinz Villegas as he performs Mexican composer Manuel Ponces Concierto del Sur. Mr. Sinz Villegas is renowned as The Soul of the Spanish Guitar and the recipient of more than thirty international awards, including the Andrs Segovia Award. Philharmonic Orchestra of the Americas own principal cellist, Ben Capps, will be featured soloist for Schumanns Cello Concerto. The evening will end with Dvoraks Symphony No. 8.

 The grand finale on Saturday, August 21st heats up the rhythms as Anything Goes! a night of diverse musical styles, dancing and festivities. Rum and tequila, caipirinhas and mojitos! Finally, a chance to kick off your shoes and samba, cha-cha, salsa, merengue - you name it. The orchestra membersall under the age of 35, and from twenty different countriesabandon their classical chops and go to the dark side of Latin, rock, Rhythm & Bluesanything goes! With special guest appearance by Latin recording star Mane de la Parra. As part of its mission to cultivate a life-long love of music, the Music Festival of the Americas at Stowe will donate twenty-five percent of the admission revenue from Saturdays Anything Goes! to the Stowe schools music programs.

The Music Festival of the Americas at Stowe is a non-profit 501(c)3 corporation, presenting premier international virtuosos and rising young talent from both the classical and world-music genres, and celebrating the rich cultural heritage of the Americas Stowe is the summer home of the Philharmonic Orchestra of the Americas, which, under the baton of music director and orchestra founder Alondra de la Parra, brings unsurpassed music to the Green Mountains of Vermont.

Sony Music Entertainment Canada Inc. releases Juno Awards 2010 nominee compilation album

In Stores March 30, 2010



TORONTO, March 10 /CNW/ - SONY MUSIC ENTERTAINMENT CANADA INC. is honoured to release the JUNO Awards 2010 nominee compilation album, in stores on March 30, 2010. The project is a joint venture between Canada's four major labels (EMI Music Canada Inc., Sony Music Entertainment Canada Inc., Universal Canada and Warner Music Canada) and The Canadian Academy of Recording Arts and Sciences (CARAS).


The JUNO Awards 2010 nominee compilation album is a non-profit package with proceeds going to MusiCounts, Canada's music education charity associated with CARAS. MusiCounts is dedicated to keeping music alive in schools through Band Aid musical instrument grants, scholarships and by honouring extraordinary music teachers. Since 2003 the annual JUNO Awards nominee compilation albums have sold close to a quarter of a million copies in Canada.


SONY MUSIC ENTERTAINMENT CANADA INC President Shane Carter commented: "We are delighted to be releasing the JUNO Awards 2010 compilation album reflecting the great spectrum of Canadian talent, particularly the new crop of artists showcased beside internationally renowned names. The selections on the CD celebrate some of the most diverse music of the past year, honouring our established musicians, while encouraging the next generation of stars to shine."


Track Listing -------------
1 Michael Bubl Haven't Met You Yet
2 K'Naan Wavin' Flag
3 Nickelback Burn It To The Ground
4 Three Days Grace Break
5 Billy Talent Rusted From The Rain
6 Arkells Oh, The Boss Is Coming!
7 Metric Gimme Sympathy
8 The New Cities Dead End Countdown
9 Hedley Cha-Ching
10 Classified Anybody Listening
11 Justin Bieber One Time
12 Down With Webster Rich Girl$
13 Drake Best I Ever Had
14 Stereos Summer Girl
15 Shiloh Operator (A Girl Like Me)
16 The Tragically Hip Love Is A First
17 Jann Arden A Million Miles Away
18 Blue Rodeo Arizona Dust
19 Johnny Reid A Woman Like You
20 Diana Krall Walk On By

Since CTV joined forces with CARAS in 2002, THE JUNO AWARDS has been broadcast from St. John's (2002), Ottawa (2003), Edmonton (2004), Winnipeg (2005), Halifax (2006), Saskatoon (2007), Calgary (2008) and Vancouver (2009). In March 2009, 1.23 million Canadians watched Russell Peters host for the second time for THE 2009 JUNO AWARDS from Vancouver on CTV. Peters first hosted in 2008. Previous hosts of THE JUNO AWARDS include Nelly Furtado (2007), Pamela Anderson (2006), Brent Butt (2005), Alanis Morissette (2004), Shania Twain (2003) and Barenaked Ladies (2002).


Sponsors of the 2010 JUNO Awards include FACTOR, Canada's Private Radio Broadcasters and the Government of Canada through the Department of Canadian Heritage's "Canada Music Fund", with commitments from The Atlantic Canada Opportunities Agency (ACOA), the Province of Newfoundland and Labrador, the City of St. John's and Radio Starmaker Fund.


Sponsors of THE 2010 JUNO AWARDS broadcast on CTV are Chevrolet, Garnier, Pepsi and Rogers


About CARAS:


The Canadian Academy of Recording Arts and Sciences/L'acadmie canadienne des arts et des sciences de l'enregistrement (CARAS) is a not-for-profit organization created to preserve and enhance the Canadian music and recording industries and to contribute toward higher artistic and industry standards. The main focus of CARAS is the exploration and development of opportunities to showcase and promote Canadian artists and music through vehicles such as the JUNO Awards. For more information on The 39th Annual JUNO Awards or The Canadian Academy of Recording Arts and Sciences (CARAS), please visit our websites at http://www.carasonline.ca/ and http://www.junoawards.ca/.


About CTV:


CTV, Canada's Olympic Network, is also Canada's largest private broadcaster. Featuring a wide range of quality news, sports, information, and entertainment programming, CTV is Canada's most-watched television network. CTV Inc. also owns radio stations across the country and owns or has interests in leading national specialty channels, featuring news, sports, factual, arts, entertainment, music, youth and fashion programming. CTV Inc. is owned by CTVglobemedia Inc. Canada's premier multi-media company, which also owns Canada's national newspaper, The Globe and Mail. CTV is the official broadcaster of the Vancouver 2010 Olympic and Paralympic Winter Games and London 2012 Games of the Olympiad. More information about CTV may be found on the network's website at http://www.ctv.ca./


About MusiCounts


MusiCounts, Canada's music education charity associated with The Canadian Academy of Recording Arts and Sciences, is helping to keep music alive in schools across Canada. MusiCounts' mission is to ensure that children in Canada have access to a comprehensive music program through their school. MusiCounts includes Band Aid musical instrument grants, the MusiCounts Teacher of the Year Award, Scholarships and other music education initiatives. MusiCounts is supported by various initiatives such as the JUNO Award nominee compilation CD; annual contributions by CTVglobemedia; EMI Music Canada Inc.; Sony Music Entertainment Canada Inc.; Universal Music Canada and Warner Music Canada Ltd.; as well as Songwriters' Circle sponsored by CMPA and SOCAN; Juno Cup sponsored by The Keg Steakhouse and Bar; and individual and corporate contributions, including Astral Media, The Keg Spirit Foundation, Rogers Broadcasting Ltd., and SIRIUS Canada Inc. Since the Program's establishment in 1997, over 3.5 million dollars has been donated impacting 214 post secondary music program graduates and over 250,000 individual students, their schools and communities, from coast to coast. MusiCounts has also honoured five extraordinary music teachers through the MusiCounts Teacher of the Year Award. For more information, please visit: http://www.musicounts.ca/


About Sony Music Entertainment Canada Inc.


Sony Music Entertainment Canada Inc. a division of Sony Music Entertainment, is a global recorded music company with a roster of current artists that includes a broad array of both local artists and international superstars. The company boasts a vast catalog that comprises some of the most important recordings in history. It is home to premier record labels representing music from every genre, including American Recordings, Arista Nashville, Arista Records, Aware, Battery Records, Beach Street Records, Black Seal, BNA Records, Cinematic, Columbia Nashville, Columbia Records, Epic Records, Essential Records, Flicker Records, Fo-Yo Soul, GospoCentric, Hitz Committee Entertainment, J Records, Jive Records, LaFace Records, Legacy Recordings, Masterworks, Polo Grounds, RCA Records, RCA Nashville, RCA Red Seal, RCA Victor, Reunion Records, Slightly Dangerous, Sony Classical, Sony Music Latin, Star Time International, Verity Records, and Volcano Entertainment. Sony Music Entertainment is a wholly owned subsidiary of Sony Corporation of America.


Web Links:


The JUNO Awards: http://www.junoawards.ca/


MusiCounts: http://www.musicounts.ca/ /http://www.musicompte.ca/


CD Artwork: http://filevault.sbmg.ca/filevault.cgi?key=JfAXpdyq

Prix Jean-Marie-Benoit : un premier laurat !

Flicitations Benjamin Martinez !

La premire attribution du Prix Jean-Marie-Benot,
qui sest droule la Cinmathque qubcoise, le vendredi 5 mars,
a permis de remettre une bourse de 2 000 $ au laurat Benjamin Martinez,
tudiant au programme de matrise en composition de la
Facult de musique de lUniversit de Montral.

Lanc en septembre 2009, par la Socit professionnelle des auteurs et des compositeurs du Qubec (SPACQ)
et la Succession Jean-Marie-Benot, le Prix JeanMarie-Benot
rcompense la qualit du travail accompli par un tudiant inscrit au
programme de composition Musiques de film et multimdia offert la Facult de musique.

Vous trouverez, en pice jointe,
le communiqu de presse dtaill
consacr la remise de ce prix.

Marie-Jose Poulin Big Band

Le Marie-Jose Poulin Big Band jouera en concert le :
 
        Date :  Samedi 10 avril 2010 
        Lieu :  Auditorium de la Polyvalente C.A.Racicot
                    940 Boul. Normandie
                    St-Jean-sur-Richelieu  
** Ouverture des portes et rptition 13h.  Concert 15h30.
 
Admission adulte :   15 $
Enfants 12 ans et moins :  6 $
 
Des billets seront en vente  la porte le jour de lactivit, tant quil y en aura. 
Bienvenue  tous!
 
Marie-Jose Poulin
Directrice artistique
450. 515. 1676
info@mariejoseepoulin.ca

Effendi - Nouvel album pour Joe Sullivan

SORTIE EN MAGASIN DU NOUVEL ALBUM DE
JOE SULLIVAN SEXTET  VOICES ds le 16 mars

 Montral, 10 mars 2010 Le label montralais Effendi Records est fier de prsenter le nouvel album du trompettiste Joe Sullivan, intitul  Voices .

Disponible en magasin, sur les plateformes de tlchargement (Itunes, Zik.ca, Emuzic), et sur le site internet www.effendirecords.com ds le mardi 16 mars 2010 (Distribution Select).

Joe Sullivan prsente son troisime album en sextet, une runion entre vieux amis habitus jouer ensemble depuis de longues annes. Avec ses complices musicaux dans lme, Andr Leroux et Jean Frchette, qui apportent leur touche personnelle, enrichissant encore les compositions du trompettiste, Joe Sullivan nous propose un mlange de pices composes ces dernires annes, sans prtentions, visant tout simplement le plaisir de jouer et dcouter un bon jazz dici qui ravira les habitus.

 VOICES (FND098)
Joe Sullivan trompette
Andr Leroux saxophone
Jean Frchette -  saxophone
Andr White piano
Alec Walkington contrebasse
Dave Laing batterie

Info lancement
Vendredi 12 mars
5@7 au Diable A 4 (Quatre)
1871 rue Centre (coin Shearer)
Montreal, QC, H3K 1J1
(514) 933-4313

Edmonton Opera 10-11: Paris - Rome - Barrhead

Edmonton is a city that inspires opera, and, in celebration of this, Edmonton Opera launches a season to delight and thrill Edmontonians in 2010-2011. The mystery and romance of Paris come alive with Puccinis La Bohme; sharp silliness abounds with shipwrecks, sultans and stranded sopranos in Mozarts Abduction from the Seraglio; love and revenge mingle with power and beauty in Puccinis Tosca; and Rossini is revised and relocated to the Alberta Klondike with Barber of Barrhead.
Edmonton Opera 2010-2011 season subscriptions are on sale now via the companys box office, call 780-429-1000 or visit www.edmontonopera.com for details. The deadline to renew current subscriptions is May 15, 2010. Single tickets for 2010-2011 performances go on sale September 15, 2010.
Puccini - La Bohme
October 23, 26, 28, 2010 7:30pm
The Northern Alberta Jubilee Auditorium
Sung in Italian with English supertitles
Everyone has experienced the hope and loss of first love, and Puccini takes this universal experience to new heights with the perennial favourite, La Bohme. In the gritty world of Parisian ghettos, Rodolfo, a young poet, has his life turned upside-down by his passionate love for the fragile and doomed seamstress, Mimi.

Mimi Laura Whalen
Rodolfo Eric Fennell
Musetta Alison Angelo
Marcello tienne Dupuis
Colline Jon-Paul Dcosse
Schaunard Benjamin Covey
Benoit / Alcindoro Doug MacNaughton
Conductor Steven Osgood
Director Brian Deedrick

Edmonton Opera Chorus
Edmonton Symphony Orchestra

Mozart The Abduction from the Seraglio
February 5, 8, 10, 2011 7:30pm
The Northern Alberta Jubilee Auditorium
Sung in German with English supertitles
Edmontonians know a little laughter lights up a cold, dark February night, and Mozarts musical wit warms opera audiences with the comic romance The Abduction from the Seraglio. Young Belmonte journeys to the exotic East to rescue his beloved Konstanze, whos been imprisoned by an amorous Pasha, and madness ensues as the lovers battle to outwit a bumbling and jealous vizier.
Kostanze -- Charlotte Corwin
Belmonte Colin Ainsworth
Blonde Carla Huhtanen
Pedrillo -- Lawrence Wiliford
Osmin Dean Elzinga
Pasha Selim David McNally

Conductor Peter Dala
Director Michael Cavanagh

Edmonton Opera Chorus
Edmonton Symphony Orchestra

Rossini revised! The Barber of Barrhead
February 15 - 26, 2011 - various times
The TransAlta Arts Barns Westbury Theatre
Sung in English with English dialogue
A collaboration between Edmonton Opera and Fringe Theatre Adventures takes family fun from Seville, Spain and into the Alberta Klondike for The Barber of Barrhead. Prospectors seek and lose their fortunes during the Gold Rush, as Figaro, a barber and jack-of-all-trades, endeavours to unite the young Al with his love Rosie, despite the dastardly innkeeper Barts devious dealings.

Rosie Dionne Sellinger
Al Rob Clark
Figaro John Conlon
Bart Joel Klein
Director/ Adapter Ann Hodges

Puccini Tosca
April 9, 12, 14 2011 7:30pm
The Northern Alberta Jubilee Auditorium
Sung in Italian with English supertitles
A tale of desperate choices embroiled in art and politics concludes the 2010-2011 season with Tosca, Puccinis darkest and most powerful masterpiece. Tosca, a fiery and passionate diva, struggles over whether to surrender to Romes brutal Chief of Police to save the man she loves.
Tosca Yannick-Muriel Noah
Cavaradossi Robert Breault
Scarpia Nathan Berg
Angelotti/Sciaronne Tom Goerz
Sacristan/ Jailer Alexandre Sylvestre
Spoletta Keith Klassen
Conductor Robert Tweten
Director Robert Herriot

Edmonton Opera Chorus
Edmonton Symphony Orchestra


For more information about Edmonton Operas productions and programs, to view its season launch video featuring Artistic Director Brian Deedrick or to download a subscription form, please visit www.edmontonopera.com.  

NUĶ un spectacle qui dvoile sans dvtir!

la Maison des arts dans le cadre du Mois de la danse 2010
 
Laval, le 9 mars 2010 NU est prsent en ouverture du 4e Mois de la danse de la Maison des arts de Laval le 25 mars prochain. En effet, du 25 mars au 24 avril, la danse reprend possession de la scne de ce lieu culturel en prsentant une programmation exceptionnelle regroupant les forces vives de la danse dici et dailleurs. 
NU
Malgr ce que peut voquer le titre de ce spectacle, cest lme des personnages qui est ici mise nu. En effet, la trame chorgraphique sattarde la sensibilit qui se cache sous la faade de chaque individu. Le chorgraphe, Harold Rhaume de la compagnie Le fils dAdrien danse, russit djouer le mythe de limpntrabilit de la danse contemporaine. Il le fait dailleurs avec brio, sans pour autant lsiner sur la complexit du mouvement par une gestuelle qui respire la sensibilit. Avec Nu, il arrive ainsi nous en mettre plein la vue et plein le cur! 
Le Mois de la danse
Instaur en avril 2007, le Mois de la danse propose des rencontres et des spectacles qui mettent en valeur cette discipline artistique qui transcende les frontires des cultures et des langues. Dcouvrez la programmation complte du Mois de la danse de la Maison des arts en vous procurant le dpliant promotionnel ou en visitant le portail Internet de la Ville de Laval au www.ville.laval.qc.ca, sous longlet Culture.
 
NU :  25 mars 2010 20 h, la Maison des arts de Laval
    Tarif : 24 $ (prix tudiants ou de groupes disponibles)
     Rservation :
   450 667-2040 
Your browser may not support display of this image.  450 662-4440 www.ville.laval.qc.ca 

Portland Symphony Orchestra Unveils 2010-11 Season

Great Works, Familiar and Contemporary Composers, Guest Artists and Collaborations

PORTLAND, Maine The Portland Symphony Orchestra (PSO) continues its 86-year tradition of presenting the best in live orchestral music in Maine with a 2010-11 season focused on programming that is attractive and engaging for audiences of all ages. The PSOs commitment to internationally renowned artists, great composers, familiar works and the classics of the future is evident through Moodys selection of works for the 2010-11 season, which includes two PSO-commissioned premieres, six works by living composers, and collaborations with local organizations including the Choral Art Society, Suzuki Institute of Maine, and the University of Southern Maine, among others.

The season opens with two performances of a Season Opening Celebration on Sunday, October 3 and Tuesday, October 5 with a riveting program of Strauss, Tchaikovsky, and bassist Edgar Meyer performing concertos by Bottesini and of his own composition. The PSO Pops! season is a series of tributes, two to distinctive genres (Celtic fiddler Eileen Ivers with Immigrant Soul, The Golden Age of Motown), and two to iconic artists (Simply Sinatra and Elvis Lives!). The season will conclude with two performances of Daphnis and Chlo on Sunday, May 1 and Tuesday, May 3. 

For the 2010-11 subscription season, the Sunday Classical series expands to five concerts, featuring a mix of chamber orchestra and full orchestral works, with two of the programs performed on Tuesdays as well. The Tuesday Classical series comprises six concerts, while PSO Pops! has two performances each of four programs, for a season total of 19 performances of 13 programs (not including Magic of Christmas, 11 performances December 10-19). A Classical Complete subscription package includes all six Tuesday concerts plus the three additional Sunday Classical concerts.

Premieres include the commissioned works Travels in Time for Three (PSO co-commission, Maine premiere) and local composer Elliott Schwartzs Diamond Jubilee (PSO commission, world premiere), as well as the Maine premiere of Beatleset by Peter Schickele (also known as his alter ego P.D.Q. Bach). Among the many guest artists joining the PSO for the upcoming season are bassist Edgar Meyer, Celtic fiddle sensation Eileen Ivers, the category-shattering ensemble Time for Three, pianist Andrew von Oeyen, and tenor John McVeigh. Featured orchestral works in the 2010-11 season include Gustav Holsts monumental The Planets, Leonard Bernsteins Symphonic Dances from West Side Story, The Passion According to St. John by J.S. Bach, and the impressionist masterpiece La Mer by Claude Debussy.

Music Director Robert Moody, who recently extended his agreement with the PSO through the 2015-16 season, continues to champion great music and artists while blurring the lines between classical, popular music, the classics of the future and other genres. This season will feature an expansion of ways for audience members to connect with Maestro Moody and the PSOs musicians directly through Concert Conversations, post-performance gatherings and social media. 

Board of Trustees President Gordon Gayer said, With Maestro Moody signed on for another five years, and having regained our financial footing, the PSO is ready to move into new territory.  We will always give great performances of classical works from the repertoire.  But our audiences can also look forward to new programming that is inter-disciplinary and collaborative, and always rewarding.

Moody spoke with excitement of the upcoming season: I am so very proud of the artistic accomplishments we've made in my first two seasons as Music Director.  The 2010-11 season, the orchestra's 86th and my third, contains incredibly exciting programming, tremendous guest artists, celebrations of new music and living composers, and an orchestra playing masterworks at the highest possible level, in addition to the continued surprises we have in store for our audiences.  These will be 'not-to-miss' concerts!

Executive Director Ari Solotoff added, The Portland Symphony continues to explore innovations which improve both the bottom line and artistic quality.  Building an additional Sunday Classical program into the season satisfies the need to be fiscally responsible, while giving Robert and our outstanding musicians additional opportunities to share the music.

The PSOs 2010-11  season is sponsored by IDEXX Laboratories and (new sponsor) Wright Express.

Pricing and ticket information is available through portlandsymphony.com or by calling PortTIX at 207-842-0800. Special pricing may be available for subscribers, students, seniors and groups of 10 or more.

# # #

The Portland Symphony Orchestra 2010-11  Season at a Glance
Programs and artists subject to change.

Season Opening Celebration
Tuesday Classical: October 3, 2010 at 7:30pm
Sunday Classical: October 5, 2010 at 2:30pm
Robert Moody, conductor
Edgar Meyer, bass
Ģ    Richard Strauss - Don Juan
Ģ    Giovanni Bottesini - Concerto No. 2
Ģ    Edgar Meyer -  Concerto No. 1
Ģ    Pyotr Ilyich Tchaikovsky -   Symphony No. 4 Į
Edgar Meyer is a prominent contemporary bassist and composer. His styles include classical, bluegrass, newgrass, and jazz. His collaborators have spanned a wide range of musical styles and talents; among them are Joshua Bell, Yo-Yo Ma, Bla Fleck, Zakir Hussain and Alison Krauss

PSO Pops! Eileen Ivers with Immigrant Soul
Saturday October 9, 2010 7:30 pm
Sunday October 10, 2010 2:30 pm
Robert Moody, conductor
Eileen Ivers, guest artist

Eileen Ivers is a major presence on both the traditional Irish and contemporary world music scenes. The Celtic fiddle sensation joins the PSO for a show thats full of energy and inspiration. Sponsored by LL Bean.

Tuesday Classical The Planets
Tuesday November 9, 2010 7:30 pmĮ
Robert Moody, conductor
USM Chamber Choir
Ģ    John Adams Short Ride in a Fast Machine
Ģ    John Williams Suite from Close Encounters of the Third Kind
Ģ    Gustav Holst The Planets

PSO Pops! Simply Sinatra
Saturday November 13, 2010 7:30 pm
Sunday November 14, 2010 2:30 pm
Steve Lippia, guest artist

Steve Lippias interpretations of the Sinatra songbook have been acclaimed from coast to coast. This powerful show celebrates the timeless talent of Ol Blue Eyes. Sponsored by Holiday Inn and New England Coffee.

Sunday Classical Time for Three
Sunday November 21, 2010 2:30 pm
Robert Moody, conductor
Time for Three, guest ensemble
Ģ    Paul Hindemith Symphonic Metamorphoses
Ģ    Chris Brubeck Travels in Time for Three (PSO co-commission, Maine premiere)
Ģ    Leonard Bernstein Symphonic Dances from West Side Story

The groundbreaking, category-shattering trio Time for Three transcends traditional classification, with elements of classical, country western, gypsy and jazz idioms forming a blend all its own.

Magic of Christmas
December 10-19, 2010
Robert Moody, conductor
Joe Cassidy, guest artist
Portland Community Chorus
Figures of Speech Puppet Theater

The family holiday tradition returns with last years acclaimed rendition of Christmas Carol with the addition of new puppets, and beloved traditions both old and new. Sponsored by Hannaford Supermarkets, IDEXX Laboratories, Northeast Delta Dental.

Tuesday Classical From Russia With Love
Tuesday January 25, 2011 7:30 pm
Robert Moody, conductor
Andrew von Oeyen, piano
Ģ    Elliott Schwartz Diamond Jubilee (PSO commission in honor of the composers 75th birthday, world premiere)
Ģ    Sergei Prokofiev Piano Concerto No. 3
Ģ    Dmitri Shostakovich Symphony No. 5

Since his debut at age 16 with the Los Angeles Philharmonic and Esa-Pekka Salonen, Mr. von Oeyen has performed to critical acclaim in recital and orchestral appearances around the world.

Sunday Classical Bachs St. John PassionĮ
Sunday January 31, 2011 2:30 pm

Robert Moody, conductor
Choral Art Society, Robert Russell, director
Kendra Smith, soprano; Mezzo-soprano to be announced; John Aler, tenor; Laurence Albert, bass
Ģ       Johann Sebastian Bach Passion According to St. John

One of the most vivid and important works of the Baroque era, this work is extravagant and as dramatic as the most dynamic operas of the period.

PSO Pops! The Golden Age of Motown
Saturday February 12, 2011 7:30 pm
Sunday February 13, 2011 2:30 pm
Robert Moody, conductor
Joy Lynn Matthews, Tituss Burgess, guest vocalists

Marking the 50th anniversary of the Motown record label, this musical celebration is steeped in good old-fashioned soul and rhythm & blues.

Tuesday Classical Preu Conducts Bruckner
Tuesday March 8, 2011 7:30 pm
Eckart Preu, guest conductor
Ģ    Felix Mendelssohn Violin Concerto
Ģ    Anton Bruckner Symphony No. 4, Romantic

Eckart Preu is the Music director of the Spokane and Stamford (CT) Symphonies. Born in East Germany, The New York Times has called him a fiery conductor with a kinetic style.

Sunday Classical The Three Bs: Brahms, Britten and The Beatles
Sunday March 20, 2011 2:30 pm
Robert Moody, conductor
John McVeigh, tenor
Ģ    Johannes Brahms Variations on a Theme by Haydn
Ģ    Benjamin Britten Nocturne Op. 60
Ģ    Peter Schickele Beatleset
Ģ    Benjamin Britten Young Persons Guide to the Orchestra

A fresh new take on three Bs, composers who have had impact on their eras as Bach Beethoven and Brahms (the original three Bs) did on theirs.

Tuesday Classical Seasons and the Sea
Tuesday April 5, 2011 7:30 pm
Robert Moody, conductor
Corine Brouwer, violin
Ģ    Felix Mendelssohn Calm Sea and Prosperous Voyage
Ģ    Astor Piazzola Four Seasons of Buenos Aires
Ģ    Claude Debussy La Mer

Corine Brouwer is the concertmistress of Roberts other orchestra, the Winston-Salem Symphony.

PSO Pops! Elvis Lives!
Saturday, April 9, 2011 7:30 pm
Sunday, April 10, 2011 2:30 pm
Robert Moody, conductor
Elvis Wade, guest artist

A tribute to The King of Rock and Roll, Nashvilles Elvis Wade is not just another impersonator, hes as close to the real thing as it gets.

Daphnis and Chlo
Sunday Classical: May 1 2:30 pm
Tuesday Classical: May 3 7:30 pm
Robert Moody, conductor
Janet Polk, bassoon (PSO principal)
Ģ    Richard Wagner Prelude and Liebestod from Tristan and Isolde
Ģ    Wolfgang Amadeus Mozart Bassoon Concerto
Ģ    Maurice Ravel Daphnis and Chlo
Į Į Į ĮĮĮĮ

Sunday, March 21, 2010

L'ONF lance le documentaire web cologie sonore - une balade multimdia unique!!!

Un documentaire Web sur la pollution sonore et notre incapacit soutenir le silence
ECOLOGIESONORE.ONF.CA

Montral, le 10 mars 2010 cologie sonore est le nouveau projet de documentaire Web conu et produit lOffice national du film du Canada (ONF) par Hugues Sweeney, avec Nicolas Saint-Cyr la ralisation et la direction artistique en collaboration avec lagence Toxa. Lanc en primeur la Socit des arts technologiques (SAT) le mercredi 10 mars 18 h, ce documentaire innovateur propose de naviguer travers quatre paysages sonores : VILLE ds le 11 mars, BANLIEUE le 15 avril, NATURE le 15 mai et ERMITAGE le 15 juin. Ce projet interactif est une nouvelle illustration du virage numrique de lONF.

Le bruit excessif, la densification des milieux urbains, les environnements sonores personnaliss et transportablesĶ nous vivons dans un monde de plus en plus bruyant. cologie sonore est une investigation interactive de notre environnement sonore menant une sensibilisation et une prise de conscience de celui-ci. Ce projet stimule limaginaire et met profit les plus rcentes technologies de production numrique pour mettre le son de lavant sur le Web. Elle offre ainsi un mdia indit pour souligner limportance de la pollution sonore et la met en perspective, dans une rflexion plus large sur notre rapport aux sons et au silence.

Les quatre paysages sonores terme du compositeur et environnementaliste canadien R. Murray Schafer constituent une exprience immersive unique, une balade multimdia ludique. Ils comprennent une quinzaine de portraits vido dAlexandra Guit prsentant divers protagonistes dans leur rapport aux sons, des environnements sonores crs par le multi-instrumentiste Freeworm (Vincent Letellier) et des pistes de rflexion labores par Mathieu Rgnier, recherchiste et consultant en environnement. Le tout cre de vritables parcours voluant et se modifiant au gr des choix de linternaute, formant une exprience en soi, un vritable change entre luvre et le public.

Quatre paysages sonores lancs en quatre temps

La ville en ligne le jeudi 11 mars

Cest le territoire sonore la fois le plus polluant posant la question de la sant publique et le plus vivant, grce toute la diversit des activits humaines. La ville est entendue partir de la musique dascenseur, des tlphones cellulaires, de la circulation, des chantiers de construction, des parcs et des systmes dalarme de voitures. Quatre courts mtrages prsentent des personnes fascinantes : laudiologiste Tony Leroux est passionn par les rpercussions du bruit sur les gens. Son travail peut lamener dans une mme journe vivre les extrmes, de la pollution sonore au silence le plus profond dune chambre anchoque. Nathalie Chartrand, prsidente de lAssociation sportive des aveugles du Qubec, est non voyante. Les sons lui sont essentiels et la portent travers ses parcours dans la ville. Max Stein, tudiant en musique lectroacoustique, est un amoureux de la trame sonore urbaine. Il organise des promenades sonores pour simprgner des ambiances afin de mieux entendre son environnement Ķ et sa ville. La colore Lili Jett na pas la langue dans sa poche. Elle vit sous lchangeur Turcot. Pour elle, le bruit a un sens tout fait singulier : O y a pas de bruit y a pas de vie!

La banlieue en ligne le 15 avril

Entre la campagne et la ville, la banlieue est un territoire sonore qui nous en dit beaucoup sur ceux que lon ctoie, posant la question de la cohabitation. Elle est entendue partir des thermopompes, des corridors ariens, des voitures modifies et des outils moteur domestiques. Les courts mtrages nous font rencontrer un preneur de son, un col bleu sourd ainsi quun fanatique de voitures modifies.

La nature en ligne le 15 mai

Mme en pleine nature, il est de plus en plus rare de se sentir seul, et cette sollicitation sonore a impact direct sur les cosystmes. La nature est entendue partir des ours, des arbres qui tombent dans la fort, de la reproduction des grenouilles, des motoneiges, des feux de camp et du bruit de la pluie sur les toitures daluminium. Des courts mtrages nous font faire connaissance avec un gardien de parc, des fermiers ainsi que des rsidents qui subissent un festival de motoneigistes.

Un ermitage en ligne le 15 juin

Lespace sonore, cest aussi lespace mental, et certains choisissent le retrait volontaire du tumulte de la socit. Do vient cette incapacit croissante soutenir le silence, tre seul, composer avec le vide? Comment lier cette ncessit de se sentir libres et ce dsir dtre toujours sollicits? Lermitage est entendu partir du vent, dun cur qui bat, de murmures, de pas dans un clotre et dun crayon qui glisse sur une feuille de papier. Des vidos prsentent une massothrapeute et un frre trappiste.

Opera Lyra Ottawa Ottawa presents MACBETH

March 27, 29, 31, April 3, 2010
Southam Hall, National Arts Centre

March 8, 2010...Opera Lyra Ottawa (OLO) presents Macbeth, Verdis great opera about power, love and treachery.

Artistic Director of Opera Lyra Ottawa and Conductor, Tyrone Paterson, has brought together a stellar cast led by Greer Grimsley "...the glory of his Macbeth is in the rich, robust voice and vital presence." (Vancouver Sun) Brenda Harris, whose voice has been described as ... drop-dead gorgeous singing, soaring on high, glowing with mezzo-ish warmth in lower registers, nearly every phrase elegantly turned (Dallas Morning News) takes on the role of Lady Macbeth, and Andrew Funks wonderful vocal presence (Santa Barbara Independent) will incarnate Banquo, Macbeths friend and tragic victim. Canadian Luc Robert will bring his remarkable tenor voice to the role of MacDuff and Rene Lapointe, whose extremely seductive voice (Toronto Star) is the Lady-in-Waiting. Rene was last seen as the Third Lady in OLOs 2009 season-opening production of The Magic Flute.

International Director Joseph Bascetta and acclaimed lighting designer Henry Frehner will recreate the mystery and drama of Macbeth.

Macbeth will be sung in Italian, with English and French Surtitles. Performances begin at 8:00 pm. Pre-opera chats are presented free of charge to all patrons one-hour prior to each performance in the lobby. These offer an opportunity to learn more about the composer, context and historical significance of the opera.

The Story
Scottish army leaders Macbeth and Banquo meet three witches who prophesy that Macbeth will become Thane of Cawdor and King of Scotland and tell Banquo that he will be the father of kings. The first part of the witches prediction comes true almost immediately when Duncan, the King of Scotland names Macbeth Thane of Cawdor, thereby sealing his doom. This announcement unleashes Lady Macbeths ambition and she convinces Macbeth that Duncan must die by his hand.

Macbeth becomes King but, consumed by the prophecy that Banquos children will rule Scotland, he and Lady Macbeth plot to have Banquo and his son, Fleance, assassinated. Banquo is killed and Fleance escapes. Lady Macbeth welcomes the court to the banquet hall when Macbeth hears the news. Macduff vows to leave the country.

Beset by guilt, Macbeth seeks out the witches demanding more prohecies. Apparitions warn him to beware of Macduff and assure him that he will come to no harm by man of woman born and that he will be invincible until Birnam Wood marches on his castle. In another vision, he sees a procession of future kings, followed by Banquo. Horrified, Macbeth collapses. He and Lady Macbeth resolve to kill Macduff and his family as well as Banquos son. On the English border, Macduff, his wife and children murdered, has joined the Scottish refugees Malcolm appears with British troops and leads them to invade Scotland.

Lady Macbeth is sleepwalking, haunted by the horrors of what she and her husband have done, while Macbeth awaits the arrival of his enemies. Messengers bring news that Lady Macbeth has died, and that Birnam Wood appears to be moving. Macduff confronts Macbeth and tells him that he was not born naturally but had a Caesarean birth. He kills Macbeth and proclaims Malcolm king of Scotland.

Ticket Information:
Single tickets, from $40 to $169, are available from the NAC box office and all Ticketmaster locations (service fees will be applied). Visit Ticketmaster online or call 613-755-1111. DISCOUNTS: For groups of 10 or more please call Opera Lyra Ottawa at 613-233-9200 and ask about our group rates. Students with a valid Live RushѢ membership card may buy up to 2 tickets per performance at a discounted price. Tickets may be purchased online or in person at the NAC Box Office on the day of the performance from 2 to 6 pm. More information is available at www.liverush.ca.

About Opera Lyra Ottawa
Opera Lyra Ottawa is a not-for-profit organization with the mandate to produce and present opera in the National Capital Region of the highest quality and to promote opera as an art form, making it accessible to as large a segment of the population as possible through community outreach and education. Wherever possible, Opera Lyra Ottawa is committed to encourage, nurture and support Canadian artists. For more information please visit www.operalyra.ca.

Opera Lyra Ottawa gratefully acknowledges the generous support of our sponsors who make the 2009-2010 season possible. We thank Bell, Season Sponsor, as well as our other Principal Sponsors: Sun Life Financial, and Ottawa Citizen; Major Sponsors: Extended Suites Ottawa, Custom Printers, Kolegram and Handa Travel. Opera Lyra would also like to thank the following agencies for their support: the Canada Council for the Arts, the Ontario Arts Council and the City of Ottawa.

DanceWorks presents acclaimed Vancouver company - Wen Wei Dance with Cock-Pit

Toronto, March 9, 2010- DanceWorks, this city's longest running contemporary dance series, presents the Toronto premiere of Cock-Pit performed by Vancouver's acclaimed Wen Wei Dance. A revealing, and ravishing quintet for four men and one woman that touches on adolescent sexual awakening, Cock-Pit runs Friday April 9 and Saturday April 10 at Harbourfront Centre's Fleck Dance Theatre, after which the company tours to Quebec City, Montreal, Regina, Victoria and Salt Spring Island in B.C.

Cock-Pit is inspired by Wen Wei Wang's memories of his student days in China at a boarding school run by the People's Liberation Army. "I shared a room with four boys for more than five years," he states. "We were at the age when we became concerned about sexuality without having any advice from our parents or teachers. We were not allowed to have girl friends, so we only thought about them in our dreams and imaginations. These memories contribute subconsciously to the scenario for this work."

In close quarters, four men play games that threaten to spiral into violence or desire. Inextricably bound together, they are alternately seduced, entranced and thwarted by an elusive female figure that moves easily between dreams and physical reality.

Incorporating anthropomorphic elements, four-foot long pheasant feathers that extend limbs and a heated sexuality that alternates between open combat and tender intimacy, Cock-Pit is infused with all the volatility and pressure of youth trapped in a closed-off world. As secret yearnings and open plays for dominance threaten to erupt, the possibility of escape, like a distant woman, moves into an unknown future.

Cock-Pit premiered in Vancouver in February of 2009 at which time Paula Citron of the Globe and Mail commented, "Wen Wei Wang is a master of imagery. His use of symbolism in dance is superb. So not surprisingly, his new work, Cock-Pit is a visual triumph."


Wen Wei Dance tours Cock-Pit as follows:
5 and 6 March - EDMONTON: Brian Webb Dance Company
9 and 10 April - TORONTO: Danceworks
15, 16 and 17 April - QUEBEC CITY: La Rotonde
21, 22, 23 and 24 April - MONTREAL: L'Agora de la danse
27 and 28 April - REGINA: New Dance Horizons
1 May - VICTORIA: Dance Victoria
4 May - SALT SPRING ISLAND: Arts Spring


Wen Wei Wang - choreographer
Wen Wei Wang began dancing at an early age in China, where he was born and raised. He trained and danced professionally with the Langzhou Song and Dance Company. In 1991, he came to Canada and joined the Judith Marcuse Dance Company after which he danced with Ballet British Columbia for seven years. In 2000, he received the Clifford E. Lee Choreographic Award and since then has choreographed for the Alberta Ballet, Ballet Jorgen, and Dancers Dancing. Since 2003, he has served as Artistic Director of Wen Wei Dance. The company has performed at major venues across Canada, the Vancouver International Dance Festival, Dancing on the Edge Festival, the Canada Dance Festival, and the International Contemporary Dance Festival in Colombia, South America. Wen Wei is the recipient of the 2006 Isadora Award for Excellence in Choreography.


DanceWorks presents Vancouver's acclaimed
Wen Wei Dance with Cock-Pit
Co-produced by L'Agora de la danse and the National Arts Centre
Choreographed by Wen Wei Wang
Original score by Giorgio Magnanensi, Lighting design by James Proudfoot
Part of Harbourfront Centre's NextSteps
Friday April 9, and Saturday April 10, 2010 8PM
Fleck Dance Theatre
207 Queens Quay West
Tickets: $28 (Discounts for students, seniors, CADA, SCDS, groups,)
                       Box Office: 416-973-4000 or online at www.danceworks.ca

Les Mlodines de la Place des Arts clbrent la venue du printemps

LAtelier lyrique de lOpra de Montral et un spectacle de clavecin

Montral, le mardi 9 mars 2010 Pro Musica et la Place des Arts poursuivent leur harmonieuse collaboration en prsentant la 7e saison des Mlodnes jusquau 8 avril 2010. Prsentes la Place des Arts tous les jeudis de 12 h 10 12 h 50, les Mlodnes vous permettent dapprcier dexcellents concerts sur lheure du dner. Apportez votre lunch ! Au programme pour clbrer la venue du printemps rien de moins que lAtelier lyrique de lOpra de Montral sous la direction de Chantal Lambert et un spectacle de clavecin avec le grand matre Luc Beausjour.

LATELIER LYRIQUE DE LOPRA DE MONTRAL 18 mars au Piano Nobile

Sous la direction de Chantal Lambert, latelier lyrique de lOpra de Montral avec sa jeunesse, sa fracheur et ses belles voix vous offre de grands airs qui vous sduiront assurment. De plus, pour ce spectacle, lAtelier lyrique de lOpra de Montral est fier daccueillir 4 jeunes artistes du Canadian Opera Company Ensemble de Toronto.

Au programme : Mozart, Gounod, Delibes, Massenet, Saint-Sans, Donizetti, Offenbach

LUC BEAUSJOUR, clavecin 25 mars au Studio-Thtre

Grce la virtuosit, llgance et lexpressivit de son jeu, le claveciniste et organiste Luc Beausjour a suscit tant lenthousiasme du public que les loges des critiques. Consacr interprte de lanne 2003 par le Conseil qubcois de la musique, il vous offre un programme haut en couleurs des plus grands matres du clavecin.

Au programme : Couperin, Rameau, Handel, Bach, Marcello, Domenico Scarlatti

Une coproduction de la Socit Pro Musica et de la Place des Arts, la 7e saison des Mlodnes est prsente jusquau 8 avril 2010.

Entre : 8 $ (taxes incluses) Apportez votre lunch !
Rservations : Billetterie de la Place des Arts 514-842-2112 ou 1 866-842-2112  ou laplacedesarts.com

Alexisonfire, Robert Charlebois, Les Claypool to perform at the 6th annual Canadian Songwriters Hall of Fame Gala on March 28

TORONTO, March 9 /CNW/ - The Canadian Songwriters Hall of Fame/Le Panthon des auteurs et compositeurs canadiens (CSHF/PACC) announced today that Alexisonfire, Robert Charlebois, former Primus frontman Les Claypool, Pierre Flynn and Dumas are among the artists who will perform at the 6th annual Canadian Songwriters Hall of Fame Gala, taking place on March 28 at The Toronto Centre for the Arts. This outstanding roster of talent, along with host Gregory Charles, will pay tribute to this year's CSHF inductees including Rush and Robert Charlebois. Tickets for the CSHF Gala, starting at $110.00, are on sale and available through Ticketmaster at 416-870-8000 or on-line at www.ticketmaster.ca, www.cansong.ca, www.tocentre.com or in person at the TCA box office.

The 6th annual CSHF gala welcomes a diverse line-up of talent who will perform renditions of this year's inducted songs. Alexisonfire will perform 'Closer to the Heart' (Rush); Les Claypool performs 'Spirit of Radio' (Rush), YouTube phenom Jacob Moon presents his rendition of 'Subdivisions' (Rush) and Quebec superstar Robert Charlebois will perform his classic song 'Ordinaire' (Robert Charlebois, Mouffe, Pierre Nadeau).

As in past years, the CSHF gala will also include some inspired collaborations of inducted songs: Lily Frost and Sean Cullen will perform 'Come Josephine in My Flying Machine' (Alfred Bryan, Fred Fisher); Dumas along with Catherine Durand will perform 'Lindberg' (Robert Charlebois, Claude Ploquin); and Pierre Flynn will be joined by Mara Tremblay in a performance of 'Fu Man Chu' (Robert Charlebois, Claude Gagnon, Marcel Sabourin);

Also confirmed to appear at this year's Canadian Songwriters Hall of Fame Gala are: DJ Champion ('J'entends frapper' by Michel Pagliaro), Le Vent du Nord ('Des mitaines pas de pouce' by Ovila Lgar) and Marie-Jo Thrio ('Deux enfants du meme age' by Germaine Dugas).

The 2010 CSHF inductees include 11 influential songwriters, 16 timeless songs and two Legacy Award recipients. The CSHF will bestow the Frank Davies Legacy Award, named after the founder of the CSHF/PACC, to recorded-sound archivist Edward B. Moogk. The CMPA (Canadian Music Publishers Association) Legacy award will be given to Quebec impresario, producer and agent Guy Latraverse.

The 6th annual CSHF Gala, hosted by Gregory Charles, will once again be broadcast by broadcast partner CBC on Radio 2 on Monday, March 29 at 7:00 p.m. across the country as a special presentation of Canada Live and Espace Musique at 4:00 p.m.

The Canadian Songwriters Hall of Fame (CSHF) /Le panthon des auteurs et compositeurs canadiens (PACC) is a bilingual, a-political, non-profit organization, which is a partnership of the Canadian Music Publishers Association (CMPA) and the Songwriters Association of Canada (SAC) with the assistance of the Socit professionnelle des auteurs et des compositeurs du Qubec (SPACQ). The CSHF's generous core-funding partners are: the CMPA, the SAC, the Toronto Centre for the Arts, the Foundation Assisting Canadian Talent on Recordings (FACTOR), SOCAN, Astral Media, and the Canadian Musical Reproduction Rights Agency Ltd. The CSHF acknowledges the financial support of the Government of Canada through the Department of Canadian Heritage (Canada Music Fund) and of Canada's private radio broadcasters.

For further information, bios and photos, please visit www.cansong.ca.

Symphony Nova Scotia partners with local artists for "Musical Chairs: Art You Can Sit On!"

Halifax, NS Symphony Nova Scotia is proud to partner with local artists to present its third annual Symphonic Art fundraiser on Saturday, March 27 at 7 pm at McInnes Coopers law offices (13th floor of Purdys Wharf Tower II, Halifax).

In past years, this unique event has transformed old musical instruments into works of art. This year, its taken a new twist with Musical Chairs: Art You Can Sit On! Old chairs have been donated, recycled, and transformed by local artists into striking, innovative, and fully functional works of art.

Participating artists this year include Bradford Naugler, Mark Brennan, Anna Horsenell Wade, Claude Ferland, Barry Colpitts, Lori L. Fancey, Jenny Bedal, Lori Nason, Tina Parelius, and more. Combined, these generous artists have contributed more than 50 chairs to be auctioned. Some of the chairs have been on display in the storefront windows of Mills on Spring Garden Road, and photos of the full collection to date are available online at www.facebook.com/symphonynovascotia.

As well as a silent and live auction, the March 27 event will include entertainment by Rhapsody Quintet and urban chameleon, plus a wine and hors doeuvres reception. Tickets are $25 each, HST included, and are available at 421.1300, ext. 234 or fundraising@symphonyns.ca.

Watch an artist create his chair online! Mark Brennan paints a beautiful winter scene on a chair rescued from the garbage at www.youtube.com/hillcrestart.

About Symphony Nova Scotia

Symphony Nova Scotia is Nova Scotias orchestra. Each year more than 50,000 audience members (including 16,000 young music lovers) join us in communities across Nova Scotia for performances of the music they love from baroque and classical to pop and rock and folk. Under the inspirational leadership of Music Director Bernhard Gueller, Symphony Nova Scotia is recognized as one of the finest orchestras in the country. Visit www.SymphonyNovaScotia.ca to learn more, listen online, or subscribe today!

Symphony Nova Scotia is grateful to the Canada Council for the Arts, Nova Scotia Tourism, Culture, and Heritage, and the Halifax Regional Municipality for their continued support.

Le dimanche des finissants du Conservatoire de musique de Gatineau

Le dimanche 21 mars 2010, VENEZ COUTER les quatre finissants du Conservatoire de musique de Gatineau en rcital, au cours dun mme aprs-midi, dans la salle Jean-Desprz frachement rnove !

La percussionniste Krystina Marcoux, la pianiste Ruth Kwan, le saxophoniste Christian Morasse et le violoniste Benoit Constant vous offriront leurs plus belles interprtations dun rpertoire vari.

11 h : Krystina Marcoux, percussionniste

12 h 15 : Ruth Kwan, pianiste
13 h 30 : Christian Morasse, saxophoniste
15 h : Benoit Constant, violoniste

Au piano : Pierre-Richard Aubin et Martin Caron

Entre libre

Salle Jean-Desprz

Maison du citoyen
25, rue Laurier
Gatineau
Renseignements : 819 772-3283

York U Music's $40,000 Oscar Peterson Scholarship

Toronto, March 8, 2010: A major new scholarship program endowed by the Ontario government to commemorate legendary Canadian jazz musician Oscar Peterson will be inaugurated this year at York University.

The Oscar Peterson Scholarships will be launched this fall with an entrance award valued at $40,000 and up to four $10,000 scholarships for current undergraduate music students.

These scholarships are a remarkable tribute to the Oscar Peterson legacy, said Professor Ron Westray, who holds the Oscar Peterson Chair in Jazz Performance in Yorks Department of Music. They reflect the importance of music education, in particular jazz education, and help open the doors to students who might not otherwise be able to pursue their passion and take their studies to that next level.

The prestigious entrance scholarship will provide $40,000 over four years to one first-year music student in 2010 and up to five incoming students annually once the program is fully in place. If the recipient maintains high academic standing the scholarship may be renewed for three additional years. The 2010 application deadline is April 4.

In the first three years as the scholarship program is phased in, current music majors will also have the opportunity to apply for an annual $10,000 in-course scholarship in the fall.

To be eligible for these scholarships, candidates must demonstrate exceptional musical ability (especially in the field of jazz performance) and must be facing social, economic or personal barriers that could inhibit their ability to pursue a university degree. Applicants must be Ontario residents and hold Canadian citizenship, permanent residency or protected person status.

"As the Oscar Peterson Chair at York, my mandate includes community outreach and encouraging the next generation of artists, and in particular, young jazz talent," said Westray. "One of the ways Im doing that is by bringing high school students in the GTA to campus to experience live jazz performance. They will also be given a chance to hear about Oscar Petersons legacy.

For the Oscar Peterson Scholarships we are specifically targeting students in underprivileged areas, Westray said. Reaching out to talented youth who are in financial need is a key aspect of the terms of the endowment and my own work here at York.

Potential candidates for the entrance award can find detailed information on Yorks future students scholarship website.

The Oscar Peterson Scholarships are supported by a $1-million endowment from the Government of Ontario. Westrays position as Oscar Peterson Chair was created by an additional $4-million endowment from the provincial government.

As an adjunct professor in York's Department of Music from 1984 to the late 1990s, Peterson gave workshops and established several student awards in the jazz program. The recipient of an honorary degree from York in 1982, Peterson was installed as the universitys eighth chancellor in September 1991, serving with great distinction until February 1994. He was made an honorary governor of York the following year. The internationally celebrated jazz pianist and composer died at his Mississauga home in December 2007 at the age of 82.

Its such an honour to be here at the university where Oscar Peterson taught, in a position founded in his name, said Westray, who came to York last summer from the University of Texas at Austin. He is a legend at the level of Art Tatum, Thelonious Monk and Bud Powell. I learned so much by reading about his life and studying his recordings.

Even though he was proudly Canadian, Oscar Peterson is regarded by many in the US as an American jazz legend because of the huge mark he left on the music, Westray said. In a way my appointment complements or completes this circle, with my own standing as an American artist offering Canadian students a perspective that might not be found in Canadian culture.

As a performer, Westray is best known for his work as lead trombonist with the Lincoln Center Jazz Orchestra directed by Wynton Marsalis and his collaborations with Wycliffe Gordon. He has appeared in concert with such luminaries as Ray Charles, Bob Dylan, Willie Nelson, Stevie Wonder, Benny Carter, Dewey Redman, Roy Haynes, Randy Brecker and a host of other pre-eminent artists.

Westray teaches performance, composition, history and theory in Yorks renowned jazz program, and co-directs the York U Jazz Orchestra with Al Henderson. He was recently appointed music director of a jazz series launching next month at the Toronto Centre for the Arts in North York. His latest CD as leader, Medical Cures for the Chromatic Commands of the Inner City (Blue Canoe Records 2008), will receive its Canadian release as part of that series on April 9.

York University is the leading interdisciplinary research and teaching university in Canada. York offers a modern, academic experience at the undergraduate and graduate level in Toronto, Canadas most international city. The third largest university in the country, York is host to a dynamic academic community of 50,000 students and 7,000 faculty and staff, as well as 200,000 alumni worldwide. Yorks 10 Faculties and 28 research centres conduct ambitious, groundbreaking research that is interdisciplinary, cutting across traditional academic boundaries. This distinctive and collaborative approach is preparing students for the future and bringing fresh insights and solutions to real-world challenges. York University is an autonomous, not-for-profit corporation.

Le Quatuor selon Schnittke avec le Quatuor Molinari

Le Conservatoire de musique de Montral, en collaboration avec le Quatuor Molinari, ensemble en rsidence au Conservatoire, prsente Le Quatuor selon Schnittke, du 17 au 20 mars 2010, un vnement de quatre jours autour de la musique de chambre dAlfred Schnittke (1934-1998). Deux Dialogues, une confrence de Jean Lesage, une table ronde anime par Nicolas Gilbert, deux rcitals de musique de chambre et un concert marathon de lintgrale des quatuors dAlfred Schnittke permettront de dcouvrir ce compositeur fascinant.

Un des reprsentants les plus jous de la musique sovitique moderne, Alfred Schnittke fusionne la tradition et le modernisme dune faon tout fait unique, expressive et dramatique. Sa musique de chambre est trs riche et le Quatuor Molinari veut partager son engouement pour ce compositeur avec le public montralais.

Il faut tmoigner que le pass existe pour y plonger ses racines. Je m'appuie sur la tradition pour la dpasser. J'appelle cela technique des styles multiples . - Alfred Schnittke

Le Quatuor Molinari et ses invites, les pianistes Louise Bessette, Janelle Fung et Natsuki Hiratsuka, interprteront pas moins de 14 uvres de musique de chambre du clbre compositeur russe Alfred Schnittke.

Toutes les activits auront lieu au Conservatoire de musique de Montral, situ au 4750, avenue Henri-Julien (mtro Mont-Royal).

Quatuor Molinari
Quatuor en rsidence au Conservatoire de musique de Montral

Olga Ranzenhofer, violon
Frdric Bednarz, violon
Frdric Lambert, alto
Pierre-Alain Bouvrette, violoncelle

Programme :
Le Quatuor selon Schnittke
du 17 au 20 mars 2010
avec la participation des pianistes : Louise Bessette, Natsuki Hiratsuka et Janelle Fung

Mercredi 17 mars 2010
17h : Confrence de Jean Lesage
20h : Rcital de musique de chambre
Quatuor avec piano
Sonate pour violon et piano no 3 (1994)
Cinq aphorismes pour piano (1990)
Trio cordes

Jeudi 18 mars 2010
17h : Dialogue I
20h : Rcital de musique de chambre
Sonate no 1 pour violon et piano (1968)
A Paganini pour violon solo
Stille Musik pour violon et violoncelle
Sonate no 1 pour violoncelle et piano (1978)

Vendredi 19 mars 2010
17h : Autour d'Alfred Schnittke. Table ronde anime par Nicolas Gilbert
20h : Dialogue II

Samedi 20 mars 2010
20h : Concert marathon
Quatuors nos 1-4
In memoriam Igor Stravinsky
Quintette avec piano (Louise Bessette, pianiste)

Les billets sont disponibles la billetterie du Conservatoire (514 873-4283, poste 313), du mardi au vendredi, entre 13 h 30 et 17 h 30, ou une heure avant le concert ainsi que sur le rseau Admission : www.admission.com (514 790-1245)

Billets : Dialogues, Confrence et table ronde : entre libre
Rcitals de musique de chambre : 5$
Concert marathon : 25$, 20$ et 10$

Pour obtenir plus d'information, vous pouvez nous joindre au 514 873-4031.Nous vous invitons aussi consulter le site Web du Conservatoire pour connatre toutes nos activits venir : www.conservatoire.gouv.qc.ca. Ce site vous offre de vous abonner un fil RSS, une faon simple et pratique dtre inform sur nos activits (www.conservatoire.gouv.qc.ca/rss).

CIBC Steps Up to Help Mixed Company Theatre

Toronto, March 8, 2010 CIBC has provided $6,000 for a lead sponsorship of DISS, Mixed Company Theatres newest interactive play. Developed through a collaborative creative partnership with youth, the Toronto Police Service and support from the Toronto District School Board, this project focuses on gang presence in our neighbourhoods and the pressures youth face finding social connection and identity.

At CIBC, helping young people achieve their full potential is an important part of our community investment program, said Bill Whyte, CIBCs Vice-President of Retail Markets for GTA Central. We are pleased to sponsor this very innovative approach that will help local youth cope with the issues that challenge them so they can lead happy and healthy lives.


CIBC is committed to supporting causes that matter to our clients, employees and our communities. We aim to make a difference in communities through corporate donations, sponsorships and the volunteer spirit of employees. With a strategic focus on youth, education and health, and employee commitment to causes including the Canadian Breast Cancer Foundation CIBC Run for the Cure, the CIBC Childrens Foundation and United Way, we are investing in the social and economic development of communities across the country. In 2009, $26.8 million was contributed through the CIBC group of companies to charitable and non-profit initiatives in Canada, supporting a wide variety of national, regional and local organizations. To learn more, visit www.communitymatters.cibc.com.
With CIBCs support, Mixed Company will deliver DISS to 12 schools this spring, said Daniel Booth, General Manager of Mixed Company Theatre. The interactive nature of this Forum Theatre play engages young audiences, creating practical solutions for them to overcome social and personal issues in their lives. Through this unique tool, Mixed Company stimulates critical thinking by annually engaging over 20,000 students across the GTA.

Budget fdral et culture : trois constats dfavorables au Qubec

(Montral, le 5 mars 2010) - Au nom de milliers d'artistes professionnels, crivains et travailleurs culturels, le Mouvement pour les arts et les lettres du Qubec (M.A.L.) formule trois constats dfavorables l'conomie qubcoise partir des orientations du gouvernement fdral en matire de culture dans son budget 2010-2011.

Premier constat, le gouvernement ne reconnat pas la culture comme une composante de l'conomie innovante du Canada. En effet, le thme de la culture est absent du chapitre 3.3, section Favoriser la croissance conomique et l'emploi par l'innovation , dont l'objectif est d'assurer la croissance long terme de l'conomie canadienne et de crer les emplois du futur. Cette omission dfavorise le Qubec, o l'conomie culturelle est un important secteur d'innovation et d'emplois.

Deuxime constat : le gouvernement refuse, pour une troisime anne conscutive, de rtablir les programmes fdraux de soutien au rayonnement des artistes qubcois et canadiens l'tranger. L'abolition des programmes PromArt et Routes commerciales, en 2008, continuera d'affecter au premier plan le Qubec, o ces programmes taient particulirement importants pour les artistes et les travailleurs culturels. Cette dcision continue de placer le gouvernement du Qubec dans l'obligation de compenser ce manque gagner en injectant des fonds sans compensation du palier fdral.

Troisime constat, nous ne pouvons que demeurer inquiets des choix guids par l'idologie conservatrice du gouvernement canadien en matire de culture, alors qu'il raffecte rgulirement les fonds en fonction de ses propres valeurs, particulirement loignes de celles des Qubcois. On a pu, encore une fois, l'observer rcemment lors de l'abolition des programmes de subvention des musiques spcialises, l'automne 2009. Toutes les dcisions de coupures prises par ce gouvernement vont d'ailleurs l'encontre des recommandations formules par le Comit permanent du Patrimoine en dcembre dernier. Il faudra donc au cours des prochaines semaines tre attentifs l'allocation des crdits budgtaires aux diffrents programmes lis la culture au Canada.

Enfin, bien qu'il ne rduise pas les crdits accords au Conseil des Arts du Canada (CAC), le budget d'hier nous loigne une fois de plus de l'objectif d'un financement hauteur de 300 millions de dollars pour le CAC, objectif formul depuis plusieurs annes dj et auquel tous les autres partis politiques fdraux ont souscrit.

Le Mouvement pour les arts et les lettres regroupe sept organisations nationales et treize conseils rgionaux de la culture du secteur des arts et des lettres, qui reprsentent des milliers d'artistes professionnels, crivains et travailleurs culturels. Le Mouvement est constitu du Conseil qubcois de la musique, du Conseil des mtiers d'art du Qubec, du Conseil qubcois des arts mdiatiques, du Regroupement qubcois de la danse, de l'Union des crivaines et crivains qubcois, du Regroupement des centres d'artistes autogrs du Qubec, de En piste - le regroupement national des arts du cirque - ainsi que des conseils rgionaux de la culture de l'Estrie, de l'Abitibi-Tmiscamingue, de la Montrgie, du Saguenay, de la Mauricie, du Centre du Qubec, de l'Outaouais, des Laurentides, de Lanaudire, du Bas-Saint-Laurent, de la Cte-Nord, de la Gaspsie et de la rgion de Qubec-Chaudires-Appalaches. La mission des conseils rgionaux de la culture est d'appuyer le dveloppement des arts et de la culture dans leur rgion.

Vancouver Arts Organizations Congratulate Moh and Yulanda Faris

Recipients of 2010 Ramon John Hnatyshyn Award for Voluntarism in the Performing Arts

Vancouver, BC ~ Vancouver Opera, Bard on the Beach, Vancouver International Writers Festival, The Dance Centre and Judith Marcuse Projects congratulate Moh and Yulanda Faris on their recently-awarded 2010 Ramon John Hnatyshyn Award for Voluntarism in the Performing Arts, one of the eight Governor Generals Performing Arts Awards.

Active in the Vancouver arts community for close to 40 years, Mr. and Mrs. Faris have generously donated time and financial support to several organizations, including Vancouver Opera and its Foundation, the Scotiabank Dance Centre and the Dance Foundation, Judith Marcuse Projects, Vancouver International Writers Festival, Bard on the Beach, Vancouver Art Gallery, Vancouver Symphony, Vancouver Children's Festival, and many others.

There are no two people in our community more deserving of this award than Moh and Yulanda Faris, says James Wright, General Director of Vancouver Opera. Their work in establishing the Judith Forst Fund for Young Artist Training is a testament to their commitment to the future of the arts in Canada. They truly believe in the lasting value of the arts to our lives, and that passion is evident in all they have done for VO and other arts organizations in Vancouver.

Yulanda Faris is past chair of Vancouver Opera and current chair of the Vancouver Opera Foundation, and with Mr. Faris founded the Judith Forst Fund for Young Artist Training, a fund that supports young singers in the early stages of their careers.

Christopher Gaze, Artistic Director of Bard on the Beach acknowledges their ongoing contribution to the annual Shakespeare Festival and beyond: This prestigious award to Mr. and Mrs. Faris is so well deserved. They are endlessly interested in and wonderfully supportive of the arts in our city. Bravo Moh and Yulanda. Canada thanks you.

How wonderfully appropriate that Moh and Yulanda are being recognized for their remarkable contributions to the arts in our city for over 30 years, says Judith Marcuse, Artistic Producer, Judith Marcuse Projects and Co-Director of The International Centre of Art for Social Change. Their support has taken many forms, always both visionary and pragmatic. Their belief in art and artists has endowed individuals and organizations with courage, hope and strength to keep producing the best that we can.

Mohammed Faris was instrumental in establishing the Scotiabank Dance Centre, an $11-million facility that provides Vancouver's diverse dance community with a home of its own. Opened in 2001, the centre includes the 150 seat Faris Family Studio.

This award is well deserved and comes to two people who have shown and continue to show huge generosity of spirit and heart, says Mirna Zagar, Executive Director of The Dance Centre. Without Mohs heartfelt tenacity and true belief that the art of dance deserves a home, it is doubtful we would now have Scotiabank Dance Centre, a building which has become Canadas flagship dance facility and has in turn nurtured an everlasting sense of pride in our community. Both Moh and Yulanda have shown not only their passion for the arts but a true commitment to seeing the BC arts and culture scene flourish.

Vancouver International Writers Festival Artistic Director Hal Wake says, We thank Moh and Yulanda for the extraordinary amount of time and energy they have committed, and for their financial support of the Writers Festival. For many years Yulanda was on the VIWF board and chaired our gala fundraiser. But what truly sets them apart is their active participation in our Festival and in Vancouvers cultural scene, their attendance at events, and their advocacy. I know that I will see Yulanda at every Festival, at a half dozen events or more. And she always has something insightful and incisive to say about what she has witnessed and the books she has read.

The Governor General's Performing Arts Awards (GGPAA) are Canada's foremost distinction for excellence in the performing arts. The awards recognize a stellar array of artists and arts volunteers for their outstanding lifetime contribution to Canada's cultural life.

The Governor General's Performing Arts Awards were created in 1992 under the patronage of the Right Honourable Ramon John Hnatyshyn (1934-2002), then Governor General of Canada. Today, we are honoured to have Her Excellency the Right Honourable Michalle Jean as patron. For more information, visit www.ggpaa.ca.

Saturday, March 20, 2010

Your Edmonton Symphony Orchestra announces their 2010-2011 Season

Edmonton, AB Ķ Your Edmonton Symphony Orchestra (ESO) and Music Director William Eddins have announced exciting details of the upcoming 2010-2011 performance season.  Leading the ESO into their 59th season, and his sixth as Music Director, Bill Eddins will conduct concerts in every series including the Masters, Sunday Showcase, Midweek Classics, Robbins Lighter Classics, Robbins Pops, ESSO Symphony for Kids, Late Night with Bill Eddins, The ESO Presents, and Symphony Specials.  Edmontons orchestra cooks up over 80 superb concerts for all palates, entertaining a wide array of audiences with classical and popular music, family and educational programs.  So next season, if you havent already, join us at our beautiful home, the Francis Winspear Centre for Music, for one or many symphony concerts that will truly nourish your soul.

"It is with great joy that I look forward to our 2010-2011 season.  Only the Edmonton Symphony Orchestra can travel from one side of the artistic spectrum - with Cirque de la Symphonie - right through to Mozart, Zappa, Brahms, and beyond.  This season promises to be as exciting as live music can possibly be."
~ Bill Eddins

Conductors and Guest Artists

Internationally renowned artists Chantal Kreviazuk, Jens Lindemann, Michael Kaeshammer, Corey Cerovsek, Pieter Wispelwey, Sasha Cooke, and Elmar Oliveira are just a few of the very special guests who will grace the ESO with their presence during the 2010-2011 performance season.

Bill Eddins will conduct nearly 30 concert events.  When he is not leading, the ESO will have guest conductors and audience favourites Robert Bernhardt, Jean-Marie Zeitouni, Bruce Pullan, Bruce Hangen, Anu Tali, Gregory Vajda, Richard Kaufman, Jack Everly, and Steven Reineke return to the podium.  Making their conducting debuts with the ESO are Mei-Ann Chen, Jean-Franois Rivest, Jamie Sommerville, and George Daugherty.  

Resident Conductor Lucas Waldin continues his tenure with the ESO under the mentorship of Bill Eddins.  This two-year appointment, which began at the start of the 2009-2010 season, is funded in part by the Canada Council for the Arts and supports the ESOs vision and focus on music education at all levels.  It is an elite training opportunity for a young conductor to be involved in both artistic leadership and administrative organization, while providing the necessary resources and guidance to engage and educate new generations and communities with the importance of music in their daily lives.

Gala and Specials

Be amazed, be awed, be stunned!  Extraordinary feats of artistry bring a magically musical experience to our annual Gala.  On Tuesday, October 5th, Cirque de la Symphonie will present an astounding, jaw-dropping production, unlike anything they have previously presented in North America.  Bill Eddins conducts the orchestra through beloved masterpieces by Bach, Tchaikovsky, Saint-Sans, and more as an amazing troupe of aerial flyers, contortionists, and strongmen perform high above and on the Winspear stage.

The upcoming line-up of Symphony Specials are sure to appeal to music lovers of all ages and genres.  Fresh from the 2010 Lilith Fair festival tour celebrating women in music, Juno Award-winning singer/songwriter Chantal Kreviazuk makes her debut with Edmontons orchestra and conductor Lucas Waldin.  Everybodys favourite Looney Tunes and characters from Warner Bros. Studios will appear on-screen at the Winspear Centre for three performances of Bugs Bunny At The SymphonyCrown jewels such as Whats Opera, Doc?, The Rabbit of Seville, and A Corny Concerto will be performed under the direction of conductor and creator George Daugherty.  Paying homage to a composer that was one of the first to break down barriers between rock, jazz, and classical music, the ESO and Bill Eddins present music of the legendary Frank Zappa in Dont Eat the Yellow Snow

Free Summer Music

Summer music will be free at the Winspear Centre as the National Youth Orchestra of Canada, made up of the most talented members of youth orchestras across the country, share music by Rimsky-Korsakov, Strauss, and Shostakovich with Canadian conductor Jacques Lacombe.  On two noon-hour occasions in August, the ESO in conjunction with Winspear Centre Presents, invites you to cool off from the afternoon sun to the stunning sounds of the Davis Concert Organ, and a showcase of ESO musicians performing their favourite pieces.

Masters Series

The ESOs flagship Masters series is the core of the 2010-2011 season, as the orchestra perfoms masterful classics by distinguished composers.  Mozarts exotic Fifth Violin Concerto and Sibelius intricate Fifth Symphony opens the series, while Ravels vivacious Rapsodie espagnole and Daphnis et Chlo brings the series to a close.  Chopins First Piano Concerto will be heard in celebration of the 200th anniversary of the composers birth, as well as Beethovens breathtakingly powerful Eroica Symphony, Durufls poignant Requiem, Rachmaninoffs beloved Second Piano Concerto, and Brahms affectionate Double Concerto for Violin and Cello.  Other orchestral masterworks by Bach, Mendelssohn, Boulanger, Shostakovich, Schumann, Prokofiev, Stravinsky, and so much more round out this series.

Our guest artists in the Masters series are some of the most dynamic and virtuosic musicians in the classical scene today.  Next season, the ESO is thrilled to have Anu Tali, Jean-Marie Zeitouni, Mei-Ann Chen, Gregory Vajda, and Jean-Franois Rivest all take the helm of the orchestra, along with Bill Eddins and Lucas Waldin.  Taking the spotlight as soloists are pianists Janina Fialkowska, Dubravka Tomi, and Bill Eddins, violinists Elmar Oliveira, Corey Cerovsek, and Mark Fewer, cellist Pieter Wispelwey, mezzo-soprano Sasha Cooke, tenor Bonaventura Bottone, Joseph Macerollo on accordion, plus blind pianist and Cliburn Gold Medalist Nobuyuki Tsujii.

Late Night with Bill Eddins and The ESO Presents

Following the successful launch of our Late Night with Bill Eddins series in our 2009-2010 season, these uniquely interactive 9:30 pm concerts return to feature music of the masters plus conversation about the ingenuity of the music.  Late Night Percussion welcomes Colin Currie for the lyrical, yet urgently rhythmic Rough Music percussion concerto by the impressive H.K. Gruber.  With the 20th century being a time of exciting innovation, the ESO brings Late Night 1900s to a whole new level with the bright and heroic Fifth Symphony by Prokofiev and Honnegers Pacific 231, a work inspired by the mechanical marvel of a train engine.  The music wont end with the concert either.  Guests can mingle in the lobby afterwards while sipping on a cocktail and listening to live music performed by talented local musicians.

Brilliant soloists on the international classical scene perform in concert with the orchestra, followed by solo recitals after intermission in one of our newest series, The ESO Presents.  Polish pianist Rafa Blechacz, having unanimously won the 15th International Fryderyk Chopin Piano Competition in Warsaw, performs the masterful music of his countryman and showcases his technical brilliance in doing so.  His performance will be presented in special partnership with the Chopin 2010 Celebration Committee and the Polish Culture Society of Edmonton.  Audiences have the special opportunity to experience Pieter Wispelweys versatility, phenomenal technique, and remarkable interpretation of cello repertoire, and see the renown cellist accompanied by Bill Eddins on piano in the programs second half.

Sunday Showcase Series

In four matine concerts that feature symphonic favourites with bright melodies, Bill Eddins leads the full Sunday Showcase series that features select ESO musicians as soloists alongside rising young musicians.  This series is especially well suited for the young and old alike.  Families of all generations can come together to enjoy a weekend afternoon of timeless masterpieces.  Edmonton violinist Ewald Cheung will perform Vivaldis delightful Four Seasons in the series opener, while Principal Clarinet Julianne Scott plays a charming set of variations on a popular Mozart tune.  Laureate of Canadas Honens International Piano Competition, Swiss pianist Gilles Vonsattel makes his ESO debut and Principal Bass Trombone Christopher Taylor performs a tuneful Ballade by Ewazen.  David Eggert, also from Edmonton and winner of the prestigious Eckhardt-Gramatt Prize presents Saint-Sans beloved First Cello Concerto and Principal Tuba Scott Whetham takes on a lighthearted heavyweight Vaughan Williams Tuba Concerto.  At only 15 years of age, Calgary pianist Jan Lisiecki has amassed an impressive collection of accolades and he makes his ESO debut playing a tempestuous work by Mozart.  Interim Concertmaster Eric Buchmann is also featured in the closing concert of this series, bringing Kabalevskys fiery Violin Concerto to the stage.  Our post-concert Coffee Shop continues next season, inviting all concert guests to engage in an informal Q&A session with our guest artists in the main lobby.

Midweek Classics Series

Interspersed throughout the season, four concerts in the Midweek Classics series bring audiences famous and not-so-famous baroque treats and contrasting classical masterpieces.  Two of Edmontons finest trumpet players, the ever-entertaining Jens Lindemann and the ESOs own Principal Trumpet Robin Doyon kick off the series performing Vivaldis Concerto for Two Trumpets.  Russian-born Sergei Babayan is the featured soloist in a stormy Bach keyboard concerto and the orchestra plays a famous practical joke with Haydns Surprise Symphony.  Celebrating the eve of Mozarts 255th birthday, Williams Eddins and the orchestra presents the composers lush Sinfonia concertante for Violin and Viola.  Concertmaster of the Montral Symphony Andrew Wan and ESO violist Charles Pilon are guest soloists in the aforementioned work, and dazzling pianist Angela Cheng returns to play Mozarts final solo piano concerto in the series finale.  Lucas Waldin conducts in this series which will see his own arrangement of Purcells Chacony played by the orchestra, and Lidia Khaner, Principal Oboe, and guest artist Teresa Hron, recorder, are also featured soloists.

Robbins Lighter Classics Series

From Flamenco flavours to classic Chaplin, the Robbins Lighter Classics series promises enjoyable evenings all around.  Spanish music and dance from the shores of Atlantic Canada opens this series with the fiercely authentic sounds of El Viento Flamenco.  The ESOs own Virginie Gagn (Violin), Allene Hackleman (Principal orn), Megan Evans (Asst. Principal Horn), Julianne Scott (Principal Clarinet), and Ronda Metszies (Cello) step into the spotlight for a showcase of their favourite music and virtuosity with Bill Eddins conducting.  Lucas Waldin takes to the podium for a celebration of Ukrainian culture, with the help of special guests Cheremosh Ukrainian Dance Company and Gene Zwozdesky, while silence still proves to be golden as the film classic from a comic genius is projected above the orchestra as they perform the score live in Charlie Chaplins The Gold Rush.  The series closes with Tom Allens Classical Goodtime Variety Show.  Former host of CBC Stereos morning show, Tom Allen, along with great Canadian horn virtuoso and guest conductor Jamie Sommerville, explore how music is always relevant to the daily life of any age in the most silliest of ways.  In a stirring mix of seasonal beauty, Glad Tidings A Lightly Classical Christmas will have charming guest conductor Bob Bernhardt joined by narrator Archbishop Richard Smith in this must-see event.

Robbins Pops Series

The ever-popular Robbins Pops series launches with a whirlwind of extraordinary trumpet music, and legendary pops maestro Bruce Hangen is bringing trumpet virtuoso Jens Lindemann with him!  It will be nothing short of an entertaining series opener as Mr. Lindemann performs the world premiere of Allan Gillilands Dreaming of the Masters III, which was written specifically for him.  A hypnotic orchestral Halloween performance will leave you spellbound when Pops maestro Jack Everly is joined by an unbelievable illusionist, perplexing quick-change artists, and a comic-magic duo that will have you laughing, yet asking How did they do that?  The ESO invites you to be their symphonic valentine when Steven Reineke returns to the Winspear Centre to perform timeless love songs in Love Will Keep Us Together.  Be serenaded by soprano Betsy Wolfe and tenor Mike Eldred, not to mention Mr. Reineke on piano and harmonica.  Broadway star and Tony Award-winner Ben Vereen will showcase his superb versatility and star power in a one man show, the ESO led by Jack Everly will take a spin on the musical roulette wheel with Pops Goes Vegas!, and the luminous harmonies of vocal trio Times Tree lend their extraordinary voices to our Christmas Pops.  The red carpet is rolled out to close this series on a Hollywood high note when conductor Richard Kaufman leads the orchestra through Oscar-winning and Oscar-nominated music including The Godfather, Finding Neverland, and Casablanca.

ESSO Symphony for Kids

Over the course of the season, the ESOs family series ESSO Symphony for Kids will present four highly entertaining and educational programs for young audiences.  Platypus Theatre opens the series with the theatrical story of a young girls battle to save music.  Families are invited to then take a symphonic walk through Roald Dahls magical, terrifying, and hilarious forest in the imaginative presentation of DANDI Productions Little Red Riding Hood.  Lucas Waldin concludes his conducting duties in this series with Juno Award-winner and entertainer extraordinaire Al Simmons.  One of the true masters of mischief, mayhem, and melody brings his irresistible songs and madcap sense of humour to an outrageously fun afternoon for the whole family.  Charlie Chaplins hilarious The Gold Rush will bridge great cinema and great music, as Bill Eddins and the ESO bring the score to life while the silent film is projected above the stage. 

Holiday Concerts

Cherish favourite traditions with your family and create new musical memories with Edmontons orchestra.  The holiday season at the Winspear Centre is always a very magical time as we present sparkling concert programs of tidings and joy.  Charismatic, boogie-woogie piano sensation Michael Kaeshammer brings his prowess as a performer and onstage charm to his performance of uniquely stylized Christmas favourites.  Richard Eaton Singers join one of Canadas finest choral conductors, Bruce Pullan, for one of the most triumphant choral pieces ever written, Handels Messiah.  Fresh from an 80-city North American tour, plus guest appearances on The Oprah Winfrey Show and The Dr. Phil Show, Canadas gold-selling vocal group the Canadian Tenors share the perfect Christmas gift with audiences in two evening performances.  Two special matine performances of A Family Christmas Concert with Santa Claus and Mister Grinch will warm up the whole family with a cheerful selection of carols.  Both the Robbins Pops and Robbins Lighter Classics series also include popular holiday concerts that should not be missed!

Symphony Under the Sky

Symphony Under the Sky, the ESOs annual summer festival in Edmonton will take place Labour Day weekend, September 3rd 6th, 2010, at Hawrelak Park.  Spend one day, or the whole weekend outdoors with your family listening to the harmonious sounds of the orchestra in the relaxing atmosphere of the Heritage Amphitheatre.  Audience favourite Bob Bernhardt conducts the orchestra through five concerts over the course of four days.  Sensational Canadian violinist Karen Gomyo joins the orchestra for two evening concerts one filling the sky with the virtuosic sounds of Bach, Beethoven, and Brahms, the other a showcase of memorable hits by the great John Williams.  The Knock School of Irish Dance appears as special guests, performing to Irish classics and traditional tunes from the Emerald Isle to celebrate The Celtic Spirit, while two of the great pop/rock songwriters of our time come together in the talented hands of Jim Witter.  Enjoy a summer night of classic rock as the ESO performs timeless songs of Billy Joel and Elton John.  Nothing wraps up the festival like a Great Canadian Song Book with members and guns of the Royal Canadian Artillery joining the orchestra in Tchaikovskys 1812 Overture.

Fundraisers

The ESO and Winspear Centre rely on support from the community and the generosity of individuals so they may continue to nourish individuals with the wonder of music.  As such, two integral events will take place next season with proceeds to support both organizations.  HopScotch A Festival and Fine Whisky and Beer and Flavours of B.Cs Naramata Bench Wine Tasting & Auction will take place in October 2010 and January 2011, respectively, with guests being treated to a lovely evening of delectable snacks, great company, wonderful music, and fabulous items to bid on.

Subscriber Info

Purchasers of ESO subscription packages can save up to 31% percent off single ticket prices, depending on the series and the seating.  Subscribers also have the opportunity to purchase single tickets to ESO concerts in advance of their availability to the general public.  In the ESOs efforts to continue to be widely accessible to our current and future patrons, plus music lovers of all ages, subscription prices have not been raised for the 2010-2011 performance season. 

For the third consecutive season, the Edmonton Symphony Orchestras highly popular 2 for 1 New Subscriber Promotion will be available.  This fantastic offer gives new subscribers the opportunity to purchase 2 subscriptions for the price of 1 in their first year.  Complete promotion details are available online at EdmontonSymphony.com.  The 2 for 1 subscription campaign is generously sponsored by Maclab Enterprises.

Edmontons Orchestra

Whether our 2010-2011 performance season is your first nibble at symphonic music, or your 59th feast of enriching sounds, a live symphony performance touches our hearts and lingers in our palate long after the concert has ended.  It will leave you wanting more, it will keep you coming back for more.  Second, third, and fourth helpings are certainly warranted!  Join us at the Winspear Centre in our new season we look forward to having you as our guest time and time again.  Come to listen, taste the nourishment, enjoy for many years.

Important Dates

On Sale Now: Subscription packages for the 2010-2011 season.
May 11th, 2010: Symphony Specials, Fundraisers, and Gala tickets on sale to the general public.
June 24th, 2010: Symphony Under the Sky tickets on sale to the general public.
August 10th, 2010: Individual series concert tickets available to Subscribers and Sampler Pass voucher redemptions begin.
August 17th, 2010: All single concert tickets on sale to the general public.

For a full listing of the 2010-2011 season, please visit www.EdmontonSymphony.com.

Le concert topaze de Laurence Kayaleh et Paul Stewart ( dimanche 28 mars 2010 la 5me Salle de la PDA)

     Laurence Kayaleh, violon et Paul Stewart, piano 
Dimanche, 28 mars 2010 15 h 30 la Cinquime Salle de la Place des Arts 
Magnifique est ce qui dcrit le mieux le talent artistique de Kayaleh et Stewart (...) ils croient profondment la qualit de cette musique, et aprs avoir entendu le fruit de leur collaboration, nous sommes conquis ! (Listening for Enjoyment, Beverly, Massachusetts) 
.. un talent hors du commun ... un archet royal, une justesse impeccable, une sonorit superbe, et surtout un sens inn du phras ... un talent lumineux dont nous pouvons tout attendre. Le Figaro, Paris 
Montral, le 2 mars 2010.   Cest avec charisme et une subjuguante prsence scnique que la violoniste suisso-canadienne Laurence Kayaleh fera vibrer lauditoire de Pro Musica en ce dimanche 28 mars aprs-midi. Au programme de ce concert topaze : des joyaux du rpertoire pour violon et piano signs Johannes Brahms (1833-1897), William Walton (1902-1983), Jean-Marie Leclair (1607-1764) et Ravel (1875-1937).
Concertiste internationale et professeur l'Universit de Montral, Laurence Kayaleh est une artiste exceptionnelle qui se distingue par la profondeur de sa musicalit, la richesse de ses sonorits et son sens prononc du style musical. Doue d'une remarquable technique violonistique et d'un sens inn pour la musique, elle possde toutes les qualits dune musicienne accomplie, et cre chez l'auditeur une exprience motionnelle trs intense.
Sa carrire prcoce la conduit dans les centres de musique les plus prestigieux tels que Paris, Prague, Bruxelles, Zrich, Sofia, Berne, Moscou, Tokyo, Modena et Genve, souvent accompagne par des orchestres de renom tels que lOrchestre de la Tonhalle de Zrich, lOrchestre de la Suisse Romande, lOrchestre Symphonique de Bruxelles et lOrchestre Symphonique de Ble.
Ayant dvelopp sa formation artistique au sein des classes de concertistes de la prestigieuse "Kayaleh Violin Academy" en Suisse o elle a obtenu un "Performer Diploma", elle remporte le Premier Prix avec flicitations du jury au Concours suisse pour Jeunes Solistes, ainsi que le Grand Prix au Concours international de Stresa en Italie.
Suite  son dbut parisien au Thtre du Chtelet, le quotidien le Figaro la qualifie d archet royal , complimentant ainsi sa sonorit superbe et son sens du phras. On a pu lentendre par la suite Salle Gaveau de Paris, la Salle Bolcho et la Salle Tchakovski de Moscou, avec lOrchestre national russe, sous la direction de Mikhal Pletnev, la Salle Pleyel de Paris, avec lOrchestre Lamoureux sous la direction de Gregorsz Novak, ainsi quau Lied Center Lincoln, USA, au Arts Center Osaka et la Suntory Hall Tokyo, Japon. Sa carrire amricaine lui vaut de grandes ovations partout o elle passe : Cleveland avec le Cleveland Orchestra et au Kennedy Center Washington, avec le National Symphony Orchestra sous la direction de Leonard Slatkin, qui la qualifie de musicienne unique et, enfin, la Powell Hall Saint Louis, avec le Saint Louis Symphony Orchestra.
Dautres engagements appellent Laurence Kayaleh se produire en soliste Caracas, au Venezuela, avec lOrchestre Symphonique Simon Bolivar, Montral avec lOrchestre symphonique de Montral sous la direction de Charles Dutoit et, Ble, avec lOrchestre symphonique de Ble, sous la direction de Mario Venzago, et son dbut milanais est marqu par un brillant rcital quelle donne la Salle Verdi de Milano.
Laurence Kayaleh vient de raliser deux disques pour la compagnie Naxos consacrs lintgrale des uvres pour violon et piano du compositeur russe Nicola Medtner, avec au piano le canadien Paul Stewart. Elle joue un superbe Guarnerius (1742) qui a appartenu au clbre violoniste et pdagogue, Carl Flesch.
Paul Stewart, piano
ĶrenversantĶ.dune lgance hors du commun, allie une profondeur de sentiment, un parfait quilibre entre la couleur et larchitectureĶStewart sculpte le son avec lassurance instinctive dune panthre laffut dune proieĶ (American Record Guide) 
Pour la troisime fois dans le cadre de la srie Topaze, le talentueux pianiste canadien Paul Stewart sera lhte de la Socit Pro Musica, ce dimanche 28 mars, mais cette fois-ci aux cts de la violoniste Laurence Kayaleh.
Originaire de la Nouvelle-cosse, Paul Stewart sest dabord fait connatre en 1981 en remplaant au pied lev un pianiste qui devait interprter le Concerto pour piano no 1 de Tchakovski avec lOrchestre symphonique de Toronto. Aujourdhui, il fait partie des pianistes canadiens les plus estims et les plus actifs. En effet, il sest produit comme soliste avec les orchestres symphoniques de Toronto, Montral, Winnipeg et Vancouver, lOrchestre du Centre national des Arts dOttawa et lOrchestre de chambre I Musici de Montral pour nen nommer que quelques uns, ici et ltranger. En 1996, il fait une apparition trs russie   diffuse par la BBC au Wigmore Hall de Londres et  interprte le Concerto pour piano no 4 de Rachmaninoff au Conservatoire de Moscou, accompagn par lOrchestre symphonique de la radio de Moscou. Cette prestation a t dabord diffuse la radio dans lensemble de la Russie pour tre ensuite acclame sur disque.
Paul Stewart donne de nombreux rcitals au Canada et aux tats-Unis (Carnegie Hall et Lincoln Center New York, et Kennedy Center Washington), en Europe et en Asie. On peut lentendre frquemment sur les ondes de  Radio-Canada, CBC, BBC, RAI et Deutsche Welle. Rcemment, il a effectu une tourne au Japon et dans le sud de lAsie.
Une partie importante de sa carrire est galement consacre  la musique de chambre et   laccompagnement. Paul Stewart a ainsi collabor avec de nombreux artistes renomms, tels que James Campbell, James Ehnes, Maureen Forrester, Rivka Golani, Ben Heppner, Jessie Norman, Mstislav Rostropovich, Gil Shaham, les quatuors cordes de Leipzig et de Moscou, ainsi que les chefs Franz-Paul Decker, Charles Dutoit et Pinchas Zukerman.
Parmi ses enregistrements, on peut nommer Young Apollo, de Benjamin Britten, des lieder et transcriptions de Schubert. Un autre enregistrement souligner serait  le disque  consacr au Concerto pour piano no 4 de Rachmaninoff et la Sonate Vent Nocturne de Nicola Medtner. En 2007 et 2008, deux volumes des sonates pour violon et piano de Medtner ont vu le jour sous tiquette Naxos, en collaboration avec la violoniste  Laurence Kayaleh. Il travaille prsentement lenregistrement de lintgrale des sonates et des uvres de musique de chambre de Nicola Medtner pour la maison Naxos. Paul Stewart est professeur agrg la Facult de musique de lUniversit de Montral.  

Programme 
                        Brahms, Scherzo en ut mineur de la sonate F.A.E., WoO, posth. 2
                        Walton, Sonate
                        Leclair, Sonate no 3 en r majeur, op. 9
                        Ravel, Sonate en sol majeur 
Les billets de concert, au cot de 30 $, et 15 $ pour les tudiants (taxes et redevances en sus), sont en vente la billetterie de la Place des Arts (514) 842-2112.

Complete Chamber works of Gyrgy Kurtg with Cimbalom

(BOSTON - MARCH 2010)  The Ludovico Ensemble, an Ensemble-in-Residence at The Boston Conservatory, presents a concert of the "Complete Chamber works of Gyrgy Kurtg with Cimbalom" featuring Nicholas Tolle playing cimbalom. Performance takes place Tuesday, March 23, 2010 at The Boston Conservatory's Seully Hall (8 The Fenway, Boston). General admission tickets are $12 and $7 for seniors. Admission is free for all students with ID. Tickets can be purchased at www.bostonconservatory.edu/tickets or by calling (617) 912-9222.

The concert program includes:
Memory of a Winter Evening (op. 8) four fragments for soprano, violin and cimbalom
Aliana de la Guardia (soprano) and Gabriela Diaz (violin)

Tri Pezzi/Tre Alrti Pezzi (op. 38) clarinet and cimbalom
Rane Moore (clarinet)

Scenes from a Novel (op. 19) for soprano, violin, double-bass and cimbalom
Aliana de la Guardia (soprano), Gabriela Diaz (violin), and Akiko Kikuchi (bass)

Jtkok(selections) for solo cimbalom

Seven Songs (op. 22) for soprano and cimbalom
Aliana de la Guardia (soprano)

Eight Duos (op. 4) for violin and cimbalom
Gabriela Diaz (violin)
GYRGY KURTG made enormous contributions to the repertoire for cimbalom. His output for the instrument is more substantial than any other composer of his generation, and this concert offers a rare chance to hear all of his pieces for cimbalom and small ensemble, and a rare opportunity to hear the cimbalom in any context.
 
Described by the New York Times as "virtuosic" and by the Albany Times-Union as "amazingly skilled," percussionist/cimbalomist NICHOLAS TOLLE  recently performed the solo cimbalom part in Pierre Boulez' Repons in Lucerne, Switzerland with the composer conducting. His performance of Steven Mackey's Five Animated Shorts for solo cimbalom and ensemble with Collage New Music was praised by the Boston Globe and the Boston Musical Intelligencer. He began playing cimbalom in 2007 after being inspired to learn the instrument by the music of Gyrgy Kurtg.  As a percussionist, he has performed with the Royal Concertgebouw Orchestra, the Nederlands Radio Kamer Philharmonie, the Boston Pops Orchestra, Boston Modern Orchestra Project, Boston Lyric Opera, and Cantata Singers; and attended the Tanglewood Music Center, the Lucerne Festival Academy, the Carnegie Hall Professional Training Workshop, the Aspen Music Festival, and has been a guest teacher at the Hochschule fur Musik in Detmold, Germany and the Arnhem (NL) Conservatorium. Tolle is the founder and director of the Ludovico Ensemble, a founding member of Ensemble XII and a core-member of the Callithumpian Consort. Studies at the Boston, Amsterdam, and New England Conservatories.

The cimbalom was invented in Budapest in 1874. While it is primarily associated with Gypsy music, a number of Western composers have written for it, including Stravinsky, Bartok, Boulez, Maxwell Davies, Birtwistle, Eotvos, Kurtg and others. 

Solti Foundation U.S. announces awards to two young American conductors

Yaniv Attar, Assistant Conductor of the Alabama Symphony Orchestra,
awarded 2010 Career Development Award
and
Christopher Hill, Music Director of the Portsmouth Symphony Orchestra,
awarded 2010 Career Assistance Award
by The Solti Foundation U.S.

Evanston, Illinois The Solti Foundation U.S. is pleased to announce that it has awarded a 2010 Career Development Award and a 2010 Career Assistance Award to two young, accomplished conductors.  These awards, given to American conductors in the formative years of their careers, may be used for a variety of career development needs.

Yaniv Attar, Assistant Conductor of the Alabama Symphony Orchestra since 2008, is the recipient of the 2010 Solti Foundation U.S. Career Development Award.  Mr. Attar, who holds the Bruno Walter Conducting Chair at the ASO, has also worked with the Jerusalem Symphony Orchestra, National Symphony Orchestra, Milwaukee Symphony Orchestra, London Soloist Chamber Orchestra, Deutsche Kammerakademie Neuss am Rhein, Bakersfield Symphony Orchestra, National Symphony Orchestra of Ireland, Orchestra I Pomeriggi Musicali Milan, and the Mihail Jora Philharmonic Romania. The $5,000 grant, given every two years, was previously been awarded in 2008 to Joseph F. Young, now working with the Buffalo Philharmonic as a member of the League of American Orchestras American Conducting Fellows program. 

Christopher Hill, Music Director of the Portsmouth Symphony Orchestra in New Hampshire, is the recipient of a 2010 Solti Foundation U.S. Career Assistance Award.  In addition to his work with the PSO, Mr. Hill recently served as director of orchestras at the University of New Hampshire and guested with the Richmond Symphony in Virginia.  Introduced in 2009, the Career Assistance Award is given annually, with the number and amount(s) determined at the discretion of the Artistic and Awards Committee.  Former recipients of the award include James Feddeck, Assistant Conductor, Cleveland Orchestra; Kelly Kuo, Assistant Conductor, Cincinnati Chamber Orchestra, and Case Scaglione, Music Director, YMF Debut Orchestra (Los Angeles, CA).

 The Sir Georg Solti Emerging Conductor Award, a grant of $10,000, to be introduced in late spring  2010. Application deadline is May 15, 2010. The award will be given to an American conductor 35 years  of age or younger.

Vladimir Ashkenazy leads The Cleveland Orchestra in concerts featuring his orchestration of Mussorgsky's Pictures at an Exhibition at Severance Hall on March 18 and 20

Jean-Efflam Bavouzet makes his Cleveland Orchestra debut as soloist in Prokofievs Piano Concerto No. 1

CLEVELAND, March 5, 2010 Vladimir Askenazy, principal conductor and artistic advisor to the Sydney Symphony Orchestra and music director of the European Union Youth Orchestra, will conduct The Cleveland Orchestra in a program featuring his orchestration of Mussorgskys Pictures at an Exhibition at Severance Hall on Thursday, March 18, and Saturday, March 20, at 8:00 p.m.  Jean-Efflam Bavouzet will make his Cleveland Orchestra debut in performances of Prokofievs Piano Concerto No. 1.
            The program begins with a suite, compiled by Mr. Ashkenazy, from Sergei Prokofievs ballet Romeo and Juliet, followed by Prokofievs Piano Concerto No. 1 in D-flat major, Opus 10. After intermission, the program concludes with Modest Mussorgskys Pictures at an Exhibition (transcribed for orchestra by Vladimir Ashkenazy).
            Pianist, chamber musician, and conductor Vladimir Ashkenazy has been a welcome guest with The Cleveland Orchestra for more than 40 years.  Since making his Cleveland Orchestra debut as piano soloist in August 1968, he has appeared with the Orchestra in more than 150 concerts.  From 1987 to 1994, Mr. Ashkenazy served as the Orchestras principal guest conductor, having conducted the ensemble on a regular basis since his Severance Hall podium debut in 1983.  
For more than two decades, Mr. Ashkenazy has appeared primarily as a conductor, leading orchestras across the world.  He has served as chief conductor of the Czech Philharmonic (1998 to 2003) and music director of the NHK Symphony Orchestra in Tokyo (2004 to 2007).   In January 2009, he became principal conductor and artistic advisor to the Sydney Symphony Orchestra.  Mr. Ashkenazy continues his longstanding relationship with the Philharmonia Orchestra, of which he was appointed conductor laureate in 2000.  He is also music director of the European Union Youth Orchestra, with whom he tours each year, and conductor laureate of the Iceland Symphony Orchestra.
            French pianist Jean-Efflam Bavouzet was invited by Sir George Solti to make his debut with the Orchestre de Paris in 1995 and is considered the conductors last discovery.  The pianist has maintained a close relationship with Pierre Boulez since their first appearance together with the Orchestre de Paris in 1998.  Among his numerous recital appearances, he performed a cycle of the complete Beethoven piano sonatas in the Forbidden City Concert Hall in Beijing during the 2008-09 season.  In 2009, Mr. Bavouzet performed all five Prokofiev concertos with the Warsaw Philharmonic.  His recording of Debussys complete works for solo piano has won multiple awards.
* * *
            These concerts are sponsored by Calfee, Halter & Griswold LLP.
            Jean-Efflam Bavouzets appearance as soloist with The Cleveland Orchestra is made possible by a contribution to the Orchestras Guest Artist Fund from The Gerhard Foundation.
* * *
            The Cleveland Orchestras 2009-10 season at Severance Hall is sponsored by UBS.  Headquartered in Zurich and Basel, Switzerland, UBS is a global firm providing services to private, corporate and institutional clients.  Its strategy is to focus on international wealth management and the Swiss banking business alongside its global expertise in investment banking and asset management.  In Switzerland, UBS is the market leader in retail and commercial banking.
UBS is a significant supporter of orchestral music globally.  In addition to its season sponsorship of The Cleveland Orchestra, the firm currently sponsors several other outstanding symphony orchestras, such as the Boston Symphony Orchestra and The Philadelphia Orchestra.  These partnerships reflect UBSs dedication to supporting the communities where it operates, as well as a philosophy of working collaboratively with its clients to deliver the customized solutions that help them pursue their goals.
            More biographical information on Vladimir Ashkenazy and Jean-Efflam Bavouzet follows at the end of this release. 

TICKET PRICES (Add $5 for Saturday): Orchestra: $71, $47; Dress Circle: $93, $55; Balcony: $71, $55, $31.

TICKET SERVICES:
The Severance Hall Ticket Office is located in the Smith Lobby.  The entrance and 15-minute Ticket Service parking are along East Boulevard.  Single tickets for all concerts in the 2009-10 season are now on sale.
Severance Hall Ticket Office Hours: 
M-F 9-6
Sat. 10-6
Closed Sundays and major holidays, except for those days with performances, when the Ticket Office opens three hours prior to the performance start time.
To charge tickets by telephone on American Express, Discover Card, MasterCard, and Visa, call Cleveland Orchestra Ticket Services at (216) 231-1111 (Cleveland) or 800-686-1141 during the regular ticket office hours listed above. Subscriptions and single tickets are also available through The Cleveland Orchestras website at clevelandorchestra.com.  The website offers secure ticket transactions with any major credit card and provides complete concert listings.

FREE CONCERT PREVIEWS:
Concert Previews will be given prior to the March 18 and 20 concerts, beginning at 7:00 p.m. in Reinberger Chamber Hall.  The Previews, titled Orchestrating Musical Pictures, will be given by David Rothenberg, professor of music at Case Western Reserve UniversityConcert Previews are designed to enrich the concert-going experience by providing historical background and critical insight into the music performed at each concert.  This series is funded by a generous endowment gift from Dorothy Humel Hovorka.

PARKING: 
For evening subscription concerts at Severance Hall, parking can be purchased for $10 per vehicle, when space permits, in the Campus Center Garage (the underground garage located directly behind Severance Hall).  Pre-paid parking for the Campus Center Garage can be purchased in advance through the Ticket Office at the cost of $14 per concert (this includes City of Cleveland parking tax and handling fee).  The pre-paid parking ensures patrons a parking space, but availability of these pre-paid parking passes is limited.
            For further information, or to order pre-paid parking, patrons should call the Cleveland Orchestra Ticket Office during regular office hours at (216) 231-1111 or 800-686-1141.  Pre-paid parking passes are also available through The Cleveland Orchestras website at clevelandorchestra.com.

Manchester Camerata signs Gbor Takcs-Nagy as its new Music Director

Manchester Camerata has appointed the great Hungarian musician Gbor Takcs-Nagy as its new Music Director.  Internationally known as a chamber music player and a founding member of the Takcs Quartet, Gbor is now establishing a formidable reputation for himself as a conductor. The fact that he will be pursuing the next phase of his career in Manchester is a real coup for the orchestra and for the city. Gbor will take over from Douglas Boyd as Music Director in September 2011.

Building on the success of the Boyd/Camerata era, Gbor will work closely with this leading chamber orchestra which is full of Mancunian energy, humour and creativity.  This new partnership promises to be quite exceptional. It is a partnership which will not only benefit the orchestra and its audiences but will reinforce the international dimension of Manchesters cultural life too.

Beyond the natural creative chemistry which exists between the Camerata musicians and their new music director, the appointment also represents something of a homecoming for Gabor and his wife, who is originally from Burnley, Lancashire.

Gbors conducting career began in 2005. He now holds posts at the MAV symphony orchestra in Budapest, the Verbier Festival Chamber Orchestra, and will appear as guest conductor with the Budapest Festival Orchestra. Forthcoming highlights include concerts with Martha Argerich and a tour with the Verbier Festival Chamber Orchestra.

Speaking about his Manchester Camerata appointment, Gbor said:

To find such a wonderful group of artists such as Camerata, such warm audiences as those in Manchester, is a joy. I look forward to many years of making and sharing music in your great city.

Announcing the appointment, Manchester Camerata Board and CEO Bob Riley stated:

We have been fortunate to work with Dougie Boyd for 10 years, during which the orchestra has achieved some remarkable things. We are more fortunate still that this work can be continued with such a musician as Gbor. Orchestra member musicians were involved in the process leading to his appointment and so we look forward with certainty to the flourishing of this musical relationship. It is with great excitement that we look ahead to Manchester Cameratas future, both nationally and internationally.

Welcoming the appointment of his successor, Douglas Boyd said:

"Manchester Camerata has been a huge part of my life for the last 9 years.  I have been so fortunate to make music with such a dedicated group of musicians. My dream has always been, at some stage, to hand the baton on to a wonderful musician who can inspire the orchestra and continue to develop this dynamic organisation. I am delighted that the orchestra and Gbor have found each other. I am absolutely sure that together they will forge an exciting future for Manchester Camerata."

Art of Time's Songbook 4 to feature Gregory Hoskins

Art of Time Ensemble
-       Andrew Burashko, Artistic Director-
presents
The Songbook 4

Featuring Gregory Hoskins
performing an eclectic set of twelve of his favourite songs,
accompanied by the Art of Time Ensemble

Tuesday May 25 - Wednesday May 26, 2010, 8PM
Enwave Theatre | 231 Queens Quay West
Tickets: $19-$49         Box Office: 416-973-4000

Toronto, March 4, 2010- The acclaimed Art of Time Ensemble, under the Artistic Direction of Andrew Burashko, is pleased to present The Songbook 4, featuring Canadian singer Gregory Hoskins, on Tuesday May 25 and Wednesday May 26, 2010 at Harbourfront Centre's Enwave Theatre.

The Songbook 4
has Gregory Hoskins performing an eclectic set of 12 of his favourite songs including original material and covers by Paul Simon, Nick Cave, Gordon Lightfoot, Mary Margaret O'Hara, Jane Siberry, Cole Porter, Tom Waits, Radiohead, Leonard Cohen, and others in innovative new arrangements by acclaimed composers, accompanied by some of the finest classical and jazz musicians in the country.
The Musicians:
 Andrew Burashko Piano
Benjamin Bowman Violin
Phil Dwyer Sax
Rachel Mercer Cello
Rob Piltch Guitar
Joe Phillips Bass

The Arrangers:
 Bryden Baird (Feist's collaborator)
Gavin Bryars
Robert Carli
Aaron Davis
Hilario Duran
Jonathan Goldsmith
Michael Occhipinti
Dann Parr
Cameron Wilson

Gregory Hoskins
released his first recording for True North Records with his band The Stickpeople at the age of 27.  Both 1991's Moon Come Up and 1993's follow-up Raids On The Unspeakable established Hoskins as a new voice on the Canadian music scene but after a slew of singles, videos, and road work he dissolved the band in 1995 and disappeared. After a mysterious six-year withdrawal from the music business, Hoskins re-emerged in 2001 with the remarkable solo CD, The King of Good Intentions, praised by critics for its "quiet soul, haunting voice, and lyrics (that) speak of the hard lessons he has obviously learned over the last decade."

Between February 2007 and May 2008, he released 3 recordings: the studio recording The Beggar Heart featuring a searing duet with Serena Ryder on "Never A Stranger Kiss"; his first live recording and DVD Pleasure & Relief; and a "solo acoustic" compilation Alone In The Mayor's House...Almost for U.S. label Candy Rat Records.

Hoskins has opened for Sarah McLachlan, the Indigo Girls, the Neville Brothers, Bruce Cockburn, Rickie Lee Jones, Hawksley Workman and folk-legend Odetta among many others. He currently lives and works musically on Manitoulin Island in Northern Ontario,

Previous Art of Time productions have met with high praise. J.D. Considine of The Globe and Mail notes the recent sold out Brasil concerts "presented a faade of effortless grace that belied how much was going on beneath the surface... ravishing." John Terauds of The Toronto Star calls the group in performance "a delicate balance between classical expression and modern sensibility... as memorable as the creativity behind them."

Art of Time provides a unique musical experience that breaks down barriers between artistic and musical disciplines, and reveals the vibrancy of classical music as a contemporary artistic expression, appealing to a range of audiences.

Quatuor Diotima - concert exclusif au Canada


Samedi 17 avril 2010 20 h
Thtre Centennial Universit Bishop, Sherbrooke

Rgulier $26.00, An (60+) $15.00, tudiant (avec carte) $15.00  
Billetterie : 819-822-9692

Programme :  le Quatuor # 1 (Kreutzer) de Leos Janacek, le Quatuor opus 56 de George Onslow et Ainsi la nuit dHenri Dutilleux.

Diplms des conservatoires de musique de Paris et de Lyon, les membres de ce remarquable quatuor franais ont pris un engagement spirituel en faveur de la musique contemporaine. Reconnu comme lun des meilleurs espoirs franais, le Diotima ne fait pas mentir son nom, tir dune uvre du compositeur contemporain Luigi Nono, Fragmente Stille, an Diotima. Voici ce que le Nouvel Observateur (2006) dit propos de leur excution dune uvre de Janacek :  On est surpris par la gravit, le lyrisme, lunit du discours et la splendeur sonore, de bout en bout passionnants. 

DanceWorks presents Nova Bhattacharya

DanceWorks presents
Ipsita Nova Dance Projects'
Isolated Incidents

Toronto, March 4, 2010-    Smart, sexy and engaging, Isolated Incidents is a collection of solos tracing random incidents in one woman's life.  Celebrated as one of Canada's favourite dance artists, Nova Bhattacharya breathes rich life into the spectrum between classical bharatanatyam and contemporary dance.

Each solo brings a new glimpse into the transformative journey of this eloquent performer who has been described in turns as "sly and dreamily contemplative" (Now Magazine), "a contained goddess" (Globe & Mail) and "a mischievous visitor from another world" (Mrkische Allemeine).

Bhattacharya's new work is an evening of graceful precision, haunting simplicity and a few surprises.

Co-commissioned by the Canada Dance Festival 2010 and DanceWorks.

one woman, several moments in time

DanceWorks presents Ipsita Nova Dance Projects' Isolated Incidents
Choreographed / featuring Nova Bhattacharya
Original score by Ed Hanley
Lighting design by Marc Parent
Part of Harbourfront Centre's NextSteps
Thursday May 13 - Saturday May 15 | 8PM
at Harbourfront Centre's Enwave Theatre, 231 Queens Quay West, Toronto
Regular Tickets: Adults $28, (Students/Seniors $18)
Box Office: 416-973-4000 OR online at danceworks.ca

Season Announcement: Indianapolis Symphony Orchestra's 2010-2011 Season

Seventeen Guest Conductors Will Showcase Their Artistry in Classical Programs as
the Orchestra Continues its Search for a New Music Director 

Season Highlights Include Renowned Violinists Itzhak Perlman, Joshua Bell, and Midori; Pianist
Andr Watts; Versatile Performer Wayne Brady, Cirque de la Symphonie, Plus Special Events Featuring Legendary Singer and Actress Liza Minnelli and Dennis DeYoung Performing the Music of Styx

               INDIANAPOLIS The Indianapolis Symphony Orchestra announced today its 2010-2011 season of Classical, Pops and Family series concerts and Special Events that will feature some of the great artists of our time, including violin sensations Joshua Bell and Midori, who will perform the Tchaikovsky and Beethoven Concertos, respectively; a one-night-only Opening Night Gala appearance by Itzhak Perlman, who will conduct and perform as violin soloist; and renowned pianist Andr Watts performing Beethovens Emperor Concerto. 

The ISOs diverse and colorful Pops lineup includes versatile actor and singer Wayne Brady, the return by popular demand of new and updated productions of Bugs Bunny at the Symphony and Cirque de la Symphonie, plus Live & Let Die:  The Music of Paul McCartney featuring Classical Mystery Tours Tony Kishman as Paul. Other Special Events will feature one-night-only performances by legendary singer and actress Liza Minnelli in October, plus the music of 1970s and 80s rock band Styx performed by one of its founding members, Dennis DeYoung, in March 2011 among the many highlights of the indoor season at the Hilbert Circle Theatre.

We are very proud of the high quality and extraordinary variety of programs in our 2010-2011 season, said Simon Crookall, President and CEO of the Indianapolis Symphony Orchestra. As we continue our search for a new Music Director, the Orchestra will be joined by some of the brightest conducting talent available, with some return visits and some debuts. The outstanding quality of our guest artists, in both Classical and Pops programs, will make every event at the Hilbert Circle Theatre an extraordinary experience.

DISTINGUISHED CONDUCTORS AND VIRTUOSO SOLOISTS HIGHLIGHT CLASSICAL SEASON

               The spotlight this year will be on the podium as the Orchestra continues the search for its seventh Music Director, and on center stage, where some of the great classical artists of our time will showcase their superb artistry.

Renowned maestros who will return to the Hilbert Circle Theatre podium include the ISOs Conductor Laureate, Raymond Leppard, plus guests Juanjo Mena, James Gaffigan, Gilbert Varga, Carlo Rizzi, Jun Mrkl, Douglas Boyd, Ludovic Morlot, Jakub Hrusa, Robert Spano, Mark Wigglesworth, Arild Remmereit, Pietari Inkinen and Hannu Lintu. Conductors who will lead the ISO for the first time include Juraj Valcuha, Joanna Carneiro, Pablo Heras-Casado, and Christoph Eberle.

In addition to superstars Bell, Perlman, Midori, and Watts, other artists who return to perform with the Orchestra this season will include pianists Marc-Andr Hamelin, Alexander Toradze, Jean-Yves Thibaudet, and Ingrid Fliter; violinists Karen Gomyo, James Ehnes, and 2002 International Violin Competition Gold Medalist Barnabs Kelemen; plus percussionist Colin Currie and string trio Time for Three.  ISO musicians who will perform as soloists will include Concertmaster Zach De Pue, Principal Viola Michael Isaac Strauss and Principal Clarinet David Bellman.  Soloists who will make their ISO debuts will include pianists Jeremy Denk and Antti Siirala, cellist Zuill Bailey and vocalists Sarah Tynan (Soprano), Thomas Cooley (Tenor) and Matthew Rose (Baritone). 

LILLY CLASSICAL SERIES & SYMPHONIC HITS POWERED BY LILLY FEATURE
MANY POPULAR ORCHESTRAL MASTERPIECES

               The Indianapolis Symphonys 20-program Lilly Classical Series and Symphonic Hits powered by Lilly will feature a mix of timeless masterpieces that span more than 200 years in classical music history.  Among the symphonic highlights this season will be four of Ludwig van Beethovens symphonies, including the powerful Symphony No. 9 and expressive Symphony No. 6 (Pastorale), Gustav Mahlers Symphony No. 5, Wolfgang Amadeus Mozarts Symphony No. 40, Franz Joseph Haydns The Creation, Johannes Brahms Symphony No. 4, Bla Bartks Concerto for Orchestra, Hector Berlioz Symphonie fantastique, Ottorino Resphighis The Pines of Rome and The Fountains of Rome, Cesar Francks Symphony in D Minor and Antonin Dvoks Symphony No. 8.

The season also will spotlight numerous crown jewels in the concerto repertoire, including Beethovens Piano Concerto No. 5 (Emperor), Piano Concerto No. 1, and his Violin Concerto, Dvoks Cello Concerto, Franz Liszts Piano Concerto No. 1 and his Totentanz, Camille Saint-Sans Piano Concerto No. 2, Piotr Illych Tchaikovskys Violin Concerto, Antonio Vivaldis The Four Seasons, Jean Sibelius Violin Concerto and Brahms Piano Concerto No. 1.

   Many of these works will be a part of the Orchestras six-weekend Symphonic Hits powered by Lilly programs, which offer affordable ticket prices, emerging classical artists and signature works that are among the most popular in classical music. In addition, all Symphonic Hits concerts feature Sound Off, the casual pre-concert chat with ISO musicians, and Reverb, the post-concert cocktail hour in the theatre lobby. All Symphonic Hits concerts begin at 7:30 p.m. Prior to single tickets going on sale in August, Symphonic Hits concerts can be ordered via the flexible Your Season Your Way option or through a Symphony on Demand voucher packet (See Season Calendar for Symphonic Hits Programs). 

The Classical Series programs spotlight established artists, many of whom are Indianapolis audience favorites, and an eclectic blend of popular and critically acclaimed works that are presented in a more traditional concert format.  Prior to each Classical Series concert is the 30-minute, J. K. Family Foundation Words on Music program featuring conductors, guest artists and ISO musicians. These 14 concert-weekends may be ordered through traditional subscription packages.

CLAUDE BAKER WORLD PREMIERE & OTHER CONTEMPORARY WORKS

As part of the Indianapolis Symphonys continued commitment to creating new works and celebrating the music of living composers, the ISO, Indiana University Jacobs School of Music, and the Barlow Endowment for Music Composition have commissioned a new Piano Concerto by former Saint Louis Symphony Composer-in-Residence and Indiana University Jacobs School of Music Chancellor of Composition Claude Baker that will be performed by noted pianist Marc-Andr Hamelin.  Other works by living composers will include John Adams Lollapalooza and renowned Finnish composer Einojuhani Rautavaaras Incantations featuring percussionist Colin Currie as soloist.

The ISO has joined eight orchestras across the country to commission a piece written by composer Chris Brubeck for its own ensemble-in-residence Time for Three. The concerto, Travels in Time for Three, premieres this season with the Youngstown Symphony and is a mix of musical genres from jazz to country, Irish folk music to funk and gospel to classical. Also to be announced will be the selection of a contemporary work from a young composer that will earn the ISOs Marilyn K. Glick Young Composer Award and will be performed as part of the Lilly Classical Series.

LEGENDARY VIOLINIST ITZHAK PERLMAN CONDUCTS & PERFORMS AT GALA CONCERT

               One of the great classical artists of our time, legendary violinist Itzhak Perlman will return to the Hilbert Circle Theatre in the Orchestras Gala concert on October 2, at 6 p.m. Perlman conducts and performs two works by Mozart the Adagio in E Major and the Rondo in C Major and will conduct the ISO in two orchestral works by Dvok the Serenade for Strings and the popular New World Symphony This annual event features a pre-concert reception with delicacies from local restaurants and a post-concert gourmet dinner under the large tent on Monument Circle and is the official kickoff to the Orchestras season.

JACK EVERLYS DIVERSE PRINTING PARTNERS POPS SERIES & STRATFORD AT WEST CLAY
COFFEE POPS SERIES SEASON HEADLINES WITH EMMY AWARD-WINNER WAYNE BRADY;
NEW START TIME FOR SUNDAY CONCERTS

A North American leader in innovative pops series programming, Principal Pops Conductor Jack Everly will conduct six of the eight Printing Partners Pops Series programs featuring a broad spectrum of artists and musical styles. Headlining this years Pops season will be versatile Emmy Award-winner Wayne Brady, who will showcase his prowess as a singer and dancer in his ISO debut, plus the return of new and revised versions of the colorful Cirque de la Symphonie and Bugs Bunny at the Symphony, the latter created and conducted by Indiana native and Emmy Award-winner George Daugherty. 

Other exciting Pops programs will include Live and Let Die:  The Music of Paul McCartney featuring Classical Mystery Tours Tony Kishman as Paul, two-time Grammy Award winning soprano Sylvia McNair performing her new cabaret show plus the legendary vocal quartet The Four Freshman presenting many of their hits.  Noted jazz and cabaret star Ann Hampton Callaway will be joined by her sister, Broadway star Liz Callaway, for a weekend that will feature performances of many of their favorite songs plus other signature works from their careers in a program titled Sibling Revelry. In addition, Broadway leading lady Ashley Brown, who starred in Mary Poppins on the Great White Way, joins Maestro Everly and the ISO to perform many Broadway favorites, and the Indianapolis Symphonic Choir will sing The Great Choruses of Hollywood and Broadway to round out the Pops season.

In the 2010-2011 season, Sunday Pops Series concerts will move to 3 p.m. from 7 p.m.

SANDI PATTY HOSTS 25th ANNIVERSARY OF DUKE ENERGY YULETIDE CELEBRATION

               An Indianapolis audience favorite, versatile singer Sandi Patty returns to join Maestro Everly and the ISO to perform the 25th Anniversary Celebration of the Orchestras holiday spectacular, Duke Energy Yuletide Celebration Friday, December 3 through Thursday, December 23.  An Indiana holiday tradition, Yuletide Celebration features a talented cast of singers and dancers, larger-than-life puppetry and the traditional Tap-Dancing Santas in a massive Broadway-style holiday presentation that attracts more than 40,000 people to the Hilbert Circle Theatre in December. 

SPECIAL EVENTS LIZA MINNELLI, DENNIS DeYOUNG PERFORMS THE MUSIC OF STYX,
PINK MARTINI AMONG HIGHLIGHTS IN WIDE VARIETY OF SINGLE EVENTS

Headlining the Indianapolis Symphony Orchestras 2010-2011 Season of special event concerts will be the highly anticipated ISO debut of legendary star of stage and screen Liza Minnelli, who will perform many of her signature works plus other pop standards and will share stories about her illustrious career in one concert on October 30. The Orchestra also will host noted rock star Dennis DeYoung, one of the founding members of the groundbreaking rock band Styx, to perform many of the bands hits from the 1970s and 80s on March 31. 

               Holiday special events will include a Thanksgiving week concert featuring versatile classical, jazz and old-fashioned pop crossover band Pink Martini on November 22, the 12th annual Classical Christmas concert led by ISO Conductor Laureate Raymond Leppard on December 11 at the Scottish Rite Cathedral Ballroom, the Orchestras presentation of George Frideric Handels popular liturgical oratorio masterpiece Messiah with the Indianapolis Symphonic Choir 0n December 18 at Clowes Memorial Hall, and the ever-popular New Years Eve in Vienna concert on December 31 at the Hilbert Circle Theatre.   The ISO will celebrate the significant contributions of African-American artists and culture on the world of music in the 26th edition of its Celebration of Black History concert February 8.

DOW AGROSCIENCES FAMILY SERIES SERVES YOUNG AUDIENCES

               Since 1984, a key element of the Orchestras mission is its programming for young audiences through the Dow AgroSciences Family Series concerts. This series features thematic programs of shorter classical and popular works performed in concerts that are one-hour long and designed especially for young listeners. This year the ISO will present an exciting, colorful and engaging lineup of Family Series programs to enlighten and entertain audiences of all ages. As an added treat, before each concert audiences are invited to go on a Music Explorer journey to many interactive activities located in the lobby, and after the performance, guest artists meet informally with the audience near the stage for Family Chat discussions about the program. This year, Family Series concerts will be performed on Sundays at 2:30 p.m.

The Dow AgroSciences Family Series kicks off on November 7 with The Classical Clown:  A Comedy Concerto starring noted actor and mime Dan Kamin, and features the popular puppet theater troupe Enchantment Theatre Company presenting its colorful production of Scheherazade February 27, and engaging guest conductor Thomas Wilkins will direct a program of lively majestic and inspirational melodies from classical music and film scores in Lets Get Moving on April 17.  The series also includes the December 5, 6 p.m. performance of Duke Energy Yuletide Celebration starring Sandi Patty.

STELLA ARTOIS HAPPY HOUR AT THE SYMPHONY RETURNS WITH PROGRAMMING CREATED BY ISO ENSEMBLE-IN-RESIDENCE, TIME FOR THREE

               The ISOs ensemble-in-residence Time for Three (with ISO concertmaster Zach De Pue) and conductor Steve Hackman return to program the Indianapolis Symphonys Stella Artois Happy Hour at the Symphony series. These four concerts feature familiar and popular classical works and contemporary music as well as original tunes written by the Time for Three and are designed to introduce new audiences to symphonic music. Patrons to Happy Hour at the Symphony are invited to sample appetizers and drinks from local restaurants during the pre-concert mix and mingle event and may take part in an after-party gathering at a local restaurant after the hour-long concert. Doors to the Happy Hour at the Symphony concerts open at 5 p.m. and the program begins at 6:30. Dates for this seasons Happy Hour will be announced in the near future.

SUBSCRIPTION INFORMATION

The Indianapolis Symphony provides three options to music lovers who wish to subscribe. The traditional subscription package features a minimum of seven concerts in a package that provides the patron with the same seat for every performance in their package and the added benefit of a flexible exchange policy. The Your Season Your Way option allows patrons to create their own subscription package by choosing a minimum of five performances, with escalating discounted prices per seat as the buyer orders additional performances, and the Symphony on Demand option provides six or twelve vouchers that may be used in any combination for any subscription concert to provide ultimate schedule flexibility.

The public may renew current subscriptions or become a new subscriber beginning Friday, March 5, by visiting the ISOs website at www.IndianapolisSymphony.org, by phone at (317) 639-4300, by mail or in person at the Hilbert Circle Theatre Box Office.  Subscribers who renew by Friday, April 16, will receive a ten-percent Early Bird Discount on their subscription package.  The deadline for subscription renewal is Monday, May 17.

All Special Event tickets will be on sale to subscribers beginning March 5, with a ten-percent price discount for subscribers and will go on sale along with other single tickets to the general public on August 23.  For more information about all Indianapolis Symphony Orchestra presentations, call the Hilbert Circle Theatre Box Office at (317) 639-4300.  Outside Indianapolis call toll free (800) 366-8457.

ABOUT THE INDIANAPOLIS SYMPHONY ORCHESTRA

Founded in 1930, the Indianapolis Symphony Orchestra is the largest professional performing arts organization in Indiana, is one of only 17 full-time year-rounds orchestras in North America, and performs 200 concerts each year for more than 350,000 people.  Renowned for its 79-year legacy of acclaimed recordings, nationwide radio broadcasts and service to the community, the ISO serves a broad spectrum of audiences via classical, pops, family, holiday, educational and free community outreach concert programs.  A key part of the Orchestras mission is education, and its diverse programs earned the Mayors Award for Excellence in Education from the City of Indianapolis.  ISO musicians and staff have created 20 different pioneering learning opportunities that serve nearly 100,000 Hoosiers annually comprising audiences of all ages that are inspired by the power of music.

Monique Giroux aux Victoires de la Musique Paris

MONIQUE GIROUX VENDREDI ET LUNDI : 

DEUX MISSIONS SUR

LES VICTOIRES DE LA MUSIQUE PARIS


Montral, jeudi 4 mars 2010 Ce week-end, Monique Giroux se rend en France loccasion des Victoires de la Musique, un grand vnement artistique et musical qui souligne son 25e anniversaire cette anne, et qui se droulera samedi dans la mythique salle du Znith Paris. Les 5 et 8 mars 16 h, dans le cadre de son mission sur Espace musique (100,7 FM Montral), lanimatrice rendra compte de la fbrilit et de lenthousiasme entourant ces Victoires, grce des rencontres, des visites et des entrevues un peu partout dans la capitale. Fait saillant cette anne, les Qubcoises Ariane Moffatt et Cur de pirate sont en nomination, en plus de faire partie des artistes qui offriront une prestation pendant la crmonie !

Vendredi 5 mars 16 h
Depuis la place des Victoires, Monique nous propose des entretiens raliss avec Charles Aznavour, le prsident de ces 25e Victoires, et Nagui, lanimateur de la soire. De plus, elle se promnera dans les coulisses du Znith pendant les rptitions afin de capter les impressions de Cur de pirate (en nomination pour la  Rvlation du public  et la  Chanson originale de lanne ) et dAriane Moffatt (en nomination dans la catgorie  Rvlation scne de lanne).

Lundi 8 mars 16 h
De la place du Qubec, au surlendemain de lvnement, lanimatrice effectue un retour sur la soire des Victoires avec Cur de Pirate et Ariane Moffatt. Auront-elles remport les prix pour lesquels elles taient en nomination? Monique Giroux ralisera galement quelques entrevues avec des artistes dici prsents en France : Catherine Major, Thomas Hellman et Pierre Lapointe. Elle fera le point sur les festivals europens qui recevront bientt des artistes qubcois, dont Les Dferlantes de Porte-ls-Valences et Pully lheure du Qubec en Suisse.

Ne ratez pas ces missions spciales de Monique Giroux en direct de Paris, vendredi et lundi sur les ondes dEspace musique, la radio musicale de Radio-Canada.

Radio-Canada.ca/musique

Ralisation : Yves Bergeron

Portland Symphony Orchestra Welcomes Mandolin Virtuoso Chris Thile to Merrill Auditorium March 28

PORTLAND, Maine The Portland Symphony Orchestra (PSO) is proud to present the New England premiere of a new concerto by acclaimed mandolin virtuoso Chris Thile at the upcoming Sunday Classical concert on Sunday, March 28 at 2:30 p.m. in Merrill Auditorium, 20 Myrtle Street in Portland.

This Sunday Classical concert is part of Mandolin Madness, a weekend-long collaboration of Portland Ovations, Portland Symphony Orchestra and Space Gallery. For details and special offers, visit www.portlandsymphony.com.

Scott Terrell, music director of the Lexington (KY) Philharmonic, is the guest conductor for the concert, which opens with Aaron Coplands Appalachian Spring in its original version for 13 instruments, followed by a late-Romantic work by Arnold Schoenberg, the powerful Verklrte Nacht, Op. 4 (Transfigured Night) for string orchestra.

This matinee performance will conclude with Thiles Mandolin Concerto (Ad astra per alia porci), co-commissioned by the PSO. This work has thrilled critics including the Denver Post

Thile is widely regarded as one of the most interesting and inventive musicians of his generation. He played with the band Nickel Creek for fifteen years, recording three albums and receiving a Grammy in 2002. He also has released four solo albums and one album with double bass virtuoso Edgar Meyer. Additionally, Thile has collaborated with a pantheon of bluegrass innovators including Bela Fleck, Dolly Parton, the Dixie Chicks, Jerry Douglas, and Sam Bush. Thile will be performing with his current band, Punch Brothers, at Merrill Auditorium on Friday, March 26.

Sponsored by Bath Savings Trust Company, the concert begins at 2:30 p.m., preceded by a Concert Conversation at 1:15 p.m. and followed by a PostConcert Q&A with the artists. A live recorded broadcast of the concert can be heard on Maine Public Broadcasting Network on Wednesday, April 14.

Thiles Mandolin Concerto is funded in part by a grant from the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts.

Tickets range from $20-$70 and are available through PortTix at (207) 842-0800 or at www.porttix.com. Phone and internet orders are subject to $6-per-ticket handling fees. Tickets may also be purchased in person at the box office at 20 Myrtle St., Monday through Saturday, noon to 6 p.m.

The PSOs 2009-10 season is sponsored by IDEXX Laboratories. For complete season information, including artist biographies; program notes; and Online Insights, provided with support from season Enrichment Sponsor Fairpoint Communications; visit www.portlandsymphony.com.
who called Thile an up-and-coming classical composer with almost unlimited potential, and his concerto nothing short of astounding.

PSA: Holy Rosary Cathedral presents Thierry Escaich (Composer, Improviser, Organist of St-tienne-Du-Mont Church , Paris) in Recital April 17

Holy Rosary Cathedral presents

Thierry Escaich in Recital
Composer, Improviser, Organist of St-tienne-Du-Mont Church, Paris
Friday April 17, 2010 ~ 8 pm
Holy Rosary Cathedral
Dunsmuir & Richards St, Vancouver BC

Tickets $35/Students & Seniors $25
Available at the door or at the Cathedral office (646 Richards)
info 604.682.6774

Holy Rosary Cathedral presents Thierry Escaich - one of France's leading organists, composers, and improvisers, and winner of the French "Composer of the Year" award - in concert with the 2889 pipes of the Cathedral organ. Escaich considers performance, composition, and improvisation as bound together, and each will be on prominent display during his recital on Friday, April 17 (8 pm). Audience members will see the performance on a giant screen at the front of the church, as well as hear it.

Organist at St-Etienne-du-Mont in Paris since 1997 (where he succeeded Maurice Durufl), Thierry Escaich is one of France's most distinguished organists, composers, and improvisers. Since 1990, when he ended his studies at the Paris Conservatoire having received eight first prizes, his first works have been rewarded with the Franco-American Florence Blumenthal Foundation prize, awarded unanimously by a jury made up of such figures as Elliott Carter, Henri Dutilleux and Maurice Ohana. More prizes have followed - awarded by the French Institute and SACEM (including the Grand Prix de la musique symphonique in 2004) after he was awarded the Grand Prix des Lycens in 2002 en route to receiving the 2003 Victoires de la Musique Composer of the Year award.

Escaich's program begins with G. F. Handel's Concerto op.4 no. 5 in F major, followed by an Improvised Baroque Suite on a given theme and continues with J. S. Bach's Chorale Prelude "Nun komm' der Heiden Heiland"  BWV 659 , Escaich's own Evocation III (2006) (Paraphrase on the choral "Nun komm' der Heiden Heiland"), F. Mendelssohn-Bartholdy's "Andante, Recit" and "Allegro assai vivace" from Sonata op. 65 no. 4 in F major), and an Improvised Prelude and Fugue (in the Romantic style) on a given theme. The second half features Cinq Versets sur Victimae Paschali by Escaich, Jean Alain's Variations sur un thme de Clment Jannequin, "Litanies" and ends with an Improvised Prelude, Theme et Variations on a given theme.

" an improviser of genius Escaich is solidity itself, rhythmically rich, at times evoking J. Alain or Bartok."
Diapason

" improvisations overflowing with imagination and pages of Bach mastery inspiring jubilation."

Le Monde de la Musique

"Escaich ... has produced a large body of musical compositions in all genres, and I have been particularly impressed by ... his orchestral music."
"... one of the world's finest improvisers, crafting immense and compelling works ... with no preparation ... he is one of the most impressive."
Fanfare, May/June 2009

This recital is possible due to the generous assistance of the French General Consulate in Vancouver, co-producers of the event.

Gilles Proulx , Martine St-Clair et Daniel Turp, porte-parole du 15e Radio-Don de Radio Ville-Marie

Montral, 3 mars 2010 - L'animateur radio Gilles Proulx, la chanteuse Martine St-Clair et l'homme politique Daniel Turp prsideront le 15e Radio-Don de Radio Ville Marie qui se droulera les 30 avril, 1er et 2 mai prochain.
 RVM, 15 ans de rendez vous 
Pour son 15e anniversaire, Radio Ville Marie (CIRA-FM) organise un radio-don plac sous le signe de la gnrosit et du partage : 50 heures d'missions, 200 invits spciaux et plus de 100 bnvoles qui se relayeront pour recueillir la gnrosit des auditeurs. Pour clbrer cet anniversaire trs spcial, la station a dcid de remettre un prix hommage un grand artiste en reconnaissance pour sa contribution la culture qubcoise, son nom sera dvoil en fin d'vnement, le 1er mai.  RVM joue un rle primordial sur le plan culturel. Nous tenons souligner des gens de chez nous qui nous font dcouvrir d'une manire exceptionnelle la beaut et la richesse de notre patrimoine culturel.  prcise Jean-Guy Roy, le directeur gnral.

Chaque anne ce grand moment de fte permet la station radiophonique, proprit d'une socit but non lucratif, d'assurer une part importante de son dveloppement. Cette anne, sous le thme :  Pour vous. depuis 15 ans , l'objectif est de recueillir 140 000 $.

Radio Ville Marie a russi s'imposer en tant que media spcialis et ouvert sur le monde. Avec 150 missions par semaine, une programmation contenu diversifi et une large couverture de la province, le rseau rassemble aujourd'hui 506 000 auditeurs d'aprs un sondage Lger Marketing 2010. Radio Ville-Marie dispose de 6 frquences : Montral (91.3 FM), Sherbrooke (100.3 FM), Trois-Rivires (89.9 FM), Rimouski (104.1 FM), Victoriaville (89.3 FM) et Gatineau (1350 AM) et d'une diffusion travers le monde via son site internet : www.radiovm.com.

AFM Canada Heads East in support of The East Coast Music Awards and Conference / La FAM Canada participe la Confrence des Prix de la musique de la cte Est au cap Breton en Nouvelle-cosse

Toronto, ON  March 4, 2010   AFM Canada, the Canadian representatives of the American Federation of Musicians congratulates the many talented AFM members nominated for this years East Coast Music Awards.   From rising stars, like Halifax singer-songwriter Joel Plaskett, who has earned a remarkable eight nominations; to Sons of Maxwells David Carroll whose notorious United Breaks Guitar anthem made international headlines, AFM members are proudly represented throughout the Atlantic Provinces.  

The East Coast Music Awards and Conference are integral to the fabric of Canadas entertainment industry, sayss Bill Skolnik, the AFM Vice President from Canada.  We fully support their commitment to helping members of Atlantic Canadas vibrant musical community continue to excel and take their rightful spot on the world stage.

AFM Canada is also once again, delighted to represent their membership by hosting a panel presentation on this leading professional unions benefits and member services.  Bill Skolnik, Vice President from Canada; Alan Willaert, International Representative; Humbert Martins, Musicians Pension Fund Representative; and Liana White, Director Administration and Services will be on hand to answer your questions on how AFM Canada can work for you.  Please join them on Saturday March 6th 4:30 to 5:30 at the Membertou Trades and Convention Centre, Kluskap Room D.

Liana White will also be a featured guest speaker in the Exporting Internationally The Things You Dont Know! panel which takes place on Saturday, March 6th from 3:30-4:30 pm in the Membertou Trade & Convention Centre - Muin Room.  The discussion, which focuses on best practices when considering or conducting business in the US and European markets, will call upon Ms. Whites expert advice and insights on obtaining US and Canadian work visas. 

Delegates are also invited to visit the AFM Conference booth located in the lobby of the Delta Sydney.  AFM Canada executives and staff will be available from 11am to 6pm from March 4th through 7th.  For more information about Canadian member benefits please visit www.afm.org.

2009 East Coast Music Award Winner and AFM member, Gordie Sampson is the featured artist in the March edition of AFMs International Musician (IM) Magazine.  In this cover story Gordie talks about his Grammy Award Winning song, Jesus, Take the Wheel, and his enthusiastic support of AFM causes.   The AFMs IM Magazine is widely available throughout the ECMA Conference site and is circulated to over 90,000 members and additional subscribers across North America.

AFM Canada maintains an illustrious membership that includes Canadas best and brightest professional musicians.  They are represented collectively in Eastern Canada by four of AFM Canadas 27 local affiliates.

AFM Canada is a complementary yet independent office of the American Federation of Musicians, United States and Canada and is uniquely positioned to address Canadian issues for its Canadian membership.  It is the leading professional organization of its kind available to Canadian musicians and represents over 17,000 professional musicians in Canada. In June 2009, AFM Canada celebrated its 30th Anniversary. For more information please visit our website, www.afm.org.
 -30-

MEDIA CONTACT:   Victoria Lord, Office: 416-484-9047 / victoria@vlpr.com
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La FAM Canada participe la Confrence des Prix de la musique de la
cte Est au cap Breton en Nouvelle-cosse

POUR DIFFUSION IMMDIATE Toronto, ON 4 mars 2010   La FAM Canada, le volet canadien de lAmerican Federation of Musicians, flicite les nombreux membres talentueux de la FAM mis en nomination cette anne dans le cadre des Prix de la musique de la cte Est. Dtoiles montantes tel lauteur-compositeur de Halifax Joel Plaskett, avec ses huit nominations remarquables, David Carroll de Sons of Maxwell, dont la clbre chanson  United Breaks Guitar  a dfray la chronique internationale, les membres de la FAM sont firement reprsents dans les provinces de lAtlantique.

Daprs Bill Skolnik, le vice-prsident canadien de la FAM,  La Confrence des Prix de la musique de la cte Est fait partie intgrale du tissu de lindustrie du spectacle du Canada. Nous supportons totalement son engagement visant promouvoir lexcellence continue de la vibrante communaut musicale des provinces de lAtlantique, afin que ces artistes prennent la place qui leur revient sur la scne internationale. 

La FAM Canada est galement enchante de reprsenter ses membres en animant un panel sur les avantages et services offerts aux membres de cette importante fdration professionnelle. Bill Skolnik, vice-prsident canadien; Alan Willaert, reprsentant international; Humbert Martins, reprsentant de la caisse de retraite des musiciens; et Liana White, directrice des services administratifs, seront sur place pour rpondre vos questions concernant les services offerts par la FAM Canada ses membres. Vous tes cordialement invits vous joindre eux le samedi 6 mars de 16 h 30 17 h 30 dans la Kluskap salle D, Membertou Trades & Convention Centre. 

Liana White sera de plus confrencire pour le panel Exportations internationales ce que vous ne savez pas! Prsent le samedi 6 mars de 15 h 30 16 h 30 dans la salle Muin du Membertou Trade & Convention Centre. La discussion portera sur les meilleures pratiques visant les affaires menes sur les marchs amricains et europens, et madame White fera tat de son expertise dans lobtention des permis de travail canadiens et amricains.

Les dlgus sont de plus invits visiter le kiosque de la FAM dans le lobby du Delta Sydney. Ladministration et le personnel de la FAM Canada seront disponibles de 11 h 18 h du 4 au 7 mars. Pour plus de renseignements sur les avantages aux membres canadiens, visiter www.afm.org.

Le gagnant des Prix de la musique de la cte Est 2009, Gordie Sampson, est lartiste vedette dans le numro de mars du magazine International Musician (IM) de lAFM. Dans larticle principal, Gordie parle de sa chanson couronne aux Grammy Awards,  Jesus, Take the Wheel , et de son  soutien enthousiaste pour les causes de la FAM . Le magazine IM de lAFM, largement distribu sur le site de la Confrence ECMA, est galement circul plus de 90 000 membres et autres abonns partout en Amrique du Nord.

La FAM Canada compte des membres illustres parmi les meilleurs et les plus clbres musiciens professionnels du Canada. Ils sont reprsents collectivement dans lest du Canada par quatre des vingt-sept bureaux affilis de la FAM Canada. 

La FAM Canada est un bureau complmentaire bien quindpendant de lAmerican Federation of Musicians, United States and Canada, et occupe une position unique pour traiter des questions canadiennes concernant ses membres canadiens. La FAM Canada est le plus important organisme professionnel du genre la disposition des musiciens canadiens et reprsente plus de 17 000 musiciens professionnels au Canada. En juin 2009, la FAM Canada clbrait son 30e anniversaire. Pour plus de renseignements, visitez notre site Web au www.afm.org.

Harbourfront Centres World Stage, in Partnership with The Theatre Centres FREE FALL 10 festival, to Host Calgarys Theatre Junction First Performance in Eastern Canada

ORONTO, ON (March 4, 2010) Harbourfront Centres World Stage 2009-10, in partnership with The Theatre Centres FREE FALL 10 festival, ventures to the wild side of the Canadian West with On the Side of the Road from Calgarys Theatre Junction. Inspired by the cultural crossroads of the Franco-Albertan town Lac la Biche, On the Side of the Road visits the Fleck Dance Theatre for an exclusive four-night engagement March 24 through March 27, 2010. Full FREE FALL 10 festival schedule and details can be found at the bottom of this release.

On the Side of the Roads creator and director, Mark Lawes, is also the founder and artistic director of Calgarys Theatre Junction. This engagement marks the first time Theatre Junction will perform in Eastern Canada.

Its a great honour and privilege for our work to be presented at Harbourfront Centre in the context of World Stage and The Theatre Centre's FREE FALL 10 festival in Toronto, said Lawes. We're still very much in a process of forging and shaping our creative practice and identity, a continual process of re-invention, which, I believe, somehow mirrors the attempt to define the identity of the Western Canadian landscape.

On the Side of the Road is the second chapter in a trilogy on death, desire and the Canadian West. In an unbridled pop-hybrid, this multidisciplinary event opens a door on a playful and moving new aesthetic, drawing the human fresco with a living and unique sensitivity.


New for World Stage 2009-10: Extras. Visit harbourfrontcentre.com/worldstage to learn about Harbourfront Centres commitment to developing artists and audiences through World Stage initiatives and programmes, such as special events, artist talks and more.

On the Side of the Road
World Stage in partnership with Theatre
Centres Free Fall 10 Festival
Theatre Junction (Calgary)
March 24 27, 8:30 p.m. (Running time: 80 min.)
Fleck Dance Theatre, 207 Queens Quay West, 3rd Floor Queens Quay Terminal
Tickets: $30
Box Office: 416-973-4000 or harbourfrontcentre.com/worldstage0910/

Complete information about performance times, single tickets, packages and the Performance Card ($15 tickets for arts workers and students, Tues. Thurs. performances only) is available through the Harbourfront Centre box office by phone at 416-973-4000, or harbourfrontcentre.com/worldstage.

Also part of World Stage and FREE FALL 10 is The Culture Congress, March 24 28, at various venues. The Culture Congress brings together practitioners from local, national and international arts communities for an exchange of practical skills, information sharing and ideas. This event is free and open to the public. For information and a detailed schedule contact culturecongress@harbourfrontcentre.com

Harbourfront Centres World Stage 2009-10 gratefully acknowledges the support of Department of Canadian Heritage, Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council and the Westin Harbour Castle, the official hotel of World Stage.


FREE FALL 10 Performance Schedule

Harbourfront Centres World Stage and The Theatre Centre FREE FALL 10

Individual tickets and FREE FALL 10 festival passes for $60 are available at Harbourfront Centre box office by phone 416-973-4000 or through harbourfrontcentre.com/worldstage

For more information about FREE FALL 10 please visit theatrecentre.org

Six Images in Search of an Artist: Remix
Tanya Mars
Mar. 18 19, 3 p.m. 10 p.m. (Running time: 7 hours audiences can attend at any time during the performance)
Venue: The Theatre Centre, 1087 Queen St. West
Considered one of Canadas most innovative multidisciplinary artists as well as a performance art legend, Mars new work explores and exploits the senses. This new work marks Mars first Canadian performance since winning a 2008 Governor Generals Award in Visual and Media Arts.
Tickets: $10

The Bob and Becky Cabaret
Bob Wiseman and Becky Johnson
Mar. 20, 9 p.m. (Running time: 120 min.)
Venue: The Theatre Centre, 1087 Queen St. West
Juno Award-winning composer Wiseman co-curates for the first time with award-winning clown, comedian, playwright and performance artist Johnson, blending their unique sensibilities, various mediums and personal style to create one unforgettable cabaret.
Tickets: $10

Wit in Love
DNA Theatre
Mar. 20 22, 24 28, 6:45 p.m. (Running time: 60 min.)
Venue: DNA Theatre, 133 Bathurst Street
Wit is none other than Ludwig Wittgenstein, arguably the greatest and most influential philosopher of the last century. And who is he in love with? Well, among others, his brilliant pianist brother. Created and performed by Hillar Liitoja based on a text by Sky Gilbert.
Tickets: $20 or Free for festival pass holders (advance booking necessary)

Im So CloseĶ
Why Not Theatre
Mar. 23, 8 p.m.; Mar. 24, 8:30 p.m.; Mar. 26, 7 p.m.; Mar. 27, 9 p.m.; Mar. 28, 2 p.m. (Running time: 90 min.)
Venue: The Theatre Centre, 1087 Queen St. West
Winner of the Spotlight Award at the 2008 SummerWorks Festival in Toronto and named by NOW Magazine as an Outstanding Ensemble in its best of the fest list, Why Not Theatre perform their newly devised, physical, tragic comedy Im So CloseĶ a heartbreaking love song droned out by the hum of the technological landscape that is bringing us together and pushing us apart.
Tickets: $20 (Mar. 28, 2 p.m. PWYC).

On the Side of the Road
Theatre Junction
Mar. 24 27, 8:30 p.m.
(Full information above)

KISMET one to one hundred
The Chop Theatre in association with Rumble Productions
Mar. 25, 8:30 p.m.; Mar. 26, 9 p.m.; Mar. 27, 7 p.m.; Mar. 28, 4 p.m. (Running time: 75 min.)
Venue: The Theatre Centre, 1087 Queen St. West
One hundred Canadians, ages one through one hundred reveal personal stories about the role that fate and destiny play in their lives. Vancouver-based, award-winning innovators, The Chop Theatre presents a surprising and intimate work based on 100 interviews about kismet.
Tickets: $20

Old Men Dancing: Wiser and Still Gorgeous (Do Not Resuscitate)
Bill James /Atlas Moves Watching
Mar. 26 27, 6:30 p.m. (Running time: 110 min.)
Venue: Enwave Theatre, Harbourfront Centre, 231 Queens Quay West
Renowned choreographer Bill James brings together 16 men aged 50-75 without formal dance training who share an interest in creating movement-based performance. Featured in the program is Weathering, a piece that was created by Bill James specifically for the group, taking inspiration from weather forces that surround us at the same time as we interpret the climate of our bodies and the mutability of our lives. Also in the program are commissioned works by choreographers Marie-Josee Chartier, D.A. Hoskins and Allen Kaeja.
Tickets: $15

Master Pianists to Astound April Audiences

Giants of piano performance loom large over the first April events at The Royal Conservatorys TELUS Centre for Performance and Learning. One formidable performer will debut a new work to Canadian audiences, while another will present a lecture on a Romantic classic. Also in April, a world music luminary brings his soulful voice to the stage, while students of The Royal Conservatory use contemporary composers to explore musics ethical dimensions.


April concerts kick off with Grammy Award-winning pianist Yefim Bronfman, who comes to The Royal Conservatory on April 1. Currently in the midst of an extensive international tour, his Koerner Hall performance is his only Canadian recital date of the season. Renowned for his powerful and commanding technique, ConcertoNet exclaimed: no matter what he plays, one feels that his fingers want to roar, to pound, to tear the piano to bits with the Promethean strength which he possesses. The program includes the Canadian debut of Jrg Widmanns XI Humoresken, which Bronfman premiered at Carnegie Hall in May of 2008, as well as Tchaikovskys rarely performed Grand Sonata in G Major. In a recent interview with The Baltimore Sun, Bronfman described the majestic, almost operatic work as a neglected masterpiece.


On April 2, legendary pianist Anton Kuerti returns to Mazzoleni Hall to continue his lecture series dedicated to the essential works of the piano concerto repertoire. This talk, the third in a three-part series, is dedicated to Robert Schumanns Piano Concerto in A Minor. Schumanns only completed piano concerto, this piece is one of the most beloved works in the Romantic piano repertoire. This lecture provides the unique opportunity to hear one of Canada's most prominent musical ambassadors bring his extensive stylistic and musical knowledge to this work.


Senegalese singing superstar Baaba Maal brings his singular Afropop to Koerner Hall on April 9. Presented in partnership with Batuki Music, this Toronto performance is the only Canadian date on his North American tour in support of Television, his first album since the 2001 Grammy-nominated Missing You. This new, multilingual disc blends the traditions of West African music with subtle electronic elements. Maal co-produced the recording with Barry Reynolds, who has worked with everyone from Antony & The Johnsons to Grace Jones. The Independent described the result as elegant, pan-cultural pop. Baaba Maal is deeply committed to the concerns of families, young people, and the future of Africa, as is reflected in his role as Youth Emissary for the United Nations Development Program, and his participation in the Nelson Mandela 46664 Concert in Cape Town, and at the Live Earth Concert in Johannesburg. It strengthens my determination to work harder to contribute more to improving the living conditions of disadvantaged people of the African continent, especially young people, says Maal. This is why I really wanted to make music, so people can listen more to theĶmessages I am talking about.

Is there such a thing as socially responsible music? On April 10, the Conservatory faculty member Brian Current, along with The Glenn Gould School New Music Ensemble and guest violinist Livia Sohn, comes to Mazzoleni Hall in an attempt to answer this intriguing question. During the presentation, entitled Songs of Love and Sorrow Rediscovering the Social Ethics of Music, they will perform works by a host of contemporary composers, including Canadians Claude Vivier and John Rea, along with Jonathan Berger and Luciano Berio. The performance is presented in partnership with the Centre for Ethics, the Institute for Christian Studies, the Jackman Humanities Institute, and Stanford University.

Also on April 10, The Royal Conservatory presents the latest edition of the ultimate songwriters circle when Bluebird North returns to the Conservatory Theatre. During this informal evening, co-presented by the Songwriters Association of Canada, celebrated Canadian musicians will perform their songs and share the back story and inspiration about how each was written. Caribbean-inspired Nine Mile lead singer DAri will be on the bill, along with the sweetly intimate folk-pop duo Dala, with more performers to be announced. Joining them is host Blair Packham, who first gained notoriety in the 1980s as a singer-songwriter fronting The Jitters ("Last of the Red Hot Fools" and "Til the Fever Breaks). Bluebird North is based on and endorsed by Nashville's famed The Bluebird Cafe, which opened in 1982. The venue is well known for helping launch the careers of Garth Brooks, Ashley Cleveland, and Pam Tillis.

Canadian piano master Louis Lortie makes his Koerner Hall debut on April 11. The Montreal-born musician, critically acclaimed for his interpretations of Chopin, will present an all-Chopin celebration to honour the composers 200th birthday. The program will include one of the composers most beloved and glowing pieces, the Barcarolle in F-sharp Major, the imaginative Berceuse in D-flat Major, and a selection of Nocturnes and Ballades. Mr. Lortie, with his splendid technique and thoughtful soul" (The New York Times) is "one of a half-dozen pianists worth dropping everything to hear." (London Daily Telegraph) "Better Chopin playing than this is not to be heard, not anywhere." (Financial Times, London)

The Royal Conservatory acknowledges all of its sponsors and donors and recognizes the remarkable generosity of: TELUS Official Season Sponsor of the 2009-10 Koerner Hall Concert Season

The Globe and Mail Season Media Sponsor

CBC Radio 2 Performance Sponsor (Yefim Bronfman, Louis Lortie)

Invesco Trimark Performance Sponsor (Louis Lortie)


CONCERTS AND EVENTS AT THE ROYAL CONSERVATORY APRIL 1-15, 2010

KH Koerner Hall; MH Mazzoleni Hall; CT Conservatory Theatre


Yefim Bronfman: Thursday, April 1, 2010 at 8pm; $20-$65 (KH)

Kuerti Lecture Schumann Piano Concerto in A Minor: Friday, April 2, 2010 at 2pm; $10 (MH)

Baaba Maal: Tuesday, April 6, 2010 at 8pm; $25-$50 (KH)

Songs of Love and SorrowRediscovering the Social Ethics of Music: Saturday, April 10, 2010 at 7pm; $10 (MH)

Blue Bird North Where Songwriters Sing and Tell: Saturday, April 10, 2010 at 8pm;

$20; $15 for Songwriters Association of Canada Members (CT)

Louis Lortie: Sunday, April 11, 2010 at 3pm; $20-$75 (KH)


Tickets are available online at http://www.rcmusic.ca/, by calling 416.408.0208,

or in person at the Weston Family Box Office, 273 Bloor Street West, Toronto


More information about upcoming concerts and events is available The Royal Conservatory website at http://www.rcmusic.ca/.

Mozarts Masterpiece to be Performed for the First Time in Barrie

Robert Cooper Joins King Edward Choir for One Night Only



Barrie, ON Great Mass in C Minor is considered one of Mozarts greatest works, and has never been performed in Barrie. While there are 14 different published versions, Barries King Edward Choir will perform the 1959 version considered to be an original. This hour long piece is rarely performed by choirs as it is a very challenging piece which takes longer to learn.

This performance will feature the King Edward Choir with Robert Cooper, one of Canadas leading choral conductors, as well as a 21 piece orchestra led by concert master David McFadden of the Huronia and Toronto Symphonies. The concert will also feature talented soloists Virginia Hatfield, Laura Albino, Bud Roach, and Giles Tomkins.

This is a rare opportunity to hear two masterpieces as conducted by special guest Robert Cooper and sung by our talented choir with guests soloists, says Barbara McCann, Choir Director.

The performance of Great Mass in C Minor and Poulencs Gorgeous Gloria will take place Saturday, April 10 at 7:30 p.m. at Collier Street United Church in Barrie. Additionally, concert sponsor Holiday Inn Barrie is offering a special overnight rate to those that are attending the concert; reservations can be made by contacting the hotel.

King Edward Choirs concert series will end with a special Spring Sing performance on Saturday, May 8, 2010, which will feature familiar choral favourites.


Individual concert tickets are $20 in advance, or $22 at the door. Tickets can be purchased by phone at 705-734-0116, or by visiting the following local businesses: MacLaren Art Centre, 37 Mulcaster St; Music Pro, 56 Barrie View Drive, Unit #2; Page & Turners, 123 Dunlop St. East.

Find more information at http://www.kingedwardchoir.org/ or on the Facebook fan page.


About King Edward Choir

King Edward Choir has a long and proud history in Barrie. Since its inception 56 years ago, as a Home and School Choir for parents and teachers of King Edward School in Allandale, the choir has gained the reputation as one of the finest choral groups north of Toronto.

Warner Music Canada Artists Claim 17 Nominations At The 2010 Juno Awards

At a press conference held today in Toronto, Warner Music Canada and its affiliated labels earned a total of 17 nominations for the 2010 JUNO Awards. The JUNO Awards will be handed out on Sunday, April 18, 2010 on a nationally televised show to be broadcast on CTV from St. Johns, NFLD.


Michael Bubl - Album of the Year (Crazy Love), Artist of the Year, Pop Album of the Year (Crazy Love), Songwriter of the Year (Havent Met You Yet, Hold On): Single of the Year (Havent Met You Yet); Juno Fan Choice Award

Leading the pack of all nominees is Michael Bubl with six nominations. His latest album, Crazy Love has become a world-wide phenomenon selling over 4.5 million copies since its release in mid-October. The single, Havent Met You Yet topped Canadas AC radio charts for a staggering 20-plus weeks. His many TV appearances have lit up sets around the world and his performance of Cry Me A River in front of the Sydney Opera House during the final episode of Australian Idol literally lit up Sydney Harbor with an extraordinary fireworks display. Already a six-time Juno winner, Michael Bubl will perform live on the Juno Awards in St. Johns and then will head out on a cross-Canada tour this summer.


Producers Bob Rock and David Foster each have received Juno Award nominations for the Jack Richardson Producer of the Year for their work on Michaels Crazy Love album.

Billy Talent Group of the Year; Album of the Year (Billy Talent III); Rock Album of the Year (Billy Talent III); Single of the Year ("Rusted From the Rain")

Billy Talent have spent the past eight months dominating concert stages around the world, headlining tours throughout the U.S. and Europe, performing everywhere from Chicago, L.A. and New York City to London, Paris, Milan and on to Moscow. All of this has been in support of the platinum-plus album Billy Talent III. Produced by Brendan OBrien (Stone Temple Pilots, Red Hot Chili Peppers, Soundgarden), Billy Talent III spawned the chart topping single Rusted From The Rain as well as the scorching singles Devil On My Shoulder and Saint Veronika. Since 2004, Billy Talent have won 5 Juno Awards including Best New Artist (2004) and Group of the Year in both 2005 and 2007. Billy Talent will perform on the 2010 Juno Awards telecast live from St. Johns, NFLD.

Blue Rodeo Group of the Year

With the release of their ambitious double album The Things We Left Behind, Blue Rodeo have received some of the best reviews of their career with critics and fans all agreeing that the band has hit yet another creative zenith. Blue Rodeo have received 27 Juno Award nominations over the course of their 25 year career and have been called to the podium to accept 10 trophies including an unprecedented 5 Group of the Year awards. The band is currently on the final leg of a three month long tour of Canada, playing to sold-out crowds right across the country. Blue Rodeo will be performing on the 2010 Juno awards show telecast live from St. Johns, NFLD.


Darryl Neudorf has been nominated for Engineer of the Year for his work on the song And When You Wake Up from Blue Rodeos album The Things We Left Behind.


Isabel Bayrakdarian Classical Album of the Year Vocal or Choral Performance (Gomidas Songs)

Born in Lebanon of proud Armenian heritage, Isabel Bayrakdarian now calls Toronto home. She burst onto the international opera scene after winning first prize in the 2000 Operalia competition founded by Plcido Domingo. Since then she has performed in many of the world's major opera houses and concert halls. On her latest album, Gomidas Songs which examines the legacy of Gomidas Vardabet, the 19th-century composer who preserved, transcribed and interpreted the lullabies, hymns, folk dances and ancient songs of his Armenian homeland. This is Isabels fifth Juno award nomination. She has won the Juno Award in this category the previous four times she was nominated


Tegan & Sara Alternative Album of the Year (Sainthood)

Sainthood is the sixth full length album released by the Vancouver-based twins since their 1999 debut Under Feet Like Ours. Over the course of the past decade they have become one of the most celebrated and beloved forces in modern music. Sainthood was produced by Death Cab For Cuties Chris Walla (who also produced the duos 2007 critically acclaimed album The Con) and Howard Redakop (who produced their 2004 breakthrough, So Jealous). This is Tegan and Saras third Juno Award nomination.


Finally, Warner Music Canada distributed Six Shooter recording artist Amelia Curran has received a Juno nomination for Roots & Traditional Album of the Year: Solo for her album Hunter, Hunter.

National Arts Centre Principal Bassist Joel Quarrington nominated for 2010 JUNO Award

Ottawa (Canada) Joel Quarrington, Principal Double Bassist for the National Arts Centre Orchestra, was nominated today for a 2010 JUNO Award in the category of Classical Album of the Year: Solo or Chamber Ensemble, for his debut CD, Garden Scene.




Winners will be declared at the JUNO Gala Dinner & Awards on Saturday, April 17 to be held at the St. Johns Convention Centre, as well as at the 2010 JUNO Awards broadcast on CTV on Sunday, April 18, at Mile One Centre in St. Johns, Newfoundland and Labrador.



Joels colleagues at the National Arts Centre were thrilled and proud to hear about this wonderful honour for Joel, said Christopher Deacon, the Managing Director of the NAC Orchestra. On behalf of all the staff and Board of Trustees at the NAC, I congratulate him and wish him luck next month.



Other nominees in the Classical Album of the Year category include Ottawas Caroline Lonardelli, Angle Dubeau & La Piet, I Musici de Montral and James Ehnes.



Reviewing Joel Quarringtons debut recital for the International Society of Bassists Oklahoma City convention in June of 2007, Englands Double Bassist magazine declared, his performance was mesmerizing - his trademark bel canto playing style brought an otherworldly quality to Bottesinis Elegy in DĶimpeccable articulation, a rich tonal palette, absolute control and crystalline clarity. Reviews such as this have solidified his reputation as one of the worlds leading double bassists.



Born in Toronto, Joel Quarrington began playing the double bass at the age of 11 and was trained in Toronto, Rome, Vienna and Prague. He received the Eaton Award from the University of Toronto as the outstanding graduating performer, and top awards in the Canadian Broadcasting Music Competition, the Isle of Man and the Geneva International Competitions.



For over 30 years, Joel Quarrington has served as the Principal Double Bassist of many ensembles, including the Canadian Opera Company, the Toronto Symphony Orchestra and the National Arts Centre Orchestra in Ottawa. He is also an avid chamber musician and has performed with many internationally acclaimed string quartets, including the Orford, Vermeer, Cleveland, Colorado, St. Lawrence, Allegri, Artis, Leipzig and Tokyo Quartets.



For more information, please visit junoawards.ca.

Atlanta Symphony Orchestra 2010/11 Season Announced

Music Director Robert Spano
And Principal guest Conductor Donald Runnicles

Announce 201011 Season of the Atlanta Symphony Orchestra



201011 season marks 10-year artistic partnership of Mr. Spano and Mr. Runnicles leading the orchestra

Orchestra to premiere new works by Alvin Singleton and James Oliverio

Mr. Spano to lead orchestra and chorus in Janeks Glagolitic Mass at Carnegie hall
Mr. Spano to conduct Aso theatre of a concert presentationof Puccinis Madama Butterfly

Mr. Runnicles to conduct Mozart's Piano Concerto No. 20 with Mr. Spano as sololist

Mr. Runnicles to lead orchestra and chorus in Beethovens Missa Solemnis

Newly appointed concoertmaster David Coucheron to make solo debut

Performing Mozart's Violin Concerto No. 5, Turkish

Work to be featured by Atlanta School Of Composers Osvaldo Golijov and Jennifer Higdon

2010 Summer orchestra season at Verizon Wireless Amphitheatre at Encore Parkto open Saturday, July 4,
2010, with 4th of July celebration



Music Director Robert Spano and Principal Guest Conductor Donald Runnicles today announced the 201011 season of the Atlanta Symphony Orchestra their tenth season as artistic partners, and the Orchestras 66th seasonĶ

Complete 2010/11 Season Press Materials

Thursday, March 18, 2010

Prize-Winning Professional Violist, Music Teacher and Coach Establishes Virtual Music Academy for Professional Violists and Violinists

Austin, TexasĶMiriam Ross, a prize-winning professional violist, has established the Miriam RossѢ Academy, www.miriamrossacademy.com, a virtual music academy and the first of its kind. Using web cams, Ross offers virtual music coaching services to professional violists and violinists to help them improve their techniques, practice more effectively, prepare for auditions, overcome stage fright, gain confidence, rediscover the joy of playing, and so on.

Ross conceived of her virtual music academy while teaching professional violists and violinists in her studio. She explains, I began to recognize that given today's technology, I could coach musicians without their having to come to my studio and without sacrificing any quality. Working together via web cams not only saves everyone time, but also it makes it easier for me to tailor my services to meet a musician's specific goals, needs, time constraints, and pace of learning. For example, my virtual academy makes it possible for me to work with a musician who may want to play a very short passage of music for me and get my feedback -- something that we might be able to accomplish in a very focused 15 minutes. Also, many musicians simply want to talk with me about a problem they are having related to their playing and get my advice, which can be done very effectively using web cams. For me, another big advantage of a virtual music academy is that I can coach professional violists and violinists who are located all over the world, not just in my immediate area.

Laszlo Baroczi, a professional violist who lives in Winnipeg, Canada and plays in the Winnipeg Symphony Orchestra, works with Ross via web cam. He is a fan of the process. I think my lessons with Miriam are as good as if I were in the studio with her.  In fact, they may be better because I am able to warm up at home and be ready to play as soon as my lesson begins. I also really like the fact that I can schedule very short sessions with Miriam if I need them in between my regular classes. Plus, not having to travel to and from a studio for a music lesson is a real time saver.

Ross also offers coaching services via phone and e-mail. And, she helps professional musicians develop and implement effective practice plans, including the use of practice diaries. Musicians use the diaries to record various details about their playing during a practice session.

Ross is a solo violist with the Tonknstlerorchester Niedersterreich, an orchestra in Vienna, Austria, and a member of Kontrapunkte and Die Reihe, two music ensembles dedicated to New Music. Earlier in her career, she was a permanent member of the Berlin Philharmonic and a professor of music at the Musikhochschule Bremen in Germany.

Sing for the Earth!

A Canadian Choral Celebration
Honouring the 50th Anniversary of the Canadian Music Centre
Sunday March 28, 2010 at 7:00 p.m. at Our Lady of Perpetual Help Church, Toronto

For Immediate Release Toronto, March 3, 2010: Torontos Elmer Iseler Singers and conductor Lydia Adams welcome spring with a rousing Canadian choral celebration honouring the 50th Anniversary of the Canadian Music Centre. The concert - Sunday March 28th at 7:00 p.m. at Our Lady of Perpetual Help Church - includes three world premieres: Ruth Watson Hendersons Paths of a Luminous Earth (libretto by Carole H. Leckner, commissioned by Ontario Arts Council); Hussein Janmohameds Nrun al Nr/Light Upon Light! (commissioned by Canada Council for the Arts) and Jason Jestadts Carol for the Night. Canadian works by Lydia Adams, Timothy Corlis, R. Murray Schafer and Peter-A. Togni are also featured.

Throughout the evening, Lydia Adams (a CMC ambassador) and her singers explore the ideas of light, unity, the suns relationship with our planet and the spiritual and natural worlds and, ultimately, our quest for peace and harmony on this planet. Each composer delves deep into various earth topics and visions, taking the listeners on a great choral journey.

In Paths of a Luminous Earth, Toronto composer Ruth W. Henderson uses the beautiful poetic text by Toronto visionary poet, Carole H. Leckner, in a three movement choral setting: 1. Fragrance of Life  2. Freely Given 3. The Truth, the Light and the Way. Ķand in that moment when heavn and earth meet in body and soul, the love of oneness is greeted and embraced in wombs of gold and wings of gossamer. We are the way.

Vancouver composer Hussein Janmohamed explores Surah An-Nur (The verse of Light) from the Quran. Nrun al Nr/Light Upon Light! is an exploration, a coming in and out of clarity, in and out of understanding and in and out of unison with multiplicity. It is all about trying new things, expanding ones being and thought into the realm of the divine.

Jason Jestadt, a young Toronto emerging composer, explores the Christmas story in the context of the frozen Canadian northern landscape in Carol for the Night. The piece as a whole (a verse/chorus structured) represents the beginning of Jasons continued fascination with both the spiritual and natural worlds and the point at which they meet. The incorporation of the Huron language "Iesous Ahatonnia parallels the unsettled relationship the natives had with the missionaries with the "unsettled" or tension filled existence the phrase has within the work as a whole.  By the end, the words "Iesous Ahatonnia" literally and symbolically "break out" of the confines of the strict formal structure of the piece to find, at last, peaceful rest.

SING FOR THE EARTH!
Sunday March 28, 2010 7:00 p.m. at Our Lady of Perpetual Help Church
78 Clifton Road (at St. Clair), Toronto
Tickets: $35 Reg. $30 Sen. $10. Students w/ valid student I.D.
Group Rates also Available.
For tickets please call: 416-217-0537   http://www.elmeriselersingers.com/

Monterey Jazz Festival Announces Finalists for Next Generation Festival, April 9 - 11, 2010 in Downtown Monterey

Monterey Jazz Festival's Next Generation Festival
Hosts Country's Top Young Jazz Musicians,
April 9 11, 2010 in Downtown Monterey
Jazz Competition Celebrates 40 Years of Jazz Education by MJF
63 Big Bands, Combos, and Vocal Ensembles
From 13 States Compete For Spot on MJF Stages
47 Bands from 13 CaliforniaCounties Are Finalists
Special Appearances by Student Groups
from Alaska
, Montana, Illinois, Kansas, and Texas
4-Time Grammy Winner Dianne Reeves Acts as Artist-In-Residence
All Competition Events and Activities Open to the Public, Free of Charge

March 3, 2010; Monterey, CA; The Monterey Jazz Festival, a nonprofit leader in jazz education since its inception in 1958 and JazzTimes Readers Poll multi-year winner for world's Best Jazz Festival, is proud to announce the 6th Annual Next Generation Festival, April 9 - 11, 2010 in downtown Monterey. The weekend event, devoted to the future of jazz, includes the Next Generation Festival Jazz Competition with Big Bands, Combos, Vocal Ensembles, and individual musicians vying for a spot on the stages of the 53rd Annual Monterey Jazz Festival presented by Verizon.

A three-year grant from the Surdna Foundation supports the Next Generation Festival and the Next Generation Jazz Orchestra's international tours. The Surdna Foundations Arts Program is national in scope and supports the artistic advancement of teens, ages 12 - 18.

Attracting musicians from some of the most prestigious educational programs in the United States, over 2000 students will participate in this years Next Generation Festival, representing the largest gathering of young jazz talent on the Monterey Peninsula outside of the Monterey Jazz Festival itself.

In 2010, sixty-three groups from thirteen states, (including Alaska, Arizona, California, Florida, Idaho, Illinois, Kansas, Montana, Nevada, Ohio, Oregon, Texas, and the state of Washington) will participate in the Next Generation Festival, the largest selection of groups from the widest variety of states to come to Monterey in the forty-year history of the event -- more than double the amount of represented states from 2009.

All Next Generation Festival competition events -- from the Kick-Off Concert on Friday, April 9 (featuring internationally-renowned jazz artists who act as judges of the Next Generation Festival) -- to the exuberant and electric Big Band, Vocal Ensemble and Combo Competition on Saturday, April 10 and the College Big Band Vocal Jazz Ensemble competition on Sunday, April 11, will be open to the public, free of charge.

The Festival will also conduct clinics, workshops, jam sessions, and auditions in the heart of the historic Monterey, with music to be performed at the Monterey Conference Center, the host Portola Plaza Hotel, at Fishermans Wharf, and Cannery Row. For a complete schedule of activities and competition times, visit www.montereyjazzfestival.org.

California, one of the strongholds of music education, has schools from thirteen counties represented in the festival including Alameda, Contra Costa, Fresno, Los Angeles, Orange, Sacramento, San Diego, San Francisco, San Joaquin, San Luis Obispo, San Mateo, Santa Clara, and Yolo Counties.

In addition, the Next Generation Festival will present special guest groups from Alaska, Montana, Illinois, Kansas, and Texas throughout the weekend.

I was very impressed with the numbers of applicants we had this year as it showed a nearly 30% increase in applications over the past year, said MJF Education Director, Dr. Rob Klevan. We also had twenty states and two countries represented in the auditions and ended up with a total of 63 ensembles as finalists and special guest groups representing 13 states. I think it shows how popular this event is becoming, and therefore, how much more competitive it is to be selected to participate. The ensembles selected for the 2010 Next Generation Festival are truly the best of the best and I know we are in for a special treat next April 9 - 11.

The Next Generation Festival will officially start with the annual Kick-Off Concert at 8 p.m. on Friday, April 9 at the Monterey Conference Center. The opening night's activities will feature the Festival's annual Salute to Jazz Education with performances by the internationally-renowned competition judges, including pianist Alan Pasqua, drummer Terri Lyne Carrington, saxophonists Billy Harper, Paul Contos, Mary Fettig, and Aaron Lington; trumpeter Ambrose Akinmusire; bassist Ray Drummond, and vocalists Matt Falker, Jennifer Barnes, and Michele Weir. Entry to the Salute to Jazz Education and Kick-Off Concert is open to the public, free of charge. Also featured during the evening concert will be the Monterey Jazz Festival Artist-In-Residence, 4-time Grammy winning vocalist, Dianne Reeves.

MJF's Next Generation Festival Jazz Competition starts at 9 a.m. on Saturday, April 10 in downtown Monterey's Conference Center, with high-energy big bands, combos, and vocal ensembles creating an atmosphere of anticipation and excitement.

Throughout the day, participants in the High School Big Band, Vocal, and Combo divisions will put on their best performances before the judges, who will determine the top groups and outstanding soloists. The top groups of the day in the High School Vocal, Combo, and Big Band divisions will be announced at 6:15 p.m. Saturday evening from the Conference Center's Serra Ballroom stage. At 8 p.m. Saturday night, the top vocal ensembles, combo, and Big Band finalists will take the stage in the Next Generation Festival's Showcase Concert -- a preview of the groups performing at MJF/53.

The Next Generation Festival will also host a variety of educational clinics on Saturday, April 9, including presentations by MJF Artist-In-Residence, Dianne Reeves.

The Next Generation Festival continues through Sunday, April 11 with the country's top middle school, college, conglomerate big bands and combos, and college vocal ensembles performing in the Conference Center's Serra Ballroom and Steinbeck Forum. The top college big band, college vocal ensemble, and conglomerate big band (to be announced during the day) will also earn a performance slot at MJF/52. New for 2010 will be the Open Combo Division, another expansion of performance opportunities at the Next Generation Festival.

Auditions will also be held throughout the Next Generation Festival weekend for the Jimmy Lyons Scholarship to Berklee College of Music, and for the Next Generation Jazz Orchestra, MJFs national all-star high school band.

The Next Generation Festival is continuing two new partnership elements introduced last year: an Instrument Showcase and College Fair. The Instrument Showcase will allow musicians an opportunity to play various instruments from participating partners. The College Fair will allow students an opportunity to visit with several colleges offering jazz and other music programs. Both activities will be offered throughout the Next Generation Festival weekend.

All Next Generation Festival competition activities from April 9 - 11 are open to the public, free of charge. More information on all Next Generation Festival activities and events is available on the MJF website, www.montereyjazzfestival.org and by phone at 831-373-3366.

Next Generation Festival partners and supporters include the Surdna Foundation and longtime MJF partner Yamaha, providing instruments for Next Generation Festival stages. Additional support for the Next Generation Festival comes from generous individuals and organizations such as AT&T Foundation, the DAddario Music Foundation, the Joseph Drown Foundation, Evans Drumheads, Remo Drumheads, Zildjian Cymbals, Planet Waves Accessories, and Rico Reeds.

MJF's Jazz Education Programs are made possible through the financial support of foundations, corporate partners, and most importantly, through friends of the Monterey Jazz Festival. Gifts provide funds that help MJF attract the best and brightest students from coast to coast, regardless of financial status. Donations to MJF's Jazz Education Programs may be made on-site during the Next Generation Festival, April 9 - 11.

More information on all Next Generation Festival activities and events is available on the MJF website, www.montereyjazzfestival.org and by phone at 831-373-3366.
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Radio AFI - Slacker Artist Showcase

Slacker Artist Showcase Launches With Radio AFI Providing a Listening Experience Created and Hosted by the Band

SAN DIEGO March 3, 2010 AFI and Slacker, Inc. today launched Radio AFI, a radio station featuring songs from the long-running California quartet as well as artists that have inspired their unique sound along with commentary and introductions from AFI band members. Radio AFI is now available for free in the Slacker Spotlight on the web, on home entertainment devices and leading smartphones.

Radio AFI can be accessed in the Slacker Spotlight station category from any Slacker Radio application or direct on the web at http://www.Slacker.com/RadioAFI. To get the free Slacker mobile application, simply direct your mobile web browser to Slacker.com.

"Radio AFI is a truly eclectic mix of music including songs that inspire us and what we love to listen to," said Davey Havok, AFI lead vocalist. "Slacker is doing new and innovative things with music and weve enjoyed building this experience to provide our fans with a personal look into our world."

Radio AFI was programmed by AFI lead vocalist Davey Havok, drummer Adam Carson, bassist Hunter Burgan and guitarist Jade Puget. The station provides listeners with AFI hits and deep tracks combined with handpicked music that has influenced the band featuring artists ranging from Jimi Hendrix and Marvin Gaye to Nine Inch Nails and Bad Religion.

"Our Artist Showcase provides artists an opportunity to share their passion for music and connect with their audience in a unique and compelling way," said Scott Riggs, Director of Radio at Slacker. "By working directly with AFI, we are offering their fans the chance to discover rare insight into their favorite band in a personal radio experience unlike any other."

Whether listening on the web, webOS smartphones, BlackBerry smartphones, iPhone and iPod touch, Android-powered smartphones or a Slacker-enabled Sony TV or Blu-ray player, Radio AFI listeners have instant access to the groups favorite music along with artist profiles, album reviews and album cover art with unique commentary from AFI members.

About AFI

Formed in 1991 in Ukiah CA, AFI put in well over a decade of blood, sweat, recording and touring before their mainstream breakthrough with 2003s platinum Sing The Sorrow, which featured the VMA-winning "Girls Not Grey." The subsequent DECEMBERUNDERGROUND elevated AFI even further, debuting at #1 in June 2006, going platinum in short order, and featuring the singles "Miss Murder" and "Love Like Winter" both of which the band performed on Saturday Night Live in January 2007. The band is currently on tour in support of its eighth full length studio album, Crash Love, which was released in September 2009.

For more info about AFI, go to http://www.afireinside.net

About Slacker, Inc.

Slacker is the world's first Personal Radio company offering "Your Radio Everywhere." Slacker enables music lovers to play highly personalized music online at the Slacker web site or on the go with Slacker Personal Radio players and mobile phones. Slacker mobile applications are currently available for Palm webOS, Android, iPhone and BlackBerry smartphones. Formoreinformationvisithttp://www.Slacker.com/everywhere.

For regular Slacker updates follow us at http://www.Twitter.com/SlackerRadio, become a Fan on Facebook at http://www.Facebook.com/SlackerRadio or visit http://www.Slacker.com.

Lorchestre symphonique de Trois-Rivires accueille trois nouvelles violonistes

Trois-Rivires, le 3 mars 2010 la suite dauditions nationales tenues Trois-Rivires le 27 fvrier dernier, maestro Jacques Lacombe annonce la nomination de mesdames Lyne Allard (violon I de section), Nancy Ricard (violon I de section) et Flavie Gagnon (violon II de section) au sein de lOrchestre symphonique de Trois-Rivires. 

Membre de lensemble Angle Dubeau et La Piet, Lyne Ricard se produit galement au sein des orchestres symphoniques de Laval et de Longueuil, elle a auparavant occup le poste de violoniste de section lOpra de Vancouver et dassistante-violon solo lOrchestre de lle de Vancouver. Diplme de lUniversit McGill, Nancy Ricard est violoniste lOrchestre symphonique de Sherbrooke et la Sinfonia de Lanaudire, elle est de plus surnumraire lOrchestre Mtropolitain du Grand Montral. Dtentrice dun diplme de deuxime cycle de lUniversit de Montral depuis peu, Flavie Gagnon est violoniste surnumraire la Sinfonia de Lanaudire et lOrchestre symphonique de Sherbrooke, elle a galement t membre de lOrchestre de la francophonie canadienne.

Fond en 1978, lOrchestre symphonique de Trois-Rivires compte cinquante-quatre musiciens rguliers. Pour toute information additionnelle, contactez lOrchestre symphonique de Trois-Rivires au (819) 373-5340. Consultez galement le site Internet de lOSTR au www.ostr.ca.

LOrchestre symphonique de Trois-Rivires reoit lappui du Conseil des arts et des lettres du Qubec, du Conseil des arts du Canada, de la Ville de Trois-Rivires et de Patrimoine canadien.
 
Pour toute information additionnelle, contactez lOrchestre symphonique de Trois-Rivires au (819) 373-5340. Consultez galement le site Internet de lOSTR au www.ostr.ca

2010 JUNO Awards nominees are announced!

Michael Bubl leads the pack with six nominations, Billy Talent, Drake and Johnny Reid follow closely with multiple JUNO Award nominations
 
TORONTO, March 3 /CNW/ - The race for the 2010 JUNO Awards is officially on! Canada's finest musical talents will vie head to head for the coveted JUNO Award statuette this April in St. John's, Newfoundland and Labrador, as The Canadian Academy of Recording Arts and Sciences (CARAS) today announced the nominees for the 2010 JUNO Awards. At a media conference held at The Fairmont Royal York Hotel in Toronto, ON, emcee Seamus O'Regan of CTV's CANADA AM, was joined by artists Arkells, Divine Brown and Stereos who helped to announce a few of the 39 JUNO Awards categories in total.

Winners will be declared at the JUNO Gala Dinner & Awards on Saturday, April 17 to be held at the St. John's Convention Centre, as well as at THE 2010 JUNO AWARDS broadcast on CTV on Sunday, April 18 at Mile One Centre in St. John's, Newfoundland and Labrador.
Tickets to THE 2010 JUNO AWARDS go on sale starting this Saturday, March 6 at 12:00 PM (NDT). Prices are $49.00, $99.00 and $189.00 (plus taxes and surcharges) and can be purchased at the Mile One Centre Box Office; by phoning (709) 576-7657 or 1-800-361-4595 (toll free) or online at www.admission.com.

To view a complete list of the 2010 JUNO Awards nominees and bios, go to www.junoawards.ca.

"Each of today's JUNO Awards nominees has contributed greatly to the success of the Canadian recording industry, and helped to raise the profile and popularity of Canadian music to even greater heights," said Melanie Berry, President & CEO of CARAS. "The depth and diversity of our artists are a force to be reckoned with on the world stage whether they're established icons or emerging talents. This year's nominees truly demonstrate the influence and creativity of Canadian music."

Leading all categories with a total of six JUNO Award nominations is Michael Bubl. Following the hugely successful release of CRAZY LOVE, his first studio album in over two years, Bubl will contend for the JUNO Fan Choice Award (presented by Pepsi), Single of the Year for "Haven't Met You Yet," Album of the Year (sponsored by Canadian Recording Industry Association), Artist of the Year, Songwriter of the Year (sponsored by SIRIUS Satellite Radio) and Pop Album of the Year. His album CRAZY LOVE also garnered producers Bob Rock and David Foster a nomination each in the Jack Richardson Producer of the Year category.

Multiplatinum-selling rockers Billy Talent are nominated for four 2010 JUNO Awards: Single of the Year for "Rusted From The Rain," Album of the Year (sponsored by Canadian Recording Industry Association), Group of the Year and Rock Album of the Year for III.
Drake is one hip hop's most sought-after artists right now, and garnered four JUNO Award nominations including Single of the Year ("Best I Ever Had"), New Artist of the Year (sponsored by FACTOR and Canada's Private Radio Broadcasters), and a double nomination in the category of Rap Recording of the Year for his debut EP, SO FAR GONE, and for the collaborative track "Still Fly" with fellow Canadians Big Page and U.G.O. Crew.
Also receiving four nominations is acclaimed multi-platinum singer-songwriter Johnny Reid who received nods for JUNO Fan Choice (presented by Pepsi), Album of the Year (sponsored by Canadian Recording Industry Association), Artist of the Year and Country Album of the Year.

This year's JUNO Awards nominations saw 94 first-time nominees in total, including those up for New Artist of the Year (sponsored by FACTOR and Canada's Private Radio Broadcasters): Carly Rae Jepsen, Danny Fernandes, Drake, Justin Bieber and Shiloh; and New Group of the Year (sponsored by FACTOR and Canada's Private Radio Broadcasters): Arkells, Down With Webster, Stereos, Ten Second Epic and The New Cities.
Sixteen-year-old pop sensation Justin Bieber and indie rock band Metric have both earned triple nominations and will be performing at THE 2010 JUNO AWARDS on CTV, Sunday April 18. Also confirmed to join the broadcast line-up are Billy Talent, Blue Rodeo, Drake, Johnny Reid and Michael Bubl.

Three was also the lucky number for Classified (Single of the Year, Rap Recording of the Year, Video of the Year sponsored by MuchFACT (Director: Harv (Harvey Glazer))); Diana Krall (Album of the Year sponsored by Canadian Recording Industry Association, Artist of the Year, Vocal Jazz Album of the Year); K'Naan (Artist of the Year, Songwriter of the Year sponsored by SIRIUS Satellite Radio, Rap Recording of the Year); and The Tragically Hip who received triple JUNO Award nominations for Single of the Year, Group of the Year, Rock Album of the Year.

JUNO Week takes place April 12-18, 2010, in St. John's, Newfoundland and Labrador, culminating in the live broadcast of THE 2010 JUNO AWARDS, Sunday, April 18 on CTV.
Sponsors of the 2010 JUNO Awards include FACTOR, Canada's Private Radio Broadcasters and the Government of Canada through the Department of Canadian Heritage's "Canada Music Fund," with commitments from The Atlantic Canada Opportunities Agency (ACOA), the Province of Newfoundland and Labrador, the City of St. John's and Radio Starmaker Fund.

Sponsors of THE 2010 JUNO AWARDS broadcast on CTV include Chevrolet, Garnier, Pepsi and Rogers.
 
    Web Links:
    ----------
    Official JUNO Awards website: www.junoawards.ca
    CTV's JUNO Awards website: www.junos.ctv.ca

    St. John's Host Committee: www.ruckusontheedge.com
    CARAS website: www.carasonline.ca

    CTV website: www.ctv.ca

Effendi - Nouvel album pour Dave Watts


SORTIE EN MAGASIN DU PREMIER ALBUM DE
DAVE WATTS  WILL IT RAIN? 




Montral, 3 mars 2010 Le label montralais Effendi Records est fier de vous annoncer la sortie du premier album du contrebassiste Dave Watts, intitul  Will it rain ? .

Disponible en magasin, sur les plateformes de tlchargement (Itunes, Zik.ca, Emuzic), et sur le site internet www.effendirecords.com ds le mardi 9 mars 2010 (Distribution Select).

Originaire de Calgary, et install Montral depuis 1992, le contrebassiste Dave Watts prsente ici un premier album en son nom. Aprs avoir enregistr sur plus dune dizaine de disques,  il enfile prsent les casquettes de chef, de compositeur et darrangeur pour nous offrir 7 morceaux de son cru. Pour jouer cela, Dave Watts sest entour de ses acolytes de longue date, Julie Lamontagne au piano et Richard Irwin la batterie, avec qui il a entre autre accompagn Bruno Pelletier en tourne avec son Groszorchestre, mais aussi de ses amis Kenny Bibace la guitare et Dave Mossing la trompette. Les 5 compres scoutent et se rpondent le plus naturellement du monde et lon ressent une parfaite osmose et une grande complicit. Pour preuve : le produit final a t enregistr en seulement une journe! Rsultat : un jazz rsolument original et moderne, parfois lyrique, o la trompette apporte une ambiance arienne, et la guitare pose une petite touche lectrisante. Un premier projet pour Dave Watts, qui laisse clater toute son exprience et sa maturit.

 WILL IT RAIN ?  (FND098)
Dave Watts contrebasse
Dave Mossing trompette
Julie Lamontagne -  piano
Kenny Bibace guitare
Richard Irwin batterie

Info lancement
Jeudi 18 mars 2010 : Concert lancement au Upstairs Jazz Bar&Grill
Avec invit spcial : Kelly Jefferson de Toronto
Dans le cadre de la srie Jazz en Rafale 2010 www.jazzenrafale.com

Upstairs jazz Bar&Grill
1254 Rue Mackay
Montral, QC, H3G 2H4
Rservations au (514) 931-6808

Canadian Music Week showcases "Spotlight On India" - Mar. 11 & 12 @ Revival

Toronto, ON March 2, 2010  For the first year, Blueband Musiq is proud to announce an exclusive partnership with Canadian Music Week (CMW), March 8 March 12, 2010 to produce the Spotlight On India showcase featuring two nights, Thursday and Friday at Revival (783 College St., Toronto) of western music infused with South Asian influence. The premier night, Thursday, March 11 at 10pm, showcases Rock and Roll influence on South Asian music, headlining some of the best mix of folk, classic, metal and alternative with a Desi twist.

This colourful showcase is the first of its kind and will bring to Toronto a glimpse into a new eclectic phenomenon that is growing in popularity all over the world. Whether it is the ever popular Hip Hop rhymes, the soothing R&B ballads, or the high energy Dancehall wordplays, the fusion of urban music with South Asian culture and music is taking the world by storm.

The Spotlight On India" will close CMW off on Friday, March 12 starting at 11pm with a night featuring some of the best Urban Desi acts from across the country. This will show that music is often referred to as the universal language which transcends borders and cultures.  The goal of this showcase is to promote visibility for South Asian artists while celebrating our footprint in Canadian Music Week.

Embarking on its 28th year, Canadian Music Week provides an outlet to musicians and artists from across the country to showcase their talent. CMW is a multipurpose week incorporating conferences with industry professionals, award shows recognizing Canadian talent and providing one of the countrys largest music festivals.

Blueband Musiq is North America's #1 destination for urban desi music. Producers of the largest National South Asian Music Festival "desiFEST", a platform to showcase South Asian influenced music and artists. In addition, Blueband Musiq is also producing Canadian Music Week's first ever "Spotlight of India" showcases for 2010.

PSA: Canadian Voices - Elektra & Chor Leoni sing the musical richness of Canada - Apr 10/11

Elektra Women's Choir
Morna Edmundson, Artistic Director

and

Chor Leoni Men's Choir
Diane Loomer, C.M., Artistic Director

present

Canadian Voices
Elektra & Chor Leoni sing the musical richness of Canada!

Saturday, April 10, 2010 ~ 7:30 pm
Sunday, April 11, 2010 ~ 3 pm
Ryerson United Church
2195 W45th Ave, Vancouver BC
Adults $28 | Seniors/Students $23
Ticketmaster 604.280.3311


From Leonard Cohen to Stephen Smith, Joni Mitchell to Jocelyn Morlock, the richness of Canada's musical voice is unparalleled. Chor Leoni and Elektra Women's Choir join forces to celebrate and explore this musical gold mine in Canadian Voices. The programme includes an astonishing eleven premieres, including new works by Jocelyn Morlock, Stephen Smith, and Mark Sirett, as well as new arrangements by Kate Polsky, Ron Smail, and Ken Cormier. Each choir will present solo sets before combining to premiere Kristopher Fulton's Orpheus, a work co-commissioned by Elektra and Chor Leoni.

Canadian Voices offers the listener an opportunity to hear two of Canada's finest choirs perform alone and together in a coast-to-coast-to coast exploration of Canadian music ranging from avant garde to folk as Elektra and Chor Leoni proudly wave the maple leaf.
Don't miss it!

PROGRAMME:

Da Pacem                                Jeffrey Enns
In the Gardens of Shushan *         Sheldon Rose
what i want                         Stephen Smith
Changed Forever *                  Shari Ulrich, arr. Kate Polsky
Let *                                     Jocelyn Morlock
Lu-Li-Lo-La from Three Songs from The Enchanted Forest       R. Murray Schafer

Absalon, fili mi *                 Jocelyn Morlock
This Lost Soul                           Marcus Goddard
Eternal Harmony *                 Stephen Smith
The Holy Ground *                  Mark Sirett
Halleluja *                          Leonard Cohen, arr. Les Nerling
John Tod *                               Bruce Coughlan, arr. Ron Smail

intermission

Jig  from Pastorale and Jig Op. 108 (2006)    Derek Healey
Ken Cormier and Stephen Smith, piano duet

Orpheus *                          words and music by Kristopher Fulton

Songs of Canada
Four Strong Winds                    Ian Tyson, arr. Larry Nickel
Early Spring                            trad. Newfoundland folk song, arr. Kathleen Allan
Trinque l'amourette                    trad. Quebec folk song, arr. Guy Isabelle
Both Sides Now *                       Joni Mitchell, arr. Ken Cormier
Frobisher Bay                            James Gordon, arr. Diane Loomer
Bamfield's John Vanden *         Chris Frye, arr. Ron Smail
We Rise Again                         Leon Dubinsky, arr. Stephen Smith

The Hour Has Come, poem #6 from The Hour Has Come      Srul Irving Glick
* world premieres


Elektra gratefully acknowledges the ongoing support of the Canada Council for the Arts, City of Vancouver, Government of British Columbia, CBC, Borden Ladner Gervais, PriceWaterhouseCoopers, Martha Lou Henley Charitable Foundation, Hamber Foundation, and Wolrige Foundation. Elektra also thanks its many generous individual donors and volunteers - their support makes us sing.

Chor Leoni gratefully acknowledges the ongoing support of the Canada Council for the Arts, City of Vancouver, Metro Vancouver, Government of British Columbia, British Columbia Arts Council, The Corporation of the District of West Vancouver, Vancouver Foundation, Martha Lou Henley Charitable Foundation, CBC, The Vancouver Sun, Playboard, Northwest Musical Services, Ltd, Cypress Choral Music,and  Contact Printing & Mailing Ltd. Chor Leoni also thanks its many generous individual donors and volunteers.

VO Announces New Details about Nixon China Community Engagement Series

CBC Radios Alison Smith to interview Margaret MacMillan


Vancouver, BC ~ Vancouver Opera announces new details about the Nixon in China Community Engagement Series, a major program of events surrounding the Canadian premiere of John Adamss modern masterpiece. VO has partnered with several groups to create this series that explores the historic 1972 meeting between Richard Nixon and Mao Zedong, the opera it inspired and the establishment of the Chinese community in Vancouver.

On Wednesday, March 17th, Margaret MacMillan, author of The Uses and Abuses of History and Nixon in China: The Week that Changed the World will talk with CBCs World at Six host Alison Smith at a public event presented with the Vancouver International Writers Festival. Alison Smith is a well regarded senior correspondent and news anchor with CBC News who has covered a wide range of stories, including federal and provincial elections, the first Gulf War, the deaths of Pope John Paul II and Princess Diana and the Olympics in Atlanta, Athens and currently Vancouver. For four years before joining The World At Six, she was the Washington Correspondent for CBC Television. She spent four years travelling through the U.S. covering the election of President Barack Obama. (Alison Smith replaces Eleanor Wachtel, who is unable to attend due to a scheduling conflict.)

Other highlights of the Nixon in China Community Engagement Series include a Literary Lunch with Margaret MacMillan and Alexandre Trudeau, as well as a special Opera Speaks @ VPL event, Chinese Vancouver Then & Now: 1972 2010, with architect Bing Thom, UBC historian Henry Yu and filmmaker Colleen Leung. Full details are set out below.

Former US Ambassador to the UN to Attend Nixon in China

At the invitation of the US Consul General in Vancouver and Vancouver Opera, former US Ambassador to the United Nations John Negroponte, whose early career included working at the National Security Council with Henry Kissinger in the early 1970s, will visit Vancouver to attend private functions and the Canadian premiere of Nixon in China.

Community Engagement Series Details

Inside the Music of John Adams
Tuesday, March 2nd  7:00pm
Vancouver Academy of Music
1270 Chestnut Street, Vancouver
Free Admission
An exploration of the music and career of Pulitzer Prize-winning composer John Adams. Presenters include writer and educator Thomas May, editor of The John Adams Reader, conductor John DeMain, who conducted the original 1987 production of Nixon in China, and Vancouver composer/conductor Owen Underhill


Opera Speaks @ VPL - Chinese Vancouver Then & Now: 1972-2010
Tuesday, March 9th  7:00 9:00 pm
Vancouver Public Library Central Branch
Alice MacKay Room
Free Admission seating is limited
Explore the history of the Chinese in Vancouver, with emphasis on the Chinese communities' emergence and development since 1972, the year of Nixon's momentous trip to China. Discover how our city has been shaped and transformed by Chinese culture over the past 38 years. Moderated by UBC historian Henry Yu. Speakers include eminent architect Bing Thom and filmmaker Colleen Leung.

Presented in partnership with the Vancouver Public Library.
Opera Speaks @ VPL is sponsored by Omni BC Diversity Television.


In China: Comparing the Nixon, Trudeau and Harper Visits
Friday, March 12th  4:00pm 5:30pm      
Choi Building Conference Room, 1855 West Mall, UBC
Free Admission
A panel discussion exploring the past and future of Canada-China Relations, which closes a two-day colloquium hosted by the Institute of Asian Research. For more information see www.iar.ubc.ca.  

Presented in partnership with the Institute of Asian Research, University of British Columbia.


Literary Lunch with Margaret MacMillan and Alexandre Trudeau
Tuesday, March 16th  12:30pm 2:30pm
Seasons at Four Seasons Hotel Vancouver
Tickets: $50 through the VO Box Office: 604-683-0222.
An intimate encounter with acclaimed Canadian historian Margaret MacMillan and journalist and filmmaker Alexandre Trudeau (son of Pierre Ellliott Trudeau) as they take us behind the headlines of history. Hosted by Hal Wake, Artistic Director of Vancouver International Writers & Readers Festival.

Presented in partnership with Vancouver International Writers & Readers Festival.

Margaret MacMillan in conversation with CBCs Alison Smith
Wednesday, March 17th 7:30pm
Granville Island Stage
Tickets: $18 through VancouverTix: 604-629-8849. www.vancouvertix.com
Margaret MacMillan talks with CBCs World at Six host Alison Smith about her most recent book The Uses and Abuses of History and her earlier chronicle Nixon in China: The Week that Changed the World.

Presented in partnership with Vancouver International Writers & Readers Festival.

About Nixon in China

In 1972, Richard Nixon and Chairman Mao Zedong shook hands and changed the course of human events. West and East looked into each others eyes and discovered a vast mystery of differences and desires. Henry Kissinger, Chou En-lai, Pat Nixon and Madame Mao all play pivotal roles in this fascinating drama of psychology and global politics.  John Adamss richly textured and lyrical score pulses with rhythm and Alice Goodmans literate libretto resonates with poetry. Nixon in China is irresistible and gripping from beginning to end.

Presented with Vancouver 2010 Cultural Olympiad
In English with SURTITLESTM
March 13, 16, 18, 20, 2010.
All performances 7:30 pm at the Queen Elizabeth Theatre.
Tickets starting at $29 are available exclusively at the Vancouver Opera Ticket Centre, online at www.vancouveropera.ca or by telephone (604-683-0222).

Background

Nixon in China, composed by John Adams to a libretto by poet and scholar Alice Goodman, was written during the period 1985 to 1987 and is considered by many to be a modern masterpiece and one of the cornerstones of American minimalist music. John Adams is part of a contemporary movement to create opera that explores current events. This movement includes Stewart Wallace and Anthony Davis, the composers of 1995s Milk and 1986s X, about Harvey Milk and Malcolm X, respectively.

Both the music and libretto are admired for their sophistication and accessibility, and Nixon in China is acclaimed as one of the few late-20th-century English-language operas that will likely attain a prominent place in the canon for decades to come.

Learn More

Music tracks, podcasts, a full synopsis and extensive background information are available at www.vancouveropera.ca.

Oberlin Announces Dates for Grand Opening of the Litoff Building

OBERLIN, OHIO(March 2, 2010)
WHAT:    Two-day celebration marking the grand opening of the Litoff
                Building, with events that include appearances by Stevie
                Wonder, Bill Cosby, and many Oberlin Jazz Studies alumni:
                concerts, jazz films, a panel discussion, workshops, and an
                honorary degree ceremony.
WHEN:    Friday, April 30 and Saturday, May 1, 2010

WHY:      
Jazz is a vital part of Stevie Wonder's musical soul, and the premier jazz education program at the Oberlin Conservatory of Music has captured his attention. The singer-songwriter will headline a concert celebrating the grand opening of Litoff Building and the achievements of Oberlin's legendary jazz studies program. Stevie Wonder will also receive an honorary degree, as will Drs. Bill and Camille Cosby, who are widely respected for their philanthropy and activism in support of education. Bill Cosby will also present An Evening with Bill Cosby.
WHERE:  The Oberlin Conservatory of Music
                 77 West College Street
                 Oberlin, OH 44074
                 And other venues on the Oberlin College campus


Background: The Litoff Building
The Litoff Building, designed by the architectural firm Westlake Reed Leskosky, is the innovative home for the Oberlin Conservatory of Musics acclaimed Department of Jazz Studies and highly respected academic programs in music history and music theory. It promotes green building practices and sustainable strategies and planning opportunities. Its design intention is to achieve the first Leadership in Energy and Environmental Design (LEED) Gold rating for a facility exclusively dedicated to music. Oberlins commitment to environmental sustainability is reflected in the buildings award-winning architectural design. The Litoff Building is a crucible for Oberlins innovative curriculum and extensive intellectual resourceswhich includes gifted and dedicated Grammy Award-winning faculty members, the largest privately held collection of jazz recordings and ephemera in the U.S., and a robust bank of innovation and creativity.

On the Record: Dean of the Oberlin Conservatory of Music David Stull
The Litoff Building will be the premier facility of its kind anywhere in the world. It is brilliantly conceived to emulate who we are and what we stand for. It is about bringing us together, pursuing great art, fostering harmony within our community, and reminding all of us of the imperative need to steward our environment. It will constantly inspire us in our mission to seek perfection while achieving excellence. It is highly innovative in both form and function, which is emblematic of the conservatorys approach to all of its endeavors.

Background: The Oberlin Conservatory of Music and Oberlin College 
 
Awarded the 2009 National Medal of Arts by President Barack Obama, the Oberlin Conservatory of Music is renowned internationally as a professional music school of the highest caliber. Praised as a national treasure by the Washington Post, the conservatory, founded in 1865 and situated amid the intellectual vitality of Oberlin College since 1867, is the oldest continuously operating conservatory in the United States. Oberlins alumni enjoy illustrious careers in all aspects of the music world. They have achieved prominence as solo performers; chamber, orchestral, and jazz musicians; composers; conductors; and music educators, scholars, and administrators. Ranked consistently among the nations top liberal arts schools, Oberlin College is committed to rigorous academics, artistic and musical excellence, and social justice. Founded in 1833, Oberlin was the first institution of higher education in America to adopt a policy to admit students of color (1835) and the first college to award bachelors degrees to women (1841) in a coeducational program. Oberlins distinct history of challenging intellectual and social conventions shapes the student experience today, which fosters strong bonds among a diverse community of bright and talented students from around the world. Oberlins combination of a leading liberal arts college and a world-class music conservatory creates an unparalleled learning environment. For more information visit www.oberlin.edu.

Fireworks! Bravura Show-Stoppers at Sinfonia Toronto

FIREWORKS! BRAVURA SHOW-STOPPERS AT SINFONIA TORONTO
 
Sinfonia Torontos April 9th Favourite Fireworks Masterpiece Series concert is a light-hearted mix of violin and piano pyrotechnics. The concert features Sinfonia Torontos Composer-in-Residence Heather Schmidt as pianist, playing her own brilliant new concerto and some favourite showpieces with Sinfonia Toronto violinist Xiaohan Guo. Orchestras Music Director Nurhan Arman will conduct.

Composer Heather Schmidt lives a busy dual life as a sought-after concert pianist and a prolific composer of concert music and film scores.  She has been nominated for the Juno Award for Classical Composition of the Year, won the Julliard Composers Competition, two SOCAN Composers Competitions and 3 consecutive BMI Awards. In the past decade, Dr. Schmidt has received over forty commissions and recorded for NAXOS and CBC Records. At this concert Ms. Schmidt will give the Toronto premiere of her Piano Concerto No. 6.

Born in China, Violinist Xiaohan Guo began her studies at the age of six and enrolled at the Shenyang Conservatory at 13. She won the 2001 Mozart Violin Concerto Competition, and as a member of the Shanghai Broadcasting Symphony Orchestra she performed with outstanding musicians such as Itzhak Perlman, Seiji Ozawa and Mstislav Rostropovich. She arrived in Canada in 2004 to study with Eleonora Turovsky at the Universit de Montreal and has been a first violinist with Sinfonia Toronto since 2008.

Sinfonia Toronto is comprised of thirteen virtuoso string players, and is a world-class ensemble according to Germanys Russelsheimer Echo. They perform standing, in the tradition of great chamber orchestras, under the direction of Music Director and Conductor Nurhan Arman. The Toronto Star writes of "a remarkable range of colour," "ample eloquence" and "gripping authority," while La Scena Musicale declared "Nurhan Arman and his orchestra literally conquered us."  Their most recent CD, Flanders Fields Reflections won the 2009 Juno Award as Best recording of a Canadian Classical Composition. The CD features music of John Burge.

The programme for the evening includes Mozarts Divertimento K 138, Saint-Saens Caprice, Franz Waxmans Carmen Fantasy, Astor Piazzollas Four for Tango and Shostakovichs Prelude and Scherzo.

Tickets for this concert are $12 - $40 and are available through the Roy Thomson Hall box office at www.roythomson.com, 416-872-4255. Visit www.sinfoniatoronto.com for more information.

Details at a glance
Apr 9, 2010, 8 pm
Glenn Gould Studio (250 Front St. W)
SINFONIA TORONTO
NURHAN ARMAN, Conductor
HEATHER SCHMIDT, Pianist
XIAOHAN GUO, Violinist
Suggested headline
 
Fireworks! Bravura show-stoppers at Sinfonia Toronto
ProgrammeMOZART Divertimento K 138
SAINT-SAENS Caprice
WAXMAN Carmen Fantasy
SCHMIDT Piano Concerto No. 6  - Toronto Premiere!
PIAZZOLLA Four for Tango
SHOSTAKOVICH Prelude and Scherzo

Tickets: Roy Thomson Hall Box Office 416-872-4255 www.roythomson.com
$12 students; $32 seniors and $40 adults

March 13: LIEDER

KABARET SEASON: LIEDER - German Art Song
Saturday, March 13 @ 8pm
Vancouver Alpen Club, 4875 Victoria Drive
$20 advance tickets available at http://www.vancouveralpenclub.ca
http://www.ticketstonight.ca/ticketstonight/event.details.php?id=2834

Fresh from her UK trip, opera diva Robyn Driedger-Klassen treats us to a repertoire of German art songs that span time and cross borders; Karen Lee-Morlang returns as the musical director and pianist.

Described as singing with pure tone, absolute clarity of diction and vivid characterization", Robyn Driedger-Klassen is in high demand in the opera and recital fields. Seen on many Canadian opera stages, Robyn's roles span from Baroque to contemporary music. Also in demand for solo work, she has performed many oratorios, a few of which are: Mozarts Requiem, Handels Messiah, and Haydns Creation. Recently, she was the soprano soloist for a new work by Canadian composer, Larry Nickel, entitled Requiem for Peace, which can be heard on recording. She is also known for her many recitals and performances of contemporary music; most notably her recent appearance with Vancouvers Turning Point Ensemble performing R Murray Schafers Arcana.
Recent operatic appearances include: Sophie in Massenets Werther, Naiade in Strauss Ariadne auf Naxos, Mazelline in Beethovens Fidelio, Alexandra in the Canadian premiere of Marc Blitzsteins Regina and Bubikopff in Viktor Ullmanns Der Kaiser von Atlantis.  Robyn has received critical acclaim for her performances of the Countess in Mozart's Le Nozze di Figaro at the Banff Centre and with Seattle Operas young artist programme where she also performed the Governess in Benjamin Brittens The Turn of the Screw.  Of her performance last season as the Female Chorus in Brittens The Rape of Lucretia at the Britten-Pears Institute in Aldeburgh, England, the London Times Online wrote: The soprano of Robyn Driedger-Klassen was outstanding in its impassioned embodiment of the drama. Highlights for the upcoming season include Handels Messiah, a recital of songs celebrating the 200th anniversary of Chopins birth, and Fiordiligi in Mozarts Cosi fan Tutte. Robyn is a proud and grateful recipient of a generous grant from the Canada Council for the Arts.

Award-winning performer and educator, Karen Lee-Morlang is recognized for her exquisite playing, boisterous stage presence as well as her freshly innovative programming. After completing two Music degrees, Karen taught at UBC for four years. She has performed for the International World Peace Forum, Festival Vancouver, CBC Radio, various Folk Festivals. Karen also sings with The No Shit Shirleys and directs the Koncert Kontinuum series.

http://www.kabaret.ca

Whetstone announces world premiere of Wingd - April 29 - May 8

A radical, fearless interpretation of three mythical beings: Icarus, Lucifer and Phoenix.

Toronto, March 2, 2010-  Whetstone Productions presents the world premiere of Wingd, a radical, fearless interpretation of three mythical beings: Icarus, Lucifer and Phoenix. Poetic, surprising and irreverent, Wingd is written and performed by David Tomlinson and directed by Whetstone Productions' Artistic Director, Diana Kolpak.
Comprised of three monologues, Wingd runs at the DeLeon White Gallery from April 29 - May 8, 2010 amidst a special exhibit of paintings, photographs and sculpture curated by Jessica Cim that, as an integral part of the piece, resonates with the play's themes.
As the layers of myth that have enveloped these stories are peeled away to source their raw power, Wingd inspects and dissects relationships between fathers and sons, friends and lovers, predator and preyand serves up a clarion call for the transformation of humankind. "Only by examining the stories and archetypes that shape us can we expect to evolve and survive," says Tomlinson.

Icarus is a wounded dreamer and poet who comes to understand the costs of emotional detachment.  Lucifer, literate, sarcastic but surprisingly compassionate, challenges our ideas about evil and accountability. A manic and unstable Phoenix demonstrates that we can be our own higher power.

In Sunstroke: Icarus Speaks, Icarus ruminates on sons who dare fly past their fathers.  Lucifer works through the unexpected transition from favourite to feared in Red Eye Open: The Lucifer Illuminations.  In Rise: Song of the Phoenix, a man answers an astonishing call in his right hip, and discovers the burning, yearning God within.

Sunstroke: Icarus Speaks debuted to much acclaim at the 2006 Rhubarb Festival, sparking four years of innovative development by Tomlinson and Kolpak. Balanced on a foundation of powerful poetic writing, Wingd utilizes a highly physical performance style blended with original artwork and live projection to create an emotionally bold multi-media experience.

Whetstone Productions is a Dora Award-nominated theatre company founded in 1994 by Diana Kolpak. Dedicated to developing and presenting theatre that is stimulating, unexpected and fearless, Whetstone aims to challenge and heighten audience experience through the presentation of eclectic and ground-breaking works. Past productions include Diana Kolpak's Lionheart, the clown ballet The Gorgonetrevich Corps de Ballet Nationale in 'Bethany's Gate', Drew Carnwath's Total Body Washout, and the Canadian premiere of Ines de Castro by John Clifford.

Wingd is generously supported by: The Ontario Arts Council, Canada Council for the Arts and Davies Howe Partners.

Whetstone Productions presents the world premiere of
Wingd
Written & Performed by David Tomlinson
Directed by Diana Kolpak
Lighting Design by Sharon DiGenova
Video & Imaging by Jacob Niedzwiecki
Environment Design by Sharon DiGenova & Jacob Niedzwiecki
Exhibit Curation by Jessica Cim

April 29 - May 8, 2010  - The DeLeon White Gallery, 1139 College Street
Wednesday- Sunday 8pm. Tickets: Wed-Sat $20 ($18 for Students/Seniors/CAEA); Sunday Pay-What-You-Can.
Box office: 1-800-838-3006 or www.whetstoneproductions.com
Warnings: adult themes and language

BIOS BELOW.

Diana Kolpak (director) is always telling stories, whether on stage or on the page. She has directed and helped develop more than a dozen original productions that have been performed from Victoria to Montreal, as well as directing Canadian premieres (Ines de Castro), modern classics (Endgame, Man is Man) and Shakespeare (King John, All's Well that Ends Well, A Midsummer Night's Dream).  Her first script, Bedtime Stories was published in Ontario Playwrights: Eight Short Plays and excerpted in Taking the Stage: Plays by Canadian Women. Other writing credits include her one-woman show Lionheart, Fables for the Modern World, (excerpted in Another Perfect Piece: Monologues from Canadian Plays), and Starfall, a children's book about one clown's quest to re-light the stars, created in collaboration with photographer Kathleen Finlay. Diana received an M.F.A. in Directing from the University of Illinois at Champaign-Urbana. Learn more at www.whetstoneproductions.com

David Tomlinson (writer & performer) is an accomplished writer, performer, and creative alchemist who is one half of the manic Canadian Comedy Award nominated sketch duo GLYPH that played to standing room only crowds from Vancouver's Sketchfest to Montreal's Just For Laughs Festival. David writes and performs much of his own work; stage works include Cordelia (with Ryan Kelly - Rhubarb! 2010), Sunstroke: Icarus Speaks (Rhubarb! 2006), The Dead Sea (with Sonia Mills - Rhubarb! 2005), Murdering Godot (Rhubarb! 2004), Keyed (Rhubarb! 2003), and The Gorgonetrevich Corps de Ballet Nationale in 'Bethany's Gate' (with Diana Kolpak).  David has also appeared in Hope Thompson's She Walks the Line and Tyrolia, Toronto Masque Theatre's The Tears of a Clown, and Sky Gilbert's Rope Enough and Happy. Always popular on the cabaret circuit, he has performed at pandemonium machine, The Keith Cole Experience, Cheap Queers, Homo Night in Canada, The Needle Exchange, The Toronto Festival of Clowns, Lunacy Cabaret, The S.P.A.C.E., Clown Chowder, and Cirque du Poulet.  He is additionally a writer of feature films, television, and radio drama (Canadia: 2056).  Media performance credits include the feature film Grey Gardens, and the television series Howie Do It, Beautiful People, Train 48, Queer As Folk, and The Newsroom. David studied improvisation with Second City and clown with John Turner and Michael Kennard.

Jessica Cim (exhibit curator) is a dramaturge and performance artist appropriated by the gallery system, or perhaps lending herself to adoption by it right now. She recently completed her studies at the Graduate Centre for the Study of Drama at the University of Toronto, where she also earned a degree in English Literature.  Entering this curatorial project within Wingd, her interests lie in the contrast between the spatiality of text, silence and speech, and the spatiality of layout, and how visual art can infiltrate the once private world of the drama.

Le prodigieux violoniste Christian Tetzlaff au Conservatoire de musique de Montral

Montral, le 2 mars 2010 Le Conservatoire de musique de Montral, en collaboration avec lOrchestre symphonique de Montral, prsente un cours de matre avec le violoniste allemand Christian Tetzlaff et invite le public y assister, le mardi 16 mars, de 10 h 30 13 h, la salle de concert du Conservatoire de musique de Montral, situ au 4750, avenue Henri-Julien, Montral. VENEZ VOIR ce grand matre prodiguer ses prcieux conseils aux lves violonistes du Conservatoire. Les billets pour cet vnement, au cot de 5 $, sont disponibles ds maintenant sur Admission (514 790-1245), la billetterie du Conservatoire ou lentre, le jour mme.

N en 1966, Hambourg, en Allemagne, Christian Tetzlaff est un violoniste dans la ligne des Vengerov et Repin. Violoniste prodige, artiste rac, il sattire les plus somptueux loges par ses interprtations rflchies et sensibles. Aussi laise dans les rpertoires classique et romantique que dans la musique contemporaine et la musique du XXe sicle, Christian Tetzlaff a t lu Musicien de lanne par Musical America, en 2005. Christian Tetzlaff a enregistr de nombreux albums et sa discographie comprend les principaux concertos pour violon, les Sonates pour piano et violon de Bartk avec Leif Ove Andsnes, et les trois Sonates pour piano et violonde Brahms avec Lars Vogt. Plusieurs de ses enregistrements ont t nomms aux Grammy Awards et rcompenss par des prix prestigieux. Christian Tetzlaff joue sur un violon du luthier allemand Peter Greiner, un Guarneri del Gesu.

Le public pourra galement entendre M. Tetzlaff avec lOrchestre symphonique de Montral, les 15 et 16 mars, 20 h, dans le cadre de la srie Les Grands Concerts, la salle Wilfrid-Pelletier de Place des Arts.

Ces cours de matres quorganise le Conservatoire de musique et dart dramatique du Qubec sont une occasion de dialogue, de transfert des savoirs et de communication entre les artistes de toute provenance.

Pour obtenir plus d'information, vous pouvez nous joindre au 514 873-4031. Nous vous invitons aussi vous abonner aux Actualits en fils RSS du Conservatoire, une faon simple et pratique dtre inform sur nos activits.

Le calendrier 2010 de The Music Scene

La Scne Musicale/The Music Scene annonce le calendrier 2010 de The Music Scene, publication trimestrielle sur la musique pour lOntario et lOuest du Canada

Le 15 mars 2010, Montral (Qubec)  La Scena Musicale a le plaisir d'annoncer le calendrier 2010 de sa publication trimestrielle conue pour les mlomanes de l'Ontario et de l'Ouest du Canada, The Music Scene.

Les quatre numros qui paratront donneront leurs lecteurs des nouvelles fraches et compltes sur les activits musicales et les personnalits du monde de la musique, ainsi que des recensions de disques, de DVD et de livres, des guides et beaucoup dautres choses. The Music Scene parlera galement des activits ducatives et des festivals s'adressant aux rsidents de l'Ontario et de l'Ouest du Canada.

Le prochain numro de The Music Scene sera en kiosque le 26 mars 2010. Il donnera la vedette un nouvel opra, Giiwedin, une coproduction de Native Earth Performing Arts et An Indie(n) Rights Reserve, sur un livret du dramaturge algonquin Spy Dnomm-Welch, qui a galement compos la musique en collaboration avec Catherine Magowan. Giiwedin raconte l'histoire de Noodin-Kwe, une autochtone de 150 ans qui lutte pour sa terre. Cest un vnement, car il est rare pour un artiste autochtone du Canada de choisir lopra comme moyen dexpression.
Dans le mme numro, on trouvera galement des rpertoires des festivals nationaux et des camps d't, ainsi que des articles sur la pianiste Yuja Wang et sur ladministrateur d'orchestre et agent d'artistes Walter Homburger, laurat dun prix du Gouverneur gnral 2010 pour les arts du spectacle.

En 2010, The Music Scene continuera de remplir sa mission de diffuser des informations pertinentes sur les artistes, les vnements et les enjeux de la communaut anglophone du Canada. L'an pass, elle a consacr de longs articles des sujets tels que El Sistema, le St. Lawrence String Quartet et Peter Simon, du Conservatoire royal de musique.

Les annonceurs de The Music Scene pourront bnficier dun rabais 50 % sils insrent la mme annonce dans la publication nationale mensuelle bilingue La Scena Musicale, et vice versa.

Trousse mdias 2010  
The Music Scene
Quatre numros en 2010 axs sur lducation et les festivals desservant lOntario (Toronto et Ottawa) et louest du Canada.

TMS Printemps 2010

  • Thme : camps dt et festivals de musique internationaux
  • Sortie : le 26 mars 2010
  • Tombe annonces : 22 mars 2010 Ģ Maquettes : 22 mars 2010
  • Distribution : sud de lOntario (15 000 exemplaires), Ottawa-Gatineau (5000 exemplaires), coles de musique (3000 exemplaires), poste (2000 exemplaires)
  • Public cible : musiciens amateurs, aux tudes et professionnels, amateurs de musique et dart
TMS t 2010 Jazz
  • Thme : numro national annuel sur le jazz
  • Guides : festivals canadiens de jazz, de musique du monde et de musique folklorique et festivals de jazz internationaux
  • Sortie : le 7 mai 2010
  • Tombe annonces : 23 avril 2010 Ģ Maquettes : 26 avril 2010
  • Distribution : sud de lOntario (12 000 exemplaires), Ottawa-Gatineau (3000 exemplaires), C.-B. (6000 exemplaires), Alberta (4000 exemplaires)
  • Public cible : musiciens amateurs, aux tudes et professionnels, amateurs de musique et dart
TMS t 2010 Classique
  • Thme : numro national annuel sur les festivals de musique classique et dart
  • Guides : festivals de musique classique et dart au Canada
  • Sortie : 7 juin 2010
  • Tombe annonces : 24 mai 2010 Ģ Maquettes : 24 mai 2010
  • Distribution : sud de lOntario (12 000 exemplaires), Ottawa-Gatineau (3000 exemplaires), C.-B. (6000 exemplaires), Alberta (4000 exemplaires)
  • Public cible : musiciens amateurs, aux tudes et professionnels, amateurs de musique et dart
TMS Hiver 2010
  • Thme : tudes suprieures en musique
  • Sortie : 10 novembre 2010
  • Tombe annonces : 1er novembre 2010 Ģ Maquettes : 2 novembre 2010
  • Distribution : sud de lOntario (15 000 exemplaires), Ottawa-Gatineau (5000 exemplaires), coles de musique (3000 exemplaires), poste (2000 exemplaires)
  • Public cible : musiciens amateurs, aux tudes et professionnels, amateurs de musique et dart
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Contact mdias :
 Wah Keung Chan, rdacteur en chef
wkchan@lascena.org

514-400-0882

Contact annonceurs :

Morgan Gregory, Wah Keung Chan
514-948-0509
sales@scena.org
http://ads.scena.org


Information :
 http://tms.scena.org

Labels:

Announcing 2010 Schedule of The Music Scene


La Scne Musicale/The Music Scene Announces 2010 Schedule of The Music Scene
Quarter-annual Music Magazine is Geared to Serve Ontario and Western Canada 

March 15, 2010, Montreal, QC  La Scena Musicale is pleased to announce the 2010 schedule of The Music Scene, its quarter-annual publication tailored specifically for Ontario and Western Canada music lovers. 
The four upcoming issues will provide readers with the latest and most comprehensive coverage of music events and personalities, as well as CD, DVD and book reviews, guides and much more. The Music Scene will focus on education and festivals serving Ontario and Western Canada residents. 


The next issue of The Music Scene hits news stands on March 26, 2010 and will have as feature story the making of a new opera, Giiwedin, a co-production of the Native Earth Performing Arts and An Indie(n) Rights Reserve, with a libretto by Algonquin playwright Spy Dnomm-Welch, who also co-composed it with Catherine Magowan. Giiwedin tells the story of Noodin-Kwe, a 150-year old Aboriginal woman, fighting for her land. This opera is unique in that it is the first time Canadian First Nations artists have chosen opera as a medium for their story-telling. The issue will also feature international festival and summer camp guides as well as profiles on pianist Yuja Wang and 2010 Governor Generals Performing Arts Award winner Walter Homburger, the great orchestra and artist manager. 


In 2010, The Music Scene will continue to uphold its mandate of providing up-to-date coverage of artists, events and issues relevant to English Canada. Last year, The Music Scene was proud to offer cover profiles on El Sistema, The St. Lawrence String Quartet and Peter Simon of the Royal Conservatory of Music. The Music Scene is also complimented on the Internet by Joseph Sos This Week in Toronto blog post at http://www.scena.org/blog. 


Advertisers in The Music Scene will have access to the exclusive offer of 50% off the same advertisement in La Scena Musicale, a monthly and bilingual national publication, and vice-versa.
 

TMS Spring 2010
  • Theme: Summer Camps and International Music Festivals
  • Appearance: March 26, 2010
  • Ad Deadline: March 19, 2010 Ģ Artwork: March 22, 2010
  • Distribution: Southern Ontario (15,000 copies), Ottawa-Gatineau (5000 copies), Music Schools (3000 copies), mailing (2000 copies)
  • Target audience: amateur, student and professional musicians, music and arts lovers

 
TMS Summer Jazz 2010
  • Theme: Annual Jazz National Issue
  • Guides: Canadian Jazz, World and Folk Festivals and International Jazz Festivals
  • Appearance: May 7, 2010
  • Ad Deadline: April 23, 2010 Ģ Artwork: April 26, 2010
  • Distribution: Southern Ontario (12,000 copies), Ottawa-Gatineau (3000 copies), BC (6000 copies), Alberta (4000 copies)
  • Target audience: amateur, student and professional musicians, music and arts lovers

 
TMS Summer Classical 2010
  • Theme: Annual Classical Music and Arts Festivals National Issue
  • Guides: Canadian Classical Music and Arts Festivals
  • Appearance: June 7, 2010
  • Ad Deadline: May 24, 2010 Ģ Artwork: May 24, 2010
  • Distribution: Southern Ontario (12,000 copies), Ottawa-Gatineau (3000 copies), BC (6000 copies), Alberta (4000 copies)
  • Target audience: amateur, student and professional musicians, music and arts lovers

 
TMS Winter 2010
  • Theme: Higher Music Education
  • Appearance: November 10, 2010
  • Ad Deadline: November 1, 2010 Ģ Artwork: November 2, 2010
  • Distribution: Southern Ontario (15,000 copies), Ottawa-Gatineau (5000 copies), Music Schools (3000 copies), mailing (2000 copies)
  • Target audience: amateur, student and professional musicians, music and arts lovers

 
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Media contact:
Wah Keung Chan, editor
wkchan@lascena.org
514-400-0882 


Advertising contact: 
Morgan Gregory, Wah Keung Chan
514-948-0509
sales@scena.org
http://ads.scena.org 


Information:
http://tms.scena.org

Labels:

Monday, March 15, 2010

Ensemble Transmission New York

Montral, le lundi 8 mars 2010 Transmission fera ses dbuts New York  le 16 mars prochain, en rendant hommage au compositeur Iannis Xenakis dans le cadre de lexposition Iannis Xenakis : architecte, compositeur, visionnaire organise conjointement par le Drawing Center et le Xenakis Project of the Americas of the Barry S. Brook Center for Music Research and Documentation.  

Avec laide du CALQ, Transmission prsentera son programme intitul French Transmission la salle Elebash du CUNY Graduate Center de New York.   

French Transmission (uvres de Boulez, Murail, Leroux, Vivier et Xenakis) sera prcd d`une prsentation sur Xenakis au Canada du compositeur canadien James Harley, lve de Xenakis et auteur de Xenakis, His Life in Music.  

Cette exposition sera d`ailleurs prsente  Montral de juin  octobre 2010 par le Centre d`Architecture Canadien. Transmission participera  cet vnement en donnant deux concerts : It`s all Xenakis : uvres de Xenakis et Xtc : uvres de Xenakis, Aperghis et  Harley.  

Le collectif Transmission se compose de six artistes/musiciens, penseurs et producteurs indpendants: Guy Pelletier, flte; Lori Freedman, clarinette; Alain Gigure, violon; Julie Trudeau, violoncelle; Julien Grgoire, percussion; Brigitte Poulin, piano. Transmission travaille sans chef la musique moderne et contemporaine du solo au sextuor.
Transmission est une nergie frache et essentielle, un refuge artistique, en constante recherche duvres et de performances nouvelles. 

Principal Oboe Lidia Khaner showcases musicality and precision in a concert featuring Mozarts Oboe Concerto

Midweek Classics
Principal Oboe Lidia Khaner showcases musicality and precision in a concert featuring
Mozarts Oboe Concerto
Wednesday, March 17th 7:30 pm

Edmonton, AB Ķ Your Edmonton Symphony Orchestra (ESO) and Resident Conductor Lucas Waldin bring a supernatural element, stark emotionality, and mysticism to their upcoming Midweek Classics concert at the Francis Winspear Centre for Music.  Featuring Principal Oboe Lidia Khaner in Mozarts elegant Oboe Concerto, significant works by Weber, Vivaldi, and Tchaikovsky complete this midweek program of music.

Tuneful and powerful, and a staple in concert halls around the world, Weber's groundbreaking overture to Der Freischtz dawned a new era in German music.  With its daring innovations, this piece is considered the precursor to Wagners great music dramas.  Mozarts only Oboe Concerto offers a light and transparent musical texture that highlights the soloists shining presence, and ebullient exchanges between the soloist and orchestra add touches of rhythmic challenge.  The concerto may not be one of the hardest pieces in the oboe repertoire, but it can easily show an oboists musicality, technique, and precision, explains Lidia Khaner.

On the contrary, Mozart's Masonic Funeral Music is dark and serious a melancholic tune of mystery as opposed to fear or dread.  Though written following the deaths of two members of the same Masonic lodge to which Mozart belonged, Mozart viewed this chilling piece as a meditation upon death.  Tchaikovskys Fourth Orchestral Suite, Mozartiana adapted from some of Mozarts lesser known works quickly won acclaim for its elaboration on graceful simplicity to create tone pictures full of charm and colour.  Vivaldi's variations on La Folia, a popular Spanish tune which has inspired dozens of composers including Corelli, will also be performed.

Ticket prices for Mozarts Oboe Concerto range from $20 $65 (agency fees apply), and are available through the Winspear Centre Box Office.  Call (780) 428-1414, toll-free 1-800-563-5081, or purchase online at www.EdmontonSymphony.com.

The next and final performance of the Midweek Classics series this season takes place on March 26th, 2010.  Edmontons Jeremy Spurgeon performs Handels dramatic concerto on the Davis Concert Organ in Echoes from the Baroque a concert also featuring substantial orchestral works by Bach, Bizet, and Poulenc.

Thank you to our series media sponsor Espace Musique, and our season media sponsors CBC and the Edmonton Journal.

Sponsorship inquiries can be directed to Marc Carnes, Director of Development, at (780) 401-2518.

The Edmonton Symphony Orchestra, marking its 58th season in 2009-2010, has taken its place as one of Canada's foremost orchestral ensemble.  Its current roster includes 56 musicians from Canada and around the world, performing a wide-ranging repertoire from the great classical masterworks to pops and children's concerts.  The presence of the orchestra and its enrichment of the community's quality of life are key elements in the stature and profile of Edmonton on the national and international scene.

Messe brve La Stella et Stabat Mater 10 voix

Domenico Scarlatti
Messe brve La Stella et Stabat Mater 10 voix

Le vendredi 19 mars 2010, 20 h 00
Chapelle Notre-Dame-de-Bon-Secours, 400, rue Saint-Paul Est, Vieux-Montral

Prix des billets :
Entre simple 28 $ / An (65 ans et +) 25 $
tudiant, temps plein, 25 ans et moins 10 $
15 ans et moins accompagn dun adulte : gratuit

Renseignements et rservations : 514-748-8625 www.clavecinenconcert.org


Montral, 4 mars 2010 Lors de son prochain concert, Clavecin en concert vous proposera dentendre deux uvres de musique sacre de Domenico Scarlatti : la messe brve La Stella et le Stabat Mater 10 voix. Dix chanteurs et trois musiciens seront dirigs par Luc Beausjour. Quatre sonates pour orgue de Domenico Scarlatti complteront le programme.


 Vin bnfice  la crypte au profit de Clavecin en concert

Aprs le concert, tous ceux qui dsirent participer un  Vin bnfice  pourront se rendre la crypte de la chapelle o des vins et fromages seront servis. Luc Beausjour jouera dune pinette en aile doiseau du facteur Yves Beaupr.

Prix des billets :
Concert seulement (20 h) : rgulier 28 $, an 25 $, tudiant 10 $
Concert et vin bnfice : an et rgulier 75 $, tudiant 60 $.
Vin bnfice : 50 $ (21 h)

Rservations : Gisle Pelletier 514-748-8625 / gpelletier@vif.com / clavecinenconcert.org

Clavecin en concert remercie le Conseil des arts et des lettres du Qubec, le Conseil des Arts du Canada et le Conseil des arts de Montral de leur soutien.
Renseignements : Louis Allard, 514-805-9904

Art of Time Ensemble presents The Kreutzer Sonata

Inspired by and featuring Beethoven's Kreutzer Sonata

featuring Ted Dykstra in his adaptation of Leo Tolstoy's novella of the same name
and the choreography of James Kudelka danced by Coleman Lemieux & Compagnie to Beethoven's Kreutzer Sonata, performed by
Andrew Burashko on piano and violinist Marie Brard

Toronto, February 24, 2010 - Capitalizing on the tremendous sold-out success of The Kreutzer Sonata last season, the Art of Time Ensemble, under the artistic direction of founder Andrew Burashko, re-stages this outstanding concert evening inspired by and featuring Ludwig Van Beethoven's Kreutzer Sonata (Sonata for violin and piano No. 9 in A Major, Op. 47) at Harbourfront Centre's Enwave Theatre from March 18-21, 2010.

Sponsored by BMO Financial, this unique evening moves in a bold direction with a collage of theatre, dance and music that features a dramatic adaptation of Leo Tolstoy's passionate novella, The Kreutzer Sonata, written and performed by award-winning actor/director Ted Dykstra.

The second half features James Kudelka's 15 Heterosexual Duets: a virtuosic work choreographed by one of Canada's most eminent choreographers to Beethoven's Kreutzer Sonata, and danced by the acclaimed Coleman Lemieux & Compagnie to the accompaniment of Andrew Burashko on piano and Marie Brard on violin. Like the Tolstoy story, it explores the male/female relationship.
Coleman Lemieux & Compagnie is led by Bill Coleman and Laurence Lemieux, who are also life partners. 15 Heterosexual Duets features some of the most talented dancers in the country:
Kate Alton
Valerie Calam
Michael Caldwell
Lauren Chin
Bill Coleman
Luke Garwood
Andrew Giday  
Jones Henry
Sylvain Lafortune
Laurence Lemieux
Graham McKelvie
Christianne Ullmark

 Founded by Artistic Director Andrew Burashko, the Art of Time Ensemble is now in its 11th season. Art of Time provides a unique musical experience that breaks down barriers between artistic and musical disciplines, and reveals the vibrancy of classical music as a contemporary artistic expression, appealing to a range of audiences. Its concerts are provocative, engaging and accessible to people unfamiliar with classical music, but also immensely fulfilling to aficionados. Currently, Art of Time is on tour with singer Steven Page in support of the release this month of its latest CD, A Singer Must Die.

The 2009/2010 season features performances by Emilie-Claire Barlow, Coleman Lemieux & Compagnie, Guinga, Kevin Hearn, Gregory Hoskins, Raine Maida, Andy Maize, Peter Mettler, Andrea Nann, Steven Page, Alejandra Ribera, Sarah Slean, John Southworth and R.H. Thomson, plus some of the finest classical and jazz musicians in the country.
Art of Time Ensemble
-Andrew Burashko, Artistic Director-
presents The Kreutzer Sonata
Inspired by and featuring Beethoven's Kreutzer Sonata
Featuring Ted Dykstra and the choreography of James Kudelka danced by Coleman Lemieux & Compagnie, accompanied by Andrew Burashko on piano and violinist Marie Brard

Thursday March 18 - Sunday March 21, 2010
Thursday-Saturday at 8 PM with a Sunday matinee at 2 PM
Enwave Theatre | 231 Queens Quay West
Tickets: $19-$49 ; Box Office: 416-973-4000 AND www.artoftimeensemble.com

Labels:

Sunday, March 14, 2010

Opera Kitchener presents Madama Butterfly

Sunday March 14th 2010 ~ 3pm

The most performed OPERA of all TIME

Operas most epic and exotic tale of passion and betrayal comes to THE HUMANITIES THEATRE;  a young woman must decide between living without dignity or dying with honour in the opera most performed throughout the world.

This fully staged performance will be sung in Italian, with English Surtitles, accompanied by orchestra, soloists and chorus conducted by Maestro Sabatino Vacca.

Puccinis soaring melodies and iconic orchestration bring to life the tale of a young geisha girl, Cio-Cio San, also know as Madama Butterfly, who at the opening of the opera has been arranged to marry a U.S. Navel Lieutenant B.F. Pinkerton.  However, the carefree young officer tells his friend, the American Counsel Sharpless, that although he likes Butterfly and will proceed with the ceremony, he wont think much of it when he returns to America. With the arrival of all her guests and relatives, Butterfly reveals to Pinkerton that she has renounced her faith to be with him.  As Pinkerton then realizes what Butterfly has given up for him, the gravity of this action climaxes: suddenly Butterflys Uncle, a high priest, arrives and curses the girl for forsaking the ancient religion of her ancestors. All the wedding guests leave, denouncing Cio-Cio San, and leave her to be comforted solely in the arms of her new husband.  Can the two lovers overcome the ancient curse as cultures collide ? 

As famous as the actual tale itself is the magnificent and memorable music that pours forth from the score; familiar arias such as the heart wrenching Un bel Di and Addio, fiorito asil, the duet of the young lovers Vieni la sera, and the hauntingly beautiful Humming Chorus all depict overwhelming emotions via of the power of the human voice soaring above an orchestra.  Premiering an all-Canadian cast, this period production features the vocal talents of Suzanne Kilgore as the heroine Cio-Cio San (Madama Butterfly), Romulo Delgado as Pinkerton, Louisa Cowie as Suzuki and Mark Gardner as Sharpless. 

Dont miss this performance of the worlds most beloved opera: Madama Butterfly by G.Puccini will be for only one performance only ~ Sunday March 14th 2010 at 3pm.  Call the Humanities Theatre Box Office at 519.888.4908 and book your tickets today!

OPERA KITCHENER is owned and operated by husband and wife team Emilio and Jennifer Fina.  Their mandate is to present traditional, fully-staged professional operatic productions on a yearly basis, to provide the experience only opera can bestow to the public with affordable ticket prices and to employ the talents of resident musicians and artists of the community.

OPERA KITCHENERs MADAMA BUTTERFLY an opera by G.Puccini 
Sunday March 14th 2010 at 3pm
The Humanities Theatre, University of Waterloo
200 University Avenue West, Waterloo Ontario

Fully staged with sets, costumes, orchestra, chorus and soloists
Sung in Italian with English Surtitles

For Tickets call the Humanities Theatre Box Office at 519.888.4908

Visit us at www.operakitchener.com for more information on this performance or our 2009/2010 season.

Exposition - Parle-moi d'amour

Lexposition-encan

Nouvelle formule pour la 12e dition

Montral, le lundi 1er mars 2010 - Jean-Bernard Trudeau, prsident du conseil dadministration, Michel Dallaire, coprsident, artiste, Tina Sealy, coprsidente, Impatiente et Clmence DesRochers, porte-parole, ont le plaisir dinviter le grand public la 12e dition de lexposition-encan Parle-moi damour. Lexposition se tiendra jusquau 23 mars 2010 dans la salle RONA du Centre Les Impatients (100, rue Sherbrooke Est, 4e tage).

Lexposition-encan Parle-moi damour, qui se droule chaque anne durant la priode de la Saint-Valentin, connatra cette anne sa 12e dition. Cet vnement unique en arts visuels runit des artistes professionnels et des Impatients. Plus dune cinquantaine dartistes simpliquent gnreusement dans cette cause et offrent une uvre qui est vendue lors de lencan. Parmi eux, Madeleine Arbour, Elmyna Bouchard, Laurence Cardinal, Janine Carreau, Ren Derouin, Clmence DesRochers, Michle Drouin, Jean-Louis mond, liane Excoffier, Pierre Gauvreau, Raymonde Godin,  Yves Louis-Seize,  Jaber Lutfi, Lo Rosshandler et Serge Roy.

l'occasion de cette 12e dition, l'vnement prend un nouveau virage :
        Du ct des Impatients
Pour la premire fois dans lhistoire des Impatients, une cinquantaine duvres provenant des archives seront prsentes, accompagnes des  Dlirantes  et des  Tenaces , des poupes ralises en atelier qui seront mises en vente lors de cette fte.
        Du ct des artistes
Une plus grande varit de format est propos cette anne aux artistes professionnels.
        Lors de soire de clture
Cette anne, la soire se terminera par un encan cri, anim par Pierre Paquet lors de laquelle une cinquantaine duvres seront mises en vente. Mis part la soire de clture, le fonctionnement de l'encan demeure le mme. Les uvres ralises sont offertes aux collectionneurs par le biais d'un encan silencieux ds louverture de l'exposition, et ce, jusqu' la soire de clture. La mise de dpart demeure 50 $.

Cette exposition-encan a pour but de recueillir des fonds pour permettre aux Impatients de poursuivre leur double mission : offrir un lieu dexpression artistique et thrapeutique aux personnes souffrant de problmes de sant mentale et de favoriser les changes avec la communaut par la diffusion de leurs ralisations. Au-del de limpact financier de lvnement, il sagit pour Les Impatients de sensibiliser le grand public aux ralits des personnes connaissant des problmes de sant mentale, problmes qui touchent une personne sur cinq au Qubec.

Le centre Les Impatients est un organisme but non lucratif dont la mission est daider les personnes atteintes de maladie mentale en leur offrant des ateliers dexpression artistiques, et ce, dans cinq lieux diffrents : au Centre Wellington (Institut Douglas), lHpital Louis-H. Lafontaine, Montral-Est et dans le centre-ville de Montral.

Heures douverture
Mardi au vendredi de 10 h 17 h, jeudi jusqu' 19 h
Samedi et dimanche de 13 h 17 h
Pour plus dinformation : 514-842-1043

Cet vnement est ralis grce au ministre de la Sant et des Services sociaux, Postes Canada, Prologue, Transcontinental, Lundbeck Canada inc., Gestion Phila, Fondation du Grand Montral, Hydro-Qubec, Le Curateur public du Qubec, Gowling Lafleur Henderson LLP, Plican International Inc, Fondation des maladies mentales, Communications Voir, SAQ, DeSerres et RONA.

The Hudson Music Club performs Disney's Beauty and the Beast: The Broadway Musical

Join The Hudson Music Club for its performance of Disneys Beauty and the Beast, happening at Le Grand Theatre in Vaudreuil (Cit des Jeunes) starting February 28th till March 14th, 2010. Proceeds of the show go towards La Passerelle, a shelter to help victims of domestic violence.  

In this beloved tale, we meet a spoiled prince, who has been turned into a Beast after being placed under a spell. Meanwhile, a young Beauty in a nearby village might be the only hope in breaking the spell and setting all those who reside in the castle, free.  

The Hudson Music Club is a non-profit organisation, dedicated to producing quality musical entertainment to benefit the community. Through annual productions and events, the Club raises funds for charities for the Hudson/St-Lazare/Vaudreuil area.  

Matinees are playing Feb. 28 th, March 6th, 7th, 13th and 14th. Evening shows are March 3rd, 5th, 6th, 12th and 13th. Call 514-848-9696 for tickets today! Group rates available. 

Bravo Yannick!

Montral, le mardi 23 fvrier 2010 -LAdministration et les musiciens de lOrchestre Mtropolitain flicitent leur chef, Yannick Nzet-Sguin, laurat du Prix du Gouverneur gnral pour les arts du spectacle (PGGAS) 2010 (Prix du Centre National des Arts).

Les PGGAS constituent la plus haute distinction accorde aux artistes canadiens.

Il est touchant pour nous, qui avons soumis le dossier de Yannick aux PGGAS, de voir combien Yannick fait lunanimit parmi ses pairs. Il est un chef et un homme dune sensibilit et dune intelligence remarquables. Cest un artiste ambassadeur de choix pour le Canada , a exprim Luce Moreau, prsidente-directrice gnrale de lOrchestre Mtropolitain.

Pour de plus amples renseignements: http://www.canadacouncil.ca/nouvelles/communiques/2010/fm129114250566215078.htm

Toronto Pictures Puts a Lens on Social Issues

SocialWorkersSpeak.org Talks to VP Daria Trifu About Studios Causes

WASHINGTON Toronto Pictures is a movie studio on a mission.

The Canadian company is dedicated to making Hollywood quality films that explore different cultures and educate about social issues, including child abuse, modern-day slavery, eating disorders and prostitution.

The studio also listens to social workers and covers issues that interest them. In January Toronto Pictures appointed social worker and National Association of Social Workers (NASW) member Silvio Orlando, MSW, and his wife Adriana Hellinger Orlando, to their advisory board. Mrs. Orlando is a former social worker.

SocialWorkersSpeak.org sat down with Toronto Pictures vice president Daria Trifu to talk about the company and its projects. SocialWorkersSpeak.org is a NASW Web site that lets social workers comment on and influence how they and issues they care about are portrayed in film, on television and the news.

Here is the interview:

Q: How long have you been involved with Toronto Pictures and what can you tell us about the company?

A: I moved to Canada in 1999 (Trifu is Romanian) and became involved with Toronto Pictures in 2000. Toronto Pictures is an independent film studio which develops, produces and distributes Hollywood standard, 35-mm feature films around the world.  Maestro Bruno Pischiutta is the founder, president and chief executive officer of the company.  He is the one who had the vision of using mainstream filmmaking to address issues of our world, thereby bringing them forth to the general public, reaching a large audience with films produced according to top production standards.  Bruno Pischiutta is an internationally celebrated writer, director and producer who is known for his lifelong commitment to fostering the art of filmmaking.

Q: Tell us more about your latest project Punctured Hope.

A: Punctured Hope: A Story About Trokosi and Young Girls Slavery in Todays West Africa, is the first mainstream feature film which is based on an African story interpreted by an all African cast of professional actors and shot in Africa under the direction of Bruno. Punctured Hope  is inspired by the true life story of an African trokosi slave. Trokosi is one of the most widespread forms of womens slavery that exists in the world today. In fact, today there are 25,000 trokosi slaves and two million women who are genitally mutilated every year. Punctured Hope was an official Selection at the Montreal World Film Festival in 2009 and it has recently been nominated by the Political Film Society as Best Film Expos and Best Film on Human Rights of 2009. The film has now qualified for consideration for the Academy Awards as Best Picture.

Q: Where is the film being shown and how has it been received?

A: Punctured Hope has been screened in Los Angeles since November. Each screening of the film has evolved into an event. The audience included members of Amnesty International, the Green Party, Women in Film (WIF), Films4Change, Veterans for Peace and film professionals. Together with the general public present, they have all chosen to join the movement behind the film and Pischiuttas cause. Viewers reactions have actually created a grassroots movement that identifies with this cause. Future event screenings will follow the film as it opens commercially in New York City beginning in June. When we decided to produce Punctured Hope we made the commitment to donate 10 percent of the net profit of the film from the first three years after the commercial release to develop the infrastructure of an African village.

Q: What other projects are you working on?

A: This year, we are producing the film A Party Girl for the Rat Pack which originates from the novel Breaking My Silence: Confessions of a Rat Pack Party Girl and Sex-Trade Survivor by Jane McCormick. For many years, Jane was very close to Frank Sinatra, Dean Martin, Sammy Davis Jr., Peter Lawford and Joey Bishop. The film will deal with the relationship between child abuse and prostitution. It will be non-graphic and it will constitute a new genre due to the fact that the structure of this new feature will be something that has never been seen before. This film has a budget of $3.5 million and it will be filmed in Brazil and in the United States.

Q: You recently formed an advisory board that includes social worker and NASW member Silvio Orlando. What is the importance of having a social worker involved with your film work?

A: Education is a big component of our films and, as I have stated before, most of our films topics consist of a social nature. The presence of Silvio Orlando and his wife Adriana Hellinger Orlando (who was herself a social worker for many years) on the advisory board is absolutely necessary for us and we are happy and honored to be able to count on their advice. As a matter of fact, when we were following the screenings of Punctured Hope in Los Angeles a month ago, we took the time to visit Optimist Youth Home and Family Services, a treatment center for young offenders in Pasadena. We were invited by Silvio Orlando, who has been executive director of the center since 1999. What we saw was amazing; we had the chance to speak with members of the staff and with young residents who were sent there by the courts instead of being sent to jail. OYHFS, rather than a detention center, resembles a resort. We did a walk-through of the entire facility: the chapel, the sport facilities, the art and music classrooms, the high school, the dining and social rooms and, of course, the residential apartments. OYHFS has a rehabilitation ratio record of 80 percent. We were very impressed by the attachment that the young offenders developed to the center, which they communicated to us. We were impressed by the staffs dedication and we were particularly impressed by Silvio Orlandos enthusiasm and complete devotion to his mission of rehabilitating these young men and women through his center. The new morality that our cause is aiming to achieve means not only exposing problems to our films viewers but also doing something about them. We are aware that the recent California budget cut to OYHFS funds result in a necessity for Silvio to look for private sponsors. Taking all this into consideration, we have decided to donate 10 percent of the net profit worldwide (including theater, TV, DVD, etc.) for the first three years from the commercial release date of the film A Party Girl for the Rat Pack to the center. This percentage will come from our producers share and it will not affect the profit share of film investors.

Social workers are dedicated to ensuring equal rights for all in the United States and abroad. To learn more, visit the National Association of Social Workers Human Rights and International Affairs Division Web page by clicking here.

The National Association of Social Workers (NASW), in Washington, DC, is the largest membership organization of professional social workers with 150,000 members. It promotes, develops, and protects the practice of social work and social workers. NASW also seeks to enhance the well being of individuals, families, and communities through its advocacy.

Infinithtre presents Write-On-Q winner

Infinitheatre Presents Third premiere of the 2009-2010 Season

 
Infinithtre presents the world premiere of Arthur Holdens FATHER LAND directed by Guy Sprung and playing at the Bain St-Michel, March 9 to 28
Sunday morning in Westmount.   Fifteen-year-old Eric Brook is writing a history essay about Uday and Qusay, the sons of Saddam Hussein.   His father Joe, a successful accountant, is about to take Erics reformed drug-addict uncle Victor to see their elderly father at the seniors residence.   Its a quiet, uneventful day that turns suddenly menacing when Victor reveals that he owes money to a local mobster money he doesnt have and the mobster is on his way over to collect.   The irresistible force of Victors desperation confronts the immoveable object of Joes outrage as young Eric, excluded from the conflict by his father, finds himself drawn to the bright flame of his uncles recklessness.   In the boys imagination his uncle and father become Uday and Qusay Hussein in the fateful aftermath of the American invasion: two men trapped in a sumptuous house as a mortal enemy approaches.   Alternating between the Brook home and the Iraqi villa in which the Hussein brothers have taken refuge, Father Land advances toward twin resolutions: one decreed by history, both by loyalty shot through with spite.   It is a story of the debt owed by sons to fathers, by fathers to sons, by blood to blood. 
Father Land was chosen from nearly forty submissions by a jury of Kent Stetson (Order of Canada recipient and Governor General award-winning playwright), Emma Tibaldo (Artistic Director of Playwrights Workshop Montreal) and Carolyn Guillet (playwright, actor and Associate Artist at Infinithtre) as the winner of Infinithtres first Write-On-Q playwriting competition and received a public reading in The Pipeline in 2008. The audience was so involved in the play, the heated post-reading discussion threatened to go on longer than the play itself.  
Arthur Holden is a Montral native, currently residing in Westmount, who has worked as an actor and writer in this city since the 1980s.  Acting credits include Battlefield Quebec, a TV docudrama written and directed by Brian McKenna, and Four Minutes If You Bleed, a stage play by Alex Haber and Ned Cox, directed by Alain Goulem.  Arthurs latest submission to the Write-On-Q contest, Kennedy: The Musical was chosen as one of the top three of 2009 and received a public reading using Arthurs original compositions in The Pipeline reading series last fall.  Arthur garnered rave reviews for his character Marty in the recent Infinithtre smash hit, The Daily Miracle
With
Dylan Gouze
Neil Napier
Howard Rosenstein

Set and Costume Design by James Lavoie
Lighting Design by Sarah Yaffe
Sound Design by Keith Thomas
Stage Managed by Sarah-Marie Langlois 
MEDI          Dates & Times March 9 28/10
      Previews     March 9 & 10 Pay-What-You-Can
      Opening     March 11
      Tues. through Sat.    20:00
      Sunday Matine    14:00
      Monday     DARK

      Tickets

      General Admission         $20
      Seniors & Students    $15
      Groups (6 or more)    $10

      Venue

      Bain St-Michel
      5300, St-Dominique

      Box Office     Web Site

box-office@infinitheatre.com

Talks between Shaw Festival and Union Break Down

Niagara-on-the-Lake, Ontario, February 23, 2010 . . . The Shaw Festival announced today talks between management and IATSE Local 461 regarding the collective agreements for the Facilities, Production and Audience Sales and Services departments has broken down. 

The Union acquired bargaining rights over the Facilities department on July 25, 2008. Collective agreements in both the Audience Sales and Services and Production departments expired on November 30, 2008. 

Numerous negotiation sessions have taken place regarding the Facilities bargaining unit. The Shaw has also made repeated efforts to try and negotiate the renewal of Audience Sales and Services and Production contracts without success.

The parties met with a mediator appointed by the Ministry of Labour on February 18 and reached a tentative agreement on the Facilities contract at approximately 9 pm. At approximately 12:45 am on February 19, that agreement fell apart.

The parties agreed to return to the bargaining table on February 22 to revisit the Facilities contract. Those talks were again unsuccessful. The Shaw remains willing to return to the bargaining table as it continues to prepare to launch its 49th season with previews beginning April 1.

Jonas Kaufmann sings great German arias on two new releases available April 6th, 2010

Opera Arias by
Mozart, Schubert, Beethoven, Wagner
Mahler Chamber Orchestra/Claudio Abbado
Die Schne Mllerin with pianist Helmut Deutsch

He has burst upon the international scene as a fully mature, major artist. And "artist" with Kaufmann means the full deal. Gramophone

Its Kaufmanns gift that his immensely seductive and secure voice can encompass nearly anything the tenor repertoire throws at him. The Times of London on
Romantic Arias

NEW YORK, NY February 2010 Jonas Kaufmann is now established as one of the most successful and versatile tenor of his generation, attracting rave reviews for his live performances and recordings. With a velvety rich and dark, almost baritonal timbre unique among tenors performing today, Jonas Kaufmann lends an exquisite sound and unique artistic outlook to a wide variety of repertoire.

Following the international success of Romantic Arias, Jonas Kaufmann returns with two new albums available on Decca on April 6th, 2010. These recordings are released simultaneously just as Kaufmann arrives in the Unites States to perform the role of Cavarodossi in Puccinis Tosca at New Yorks  Metropolitan Opera (April 14th-24th).

One album features outstanding German tenor arias from the great operas of Wagner, as well as the challenging leading role of Beethoven's only opera Fidelio, favorite arias by Mozart, and rarely heard opera arias by Schubert.  Jonas Kaufmann has already sung most of these roles on the world's great opera stages.  Claudio Abbado directs the Mahler Chamber Orchestra in his first ever vocal recital recording for Decca, and his first Decca recording for almost 40 years.

This album was released in Europe to coincide with his role debut as Wagner's Lohengrin in a new production at the Munich Festival last summer. Quite simply, Opera News wrote of that performance, tenor Jonas Kaufmann sang a Lohengrin for the ages. Not one minute of his performance was less than extraordinary.
The album cover shows Jonas Kaufmann as Wanderer - inspired by the much-loved painting by German Romantic artist Caspar David Friedrich.

Tracklisting for Opera Arias
RICHARD WAGNER (18131883) In fernem Land ... bin Lohengrin genannt (Lohengrin); Mein lieber Schwan ... Leb wohl! (Lohengrin)
WOLFGANG AMADEUS MOZART (17561991) Dies Bildnis ist bezaubernd schn ... Ware sie dann mein (Die Zauberflte); Die Weisheitslehre ... fhrt mich der Ton zu ihr (Die Zauberflte)
FRANZ SCHUBERT (17971828) Was qulst du mich ... In tiefbewegter Brust (Fierrabras); Schon, wenn es beginnt zu tragen ... und mein Herze will ihm nach (Alfonso und Estrella)
LUDWIG VAN BEETHOVEN (17701827) Gott, Welch Dunkel ... In des lebens Frhlingstagen (Fidelio)
RICHARD WAGNER Wintererstrme wichen dem Wonnemond (Die Walkre); Amfortas! Die Wunde! ... Ewig von mir (Parsifal); Nur eine Waffe taugt ... (Parsifal)


SCHUBERT: Die Schne Mullerin
Jonas Kaufmann with Helmut Deutsch, piano

Also in stores on April 6th is Jonas Kaufmanns interpretation of Schuberts devastating song cycle Die schne Mllerin.  This is a work Kaufmann wanted to record before he got much older (he recently turned 40) as the piece, he says, calls for a young voice as well as a young soul. It is about a young man who goes out into the world bright and happy and utterly carefree and then his life is completely shattered. His ill-fated love for the millers daughter is his first painful experience. And for this innocence to be reasonably believable, the interpreter should not sound overly mature.

For me, the first songs are purest expressions of joie de vivre, Kaufmann goes on to say, and thats how they should be presented. The fellow who sets off on his wanderings is bursting with energy and self-confidence. The better you convey this mood, the greater the build-up of tension, the harder the fall.

As with the best of German Lieder, Die schne Mllerin is not music for the singer only but an equal duet between pianist and voice.  Helmut Deutsch, a renowned collaborative pianist, brings his intelligence and sensitive artistry to bear in these heart-rending performances.

For more information on Jonas Kaufmanns Opera Arias and Die schne Mllerin recordings, including exclusive videos and interviews with the artists, please visit www.jonas-kaufmann.com.

Violinist Scott St. John appointed New Artistic Director of Piano Plus

TORONTO, ONĶScott St. John, one of Canadas best-known musicians and violinist of the St. Lawrence String Quartet, has been appointed Artistic Director of Piano Plus, effective immediately.  Founded by pianist Janina Fialkowska in 1993, Piano Plus is the only national not-for-profit dedicated to enhancing the quality of life in small and remote communities across the country, by presenting Canadas internationally renowned classical musicians in affordable concerts and workshops.   St. John succeeds pianist Angela Cheng, who has led the organization since 2006.

Born in London, Ontario, Scott St. John is a highly sought-after soloist, teacher and a consummate chamber musician.  He made his Carnegie debut in 1988 after winning First Prize in the Alexander Schneider Competition.  He won the 1989 Young Concert Artists Award, and has since played an enormous variety of concerts across North America, including solo appearances with the Boston Pops, Vancouver Symphony, Toronto Symphony and Orchestre Symphonique de Montral.  From 1999 - 2006, St. John served as Associate Professor of Violin at University of Toronto and in 2003 he received the prestigious Avery Fisher Career Grant.  Since 2006, he has been a member of the prestigious St. Lawrence String Quartet, performing over 100 concerts a year with them world-wide.  His solo recordings include an all-Dvorak CD, and 2 volumes of Paganini works for violin and guitar.  St. John resides and teaches in the Bay Area of California and will be in Toronto this week to perform on the Music Toronto series, Thursday, March 25 at 8 pm. 

I believe strongly that every community should have access to the live concert performance, and the opportunity to experience great artistry in front of their eyes and ears - and feel thegoose bumps, enthused Scott St. John. Piano Plus artists are world-famous musicians who know their roots and have made commitments to play every corner of Canada.  I want to help them realize that goal.

The Piano Plus artist roster is comprised exclusively of world-class Canadian pianists, vocalists and instrumentalists with exceptional performance and teaching expertise.  Motivated by a desire to give back to their country, this select group of artists waive their usual fees to ensure Piano Plus events are affordable to small communities.  Over the last 12 months, James Ehnes, Janina Fialkowska, Jon Kimura Parker, the St. Lawrence String Quartet, Jens Lindemann, Heather Schmidt, and David Jalbert have toured from Newfoundland to Bella Bella, BC; and Snow Lake, Manitoba to Owen Sound, ON.  Currently, both Andre Laplante and Katherine Chi are touring, in New Brunswick and northern Ontario, respectively.

A cultural pioneer, Piano Plus has created a huge impact on hundreds of small and remote communities across Canada.  Since 1993, more than 100,000 children, youth and adults have enjoyed Piano Plus recitals, school workshops, master classes, concerts, and individual teaching sessions.  The majority of these audiences have never experienced a live classical music performance before Piano Plus visited their community.   For more information about Piano Plus, or to download photos and a complete biography of Artistic Director Scott St. John, visit www.pianoplus.ca.

Friday, March 12, 2010

BBC brings Planet Earth live TO U.S. with Emmy-winning composer George Fenton

Monday, March 1, 2010 - New York, NY - The Emmy Award winning documentary series, Planet Earth caught the imagination of audiences around the world and now the BBC is bringing the awe-inspiring beauty of the series to live audiences across the U.S.  Planet Earth Live is a once-in-a-lifetime opportunity to experience the series most spectacular moments on the big screen. Planet Earth composer and Emmy-winning George Fenton will conduct a full orchestra at each event. 
Planet Earth Live kicks off in early summer with the world premiere at Dallas Meyerson Symphony Center on Friday, June 25 and Saturday, June 26 with the Dallas Symphony Orchestra. Other venues and orchestras confirmed include Atlantas Verizon Wireless Amphitheatre at Encore Park on Friday, July 16 with the Atlanta Symphony Orchestra, Chicagos Grant Park Music Festival in Millennium Park on Wednesday, July 21 with the Grant Park Symphony and two dates at LAs Hollywood Bowl, Friday, July 23 and Saturday, July 24 with the Los Angeles Philharmonic. Possible further dates and cities to be announced.  Each show, which runs 90 minutes plus an intermission, features the best moments from Planet Earth in full High Definition on the big screen with live orchestra and narration.  
Composer George Fenton says: Planet Earth made a very special connection with the American audience and we are all very excited at the opportunity of coming to North America this summer to work with some of the greatest orchestras and together recreate the Planet Earth experience live."
Planet Earth, a BBC/Discovery co-production, aired on the Discovery Channel in 2007.  The BBCs Alastair Fothergill was the series producer and he and his team spent four years in production, with over 2000 days in the field, using 71 film crews, across 204 locations in 62 countries to capture the ultimate portrait of the planet. It has garnered legions of fans and universal critical acclaim with Oprah Magazine saying It is the most beautiful, wondrous and truly majestic series - the best thing Ive ever seen on TV.
It has sold over 5 million DVDs, with one in every 30 households in the U.S. owning the series and is the U.S.s top selling documentary DVD of all time.
Alastair Fothergill says: Im delighted the incredible HD footage from Planet Earth will be experienced in a whole new way by Americans this summer.  With Georges amazing score and the wonder of the animals on our planet on a big screen, fans of Planet Earth are in for a fantastic treat.
The BBC is the worlds largest producer of natural history programs and for over 50 years, has produced such notable titles as Life on Earth and The Blue Planet as well as the upcoming Life airing on Discovery, March 2010.  BBC Earth is the global brand for all of this natural history content available on television, digital, DVD and merchandise.
Planet Earth Live is produced by IMG Artists in cooperation with The Gorfaine/Schwartz Agency.
Notes to editors:
PLANET EARTH LIVE DATES:
June 25, 2010             Meyerson Symphony Center                                              Dallas, TX

June 26, 2010             Meyerson Symphony Center                                              Dallas, TX

July 16, 2010               Verizon Wireless Amphitheatre at Encore Park            Atlanta, GA                                                  
ticket info: www.vzwamp.com  

July 21, 2010               Grant Park Music Festival in Millennium Park                 Chicago, IL   

July 23, 2010               Hollywood Bowl                                                                   Los Angeles, CA      

July 24, 2010               Hollywood Bowl                                                                   Los Angeles, CA      

ABOUT GEORGE FENTON
George Fenton began writing music for the theatre in 1974 working on productions for The Royal Shakespeare Company, The National Theatre and Riverside Studios. His television scores include the major documentary series The Trials of Life, Life in the Freezer, Beyond the Clouds, Shanghai Vice, The Blue Planet, Planet Earth and most recently, Life.

Following the broadcast of The Blue Planet in 2001 for which he won a BAFTA and Emmy award for Best Television Score, he created the show, The Blue Planet Live! which toured in the UK and worldwide, performed by many of the worlds leading orchestras.

He has composed for a wide variety of feature films, receiving Academy Award nominations for The Fisher King, Dangerous Liaisons, Gandhi and Cry Freedom (for both score and song).  Other scores include The Madness of King George, Groundhog Day, Shadowlands, Ever After, Anna and the King, Mrs Henderson Presents, Hitch, and Fools Gold.

Recently the Royal Television Society awarded him a Lifetime Achievement Award and he was made a Fellow of the British Academy of Composers and Songwriters.  

ABOUT ALASTAIR FOTHERGILL
Alastair Fothergills BBC career began at the world-renowned Natural History Unit in 1983 where he worked on a wide range of award-winning programs including Wildlife on One and the innovative Reefwatch - he was one of the team that developed live broadcasting from beneath the ocean.  His first project with Sir David Attenborough was The Trials of Life followed in 1993 by Life in the Freezer.  

He was Head of the Natural History Unit from 1992 to 1998 at which point he stood down to concentrate on his role as Series Producer of multi award-winning The Blue Planet, a landmark series on the natural history of the worlds oceans. His portfolio of work has included roles as producer and presenter on a diverse range of high quality natural history programs including Going Ape, a film that took him to the Ivory Coast and Deep Blue, a cinematic view of the worlds oceans and the innovative live broadcast Live from the Abyss

Alastair was Series Producer for the Emmy-winning, global hit Planet Earth. Currently hes working as the Executive Producer on the BBC/Discovery co-production Frozen Planet, a major six part series, due to premiere in the U.S. in 2011.  He is also directing two movies for Disneys new Disney Nature label.   Alastair has Honorary Degrees from Durham and Hull Universities. 

ABOUT BBC EARTH
BBC Earth is the global brand for all the BBCs natural history content spanning the last 50 years. The BBC is the largest producer of natural history programming in the world and the brand highlights the vast scale of incredible content which is produced in this genre. Visible across all platforms - TV, digital and merchandising as well as expanding across TV stings, DVDs and digital products, BBC Earth encourages engagement with current as well as classic programs such as Planet Earth and The Blue Planet in addition to future commissions. 

ABOUT BBC WORLDWIDE, AMERICA
BBC Worldwide is the main commercial arm and a wholly-owned subsidiary of the British Broadcasting Corporation (BBC).  BBC Worldwide, America, with headquarters in New York and Los Angeles, brings together all of BBC Worldwides businesses in the U.S.  The company exists to maximize the value of the BBCs assets for the benefit of the UK license payer, and invests in public service programming in return for rights. BBC Worldwide has seven core businesses:  Channels, Sales and Distribution, Content and Production, Home Entertainment, Digital Media, Global Brands and Magazines.  Under these businesses fall two key brands in the U.S. digital cable channel BBC America and a bi-coastal production arm responsible for the smash hit Dancing with the Stars for ABC.

Crow, Solo Violin is Season


CROW CAPS OFF SEASON WITH SOLO FINALE

WINNIPEG On Saturday, March 20, 2010 Jonathan Crow will bring to an end another critically acclaimed season with Virtuosi Concerts. The violin virtuoso has attracted a capacity audience for his unaccompanied performance which will undoubtedly showcase the extraordinary talent that has become synonymous with the series.

Born in Prince George in 1977, Crow began the Suzuki violin method at age six and continued studies first at the Prince George Music School, then at the Victoria Conservatory of Music before earning his Bachelor of Music in Honors Performance from McGill University. 

Upon graduation from McGill University, Crow joined the Montreal Symphony at the age of 19 as Associate Principal Second Violin, and won the Associate Concertmaster chair 5 months later. He was appointed Concertmaster in 2002, a position he held until 2006, and was the youngest Concertmaster to lead a major North American orchestra. He is currently Head of Strings and Assistant Professor of Violin at McGill University.

Crow has been featured as soloist with most major Canadian orchestras including the Montreal, Kingston, London, National Arts Centre, Victoria and Vancouver Symphony Orchestras. In 2009 he performed two world premiere concerti performances with the National Arts Centre Orchestra.


Programme: J.S. BACH Partita No. 3 in E Major; PROKOFIEFF Sonata for Solo Violin, Op 115; ECKHARDT-GRAMATT Selected Caprices;  BEN-HAIM Sonata in G for Solo Violin; YSAYE Sonata No. 3 Ballade 

Clavecin en concert : Communiqu concert 19 mars 2010

Domenico Scarlatti
Messe brve La Stella et Stabat Mater 10 voix

Le vendredi 19 mars 2010, 20 h 00
Chapelle Notre-Dame-de-Bon-Secours, 400, rue Saint-Paul Est, Vieux-Montral

Prix des billets :
Entre simple 28 $ / An (65 ans et +) 25 $
tudiant, temps plein, 25 ans et moins 10 $
15 ans et moins accompagn dun adulte : gratuit

Renseignements et rservations : 514-748-8625 www.clavecinenconcert.org


Montral, 4 mars 2010 Lors de son prochain concert, Clavecin en concert vous proposera dentendre deux uvres de musique sacre de Domenico Scarlatti : la messe brve La Stella et le Stabat Mater 10 voix. Dix chanteurs et trois musiciens seront dirigs par Luc Beausjour. Quatre sonates pour orgue de Domenico Scarlatti complteront le programme.


 Vin bnfice  la crypte au profit de Clavecin en concert

Aprs le concert, tous ceux qui dsirent participer un  Vin bnfice  pourront se rendre la crypte de la chapelle o des vins et fromages seront servis. Luc Beausjour jouera dune pinette en aile doiseau du facteur Yves Beaupr.

Prix des billets :
Concert seulement (20 h) : rgulier 28 $, an 25 $, tudiant 10 $
Concert et vin bnfice : an et rgulier 75 $, tudiant 60 $.
Vin bnfice : 50 $ (21 h)

Rservations : Gisle Pelletier 514-748-8625 / gpelletier@vif.com / clavecinenconcert.org

Clavecin en concert remercie le Conseil des arts et des lettres du Qubec, le Conseil des Arts du Canada et le Conseil des arts de Montral de leur soutien.
Renseignements : Louis Allard, 514-805-9904

The Cleveland Orchestra showcases timeless masterpieces, world music, and popular American music to welcome new audiences to the 2010 Blossom Festiva

The Orchestra will perform symphonic masterpieces by Beethoven, Debussy, Ravel, Stravinsky, Tchaikovsky, Vivaldi, and more; Music Director Franz Welser-Mst to conduct Brahms and Schubert

Continuing a renewed tradition of ballet at Blossom, The Joffrey Ballet returns

The Silk Road Ensemble with Yo-Yo Ma makes its Blossom debut Yo-Yo Mas first appearance at Blossom in more than 20 years

Pops programs offer family-friendly programs:  American Spectacular, Broadway Swings, DISNEY IN CONCERT: Magical Music of the Movies, Music of the 40s, and the Canadian Brass

Children 12 and under are admitted free to the Lawn with an adult Lawn ticket purchase; 1,500 Pavilion seats offered at Lawn ticket admission prices; New Create-Your-Own Subscriptions


CLEVELAND, March 1, 2010 The Cleveland Orchestras 2010 Blossom Festival at Blossom Music Center in Cuyahoga Falls begins Friday, July 2, with an American Spectacular Cleveland Orchestra concert and continues through Sunday, September 5, with performances by The Cleveland Orchestra and The Joffrey Ballet on Labor Day weekend.  This seasons programming offers symphonic masterpieces, ballet, world music, popular music, and film music, to attract new fans to Blossom.

Masterworks Galore
            The Cleveland Orchestra will perform 12 concert programs at the Blossom Festival, including many of the symphonic literatures most popular Baroque, Classical, and Romantic works.  Music Director Franz Welser-Mst will lead two programs, featuring Brahmss Second Symphony, Schuberts Fourth Symphony, and Strausss Ein Heldenleben, or A Heros Life.
            The music of Tchaikovsky figures prominently in the Festival, including the 1812 Overture, the Violin Concerto with guest artist Giora Schmidt in his Cleveland Orchestra debut, and the First Piano Concerto with Arnaldo Cohen.  Additional audience favorites throughout the season include Respighis The Pines of Rome, Elgars Enigma Variations, Debussys Prelude to the Afternoon of a Faun, Stravinskys Suite from The Firebird, and Rossinis William Tell Overture.  Guest conductor Nicholas McGegan returns for a program featuring Vivaldis The Four Seasons with First Associate Concertmaster Peter Otto in his first Blossom Festival appearance as soloist, and Karen Gomyo will make her Cleveland Orchestra debut in Mendelssohns Violin Concerto, led by former Cleveland Orchestra Assistant Conductor Andrew Grams.  Returning guest conductors include Jahja Ling and Stphane Denve (in his Blossom Festival debut), as well as Cleveland Orchestra Director of Choruses Robert Porco.  Violinist Gil Shaham will perform Barbers Violin Concerto led by Pablo Heras-Casado (in his Cleveland Orchestra debut), and David Zinman will conduct Brahmss First Piano Concerto with Stephen Hough as soloist.

The Joffrey Ballet Returns to Blossom
            The 2010 Blossom Festival season will conclude on Labor Day weekend with two performances featuring The Joffrey Ballet in repertoire to be announced.  Cleveland Orchestra Assistant Conductor Tito Muoz will lead the performances. 
            The Joffrey Ballets appearances renew a long-standing tradition of ballet at Blossom. Ballet companies appeared with The Cleveland Orchestra in the pit at Blossom annually from 1968 through 1984.  Last season, the Joffrey collaborated with the Orchestra for the first time since 1988, for an audience of 10,000 people over two evenings. 
             
The Silk Road Ensemble with Yo-Yo Ma
Making their Blossom Festival debut, the Silk Road Ensemble will perform with Yo-Yo Ma, artistic founder and director.  Yo-Yo Ma last appeared at Blossom in 1989.  Musicians from multiple nations collaborate in a multi-media experience to present music from the Silk Road, a series of land and sea trade routes that crisscrossed Eurasia from the first millennium B.C.E. through the middle of the second millennium C.E.  The intersections among people from diverse cultures along the way promoted an unprecedented sharing of commodities, ideas, arts, sciences, and innovations.
The Silk Road Ensemble is a collective of internationally renowned performers and composers from more than 20 countries.  Each Ensemble members career illustrates a unique response to what is one of the artistic challenges of our times: nourishing global connections while maintaining the integrity of art rooted in an authentic tradition.
Many of the musicians first came together under the artistic direction of Yo-Yo Ma at a workshop at Tanglewood Music Center in Massachusetts in 2000.  The ensemble has since made five recordings.  Several musicians in the Silk Road Ensemble performed with Yo-Yo Ma on his 2010 Grammy Award-winning recording, Songs of Joy & Peace. The Silk Road Ensemble performs around the world in such venues as the Hollywood Bowl, Tokyos Suntory Hall, Chicagos Millennium Park, Londons Royal Albert Hall, and the Shanghai Stadium.

Pops Concerts Include The Cleveland Orchestra, Blossom Festival Band,
Blossom Festival Orchestra, and Canadian Brass
            The Blossom Festival Band and conductor Loras John Schissel appear in traditional Fourth-of-July Band Concerts on July 3 and 4.  The concerts will feature a salute to the U.S. Armed Forces, Sousa marches, Tchaikovskys 1812 Overture, and fireworks (weather permitting).
Broadway Swings will be led by pops conductor Jack Everly, who returns to conduct The Cleveland Orchestra in a program of music by Gershwin, Porter, Rodgers, and others, with vocalist Ann Hampton Callaway.  Ms. Callaway is a New York cabaret star, appearing frequently at Dizzys Club Coca Cola, the Algonquin Room, and the Blue Note in New York City and at Yoshis in San Francisco, and is known for her orchestral appearances, including concerts with the Lincoln Center Jazz Orchestra, the Boston Pops, and at Carnegie Hall with the New York Pops.
The DISNEY IN CONCERT: Magical Music of the Movies program with the Blossom Festival Orchestra takes place on Saturday, August 21, under the direction of Richard Kaufman, in his Blossom Festival debut.  Mr. Kaufman, a former music supervisor at MGM Studios, has led The Cleveland Orchestra in two popular concerts of film scores at Severance Hall.  The program includes music from The Little Mermaid, Beauty and the Beast, Aladdin, and The Lion King, among other classic Disney hits.  Excerpts of the films will be projected on giant screens above the stage and in front of the Lawn. 
Loras John Schissel will conduct a program of American popular music of the 1940s on Sunday, August 29, with the Blossom Festival Orchestra.  From the music of Glenn Miller and Duke Ellington to Rodgers and Hammersteins South Pacific, this concert will celebrate the era of the Greatest Generation.
The Canadian Brass will make their ninth appearance at Blossom this summer.  The fabulous five brass players entertain with music ranging from baroque to jazz and pop, served up with lively dialogue and theatrical effects.  Seen by millions on The Tonight Show, Today, and Entertainment Tonight, their time-honored tradition of excellence over the past 40 years never ceases to amaze audiences around the world.

Kids Free on the Lawn and General Admission Tickets Continue
Continuing last years new policy, children 12 and under are admitted free to the Lawn with an adult Lawn ticket purchase.  The Kids Lawn Passes are available at the Severance Hall Ticket Office and the Blossom Box Office. 
Blossom patrons holding Lawn tickets may sit on the Lawn or can choose from among 1,500 seats at the rear of the Pavilion that are general admission first come, first seated and are priced individually at $19 and $21 for most concerts.  This change was welcomed last season by thousands of concertgoers who value Blossoms low Lawn prices but also enjoy the comfort and shelter of the Blossom Pavilion. 

New Lawn Ticket Book Discounts and Create-Your-Own Series
An affordable way to enjoy Blossom Festival concerts, Lawn Ticket Books of ten tickets and two free Pavilion upgrade coupons, which can be used at any concert, are now available at an advance discount of $130.  As of June 1, the price will be $139.
A Create-Your-Own Series package is being offered this season for the first time.  When purchasing 4 or more concerts, there is a savings of 10% off the single-ticket price.  There is no limit to the number of Create-Your-Own Series purchases.

2010 Series, Ticket, and Sponsor Information
Individual concert Pavilion tickets range in price from $19 to $93.  Lawn tickets for the Lawn and the rear Pavilion for most Blossom Festival concerts are priced at $19 or $21.  Individual tickets go on sale by telephone, in person at the Severance Hall Ticket Office, and online at www.clevelandorchestra.com on Tuesday, June 1.  The Blossom Box Office opens for the season on Friday, June 4, and will be open throughout the summer on Fridays, Saturdays, and Sundays from 1:00 to 5:00 p.m. and from 1:00 p.m. through intermission on concert days.
            Discounts are available for groups of 10 or more.  Call the Cleveland Orchestra Group Sales Office at Severance Hall at (216) 231-7463 for more information.
The 2010 Blossom Festival features a five-concert Saturday evening Classics A subscription and a five-concert Classics B series Sunday evening subscription; a four-concert Celebrations subscription; and a four-concert Pops subscription.  Subscription package prices, which are not increasing this season, represent approximately 20% savings from single-ticket prices.  Subscription prices range from $88 to $185.  Box-seat subscriptions are priced at $272 and $340.  The renewal deadline for returning subscribers is Monday, April 12, 2010.  New subscription inquiries should be directed to the Cleveland Orchestra Subscription Office at (216) 231-1111 or 800-686-1141.  New subscriptions also can be purchased online at www.clevelandorchestra.com.
VIP subscriber benefits are offered at Box-seat-level pricing and include the closest available parking in Lot A and access to Kulas Plaza, adjacent to the Pavilion, with pre-concert dining, intermission refreshments, and dedicated restrooms. 
The Blossom Festival is supported only in part through ticket sales.  For more information about contributing to support the Blossom Festival, please call (216) 231-7521.  The Cleveland Orchestra gratefully acknowledges the following generous organizations whose sponsorship makes possible the summers Blossom Festival concerts and presentations:
Akron Community Foundation
Baker Hostetler
Blossom Womens Committee
The Mary S. and David C. Corbin Foundation
Mary and Dr. George L. Demetros Charitable Trust
Dix & Eaton
Eaton Corporation
Ernst & Young LLP
Ferro Foundation
Fifth Third Bank
FirstMerit Bank
Forest City Enterprises, Inc.
Frantz Ward LLP
GAR Foundation
The Goodyear Tire & Rubber Company
Hudson Blossom Womens Committee
The Margaret Clark Morgan Foundation
NACCO Industries, Inc.
Ohio Arts Council
Parker Hannifin Corporation
PNC
The Charles E. & Mabel M. Ritchie Memorial Foundation
The Sherwin-Williams Company
Lloyd L. and Louise K. Smith Memorial Foundation
The J.M. Smucker Company
Squire, Sanders & Dempsey L.L.P.
* * *
            Blossom Music Center, which opened in 1968 as the summer home of The Cleveland Orchestra, is located 25 miles south of Cleveland just north of Akron, Ohio.  The Centers name honors the Dudley S. Blossom family, major supporters of The Cleveland Orchestra throughout its history.  Blossom is situated on 800 acres of rolling hills adjacent to the Cuyahoga Valley National Park, which protects 33,000 acres along the Cuyahoga River between Akron and Cleveland.  Blossom lies within the city limits of Cuyahoga Falls, an Ohio community first settled in the early 1800s, at 1145 West Steels Corners Road.  Blossom reopened in 2003 following the completion of the Blossom Redevelopment Project, which featured a highly-acclaimed renovation of the facility and improved patron amenities.  The Blossom Redevelopment Project was the first major capital improvements project in the history of the facility, which serves more than 400,000 visitors each summer. The Blossom Festival is a smoke-free environment.  Smoking is not permitted at concerts and other events during the Blossom Festival.
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Contact:       
Ana Papakhian, (216) 231-7476/ Email: anp@clevelandorchestra.com
Jennifer Schlosser, (216) 231-7518/ Email: jschlosser@clevelandorchestra.com

2010 Blossom Festival Calendar
Friday, July 2, 2010, at 8:30 p.m.
The Cleveland Orchestra
Robert Porco, conductor
Blossom Festival Chorus

American Spectacular

Bernstein: Overture to Candide
Copland: Suite from Appalachian Spring
Grof: On the Trail from Grand Canyon Suite
Traditional: Three Spirituals
Steffe:  Battle Hymn of the Republic
Ward: America the Beautiful
Tchaikovsky: 1812 Overture

Pavilion Tickets: $27, $32, $43; Box Seats: $83.  Pavilion tickets for children ages 12 and under are half the adult price.

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Saturday, July 3, 2010, at 8:00 p.m. *
Sunday, July 4, 2010, at 8:00 p.m. *

Blossom Festival Band

Loras John Schissel, conductor


Salute to the USA

The Blossom Festival Band performs patriotic holiday favorites, including a salute to the U.S. Armed Forces, Sousa marches, and Tchaikovskys 1812 Overture. 

Pavilion Tickets: $19, $27, $32; Box Seats: $43.  Pavilion tickets for children ages 12 and under are half the adult price.

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.

* Fireworks follow the concerts, weather permitting.
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Saturday, July 10, 2010, at 8:00 p.m.

The Cleveland Orchestra

Stphane Denve, conductor Blossom Festival debut

Franklin Cohen, clarinet

Berlioz: Roman Carnival Overture
Debussy: First Rhapsody for Clarinet and Orchestra
Ravel: Suite No. 2 from Daphnis and Chloe
Berlioz: Love Scene from Romeo and Juliet
Stravinsky: Suite from The Firebird

Pavilion Tickets: $27, $32, $43; Box Seats: $83.  Pavilion tickets for children ages 12 and under are half the adult price.

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Sunday, July 11, 2010, at 7:00 p.m.

The Cleveland Orchestra

Tito Muoz, conductor

Giora Schmidt, violin Cleveland Orchestra debut

Bernstein: Symphonic Dances from West Side Story
Tchaikovsky: Violin Concerto
Elgar: Enigma Variations

Pavilion Tickets: $27, $32, $43; Box Seats: $83.  Pavilion tickets for children ages 12 and under are half the adult price.

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Saturday, July 17, 2010, at 8:00 p.m.

The Cleveland Orchestra

Nicholas McGegan, conductor

Peter Otto, violin Blossom Festival debut

Handel: Concerto Grosso No. 1
Vivaldi: The Four Seasons
Handel: Suite from Music for the Royal Fireworks

Pavilion Tickets: $27, $32, $43; Box Seats: $83.  Pavilion tickets for children ages 12 and under are half the adult price.

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Sunday, July 18, 2010, at 7:00 p.m.

The Cleveland Orchestra

Andrew Grams, conductor
James Feddeck, conductor
Karen Gomyo, violin Cleveland Orchestra debut
Kent/Blossom Chamber Orchestra

Program includes:
Rossini: Overture to William Tell
Mendelssohn:  Violin Concerto
Respighi: The Fountains of Rome
Respighi:  The Pines of Rome

Pavilion Tickets: $27, $32, $43; Box Seats: $83. 

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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 Saturday, July 24, 2010, at 8:00 p.m.
The Cleveland Orchestra
Pablo Heras-Casado, conductor Cleveland Orchestra debut
Gil Shaham, violin

Beethoven: Symphony No. 2
Barber: Violin Concerto
Falla: Suites Nos. 1 and 2 from The Three-Cornered Hat

Pavilion Tickets: $27, $32, $43; Box Seats: $83. 

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Sunday, July 25, 2010, at 7:00 p.m.
The Cleveland Orchestra
Jahja Ling, conductor
Arnaldo Cohen, piano

Schnittke: (Not) a Midsummer Nights Dream
Tchaikovsky: Piano Concerto No. 1
Shostakovich: Symphony No. 1

Pavilion Tickets: $27, $32, $43; Box Seats: $83. 

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Saturday, July 31, 2010, at 8:00 p.m.
The Cleveland Orchestra

David Zinman, conductor

Stephen Hough, piano

Vaughan Williams: Fantasia on a Theme by Thomas Tallis
Prokofiev: Suite from Lieutenant Kij
Brahms: Piano Concerto No. 1

Pavilion Tickets: $27, $32, $43; Box Seats: $83. 

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Sunday, August 1, 2010, at 7:00 p.m.
The Cleveland Orchestra

Jack Everly, conductor

Ann Hampton Callaway, vocalist Cleveland Orchestra debu

Broadway Swings

New York cabaret star Ann Hampton Callaway joins The Cleveland Orchestra in Broadway favorites by Gershwin, Porter, Rodgers, and others including From This Moment On, I Get a Kick Out of You, Embraceable You,  Mack the Knife, and Sing, Sing, Sing.   The Orchestra shines in music from Wonderful Town, Chicago, and West Side Story.

Pavilion Tickets: $27, $32, $43; Box Seats: $83. 

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Saturday, August 7, 2010, at 8:00 p.m.
The Cleveland Orchestra
Franz Welser-Mst, conductor

Ives: From the Steeples and the Mountains
Berg: Suite from Lulu
Brahms: Symphony No. 2

Pavilion Tickets: $27, $32, $43; Box Seats: $83. 

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Sunday, August 8, 2010, at 7:00 p.m.
The Cleveland Orchestra
Franz Welser-Mst, conductor

Debussy: Prelude to the Afternoon of a Faun
Schubert: Symphony No. 4
R. Strauss: Ein Heldenleben (A Heros Life)

Pavilion Tickets: $27, $32, $43; Box Seats: $83. 

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Saturday, August 14, 2010 at 8:00 p.m.
The Silk Road Ensemble with Yo-Yo Ma
Yo-Yo Ma, artistic director

Yo-Yo Ma, founder and artistic director of the Silk Road Ensemble, returns to perform at Blossom for the first time in more than 20 years.  Musicians from multiple nations collaborate in a multi-media experience to present music from the Silk Road, a series of land and sea trade routes that crisscrossed Eurasia from the first millennium B.C.E. through the middle of the second millennium C.E. The intersections among people from diverse cultures along the way promoted an unprecedented sharing of commodities, ideas, arts, sciences, and innovations.

Pavilion Tickets: $32, $37, $48 Box Seats: $88. 

Lawn Tickets: $21; Children ages 12 and under are admitted free to the Lawn.  Kids Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Saturday, August 21, 2010, at 8:30 p.m.*

Blossom Festival Orchestra

Richard Kaufman, conductor Blossom Festival debut

DISNEY IN CONCERT: Magical Music of the Movies

Bring the whole family to see and hear excerpts from Beauty and the Beast, The Little Mermaid, Aladdin, The Lion King, and more this musical program explores many of Walt Disneys stories and characters through memorable melodies.  Plus, sing along to songs from Mary Poppins!  Video from these classic films will be projected on giant screens under the stars. 

Pavilion Tickets: $32, $37, $48 Box Seats: $88. 

Lawn Tickets: $21; Children ages 12 and under are admitted free to the Lawn.  Kids Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.

* Fireworks follow the concerts, weather permitting.
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Saturday, August 28, 2010, at 8:00 p.m.

The Canadian Brass

These fabulous five brass players entertain with music ranging from baroque to jazz and pop, served up with lively dialogue and theatrical effects.

Pavilion Tickets: $27, $32, $43; Box Seats: $83

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Sunday, August 29, 2010, at 7:00 p.m.
Blossom Festival Orchestra
Loras John Schissel, conductor

The Greatest Generation
Music of the 40s

Relive the music that defined an era with the Blossom Festival Orchestra under the direction of Loras John Schissel.  When Glenn Miller and Duke Ellington were on the radio, and Rodgers and Hammersteins South Pacific debuted on Broadway, our countrys heroes made us proud.  John Williamss soundtrack to Saving Private Ryan will be featured in this evening celebrating history.

Pavilion Tickets: $32, $37, $48; Box Seats: $88. 

Lawn Tickets: $21; Children ages 12 and under are admitted free to the Lawn.  Kids Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Saturday, September 4, 2010, at 8:30 p.m.
Sunday, September 5, 2010, at 8:30 p.m.

The Cleveland Orchestra

The Joffrey Ballet
Tito Muoz, conductor

Continuing a renewed tradition of ballet at Blossom, The Joffrey Ballet returns.
                       
Pavilion Tickets: $37, $42, $53; Box Seats: $93. 

Lawn Tickets: $23; Children ages 12 and under are admitted free to the Lawn.  Kids Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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All artists and programs are subject to change.

Opra de Montral - Simon Boccanegra ds le 13 mars

30 ANS ET LE MME ENCHANTEMENT !

simon boccanegra
de Giuseppe Verdi
Salle Wilfrid-Pelletier, Place des Arts
13, 17, 20, 22, 25 mars 2010 20 h

NOUVELLE PRODUCTION

EN PREMIRE AU QUBEC

Montral, le 1er mars 2010  LOpra de Montral invite le public dcouvrir une uvre matresse de Giuseppe Verdi prsente en premire au Qubec : Simon Boccanegra. Cette nouvelle production du San Diego Opera nous plonge dans un mlodrame amoureux sur fond dintrigues politiques dans lItalie mdivale et donne entendre une uvre musicale forte et puissante, un pied dans le Trouvre et lautre dans Otello. Cette dcouverte sera galement le thtre dun retour, notre sublime Butterfly de 2008, la soprano Hiromi Omura dans le rle exigeant dAmelia, la fille du Doge. Elle partagera la scne avec le baryton italien Alberto Gazale (Simon Boccanegra), la basse turque Burak Bilgili (Fiesco), et le tnor italien Roberto De Biasio (Gabriele Adorno) - qui font tous trois leurs dbuts la compagnie, - ainsi que le baryton amricain Daniel Sutin dans le rle de Paolo Albiani. 

Pour mettre en lumire le drame intense de Simon Boccanegra, lOpra de Montral a confi la mise en scne de David Gately ( la compagnie : Le barbier de Sville en 2000, Don Pasquale en 2005 et Lucia di Lammermoor en 2009). Les dcors sont signs John Coyne et les clairages, Guy Simard. La chef Keri-Lynn Wilson dirigera lOrchestre Mtropolitain et le Chur de lOpra de Montral

Sur un livret de Francesco Maria Piave, Simon Boccanegra a dabord connu un chec lors de sa cration Venise en 1857 : on pilogue sur luvre trop svre et avare deffets, que lcriture vocale standardise et la science orchestrale de Verdi encore sommaire . Verdi lui-mme parle dune partition triste et dsolanteĶ 25 ans plus tard, Giuseppe Verdi accepte de revoir son uvre avec Arrigo Boito, matre de la dramaturgie. En six semaines, affinant les personnages (notamment ceux de Fiesco et Paolo) et donnant du relief au rle de Simon, ainsi que certaines scnes-cl, Verdi se fait orfvre. La cration de la version rvise est un triomphe le 24 mars 1881 La Scala de Milan.
Avec cette ampleur nouvelle et ce souci dune plus grande subtilit, laccent est mis sur la noblesse du hros plus que sur le mlodrame amoureux plus que sur lintrigue politique. Avec des caractrisations plus nettes des personnages aux destins sombres et retors, et notamment lajout de la grande scne du Conseil la fin du premier acte lorchestration audacieuse, Simon Boccanegra savre une des uvres les plus fortes et mres du compositeur italien et une russite majeure du Verdi de la maturit. Ainsi retravaille, loeuvre communique pleinement le nationalisme cher Verdi de mme que sa vigueur artistique.

A R G U M E N T
On est en 1339 alors que Gnes est dchire par des luttes entre patriciens et plbiens. Simon Boccanegra, corsaire au service de Gnes, a eu une fille illgitime avec Maria, fille de son ennemi Fiesco. Mais lenfant est enleve et Maria est retrouve morte. Simon est cependant lu doge par le peuple avec le soutien du conspirateur Paolo Albiani. Vingt cinq ans plus tard, Simon Boccanegra se trouve au cur dune intrique complexe : Amelia Grimaldi (qui savrera tre la fille du Doge) et Gabriel Adorno saiment. Une conspiration redoutable est mene par Paolo Albiani pour pousser les Fiescho et Adorno se rvolter contre Simon, Paolo ne supportant pas que le doge ne lui ait pas accord la main dAmlia. Si le soulvement choue, Paolo Albiani russit cependant empoisonner Simon qui le condamnera mort mais pardonnera tous les autres rvolts. Cest lheure de la rconciliation entre Fiesco et Simon avant que ce dernier ne meure, laissant la succession Gabriel Adorno.

Opra : Simon Boccanegra
Musique : Giuseppe Verdi
Genre : Mlodrame
Structure : En un prologue et trois actes
Livret : Francesco Maria Piave et Arrigo Boito (daprs une pice dAntonio Garca Gutirrez)
Langue : En italien avec surtitres franais et anglais                                                                  
Cration : 1ere version Venise, La Fenice, le 12 mars 1857 ; version dfinitive complte par Arrigo Boito (livret) et Verdi : cre La Scala de Milan le 24 mars 1881
Production : San Diego Opera nouvelle production en premire au Qubec

Opra de Montral | Saison 0910

Tous les opras sont prsents en langue originelle, avec surtitres bilingues projets au-dessus de la scne.

Salle Wilfrid-Pelletier de la Place des Arts (PDA)
Massenet Cendrillon | 22, 26, 29, 31 mai 2010 & 3 juin 2010 20 h

Vente de Billets

Abonnement pour les 18 30 ans : La banque td temmne lopra
Grce au soutien de TD Canada Trust, lOpra de Montral poursuit son offre spciale dabonnement destine aux jeunes de 18 30 ans : 30 $ le billet avec labonnement ! Achat minimal requis de deux opras de la saison rgulire.

Billets la Pice
Billetterie de la Place des Arts : 514-842-2112 Ģ 1 866 842-2112
partir de 46 $.

Pour obtenir plus de renseignements sur les productions, les vnements spciaux et les programmes ducatifs, les formules dabonnement, le prix des billets simples et de groupe, les forfaits PRIMA et corporatifs.

Oberlin Opera Theater Presents Candide, March 17-21, 2010

Oberlin Opera Theater Presents Candide
by Legendary American Composer Leonard Bernstein;
Performances Dedicated to Relief Effort in Haiti 
On Stage at Hall Auditorium, March 17-21, 2010 


OBERLIN, OHIO (March 1, 2010) Oberlin Opera Theater will take audiences on a blisteringly funny, two-hour romp around the world in its spring production of Candide. With the legendary American composer Leonard Bernsteins irresistible score and Hugh Wheelers witty libretto, the two-act operetta commandeers Voltaires 18th-century satirical masterpiece to follow the coming-of-age of four sheltered young people who were taught that all is for the best as they venture out into the world. Rising star and Oberlin alumnus Joseph Mechavich 02 will be guest conductor. Stage direction is by Jonathon Field, associate professor of opera theater and director of opera theater productions at Oberlin.
The production opens on Wednesday, March 17, at 8 p.m. in Hall Auditorium, with additional performances on Friday and Saturday nights at 8 p.m. and Sunday afternoon at 2 p.m. Tickets are $5 for students; $8 for Oberlin College faculty, staff, alumni, parents, area educators, and seniors; and $12 for the general public. 
The Oberlin Conservatory of Music will dedicate each performance of Candide to the relief effort in Haiti; representatives from the American Red Cross of Lorain County will be present at all performances to accept donations.
Young Candide, torn by war from his true love, Mademoiselle Cunegonde, is thrown into a world of greed, hypocrisy, and the cruelty of men toward their fellow creatures.  Holding tight to his belief in the basic goodness of the human spirit, Candide is tossed by circumstance into raucous misadventures on several continents, finding his love only to lose her againand again.  An array of zany characters and absurdly comic situations punctuate his journey (as well as some delicious musical turns), until Candide returns home to piece together a new philosophya hopeful compromise between his blind faith and the bleak lessons hes learned in the world.
Arguably the most successful native-born figure in the history of classical music in America, Leonard Bernstein shaped a legacy by bridging the worlds of the classical concert hall and musical theater. Candide, one of only a handful of operatic works by Bernstein, is a characteristic example of his compositional versatility. The score ranges from darkly comic musical theater (The Best of All Possible Worlds) to virtuosic coloratura arias (Glitter and Be Gay) to orchestral gems, such as the beloved overture. The American culture is complex and disparate, and the music reflects that, says Field.
What unites Candide is the sound of Bernstein, adds Mechavich. I try to immerse myself in the historical world and musical language of the composer. I feel it is my duty as an interpreter to embrace and highlight the style of each piece. For me, as always, the text guides music.
In 1956, playwright Lillian Hellman had a first go at the adaptation, which originated from Voltaires scathing 1759 political satire of the same name. Since 1974, however, Hugh Wheelers book has been the standard, with a version more faithful to Voltaires original work. A whos who of the literary world has also contributed to the piece, with primary lyrics by former Poet Laureate Richard Wilbur and additional contributions by, among others, Stephen Sondheim and Dorothy Parker. 
Field insists that while amalgamating many different literary and musical styles, the structure of the piece enhances the portrayal of its message. The styles don't come together and that has to be the strength, says Field. It needs to create a world that is constantly changing and corrupt, and the only thing that stays the same is Candide's belief that he and Cunegonde will be reunited and all will be well. We, as Americans, have embedded in our cultural makeup the innocence of Candide, and the idea that we are allowed a second chance.

Performers and Production Team
The cast for this production of Candide is comprised entirely of Oberlin Conservatory students. Principal roles are double castone cast appears on Wednesday and Saturday and the other on Friday and Sunday. Principal roles will be played by:

Adrienne Sereta 11 and Sydney Mancasola 11 (Cunegonde), Sara Casey 12 and Caitlin Bell 10 (Paquette), Alexandra Roth 10 and Katherine Jannakos 13 (Old Lady), Roy Hage 11 and Lucas Levy 12 (Candide), Corey Arnold 12 (Governor), Austin Bradley 12 (Maximillian/Captain), Alex Boyd 12 (Pangloss/Martin/Voltaire/
Cacmbo).
The operas production team of professional Oberlin staff members includes Alan Montgomery, assistant music director; Hugh Floyd, chorus master; Howard Lubin, musical preparation; Michael Louis Grube, managing director and set designer; Victoria Vaughan, assistant director and stage manager; Jeremy K. Benjamin, lighting designer; Chris Flaharty, costume designer; JoEllen Cuthbertson, costumer; Joseph P. Natt, technical director; Andrew Kaletta, master electrician; and David Bugher, assistant technical director.

About the Conductor: Joseph Mechavich

Known for his thoughtful and idiomatic interpretations, Joseph Mechavich is considered one of North Americas foremost young conductors. Recently Maestro Mechavich was named Principal Conductor and Music Director for Kentucky Opera where he has led past productions of Werther, Of Mice and Men, Il trovatore and The Pearl Fishers. He has conducted Madama Butterfly for New York City Opera, Porgy and Bess for Deutsche Oper Berlin, Il barbiere di Siviglia for The Washington National Opera, and Cendrillon for the Aspen Music Festival. Maestro Mechavich has also paced productions for Utah Opera, Dayton Opera, Opera Birmingham, Tulsa Opera, Oberlin Conservatory of Music, Lake George Opera Festival, Pine Mountain Music Festival, Fargo-Moorhead Opera and Virginia Opera. Equally at home on the concert stage as in the opera pit, Maestro Mechavich has appeared with the Orlando Philharmonic, Hartford Symphony, Naples Philharmonic, Waterbury Symphony, Virginia Symphony and Sarasota Orchestra. Future engagements include Susannah for Des Moines Metro Opera, Lelisir damore and Madama Butterfly for Kentucky Opera and Aida for Calgary Opera.

A native of Long Lake, Minnesota, Joseph Mechavich studied at the Oberlin College Conservatory of Music and the Yale University School of Music. Maestro Mechavich has held a variety of positions such as serving as Principal Conductor of Opera Birmingham for six seasons, cover conductor for The Santa Fe Opera for four seasons as well as Director of Music for Orlando Opera and Assistant Conductor for The Minnesota Opera.

About the Director: Jonathon Field
Stage Director Jonathon Field has become one of Americas more versatile and popular stage directors.  A trailblazer in the world of opera, Mr. Field is fascinated with traditional as well as modern stage techniques.  He has developed and used video-projected scenery for over twenty-five years in productions that have been called brilliant, dazzling and riveting. Mr. Field is currently the Director of the Oberlin Opera Theater and an Associate Professor at the Oberlin Conservatory of Music.

Mr. Field directed the American premiere of Lost Highway, an opera based on the David Lynch film, that played to sold-out performances at the Miller Theater in New York.  He directed the world premiere of the jazz opera Leave Me Alone in a partnership between Oberlin Conservatory and Real Time Opera, which was one of the first operas to broadcast live on the internet.  His productions for Lyric Opera of Chicago of Trouble in Tahiti, Gianni Schicchi, The Old Maid and the Thief and The Spanish Hour were successfully revived at the Illinois Humanities Festival.   He directed touring productions of La Cenerentola and Die Fledermaus for San Francisco Operas Western Opera Theatre, which played in over twenty states. Over the past eight years Mr. Field directed ten productions with Arizona Opera, being deemed by the press their most perceptive stage director.  From 2000 through 2006 he served as Artistic Director of Lyric Opera Cleveland, where he presented the operas of Mozart, Rossini, Donizetti and the Ohio premieres of works by John Adams, Mark Adamo and Philip Glass.  Mr. Field received a Northern Ohio Live Award for his work on Don Giovanni in Cleveland, which was called, An electrifying production that has come to be the hallmark of Fields tenure.

Mr. Field has been praised for his international work as well, having directed The Riverboat Show at the Edinburgh Fringe Festival, Dido and Aeneas at Teatro Colon in Buenos Aires, Suor Angelica and Menottis Amalia al Ballo at the Urbania Festival in Italy.  He has collaborated with such esteemed artists as Teresa Zylis-Gara, Jerome Hines, Pablo Elvira, Giorgio Tozzi and Angelina Reux.

Mr. Fields expertise extends from the avant garde to musical comedy. In 1996, he introduced computer-generated scenery to the opera world in a production of Candide at West Bay Opera in Silicon Valley, CA, with assistance from Apple, Inc. The press called the show, virtual Voltaire - the backgrounds are as varied as the story. He pioneered the use of video-projected scenery in productions of The Turn of the Screw, Tales of Hoffmann and Der Freischtz.  In the realm of operetta and musical theatre, Mr. Field staged H.M.S. PinaforeTrial by Jury for Lake George Opera, Bernsteins Wonderful Town in Chicago, and Merry Widow and Countess Maritza in San Francisco.  For the Oakland Symphony he translated and choreographed Stravinskys Pulcinella, using members of the Oakland Ballet.
for Opera Omaha,  Tickets for Candide at Oberlin Opera Theater are $5 for all students; $8 for Oberlin College faculty, staff, alumni, parents, area educators, and seniors; and $12 for the general public. Season subscriptions are also available. All seats are reserved. Tickets may be purchased online at www.oberlin.edu/artsguide/tickets; by calling Oberlins Central Ticket Service (CTS) 440-775-8169 or 800-371-0178; or by visiting the box office, located in the lobby of Hall Auditorium. CTS hours are from noon to 5 p.m., Monday through Friday and select Saturdays. Tickets are $3 more when purchased at the door. Hall Auditorium is wheelchair accessible, and hearing enhancement is available upon request. Free parking is available throughout the campus. Į

The Oberlin Conservatory of Music
Awarded the 2009 National Medal of Arts by President Barack Obama, the Oberlin Conservatory of Music is renowned internationally as a professional music school of the highest caliber. Praised as a national treasure by the Washington Post, the conservatory, founded in 1865 and situated amid the intellectual vitality of Oberlin College since 1867, is the oldest continuously operating conservatory in the United States. Oberlins alumni enjoy illustrious careers in all aspects of the music world. They have achieved prominence as solo performers; chamber, orchestral, and jazz musicians; composers; conductors; and music educators, scholars, and administrators.  For more information visit www.oberlin.edu.


CALENDAR LISTINGS
Wednesday, March 17, 2010, 8 p.m.
Friday, March 19, 2010, 8 p.m.
Saturday, March 20, 2010, 8 p.m.
Sunday, March 21, 2010, 2 p.m.

Oberlin Opera Theater presents
Candide
By Leonard Bernstein
Libretto by Hugh Wheeler, after Voltaire
Joseph Mechavich, conductor
Jonathon Field, director

Hall Auditorium
67 N. Main Street
Oberlin, Ohio

Reserved seats: $12; seniors $8; students $5
All tickets are $3 more when purchased at the door.
Online: www.oberlin.edu/artsguide/tickets
Phone: 440-775-8169 or 800-371-0178
Central Ticket Service is located in the lobby of Hall Auditorium.
Open Noon to 5 p.m., MondayFriday

Thursday, March 11, 2010

San Francisco Symphony Announces 2010-11 Season

Orchestras 99th Season Offers Trademark Mix of Engaging and Adventurous Programs, Award-Winning Media Projects, International Touring, and Community and Education Initiatives. Project San Francisco Artist and Composer Residencies Feature Composer John Adams and Pianist Yuja Wang.
 
Season Includes World-Premiere SFS Commissions by Avner Dorman and Rufus Wainwright.
 
SFS Celebrates 2010-11 Mahler Anniversaries with Keeping Score PBS Broadcasts, Release of Orchestral Songs CD on SFS Media & Performances of Mahler Symphonies in SF and European Musical Capitals.
 
Michael Tilson Thomas Opens the Season Tuesday, September 7 with Gala Concert Featuring
Soprano Jessye Norman and Leads Orchestra in 17 Weeks During Season.

Orchestra to Perform Twenty Concerts on Two European Tours in Twelve Cities, including Residencies at the Lucerne Festival and Four-Concert Vienna Residency.

Distinguished Roster of Artists and Conductors Includes the SFS Debuts of Pablo Heras-Casado, Ton Koopman, Kirill Karabits, Carlos Kalmar and Rufus Wainwright, and the Return of James Conlon, Kurt Masur, Joshua Bell, Hlne Grimaud, Anne Sofie von Otter and Leonidas Kavakos.
 
Orchestra to Perform 20 SF Symphony Premieres and 14 Works by American Composers.
 
Great Performers Series and Special Concerts Feature Visits by the Israel Philharmonic Orchestra with Zubin Mehta, Lang Lang, the St. Petersburg Philharmonic and Yuri Temirkanov, Dmitri Hvorostovsky,
and the Mutter-Bashmet-Harrell Trio.
 
SAN FRANCISCO, CA, March 1, 2010 Music Director Michael Tilson Thomas (MTT) today announced programs and details of the San Francisco Symphonys (SFS) 2010-11 season. Engaging local and global audiences with its exciting and innovative brand of music-making, the Orchestras 99th season features its trademark blend of adventurous programs, residencies by acclaimed artists and composers, international tours of Europes most prestigious festivals and musical capitals, and reaching new audiences with award-winning media and education projects.
 
The Orchestras 2010-11 Project San Francisco composer and artist residencies celebrate the work of composer John Adams and pianist Yuja Wang in a variety of performances and educational settings. The Orchestra will celebrate the 2010-11 Gustav Mahler anniversaries in performances both at home and abroad, on PBS Television through a new season of Keeping Score, and on disc in the final release of its Grammy Award-winning Mahler cycle. Highlights of the SF Symphonys 99th season also include two European tours, with residencies at the Lucerne Festival and a rare four-concert appearance in Vienna; two world-premiere commissions and 18 SFS premieres; and a 33-week season of exciting programming reaching audiences in new and creative ways. Continuing one of the orchestral scenes most successful and inspired artistic partnerships, Michael Tilson Thomas conducts the San Francisco Symphony in seventeen weeks of concerts at home and abroad, in programs pairing works of the core classical repertoire with works new to or rarely heard by Davies Symphony Hall audiences.
 
Subscription ticket packages for the San Francisco Symphonys 2010-11 season go on sale to renewing subscribers and the general public starting today, Monday, March 1, at 10 a.m. Ticket information is available through the San Francisco Symphony Web site at www.sfsymphony.org, through the SFS Patron Services Office at 415-864-6000, and at the Davies Symphony Hall box office, on Grove Street between Van Ness Avenue and Franklin Street in San Francisco.
 
PROJECT SAN FRANCISCO, SFS COMPOSER AND ARTIST RESIDENCY


Project San Francisco, the SFS multi-faceted composer and artist residency program, brings some of todays most acclaimed musicians and composers to San Francisco to collaborate with the SFS in concerts, chamber music, lectures, and in education and community events. In the 2010-11 season, composer John Adams and pianist Yuja Wang, two artists with significant ties to the San Francisco Symphony, join the SFS for the second season of Project San Francisco. Part of the Orchestras Centennial Initiatives, Project San Francisco celebrates the creative spirit while deepening connections between SFS guest artists, the Orchestra, and its community.

JOHN ADAMS: PROJECT SAN FRANCISCO



For two weeks in December 2010, Project San Francisco spotlights the work of renowned American composer and Bay Area resident John Adams, continuing his strong relationship with the Orchestra that innovated the composer-in-residence model with his appointment nearly three decades ago. Project San Francisco will present two of John Adams SFS commissions and an all-Adams chamber music concert featuring members of the SFS. As Phyllis C. Wattis Composer-in-Residence, Adams will conduct the Orchestra in his San Francisco Symphony commission El Nio, a multilingual retelling of the Nativity story composed for the celebration of the millennium, at Davies Symphony Hall December 2-4. These concerts will feature sopranos Dawn Upshaw and Jessica Rivera, mezzo-soprano Michelle DeYoung, countertenors Daniel Bubeck, Brian Cummings, and Steven Rickards, bass-baritone Jonathan Lemalu, and the Grammy Award-winning San Francisco Symphony Chorus. The San Francisco Girls Chorus also performs. The SFS performed the 2001 U.S. premiere of El Nio, which it co-commissioned, in a staged performance under the baton of Kent Nagano.

During the second week of Adams Project San Francisco residency, December 8-11, Music Director Michael Tilson Thomas will lead the Orchestra in Adams 1985 SFS commission Harmonielehre. The composition was inspired by a dream Adams had in which he was driving across the Bay Bridge and saw an oil tanker on the surface of the water abruptly turn upright and take off like a rocket. The SFS performed the world premiere of Harmonielehre in March 1985 under the direction of then-Music Director Edo de Waart, who conducted it again in October 1988. Michael Tilson Thomas led the Orchestra in Harmonielehre during his first season as SFS Music Director in December 1995, and then again in February 2000, both at home at Davies Symphony Hall and on tour with the Orchestra in New York, Boston, and Los Angeles.

One of Americas most admired and respected composers, John Adams was appointed contemporary music adviser to the San Francisco Symphony in 1979. He was the Orchestras composer-in-residence between 1982 and 1985, and his tenure helped set the precedent for composer residencies at orchestras around the world. The creative relationship between the SF Symphony and John Adams has been extraordinarily productive: since 1981 the SFS has performed 21 of his works, six of which were SFS commissions. The Orchestra has performed six world premieres of Adams music and four U.S. premieres, including the March 2007 U.S. premiere of his opera A Flowering Tree, a San Francisco Symphony co-commission. The Orchestra has commissioned Adams to write a work for its centennial season in 2011-12.

YUJA WANG: PROJECT SAN FRANCISCO



In June 2011, as part of Project San Franciscos 2010-11 Artist-in-Residence program, 23-year-old Yuja Wang joins MTT and the SFS for a series of performances with orchestra and in chamber music settings, and educational activities for music students. Led by MTT, Wang will perform Bartks Piano Concerto No. 2 with the Orchestra June 16-19. As part of the residency, Wang also performs a June 14 chamber music concert with musicians of the Orchestra and a recital June 21 at Davies Symphony Hall.

In the few short years since her 2006 debut with the SF Symphony in the annual Chinese New Year concert, Yuja Wang has established herself as a star on the international stage. She has already performed with many of the worlds most prestigious orchestras, as well as in recital, chamber music, and festival settings around the globe. An exclusive recording artist for Deutsche Grammophon, Wangs 2009 debut recording, Sonatas & Etudes, was nominated for a Grammy Award in the Best Instrumental Soloist Performance (without Orchestra) and was named Best Debut Album of 2009 by International Piano magazine. Gramophone magazine named Wang the Classic FM Gramophone Awards 2009 Young Artist of the Year. Her second album, Transformation, which includes works by Stravinsky, Scarlatti, Brahms, and Ravel, will be released in April 2010. During the 2009-10 season she performed on an 11-city U.S. tour with the Shanghai Symphony Orchestra led by Long Yu, and also performed with the Russian National Orchestra conducted by Patrick Summers during the orchestras 20th Anniversary U.S. tour. Wang also performs with the Lucerne Festival Orchestra conducted by Claudio Abbado in Beijing, the Royal Philharmonic Orchestra in Spain and in London, and the Hong Kong Philharmonic. In the summer of 2010, Wang returns to the Santa Fe Chamber Music Festival and the Verbier Festival.

After her 2006 SFS debut, Yuja Wang returned later in the year to perform Ravels Piano Concerto in G major under the baton of Music Director Michael Tilson Thomas in the SFSs All San Francisco Community Concert. Since then, she has performed with the Orchestra each year, most recently with MTT in May 2009, performing Prokofievs Piano Concerto No. 2. She was also a soloist in the April 2009 performance by the YouTube Symphony Orchestra, led by Tilson Thomas at Carnegie Hall.

A MAHLER CELEBRATION 2010-2011

The 2010-11 season encompasses two anniversary years sparking worldwide retrospectives of the music of Mahler: 2010 is the 150th anniversary of Mahlers birth, and 2011 marks the 100th year of Mahlers death. The SFS and Michael Tilson Thomas, among the worlds leading interpreters of Mahlers music, will play a significant role in the global commemoration of Mahler, through concerts, extensive media projects, and prominent international tour performances.

MTT/SFS Mahler in San Francisco

Beginning May 5, MTT conducts the Orchestra in three all-Mahler programs featuring Mahler Symphonies No. 9, 2, and 6. Soprano Karina Gauvin and mezzo-soprano Sasha Cooke are soloists with the SF Symphony Chorus for Mahlers Symphony No. 2, Resurrection.

INTERNATIONAL TOURS Mahler in Europe

As acclaimed interpreters of the music of Mahler, Michael Tilson Thomas and the San Francisco Symphony have been invited to perform Mahler in some of Europes leading music capitals for their anniversary celebrations. The Orchestra will give performances of Mahler Symphonies Nos. 2, 5, 6, and 9 in two tours throughout Europe, including the centerpiece: a rare four-concert engagement at the famed Vienna Konzerthaus, as part of the citys commemoration of the Mahler anniversaries. For complete tour details, see page 12.

KEEPING SCORE - Mahler on PBS

Keeping Score, the San Francisco Symphonys acclaimed national media project designed to make classical music more accessible to people of all ages and musical backgrounds, launches its third television season on PBS in the spring of 2011 with a focus on the life and music of Gustav Mahler. In addition to PBS documentaries and live performance videos, the third season of Keeping Score includes an interactive online experience at www.keepingscore.org, a new series of national radio programs, and an education program that provides professional development for K-12 teachers, enabling them to integrate classical music into core subjects. To date, over six million people in the U.S. have seen the Keeping Score television series, with international broadcasts across Europe and Asia. The Peabody Award-winning Keeping Score radio series has been broadcast on almost 100 stations nationally. Full details of Season Three of Keeping Score will be announced at a later date.

THE MAHLER RECORDING PROJECT Mahler on CD

The San Francisco Symphonys acclaimed Mahler recording cycle, launched in 2001 on its own SFS Media label, comes to a close this season with the release of Mahlers Songs for Orchestra in September 2010. Songs for Orchestra features the SFS performing Rckert Lieder with mezzo-soprano Susan Graham, led by Michael Tilson Thomas. Baritone Thomas Hampson and the Orchestra contribute performances of Songs of a Wayfarer (Lieder eines fahrenden Gesellen) and selections from Des Knaben Wunderhorn to the release. Rckert Lieder and Songs of a Wayfarer (Lieder eines fahrenden Gesellen) were both recorded live at Davies Symphony Hall during the September 2009 Mahler Festival. Thomas Hampson recorded songs from Des Knaben Wunderhorn with MTT and the Orchestra at Davies Symphony Hall in May 2007.

The SFS Media Mahler cycle has won seven Grammy Awards, including three for Best Classical Album. Most recently, in January, its September 2009 release of Mahlers Symphony No. 8 and the Adagio from Symphony No. 10 garnered three Grammys in the categories of Best Classical Album, Best Choral Performance, and Best Engineered Classical Album. The cycle has sold over 130,000 recordings. All SFS Media recordings are available on hybrid SACD from the Symphony Store in Davies Symphony Hall and online at sfsymphony.org/store as well as other major retailers. The recordings can also be purchased as MP3s from iTunes, Emusic, Rhapsody, and other digital outlets. SFS Media recordings are distributed by Harmonia Mundi in the U.S. and Avie internationally.

SFS COMMISSIONS AND PREMIERES
As an integral part of the Orchestras Centennial Initiatives, the SFS in 2010-11 offers two world premiere performances of new works commissioned by the SFS. Vocalist and composer Rufus Wainwright will perform his new Five Shakespeare Sonnets with the Orchestra November 11-13. Jeffrey Kahane conducts Wainwrights SFS debut.

Canadian-American singer-songwriter Wainwright, born in New York to folk singers Kate McGarrigle and Loudon Wainwright III in 1973, has had a diverse career in pop music as well as on screen, appearing as an actor and singer, scoring films, and writing music for ballet and dance. Wainwrights first opera, Prima Donna, premiered at the Manchester International Festival in 2009 and opens in London in April 2010. Wainwrights new recording All Days Are Nights: Songs for Lulu, a reference to Shakespeares Sonnet 43, is set for an April 5 release. The record contains three Shakespeare sonnets, selected from 24 pieces of music that Wainwright wrote for a Berliner Ensemble production directed by Robert Wilson in Berlin last year. Also included is Les Feux DArtifice TAppellant, the final aria from Prima Donna.

The world premiere of Israeli composer Avner Dormans work Uriah, an SFS commission, will be led by conductor David Robertson January 26-28. At 25, Dorman became the youngest composer to win Israels prestigious Prime Ministers Award. The same year, he won the Golden Feather Award from ACUM (the Israeli Society of Composers and Publishers). Dormans work has been performed by the New York Philharmonic, the Los Angeles Philharmonic at the Hollywood Bowl, the Israel Philharmonic Orchestra, and the Munich Philharmonic Orchestra. He holds a doctorate in music composition from The Juilliard School.

In addition to the two world premieres, the 2010-11 season features 18 works never before performed by the SFS. Michael Tilson Thomas leads the Orchestra in compositions by American composers Morton Feldman (Rothko Chapel) and Duke Ellington (Come Sunday, Heaven, Dont Get Around Much Anymore). Tilson Thomas will also lead first performances of works by two Latin American composers, Revueltas Sensemay and Villa-Lobos Ciranda das sete notas, the latter featuring Principal Bassoon Stephen Paulson. The Orchestra also performs Bergs Three Pieces from Lyric Suite and Debussys Fantasie for Piano and Orchestra with pianist Jean-Frdric Neuburger.

In his SFS debut, Pablo Heras-Casado leads the Orchestra in its first performances of Shostakovichs Symphony No. 12, The Year 1917, and its first performances ever of the music of Hungarian composer Gyrgy Kurtg, his Grabstein fr Stephan. Jeffrey Kahane leads the SFS in its first performances of Kurt Weills Symphony No. 2. Peter Oundjian leads the first SF Symphony performances of Christopher Rouses The Infernal Machine, and pianist David Greilsammer performs Mozarts Piano Concerto Nos. 5 and 8 with the Orchestra, led by Bernard Labadie. Kirill Karabits conducts the Orchestra in Ukrainian composer Valentin Silvestrovs Elegie, written in 2002. These are the first SFS performances of Silvestrovs music. Carlos Kalmar conducts the Orchestra in its first performances of Schnittkes Moz-Art la Haydn, and Ton Koopman leads from the podium in C.P.E. Bachs Symphony in G major. Yan Pascal Tortelier leads the Orchestra and violinist Vadim Gluzman in the first SFS performances of Khachaturians Violin Concerto.


MICHAEL TILSON THOMAS 2010-11 PROGRAMS

The San Francisco Symphony and Michael Tilson Thomas open the 2010-11 season on Tuesday, September 7 with their 99th Season Opening Gala concert, featuring soprano Jessye Norman performing Coplands In the Beginning with the San Francisco Symphony Chorus and songs by Duke Ellington, including Come Sunday, Heaven, Dont Get Around Much Anymore, Sophisticated Lady, and It Dont Mean a Thing (If It Aint Got That Swing). The gala program also includes Berliozs Roman Carnival Overture, and Suite No. 2 from Ravels Daphnis et Chlo.

Other highlights of MTTs sixteenth season as Music Director include:
 
MTT leads the Orchestra in three weeks of concerts highlighting SFS musicians as featured soloists. From September 22-25, English horn player Russ deLuna and Principal Trumpet Mark Inouye are soloists in Aaron Coplands Quiet City. Also on the program is Lou Harrisons Parade, written for and dedicated to Michael Tilson Thomas, and Coplands Organ Symphony with Paul Jacobs. The week of September 29, MTT and the Orchestra perform an all-French program, including the first SF Symphony performances of Debussys Fantasie for Piano and Orchestra. Principal Clarinet Carey Bell is the soloist in Debussys Premire Rapsodie for Clarinet. The Orchestra also performs Ravels Rapsodie espagnole and scenes from Berliozs Romo et Juliette. The music of Latin American composers and Beethovens Symphony No. 7 highlight the week of October 7. Led by MTT, Principal Bassoon Stephen Paulson is featured soloist with the Orchestra in the first SFS performances of Villa-Lobos Ciranda das sete notas. These are also the Orchestras first performances of Revueltas Sensemay. Edgar Varses Amriques (revised version) completes the program.
 
Principal Viola Jonathan Vinocour and the San Francisco Symphony Chorus are featured in Morton Feldmans Rothko Chapel, for viola, celesta, percussion, soprano, alto and choir, which the Orchestra will perform under MTT the week of February 23. The Orchestra and Chorus also perform Mozarts Requiem in D minor for the first time during the regular season since 1991.
 
Michael Tilson Thomas leads the Orchestra the week of December 8 in Project San Francisco concerts. Project San Francisco composer John Adams Harmonielehre, Henry Cowells Synchrony, and Mozarts Violin Concerto No. 5 (featuring Gil Shaham) are on the program. For more on Project San Francisco, see p. 2.
 
Beginning May 5, MTT conducts the Orchestra in three all-Mahler programs featuring Symphonies No. 9, 2, and 6. Soprano Karina Gauvin and mezzo-soprano Sasha Cooke are the soloists, and the SF Symphony Chorus also performs in Mahlers Symphony No. 2, Resurrection.
 
Pianist Yuja Wang, the featured Project San Francisco artist for 2010-11, joins the Orchestra and MTT to perform Bartks Piano Concerto No. 2 June 16-19.

Tilson Thomas conducts the Orchestra in their first performances together of Beethovens Missa solemnis June 23-26. The soloists are soprano Christine Brewer, mezzo-soprano Katarina Karnus, tenor Gregory Kunde, and bass Ain Anger, with the SF Symphony Chorus.

In November, MTT leads two concert weeks featuring the music of Brahms, Strauss, Schubert, and Berg. Beginning November 17, MTT conducts Strauss Ein Heldenleben and Four Last Songs (Vier letzte Lieder), with soprano Elza van den Heever. Schuberts Music from Rosamunde opens the program. The week of November 24, Thanksgiving week, Yefim Bronfman joins the Orchestra for performances of Brahms Piano Concerto No. 1, and the Orchestra performs his Academic Festival Overture. The first SFS performances of Bergs Three Pieces from Lyric Suite complete the program.

Mezzo-soprano Anne Sophie von Otter joins the Orchestra beginning March 3 for selected songs by Grieg and Nielsen. MTT and the Orchestra also perform Hindemiths Concert Music for String Orchestra and Brass together for the first time.

Other major works of the standard repertoire MTT will conduct include Tchaikovskys Symphony No. 4, the subject of the Symphonys Keeping Score television series pilot, Bruckners Symphony No. 7, and Brahms Serenade No. 1.


BEETHOVEN FOCUS

The San Francisco Symphony offers an in-depth exploration this season of the music of Beethoven, presenting and performing a wide selection of the composers symphonies, concertos, and chamber music. Michael Tilson Thomas leads the Orchestra and SF Symphony Chorus in their first performances together of Missa solemnis in June, with soprano Christine Brewer, mezzo-soprano Katarina Karnus, tenor Gregory Kunde, and bass Ain Anger. In October, the Orchestra also performs Beethovens Symphony No. 7 under MTTs baton. Visiting conductor Marek Janowski conducts two all-Beethoven weeks, in January and February, including the composers Symphonies No. 1, 2 and 4; the Triple Concerto with violinist Chee-Yun, cellist Alisa Weilerstein, and pianist Jeremy Denk; and his Piano Concerto No. 3, with Juho Pohjonen in his San Francisco Symphony debut. The Orchestra also performs the Leonore Overture No. 3 under Janowski.

In April, conductor Peter Oundjian leads Jonathan Biss and the Orchestra in Beethovens Piano Concerto No. 5, Emperor. With the Dresden Staatskapelle in October, pianist Rudolf Buchbinder performs Beethovens Piano Concerto No. 4. The Mutter-Bashmet-Harrell Trio, with violinist Anne Sophie Mutter, violist Yuri Bashmet, and cellist Lynn Harrell, in November performs an all-Beethoven program, including the String Trio in C minor, the Serenade in D major for Violin, Viola and Cello, and the String Trio in E-flat major.

The Orchestra also performs Beethovens Symphony No. 5 in Europe this season, in Lucerne in September 2010 and in Vienna, Paris, and Prague in May 2011.

2010-11 GUEST CONDUCTORS

The San Francisco Symphony welcomes several of todays most distinguished and accomplished conductors to its podium as guests with the Orchestra. Among them:

John Adams [see John Adams: Project San Francisco, p. 2].

October 21-24 the SFS welcomes back the Music Director of Los Angeles Opera and the Ravinia Festival James Conlon, to conduct Wagners Prelude to Act I of Die Meistersinger von Nrnberg and three works by Dvok: Carnival Overture, In Natures Realm, and the Othello Overture. Joshua Bell will join Conlon and the SFS to perform Bruchs Violin Concerto No. 1 at these concerts.

Canadian conductor and Music Director of the Toronto Symphony, Peter Oundjian returns to the SFS April 28-30 to lead the Orchestra in its first performances of Pulitzer Prize-winning composer Christopher Rouses The Infernal Machine. Jonathan Biss will be soloist in Beethovens Piano Concerto No. 5, and Brahmss Symphony No. 3 rounds out the concert program.

32-year-old Spanish conductor Pablo Heras-Casado makes his SFS debut October 28-30, leading the Orchestra in its first performances of both Gyrgy Kurtgs Grabstein fr Stephan and Shostakovichs Symphony No. 12, The Year 1917. Alice Sara Ott makes her debut with the Orchestra to perform Liszts Piano Concerto No. 1. The Orchestra also performs Mendelssohns Fingals Cave Overture during these concerts.

Acclaimed for his interpretations of Beethoven, Artistic Director of the Rundfunk-Sinfonieorchester Berlin Marek Janowski leads the Orchestra in two all-Beethoven programs. January 20-23 he conducts the Orchestra in Beethovens Symphony No. 4 and his Piano Concerto No. 3, featuring the SFS debut of Juho Pohjonen. Beethovens Leonore Overture No. 3 is also on the program. Janowski returns February 2-5 with Beethovens Symphonies No. 1 and 2 and his Triple Concerto in C major, featuring Chee-Yun on violin, Alisa Weilerstein on cello and pianist Jeremy Denk.

November 11-13 Jeffrey Kahane leads the Orchestra and vocalist Rufus Wainwright in the world premiere of Wainwrights SFS-commissioned work Five Shakespeare Sonnets. Kahane is currently the Music Director of the Los Angeles Chamber Orchestra and the Colorado Symphony Orchestra. Renowned as both a pianist and a conductor, Kahane will perform Ravels Piano Concerto in G major in these concerts. The Orchestra will also perform Kurt Weills Symphony No. 2 for the first time.

Conductor Carlos Kalmar makes his SFS debut November 3-5, leading the Orchestra in Orffs Carmina burana featuring soprano Jolle Harvey, tenor Nicholas Phan, and the San Francisco Symphony Chorus. Also performing are the Crowden School Chorus and the Pacific Boychoir. Kalmar will also lead the Orchestra in its first performances of Schnittkes Moz-Art la Haydn. Haydns Symphony No. 97 completes the program. The Uruguayan-born Austrian is the Music Director of the Oregon Symphony and of the Grant Park Music Festival in Chicago.

Ukrainian-born conductor Kirill Karabits makes his SFS debut January 6-9 at age 34, leading the Orchestra in Schumanns Piano Concerto in A minor featuring Hlne Grimaud and Rachmaninoffs Symphonic Dances. The Orchestra will also perform Valentin Silvestrovs Elegie for the first time.

Dutch conductor Ton Koopman returns to Davies Symphony Hall for the first time since 1996, when, as part of the Symphonys Great Performers Series, he led the Amsterdam Baroque Orchestra, which he founded in 1979. He makes his debut with the SFS February 9-12 leading performances of Haydns Cello Concerto No. 2 featuring Mario Brunello, Schuberts Symphony No. 5, and the first SFS performances of C.P.E. Bachs Symphony in G major.

Kurt Masur returns to the SFS podium March 10-12 to lead an all-Mendelssohn performance of the composers Symphony No. 4 and A Midsummer Nights Dream. Soloists include soprano Susannah Biller and narrator Itay Tiran, both making their SFS debuts, as well as the San Francisco Girls Chorus.

January 13-15 Yan Pascal Tortelier conducts the SFS in Mussorgskys Prelude to Khovanschina, and Prokofievs Scenes from Romeo and Juliet. Vadim Gluzman joins the Orchestra in these concerts for its first performances of Khachaturians Violin Concerto. Tortelier is Principal Conductor of the So Paulo Symphony Orchestra.

Charles Dutoit returns to the SFS April 14-17 to lead the Orchestra in Berliozs Symphonie fantastique and Henri Dutilleuxs Tout un monde lointain, featuring cellist Gautier Capuon. Swiss conductor Dutoit is the Chief Conductor of the Philadelphia Orchestra and the Principal Conductor of the Royal Philharmonic Orchestra.

April 7-9 Finnish conductor Osmo Vnsk directs the Orchestra in Vaughan Williams Symphony No. 2, A London Symphony, and Mendelssohns Violin Concerto in E minor featuring SFS Concertmaster Alexander Barantschik. Vnsk is the Music Director of the Minnesota Orchestra.

David Robertson returns to the SFS podium January 26-28 for a program that features the world premiere of Avner Dormans SFS commission Uriah. Also at these concerts, Leonidas Kavakos performs Prokofievs Violin Concerto No. 2, and the Orchestra performs his Symphony No. 1 and Dukas The Sorcerers Apprentice.
 
Russian-American conductor Semyon Bychkov returns to the SFS October 14-17 to lead performances of Ravels Le Tombeau de Couperin and British composer Sir William Waltons Symphony No. 1. Pianist Kirill Gerstein performs Rachmaninoffs Rhapsody on a Theme of Paganini at these concerts.

Bernard Labadie leads the SFS in all-Mozart concerts February 17-19. These performances will include Symphonies Nos. 25 and 33 and the first SFS performances of Mozarts Piano Concertos Nos. 5 and 8 featuring David Grielsammer, who makes his SFS debut in these concerts. Israeli pianist and conductor Greilsammer won the Young Musician of the Year prize at the French Music Awards in 2008, and followed it by performing the complete Mozart Sonatas in a one-day marathon in Paris. Labadie founded and is Music Director of the chamber orchestra Les Violons du Roy and the choir La Chapelle de Qubec.
 
2009-10 GUEST SOLOISTS

The San Francisco Symphonys 2010-11 season features 15 guest soloists making their SFS debuts, including pianists David Greilsammer, Jean-Frdric Neuburger, Alice Sara Ott, and Juho Pohjonen; violinist Arabella Steinbacher; cellist Mario Brunello; sopranos Susannah Biller, Ingela Bohlin, and Karina Gauvin; mezzo-soprano Abigail Nims; bass Ain Anger; bass-baritones Jonathan Lemalu and Shenyang; vocalist Rufus Wainwright; and narrator Itay Tiran.

The 31 guest artists returning to perform with the SFS during the 2010-11 season include: pianists Jonathan Biss, Yefim Bronfman, Jeremy Denk, Kirill Gerstein, Hlne Grimaud, Yundi Li, and Yuja Wang; violinists Joshua Bell, Vadim Gluzman, Leonidas Kavakos, Gil Shaham, and Chee-Yun; cellists Gautier Capuon and Alisa Weilerstein; organist Paul Jacobs; sopranos Christine Brewer, Jolle Harvey, Elza van den Heever, Jessye Norman, Jessica Rivera, and Dawn Upshaw; mezzo-sopranos Sasha Cooke, Michelle DeYoung, Katarina Karnus, Kelley OConnor, and Anne Sofie von Otter; and countertenors Daniel Bubeck, Brian Cummings, and Steven Rickards; and tenors Gregory Kunde and Nicholas Phan.

2010-11 SFS CONDUCTORS AND MUSICIANS

SFS Conductor Laureate Herbert Blomstedt leads the Orchestra for two weeks in March 2011, in Dvoks New World Symphony and with soloist Arabella Steinbacher in her SFS debut in Mozarts Violin Concerto No. 4 March 24-26. From March 30 through April 2 Yundi Li joins Blomstedt and the Orchestra for Tchaikovskys Piano Concerto No. 1. The Orchestra also performs Sibelius Symphony No. 2 in these concerts.

March 16-20 SFS Chorus Director Ragnar Bohlin leads the San Francisco Symphony and Chorus in Bachs Mass in B minor featuring soprano Ingela Bohlin, mezzo-sopranos Abigail Nims and Kelley OConnor, tenor Nicholas Phan, and bass-baritone Shenyang. Bohlin, the Orchestra, Chorus, and soloists perform the same program March 17 at the University of California-Davis Mondavi Center.

A number of San Francisco Symphony musicians will be featured soloists when MTT conducts in the 2010-11 season. From September 22-25, English horn player Russ deLuna and Principal Trumpet Mark Inouye solo in Coplands Quiet City. SFS Principal Clarinet Carey Bell will be featured in Debussys Premire Rapsodie for Clarinet September 29-October 3, and Principal Bassoon Stephen Paulson is soloist in the first SFS performances of Villa-Lobos Ciranda das sete notas October 7-9. SFS Principal Viola Jonathan Vinocour will be featured in Feldmans Rothko Chapel when MTT conducts the Orchestras first performances of the work February 23-26. SFS Concertmaster Alexander Barantschik will perform Mendelssohns Violin Concerto in E minor with guest conductor Osmo Vnsk leading the Orchestra April 7-9.

SFS musicians will also appear in the 2010-11 Chamber Music Series, with six Sunday matinee concerts in Davies Symphony Hall and four at the California Palace of the Legion of Honor.

San Francisco Symphony Youth Orchestra Music Director Donato Cabrera leads the Youth Orchestra in six concerts, including three concerts of diverse orchestral repertoire in Davies Symphony Hall, and three December concerts of Prokofievs Peter and the Wolf, two at Davies Symphony Hall and one at Flint Center in Cupertino.

THE SAN FRANCISCO SYMPHONY CHORUS

The San Francisco Symphony Chorus, in its fourth season under SFS Chorus Director Ragnar Bohlin, performs in seven SFS concert weeks and one special choral concert. Michael Tilson Thomas conducts the Chorus in three programs, with repertoire including Mozarts Requiem in D minor, Mahlers Symphony No. 2, Resurrection, and Beethovens Missa solemnis. Michael Tilson Thomas also leads the group in Coplands In the Beginning at the Opening Gala. Guest conductor Carlos Kalmar leads the ensemble in Orffs Carmina burana, John Adams leads the group in his El Nio, and Ragnar Bohlin conducts the Chorus in Bachs Mass in B minor. Bohlin will also conduct the spring chorus concert in May, with repertoire to be announced.

EUROPEAN TOURS

The San Francisco Symphony and Michael Tilson Thomas perform two European tours during the 2010-11 season, with residencies at some of Europes most prestigious festivals and in music capitals around the Continent. In September 2010, the Orchestra returns to the acclaimed Lucerne Festival for a three-concert residency. These Orchestra concerts with MTT cap its three-year Lucerne Festival residency and include performances of Mahlers Symphony No. 5; Beethovens Symphony No. 5; Berlioz Les Nuits dt (with soprano Susan Graham) and Roman Carnival Overture; Coplands Organ Symphony, featuring organist Paul Jacobs; Ravels Valses nobles et sentimentales and Daphnis et Chlo, Suite No. 2; Bergs Violin Concerto with Christian Tetzlaff; and the Overture to Wagners Der fliegende Hollnder. The Orchestras Lucerne Festival residency began in 2006 with three concerts and continued with three more in September 2007, including performances of Mahlers Symphonies No. 7 and 8. The SFS also performs two concerts in Italy. In Milan, Susan Graham joins MTT and the Orchestra for Berliozs Les Nuits dt, and the Orchestra performs his Roman Carnival Overture, as well as Ravels Valses nobles et sentimentales and Daphnis et Chlo, Suite 2. In Turin, MTT leads the Orchestra in Mahlers Symphony No. 5 and Wagners Overture to Der fliegende Hollnder.

In May 2011, the Orchestra and MTT return to Europe for three weeks, their longest tour of the Continent since 2003. The primary musical focus is the symphonies of Gustav Mahler. MTT and the Orchestra perform 15 concerts in nine cities, beginning May 19 in Prague. A historic highlight of the tour is a rare four-concert engagement in Viennas Konzerthaus, with Tilson Thomas leading the Orchestra in performances of Mahlers Symphonies No. 2, 6, and 9. Violinist Christian Tetzlaff once again performs on tour with the Orchestra, in the violin concertos of Berg and Mendelssohn. The Orchestra performs two concerts each at the Salle Pleyel in Paris, Madrids Auditorio Nacional de Musica, and Smetana Hall in Prague. MTT and the Orchestra also perform in Brussels; Luxembourg; Essen, Germany; Barcelona; and Lisbon. In addition to the Mahler symphonies, and the Berg and Mendelssohn violin concertos, tour repertoire includes Beethovens Symphony No. 5 and Henry Cowells Synchrony.

For its performances of Mahlers Symphony No. 2, Resurrection, the Orchestra is joined by some of Europes outstanding choral groups. In Vienna, the Orchestra is accompanied by the Wiener Singakademie chorus, and in Paris, by the Choeur de Radio France. The Gulbenkian Choir performs with the Orchestra in Lisbon. The Orfon Donostiarra performs in Madrid, and the Czech Philharmonic Choir Brno performs with the Orchestra in Prague.

2010-11 GREAT PERFORMERS SERIES AND SPECIAL CONCERTS

The San Francisco Symphonys 2010-11 season offers a twelve-concert Great Performers Series and several special concerts with some of the worlds most lauded and accomplished musicians, orchestras and conductors. The series begins on October 24 with the Dresden Staatskapelle Orchestra and pianist Rudolf Buchbinder in a concert featuring music by Beethoven and Brahms. In November, the SFS presents pianist Murray Perahia in recital. Violinist Anne-Sophie Mutter, violist Yuri Bashmet, and cellist Lynn Harrell perform an all-Beethoven recital as the Mutter-Bashmet-Harrell Trio in November. In January, pianist Lang Lang returns to Davies Symphony Hall to perform in recital. Russian baritone Dmitri Hvorostovsky and pianist Ivari Ilja are featured in a recital in February. Later that month, conductor Zubin Mehta and the Israel Philharmonic Orchestra visit San Francisco to perform two concerts featuring music by Beethoven, Haydn, Mahler, and Webern. Pianist Yefim Bronfman performs a recital with music by Schumann, Rachmaninoff, Esa-Pekka Salonen, and Chopin in March. Later that month, the St. Petersburg Philharmonic and conductor Yuri Temirkanov perform two concerts of works by Rachmaninoff, Rimsky-Korsakov, Shostakovich, and Brahms. Cellist Alisa Weilerstein joins the ensemble for one performance and pianist Nikolai Lugansky for the other. In April, conductor Josep Pons leads The National Orchestra of Spain and pianists Katia and Marielle Labque in a concert featuring music by Falla, Joan Albert Amargs, Stravinsky, and Ravel. The Great Performers Series concludes on June 21 with a recital featuring pianist Yuja Wang.

Violinist Itzhak Perlman performs a recital in January. In addition, the San Francisco Symphony presents several special concerts, including a Halloween night screening of the 1920 silent classic film Dr. Jekyll and Mr. Hyde with organist Dennis James providing haunting accompaniment; a celebration of Mexican music and culture at the Da de los Muertos (Day of the Dead) Family Concert in November, conducted by SFS Assistant Conductor Donato Cabrera; and the annual Chinese New Year Concert & Celebration in January. The SFS also presents several holiday concerts, including the Colors of Christmas pop/R&B concerts with guest vocalists and the Orchestra, and the return of the New Years Eve Masquerade Ball. Complete details of the Orchestras holiday concerts will be announced at a later date.

2010-11 SOUTH BAY CLASSICAL SERIES

The San Francisco Symphony continues its performances for patrons in the South Bay during the 2010-11 season, with a five-concert subscription series at the Flint Center in Cupertino. The acclaimed SFS Youth Orchestra will also perform its annual holiday concert Peter and the Wolf at the Flint Center in December. Conductor Semyon Bychkov, the SFS, and pianist Kirill Gerstein open the South Bay Classical Series on October 14 with a program of Ravel, Rachmaninoff, and Walton. Other conductors featured in the series include David Robertson and Osmo Vnsk, and the SF Symphony debut of Ton Koopman. Violinist Leonidas Kavakos, cellist Mario Brunello, and SFS Concertmaster Alexander Barantschik also appear. The SFS has performed at Cupertinos Flint Center since 1971.

SACRAMENTO AREA PERFORMANCES

Michael Tilson Thomas and the San Francisco Symphony perform two concerts at the Mondavi Center at University of California, Davis this season. The first concert is an all-French program on September 30, featuring pianist Jean-Frdric Neuburger as soloist in Debussys Fantasie for Piano and Orchestra, and SF Symphony Principal Clarinet Carey Bell in the composers Premire Rapsodie for Clarinet. Also on the program are Ravels Rapsodie espagnole and selected scenes from Berliozs Romeo et Juliette. The Orchestra and the SF Symphony Chorus return March 17 to perform Bachs Mass in B minor under the baton of conductor Ragnar Bohlin, Chorus Director. Soloists include soprano Ingela Bohlin, mezzo-sopranos Abigail Nims and Kelley OConnor, tenor Nicholas Phan, and bass-baritone Shenyang. The San Francisco Symphony had the honor of performing the inaugural concert at the Mondavi Center when it opened in 2002, in a program of Strauss, Bartk, Wagner, and Michael Tilson Thomas Urban Legend, and has performed there four times since.

2010-11 SUNDAY ORGAN SERIES

The San Francisco Symphony continues its Sunday Organ Series during the 2010-11 season, featuring the mighty Ruffatti organ in Davies Symphony Hall. The three-concert series features organists Olivier Latry in November, Paul Jacobs in January, and Jane Parker-Smith in April. The Ruffatti organ is the largest concert-hall organ in North America and was handcrafted in Padua, Italy. This customized concert pipe organ boasts 8,264 pipes ranging in size from a ballpoint pen to over 32 feet tall, with a faade measuring 1600 square feet.

SAN FRANCISCO SYMPHONY YOUTH ORCHESTRA

The San Francisco Symphony Youth Orchestra (SFSYO), led by Wattis Foundation Music Director Donato Cabrera, celebrates its 30th anniversary season in 2010-11. The Youth Orchestra, beginning its second season with Cabrera on the podium, performs three Sunday matinee concerts on October 31, March 13, and a 30th anniversary concert on May 22. The Youth Orchestra will also perform its annual Peter and the Wolf holiday concerts in Davies Symphony Hall and at the Flint Center in Cupertino. Members of the SFSYO range between the ages of 12 and 20. The Orchestra is internationally acclaimed as one of the worlds finest ensembles of young musicians.

EDUCATION AND COMMUNITY PROGRAMS

Praised by The New York Times as a music education powerhouse and by The Wall Street Journal as the industry standard, the San Francisco Symphonys education programs offer a vital cultural resource in the Bay Area. Committed to serving its community in meaningful and lasting ways, the SFS reaches thousands of people of all ages throughout Northern California with its educational and community programs, touching a broad economic and cultural cross-section of the population. The Adventures in Music program, which serves as a national model for music education, provides in-school music experiences to every child in grades 1-5 in San Franciscos public elementary schools, as well as a special concert by the Orchestra in Davies Symphony Hall. The SFS Youth Orchestra, celebrating its 30th

Cocktails des stars - 22 avril prochain

Une soire extraordinaire vous attend!
Cocktail dnatoire bnfice

Venez rencontrer vos stars!

Qubec, le 1er mars 2010 - La Fondation de lOpra de Qubec est heureuse dannoncer sa deuxime dition de son cocktail dnatoire bnfice, Cocktail des stars, le jeudi 22 avril 2010, de 18 h 21 h, la Chapelle du Muse de lAmrique franaise.


Cette magnifique soire mettra en vedette
Marc Hervieux, tnor
Marianne Lambert, soprano
Genevive Lvesque, mezzo
Patrick Mallette, baryton

Le rcital sera dune dure de 45 minutes
Mlodies et airs varis : opra, napolitains, populaires, Broadway
Un encan silencieux se tiendra au cours de la soire
Traiteur : 47e Parallle
Billets en vente au bureau de lOpra de Qubec : 418 529.0688
Cot du billet : 195 $


Reu pour usage fiscal au montant ligible
Tenue de ville

Wednesday, March 10, 2010

La saison 2010-2011 de l'Orchestre Mtropolitain est dvoile !

Montral, le lundi 22 fvrier 2010 Cest avec beaucoup denthousiasme que Yannick Nzet-Sguin dvoile la 30e saison de lOrchestre Mtropolitain. Une saison festive qui promet de grandes clbrations !

Plus vivant que jamais et prsent dans les petites comme dans les grandes salles la grandeur du territoire de lle de Montral, lOrchestre Mtropolitain vibre et rayonne grce au talent et la passion de ses musiciens. LOrchestre se rjouit  de passer le cap des 30 saisons avec autant de succs et de fidles mlomanes, et se tourne vers lavenir en se souhaitant encore 30 belles saisons de haute tenue artistique, marques par toutes les qualits qui lui permettent de se distinguer.

La nouvelle saison de lOrchestre Mtropolitain assurera  la continuit des grands cycles particulirement affectionns des mlomanes de lOrchestre,  et qui ont fait sa marque au cours des 30 dernires saisons : Haydn, Mahler et Bruckner seront lhonneur, de mme quune pliade dartistes invits, nouveaux venus et visages bien connus.

La 30e saison de lOrchestre Mtropolitain Clbrons la musique !

Lintensit et lmotion du premier concert donneront le ton cette 30e saison grandiose. Les voix de deux chanteuses canadiennes, Karina  Gauvin, soprano, et Susan Platts, mezzo-soprano, seront mises lhonneur avec la bouleversante 2e symphonie de Mahler.

Un retour attendu lOrchestre Mtropolitain, le chef Fabien Gabel poursuivra cette saison avec un concert qui promet dtre tincelant, o Stravinski et Falla visiteront Freitas Branco, un compositeur portugais dont le Concerto pour violon sera jou par un Qubcois dorigine portugaise, Alexandre da Costa.

Pour le dbut du mois dcembre lOrchestre prpare un concert vivant o des membres de lAtelier Lyrique de lOpra de Montral uniront leurs voix  celles du Chur de lOrchestre Mtropolitain.  Le Magnificat de Bach et Daphnis et Chlo de Ravel illumineront la soire par leur clat et leur chaleur.

Puis, place un programme irrsistible, tout franais, au cours duquel le chef invit Benot Fromanger et la fltiste Juliette Hurel nous livreront entre autres le Concerto pour flte dIbert et la Symphonie de Chausson, chefs-duvre de la musique symphonique franaise.

Keri-Lynn Wilson, chef invite, et Nareh Arghamanyan, pianiste gagnante du Concours musical international de Montral en 2008, seront galement de la partie en cette 30e saison. Pour clbrer le 200e anniversaire de naissance de Liszt, elles prsenteront son 2e concerto pour piano et sa tonitruante Totentanz dans le cadre dun concert lectrisant et inoubliable !

On retrouvera ensuite la violoncelliste Denise Djokic et laltiste Brian Bacon, alto solo de lOrchestre, dans une interprtation vertigineuse du pome symphonique Don Quichotte de Richard Strauss. Un programme qui se distingue par son ct hroque. Une aventure ne pas manquer !

Enfin, la saison sera clture par un triptyque musical bien qubcois : Orion de Claude Vivier sera jou avec des crations, commandes de lOrchestre, de Denys Bouliane et dric Champagne. Aussi au programme, la Romantique 4e symphonie de Bruckner. Un concert jubilatoire ; une faon magistrale de terminer en grandes pompes le 30e !

Fond en 1981 par des musiciens diplms des conservatoires et facults de musique du Qubec, lOrchestre Mtropolitain sest rapidement inscrit au cur de la vie culturelle Montralaise.  La 30e saison cest un gage de 30 ans de prsence de lOrchestre dans la collectivit, cest la poursuite de son dsir de promouvoir la musique classique et les interprtes canadiens. Cette 30e saison est le synonyme dune qualit artistique reconnue partout.

2010 - 2011, cest donc un rendez-vous incontournable pour clbrer avec lOrchestre Mtropolitain, alors que Yannick Nzet-Sguin entame sa deuxime dcennie la tte de lOrchestre !

LOrchestre Mtropolitain est fier de porter la musique classique aux Montralais et de diffuser celle-ci aux quatre coins de lle, Saint-Laurent, Verdun, Outremont, en passant par Ahuntsic, Pierrefonds, Pointe-Claire, Hochelaga-Maisonneuve, Rivire-des-Prairies et Saint-Lonard. Pour tous les dtails du Conseil des Arts de Montral en tourne, consultez la brochure de saison ou le www.orchestremetropolitain.com.
1 CONCERT PRESTIGE - MAHLER : TOUT UN EVENEMENT POUR NOTRE 30E SAISON !
Le jeudi 16 septembre 2010, 19 h 30, salle Wilfrid-Pelletier de la Place des Arts

2 BALLETS RUSSES, FANTAISIES ET CASTAGNETTES !
Le lundi 18 octobre 2010, 19 h 30, salle Wilfrid-Pelletier de la Place des Arts

3 BACH ET RAVEL : UNIVERS MAGNIFIES
Le jeudi 2 dcembre 2010, 19 h 30, salle Wilfrid-Pelletier de la Place des Arts

4 BIZET, IBERT ET CHAUSSON : FLTE & FRANCE
Le lundi 10 janvier 2011, 19 h 30, salle Wilfrid-Pelletier de la Place des Arts

5 CHOSTAKOVITCH ET LISZT : TOURBILLON ORCHESTRAL
Le lundi 31 janvier 2011, 19 h 30, Thtre Maisonneuve de la Place des Arts

6 DON QUICHOTTE : LAVENTURE CEST LAVENTURE !
Le lundi 21 mars 2011, 19 h 30, salle Wilfrid-Pelletier de la Place des Arts

7 30E SAISON : CHAPEAU BAS !
Le dimanche 17 avril 2011, 16 h, salle Wilfrid-Pelletier de la Place des Arts

The Collegiate Chorale Presents World Premiere Two Act Concert Version - The Grapes of Wrath

The Collegiate Chorale, led by Music Director James Bagwell, presents the World Premiere Two Act Concert Version of Ricky Ian Gordon and Michael Korie's musical version of Nobel Prize-winner John Steinbeck's epic Pulitzer Prize-winning novel, The Grapes of Wrath, on March 22, 2010 at 8pm at Carnegie Hall, conducted by Ted Sperling with Jane Fonda as the narrator.  Tickets are $25-$160 and are available through CarnegieCharge at 212-247-7800, at the Carnegie Hall Box Office, or online at www.carnegiehall.org.  For more information visit www.collegiatechorale.org.
An all-star cast from Broadway and the classical world comes together to present a rare mingling of opera and theatre in The Grapes of Wrath.  Originally commissioned and produced by the Minnesota Opera and called "The great American opera" by Musical America, Gordon and Korie's new work melds popular musical styles of the '20s and '30s (song-and-dance, soaring love songs, banjo ballads, jazz choruses, and a barbershop quartet) with the classic drama of grand opera, all to a heart-wrenching yet uplifting effect.  The composer (Gordon) and librettist (Korie) have crafted a special concert version of their original opera with narration written especially for this presentation.  The starry cast includes  Jane Fonda (narrator), Victoria Clark, Christine Ebersole, Nathan Gunn, Elizabeth Futral, Anthony Dean Griffey, Peter Halverson, Steven Pasquale, Stephen Powell, Andrew Wilkowske and Matthew Worth and the role of Tom Joad's young sister, Ruthie, will be sung by Nathan Gunn's daughter Madelyn Gunn.  Music by Ricky Ian Gordon and libretto by Michael Korie.  Featuring the American Symphony Orchestra, conducted by Ted Sperling.  Directed by Eric Simonson with lighting design by Frances Aronson and projection design by Wendall Harrington.
 
"In this concert version, we convey the story of the Joad family's journey across America in approximately two hours.  We have retained many of the big musical set pieces, arias and choral ensembles, and we have eliminated much of the recitative, replacing it with a narrator who reads sections from the novel, allowing segues from those powerful passages seamlessly into music that continues the drama without loss of suspense or momentum.  In addition, this version will feature music never heard in the original full staging of the opera.  This is not only a concert version of the full opera, but a different version," said Michael Korie.

"We are honored to be presenting this richly textured work of soaring passion and devastating beauty.  Inherent in its mission is The Chorale's commitment to premiering or showcasing exceptional American works such as Ricky Ian Gordon's The Grapes of Wrath.  Gordon and librettist Michael Korie have given a musical voice to this quintessentially American novel in a lyrical language which draws from opera and American musical theater idioms.  The choral writing and casting of soloists reflect this cross-over nature.  I think both opera and Broadway lovers alike will be moved by this remarkable work," said James Bagwell, music director of The Collegiate Chorale.
 
The Collegiate Chorale, among New York's foremost vocal ensembles, has added to the richness of the city's cultural fabric for more than 65 years.  Founded in 1941 by the legendary conductor Robert Shaw, The Chorale achieved national and international prominence under the leadership of Robert Bass.  The Chorale has established a preeminent reputation for its interpretations of the traditional choral repertoire, vocal works by American composers, and rarely heard operas-in-concert, as well as commissions and premieres of new works by today's most exciting creative artists.  In the summer of 2009, The Chorale performed for the fourth season at Switzerland's Verbier Music Festival.  In July 2008, The Chorale toured with the Israel Philharmonic Orchestra under Zubin Mehta in Tel Aviv, Haifa, and Jerusalem.
 
The mission of The Collegiate Chorale is to enrich its audiences through innovative programming and exceptional performances of a broad range of vocal music featuring a premier choral ensemble.  Inherent in its mission is The Chorale's belief that choral music is a compelling collaboration that creates a powerful, shared experience unifying listeners and musicians of all backgrounds, beliefs and ages.
 
Music Director James Bagwell maintains an active schedule throughout the United States as a conductor of choral, operatic, and orchestral music.  He has recently been named Principal Guest Conductor of the American Symphony Orchestra in New York.  Since 2003, he has been Director of Choruses for the Bard Music Festival, conducting and preparing choral works during the summer festival at the Fisher Center for the Performing Arts at Bard College. He has also prepared The Concert Chorale of New York for performances with the American Symphony Orchestra, the Los Angeles Philharmonic, and the Mostly Mozart Festival (broadcast nationally in 2006 on Live from Lincoln Center), all in Avery Fisher Hall at Lincoln Center. He was Music Director of The Dessoff Choirs for the past five season, and in 2009 he prepared the Dessoff Symphonic Choir for the New York Philharmonic performances of both Mahler's Eighth Symphony and Britten's War Requiem for Lorin Maazel's final concerts as Music Director.
 
James Bagwell has trained choruses for a number of major American and International orchestras, including the San Francisco Symphony, Los Angeles Philharmonic, NHK Symphony (Japan), St. Petersburg Symphony, The American Symphony Orchestra, Cincinnati Symphony Orchestra, Cincinnati Pops Orchestra, and the Indianapolis Symphony Orchestra. He has worked with noted conductors such as Lorin Maazel, Esa-Pekka Salonen, Michael Tilson Thomas, Louis Langre, Leon Botstein, Vladimir Ashkenazy, Raymond Leppard, James Conlon, Jess Lpez-Cobos, Erich Kunzel, Leon Fleischer, and Robert Shaw.
 
For eleven seasons, he has been Music Director for the May Festival Youth Choir in Cincinnati, which was recently featured on the radio program From the Top. He has conducted some 25 productions as Music Director of Light Opera Oklahoma, including Candide, Sweeney Todd, and The Merry Widow, among others.  At Bard SummerScape he has led numerous theatrical works, most notably Copland's The Tender Land, which received unanimous praise from The New York Times, The New Yorker, and Opera News. He frequently appears as guest conductor for orchestras around the country and abroad, including the Jerusalem Symphony, Tulsa Symphony, and the Indianapolis Chamber Orchestra.  For three seasons he was Artistic Director of The Indianapolis Symphonic Choir.  He holds degrees from Birmingham-Southern College, Florida State University, and Indiana University. He has taught since 2000 at Bard College, where he is Director of the Music Program.  
For more information, visit www.collegiatechorale.org.
 
 
ABOUT THE ARTISTS

Ricky Ian Gordon's (Music) credits include Dream True; States of Independence; and Stonewall/Night Variations with Tina Landau; The Tibetan Book of the Dead with Jean Claude Van Itallie; Only Heaven with Langston Hughes and Nancy Rhodes; Autumn Valentine; Sweet Song; and Morning Star with William Hoffman. He was part of the American Songbook Series in Bright Eyed Joy/The Music of Ricky Ian Gordon at Lincoln Center and at The Guggenheim. Recordings include Audra McDonald's Way Back to Paradise, Bright-Eyed Joy, Of Eternal Light (Water Music), Only Heaven and Genius Child (a song cycle for Harolyn Blackwell). Awards: The National Institute for Music Theater Award, The Stephen Sondheim Award, The Gilman and Gonzalez-Falla Music Theatre Foundation Award, The Jonathan Larson Foundation Award, The Constance Klinsky Award, The Richard Rodgers Award.
 
Michael Korie (Libretto) was nominated for Drama Desk and Outer Critics Circle awards for Grey Gardens. He and composer Scott Frankel received the ASCAP Richard Rodgers New Horizons Award. Also with Frankel are two musicals in development, Doll and Meet Mister Future. With composer Ricky Ian Gordon, his libretto to The Grapes of Wrath premiered to acclaim at Minnesota Opera, with upcoming productions at Utah Opera, Houston Grand Opera and Pittsburgh Opera. His librettos for operas composed by Stewart Wallace include Harvey Milk (San Francisco Opera) and Hopper's Wife (Long Beach Opera), both directed by Christopher Alden; Kabbalah (Next Wave Festival); and Where's Dick?, directed by Richard Foreman (Houston Grand Opera). He co-wrote lyrics with Amy Powers to composer Lucy Simon's Zhivago, book by Michael Weller, directed by Des McAnuff (La Jolla Playhouse).
 
Jane Fonda's (Narrator) work on stage and screen has earned her numerous nominations and awards, including Oscar Awards (Best Actress in 1971 for Klute and in 1978 for Coming Home) and an Emmy Award for her performance in "The Dollmaker." Her credits include Monster-in-Law, Georgia Rule, Coming Home, The China Syndrome, Julia, Barefoot in the Park, Nine to Five, On Golden Pond, "The Dollmaker" and four Broadway plays including Invitation to a March and There Was a Little Girl (Theatre World Award).  In May 2005, Random House published Fonda's memoirs, My Life So Far.  She has long been known for activism and advocacy on environmental issues, human rights and the empowerment of women and girls.
 
Nathan Gunn (Tom Joad) recently created the roles of Alec Harvey in Andr Previn's Brief Encounter at the Houston Grand Opera and Father Delura in Peter Etvs' Love and Other Demons at the 2008 Glyndebourne Opera Festival. Other engagements this season include his returns to the Metropolitan Opera for Die Zauberflte, the Dallas Opera for Malatesta in Don Pasquale and the Los Angles Opera for Il Barbiere di Siviglia and L'Elisir d'Amore. He also makes his debut in Bilbao as the title role in Billy Budd.  Mr. Gunn has appeared in internationally renowned opera houses such as the Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, Seattle Opera, Houston Grand Opera, Royal Opera House (Covent Garden), Paris Opera, Bayerische Staatsoper, Glyndebourne Opera Festival, and the Thtre Royal de la Monnaie in Brussels.
 
Victoria Clark (Ma Joad) received the 2005 Tony, Drama Desk, and Outer Critics Circle Awards, as well as a Drama League honor for her luminous portrayal of protective but domineering mother Margaret Johnson in the critically-acclaimed Craig Lucas-Adam Guettel musical The Light in the Piazza directed by Bartlett Sher at Lincoln Center's Vivian Beaumont Theater. Her virtuoso performance in the Tony Award-winning musical has made her a favorite among audiences and critics, including The New York Times' Ben Brantley, who called Clark's work in Piazza "the best musical performance by an actress this season." She garnered equally enthusiastic reviews for her performance at Chicago's Goodman Theater in 2004, earning the prestigious Joseph Jefferson Award.  Last season, Clark was reunited with her colleagues Craig Lucas and Bartlett Sher for the Playwrights Horizons production of A Prayer for My Enemy.
 
Christine Ebersole (Mae / Waitress) received the Tony Award, Obie Award, Drama Desk Award, Outer Critics Circle Award, Special Citation from NY Drama Critics and the Drama League Award for Performance of the Year for her dual roles as Edith and Edie Beale in Grey Gardens. Her Broadway credits include Steel Magnolias, Dinner at Eight (Tony and Outer Critics Circle noms.), 42nd Street (2001 Tony and Outer Critics Circle awards), The Best Man, Getting Away With Murder, Harrigan 'n Hart, Camelot (opposite Richard Burton and Richard Harris), Oklahoma!, On the Twentieth Century, I Love My Wife and Angel Street. Off-Broadway credits include Alan Bennett's Talking Heads (2003 Obie and Outer Critics Circle awards, Drama Desk nom.), Three Sisters, Geniuses and four Encores! concerts. Regional credits include Much Ado About Nothing (Old Globe), Mame, Evita, My Fair Lady, The Marriage of Bette and Boo and Laughing Wild. Films include Tootsie, Amadeus, Dead Again, Richie Rich, Black Sheep, Folks!, True Crime, Till There Was You, My Favorite Martian, Thief of Hearts and My Girl 2.
 
Elizabeth Futral (Rosasharn) has established herself as one of the major coloratura sopranos in the world today, with a diverse repertoire that includes Vivaldi, Handel, Mozart, Bellini, Donizetti, Rossini, Verdi, Glass, and Previn.  Ms. Futral has garnered raves at the world's greatest opera houses in such roles as Gilda, Juliette, Lakm, Lucia, Nanetta, Mlisande, Romilda, and Violetta. She dazzled audiences and critics with her debut at the Los Angeles Opera as Cleopatra in Francisco Negrin's acclaimed production of Handel's Giulio Cesare. This was followed by her highly anticipated return to the New York City Opera, where she starred in the title role of the company's new production of Douglas Moore's classic American opera, The Ballad of Baby Doe.
 
Two-time Grammy Award-winning American tenor Anthony Dean Griffey  (Jim Casy) has captured critical and popular acclaim on opera, concert and recital stages around the world.  He has performed leading roles at the great international opera houses including The Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, Houston Grand Opera, Glyndebourne, the Opera National de Paris, and the Teatro Comunale di Firenze.   A regular guest of the world's orchestras, Mr. Griffey has collaborated with many of today's pre-eminent conductors, including James Levine, Seiji Ozawa, Andr Previn, Michael Tilson Thomas, Sir Andrew Davis, Esa Pekka Salonen, Alan Gilbert, Kurt Masur, Donald Runnicles, Sir Colin Davis, Christoph Eschenbach, Valery Gergiev, James Conlon, and Charles Dutoit.
 
Baritone Peter Halverson (Pa Joad) has performed throughout the United States, distinguishing himself on the dramatic stage and in concert. A versatile performer, he has more than fifty roles to his credit including the title roles in Pellas et Mlisande, Eugene Onegin, Don Giovanni, The Barber of Seville, Gianni Schicchi, The Man of La Mancha and Phantom. He has been a frequent guest artist with the Minnesota Opera, Minnesota Orchestra, Saint Paul Chamber Orchestra, North Star Opera, and has appeared at the Kennedy Center Mozart Festival, Oregon Bach Festival and San Luis Osbispo Mozart Festival. In addition, he has sung with the Florentine Opera, Berkshire Opera, Madison Opera, Tacoma Opera, Chattanooga Opera, National Symphony, Dallas Symphony, San Antonio Symphony and New Mexico Symphony.
 
American baritone Stephen Powell (Uncle John) brings his handsome voice, elegant musicianship, and robust stage presence to a wide range of music, from Monteverdi and Handel through Verdi and Puccini to Sondheim and John Adams.  In 2009-10, Stephen Powell appears as Ford in Verdi's Falstaff with Pittsburgh Opera; sings as soloist in Szymanowski's Stabat Mater with Rome's Accademia Nazionale di Santa Cecilia, Christoph Eschenbach conducting; in Messiah with the Huddersfield Choral Society in England; in the Brahms Requiem with Baltimore Symphony, as well as the Dutch Radio Orchestra at the Concertgebouw in Amsterdam, Holland, both with Marin Alsop conducting; in Carmina Burana with Cincinnati Symphony, Paavo Jarvi conducting; appears in recital with wife Barbara Shirvis in Dallas, Texas; and sings 2 gala concerts with the North Carolina Symphony, Grant Llewellyn conducting. He also makes his Asian debut in La Traviata at the Beijing National Centre for the Performing Arts, Beijing, China, Lorin Maazel conducting.
 
Andrew Wilkowske (Noah) whose voice has been described as "nimble," with an "impressively open top," is one of the most versatile performers on the stage today. A gifted actor as well as singer, Wilkowske's Papageno in The Magic Flute "stole the show" according to the Washington Post, and was a "lusty-voiced fellow," according to Opera News.  Engagements this season include a series of Figaros, making his debut as Rossini's Figaro in Il Barbiere di Siviglia with the Skylight Opera. He returns to Skylight later this season in the title role of Le Nozze di Figaro to complete Skylight's Figaro Cycle. In addition, Wilkowske reprises Mozart's Figaro with the Green Mountain Opera Festival (under the baton of Maestro Jacques Lacombe), Ashlawn Opera, and the Acadiana Symphony. Wilkowske's experiences are documented in his award-winning 'a year of figaro' blog.
 
Steven Pasquale 
(Al) most recently starred on Broadway in Neil LaBute's reasons to be pretty. A regular on the theater scene, Pasquale's credits include Archibald Craven in The Secret Garden (World AIDS Day Concert), Henrik in A Little Night Music (opposite Victor Garber, Natasha Richardson and Venessa Redgrave), Captain Taylor in A Soldier's Play (Second Stage, opposite Taye Diggs), Tom in the Neil LaBute off-Broadway hit, Fat Pig, Robbie in the Ahrens/Flahrety/McNally musical A Man of No Importance (Drama Desk and Outer Critics Circle nominations), Beautiful Child, The Spitfire Grill, Spinning Into Butter, Andrew Lippa's The Wild Party and he created the role of Fabrizio in Adam Guettel and Craig Lucas' The Light in the Piazza. Television audiences have followed him for five seasons as Sean Garrity on the FX hit show "Rescue Me." His other television credits include a recurring role on HBO's Emmy and Golden Globe Award winning drama "Six Feet Under" and Sofia Coppola's "Platinum."
 
Hailed by the Dallas Morning News for his "dashing, fine bright baritone" and the New York Times for a voice that is "fully powered and persuasively expressive," Matthew Worth (Ragged Man / Connie Rivers / Truck Driver) was recently the featured "Sound Bites" artist in Opera News, and is enjoying successes on both the operatic and concert stages, in all styles from the Renaissance to new repertoire. Matthew Worth's engagements in 2009-10 include a return to Chicago Opera Theater as Charlie in Jake Heggie's Three Decembers, Mercutio in Romo et Juliette with New Orleans Opera, the title role in Don Giovanni with Virginia Opera, Jupiter in Orpheus in the Underworld with Central City Opera, Messiah at University of Richmond, in concert performances of The Grapes of Wrath with New York's Collegiate Chorale, as soloist in a holiday concert with the Philadelphia Orchestra, and in Brahms' Ein deutsches Requiem with Atlanta Symphony Orchestra conducted by Donald Runnicles. 
 
Ted Sperling (Conductor) won the 2005 Tony and Drama Desk Awards for his orchestrations of The Light in the Piazza, for which he was also music director. Broadway credits as music director/conductor/pianist: Dirty Rotten Scoundrels, The Full Monty, How To Succeed In Business Without Really Trying, Kiss of the Spider Woman, Angels in America, My Favorite Year, Falsettos, Drood, Les Miserables, Roza and Sunday In the Park With George. Mr. Sperling was also an original cast member of the Broadway musical Titanic. Off-Broadway credits as music director: A Man of No Importance, Wise Guys, A New Brain, Saturn Returns, Floyd Collins, Falsettoland, and Romance in Hard Times. As a stage director Charlotte: Life? Or Theater? and Striking 12, as well as a revival of Lady in the Dark starring Andrea Marcovicci. Mr. Sperling conducted the musical scores for the films The Manchurian Candidate, Everything Is Illuminated, and directed the short musical film Love, Mom, starring Tonya Pinkins.

Eric Simonson's (Director)plays and adaptations at Steppenwolf, where he is a member of the ensemble, include Nomathemba (written with Ntozake Shange and Joseph Shabalala), Carter's Way and, most recently, Honest (for First Look). Other plays include The Last Hurrah, Work Song: Three Views of Frank Lloyd Wright (with Jeffrey Hatcher), Edge of the World, Lombardi: The Only Thing and Speak American.  His work has been produced in Japan and throughout the United States at theaters including The Huntington Theatre Company, L.A. Theatre Works, City Theatre of Pittsburgh, The Kennedy Center, Milwaukee Repertory Theater, Arizona Theatre Company, Madison Repertory Theatre, Kansas City Repertory Theatre and Crossroads Theatre Company. His adaptation of Moby Dick at Milwaukee Repertory was chosen as one of Time Magazine's top ten productions of 2002. Eric is also an accomplished theatre, film and opera director. His production of Steppenwolf's The Song of Jacob Zulu received six Tony Award nominations, including one for best direction. He received the 2006 Academy Award for his documentary short A Note of Triumph, as well as the 2005 Princess Grace Statue Award for sustained artistic achievement. His adaptation of Kurt Vonnegut's Slaughterhouse-Five (originally produced at Steppenwolf) recently received its Off-Broadway premiere at New York's 59E59 Theater.
 
The American Symphony Orchestra was founded in 1962 by Leopold Stokowski. Under the music direction of Leon Botstein since 1992, the American Symphony has pioneered the performance of thematically organized concerts, linking music to the visual arts, literature, politics, and history. In addition, the American Symphony Orchestra performs in a lecture/concert series with audience interaction called Classics Declassified at Peter Norton Symphony Space. It is also the resident orchestra of the Richard B. Fisher Center for the Performing Arts at Bard College, where it performs an annual concert series as well as in Bard's annual SummerScape Festival and the Bard Music Festival. ASO maintains an award-winning music education program which is presented at numerous high schools through New York, New Jersey, and Long Island.  Among the American Symphony's recent recordings are music by Copland, Sessions, Perle, and Rands for New World Records, and music of Ernst von Dohnnyi for Bridge Records. Its recording of Richard Strauss's opera Die gyptische Helena with Deborah Voigt and of Strauss's Die Liebe der Danae were made for Telarc. Other recordings with Leon Botstein include Franz Schubert: Orchestrated on the Koch International label, with works by Joachim, Mottl, and Webern, and, on the Vanguard Classics label, Johannes Brahms's Serenade No. 1 in D major, Op. 11 (1860). The American Symphony inaugurated So Paolo's new concert hall and has made several tours of Asia and Europe. It has performed with the Peer Gynt Theater Company of Norway in Central Park, and has a long history of appearing in charitable and public benefits for such organizations as Sha'are Zedek Hospital, the Jerusalem Foundation, and PBS.  The American Symphony Orchestra has had an illustrious history of music directors and guest conductors.  Succeeding Leopold Stokowski, who directed the Orchestra from 1962 to 1972, were Kazuyoshi Akiyama (1973-1978), Sergiu Comissiona (1978-1982), Moshe Atzmon and Guiseppe Patane (co-directors 1982-1984), John Mauceri (1985-1987), and Catherine Comet (1990-1992).  Notable guest conductors have included Leonard Bernstein, Karl Bhm, Aaron Copland, Morton Gould, Aram Khachaturian, James Levine, Andr Previn, Yehudi Menuhin, James de Priest, Gunther Schuller, Leonard Slatkin, Michael Tilson Thomas, and Sir William Walton.
 
 
ADDITIONAL PROGRAMS FOR THE CHORALE'S 2009-10 SEASON
 
For season subscriptions please contact The Chorale office at 646.202.9623 or visit www.collegiatechorale.org.


CHORAL CLASSIC
Israel in Egypt at Skirball Center for the Performing Arts, New York University
Wednesday, May 12, 2010 at 8pm
Music by George F. Handel
 
featuring
Sari Gruber, soprano
Brian Asawa, alto
Rufus Muller, tenor

The American Symphony Orchestra
James Bagwell, Conductor

Cendrillon All the Way!

Rarely performed Massenet opera a highlight at The Royal Conservatory in March

Diverse programming continues at The Royal Conservatorys TELUS Centre for Performance and Learning as March comes to a close.  A fanciful fairy tale will be brought to life by the Conservatorys most talented students, a master musician offers insights into piano playing, and an all-star ensemble of international performers delivers sizzling pan-American jazz. 

The first staged opera in Koerner Hall will be presented from March 20-25, when The Royal Conservatorys Glenn Gould School (GGS) mounts Jules Massenets rarely performed Cendrillon, a whimsical retelling of the Cinderella story.  Students from The Glenn Gould Schools Vocal Program are supported by members of the Royal Conservatory Orchestra, once again under the baton of Maestro Uri Mayer, who was appointed as Director of the Orchestral Program and Resident Conductor of The Glenn Gould School in September of 2009.  The production is helmed by notable opera director, Graham Cozzubbo.  Having already directed for opera companies across North America, Cendrillon represents his directorial debut for The Royal Conservatory.  The double cast of talented students features soprano Meghan Lindsay and mezzo-soprano Cassandra Warner in the title role of Cinderella.  Both recent graduates of The Glenn Gould School, Lindsay was recently accepted into the Netherlands Opera Studio for the 2010-11 season and Warner was hired by Calgary Opera for 2010-11.

Legendary pianist and pedagogue Leon Fleisher returns to The Royal Conservatory from March 22-24 to continue his long-running series of master classes.  Held in Mazzoleni Hall, they provide a unique opportunity to gain knowledge and wisdom from the legendary pianist and pedagogue, as he listens to students of The Glenn Gould School and provides insights into issues of technique, interpretation, and style. 

Audiences will be treated to genre-bending jazz on March 27, when two-time Grammy Award-winner, Danilo Prez, comes to Koerner Hall.  This Panamanian pianist, who is also an accomplished composer and educator, is visiting Toronto to kick off his North American tour.  His exhilarating blend of jazz, folk, and world music has enraptured critics and audiences alike.  The New York Times remarked: When the dust settlesĶDanilo Prez will be looking like one of the best things that happened to jazz around the turn of the millennium.  He is joined by a hand-picked collection of international musicians, including David Snchez (Puerto Rico, tenor saxophone); Rudresh Mahanthappa (India, alto saxophone); Amir ElSaffar (Iraq, trumpet); Jamey Haddad (Lebanon, percussion); Ben Street (United States, bass); and Adam Cruz (Puerto Rico, drums).  The lineup reflects the musical melting pots of many of Gillespies own collaborations (Prez was the youngest member of his United Nations Orchestra).  The program is a celebration of his mentor, jazz legend Dizzy Gillespie.  It includes new arrangements of classic Gillespie tunes, as well as original group compositions.  Prez will discuss his musical inspirations during a post intermission chat with Mervon Mehta, the Conservatorys Executive Director of Performing Arts.  He will also offer his distinctive musical insights during a free public master class on March 26.  Following the concert is a postlude performance by the Royal Conservatory School Latin Jazz Ensemble with Ruben Vasquez in the Conservatory Theatre

The Royal Conservatory acknowledges all of its sponsors and donors and recognizes the remarkable generosity of: 

TELUS Official Season Sponsor of the 2009-10 Koerner Hall Concert Season
The Globe and Mail Season Media Sponsor
Department of Canadian Heritage Performance Sponsor (Cendrillon)
Ontario Arts Council Performance Sponsor (Cendrillon)
D & T Davis Charitable Foundation Performance Sponsor (Cendrillon)
RBC Foundation Sponsor, The Royal Conservatory Orchestra Guest Conductor Program
JAZZ FM Performance Sponsor (Danilo Prez)
Marilyn and Charles Baillie Performance Sponsor (Danilo Prez)


CONCERTS AND EVENTS AT THE ROYAL CONSERVATORY MARCH 16-31, 2010
KH Koerner Hall; MH Mazzoleni Hall; CT Conservatory Theatre

The Glenn Gould School Opera: Jules Massenets Cendrillon: Saturday, March 20, 2010 at 7:30pm;
$10-$20 (KH)
The Glenn Gould School Opera: Jules Massenets Cendrillon: Sunday, March 21, 2010 at 2pm;
$10-$20 (KH)
Master Classes with Leon Fleisher: Monday, March 22, 2010 at 10am & 2pm; Tuesday, March 23, 2010 at 10am & 2pm;$10 (MH)
The Glenn Gould School Opera: Jules Massenets Cendrillon: Tuesday, March 23, 2010 at 11am;
$10-$20 (KH)
Master Class with Leon Fleisher: Wednesday, March 24, 2010 at 10am & 2pm; $10 (MH)
The Glenn Gould School Opera: Jules Massenets Cendrillon: Thursday, March 25, 2010 at 7:30pm;
$10-$20 (KH)
Danilo Prez Master Class: Friday, March 26, 2010 at 5pm; FREE (CT)
Danilo Prez Things to Come: 21st Century Dizzy: Saturday, March 27, 2010 at 8pm;
$20-$65 (KH)


Tickets are available online at www.rcmusic.ca, by calling 416.408.0208,
or in person at the Weston Family Box Office, 273 Bloor Street West, Toronto

More information about upcoming concerts and events is available The Royal Conservatory website at www.rcmusic.ca.

Nathan Gunn, baritone, Wednesday, March 10, 2010 at 8 PM / Roy Thomson Hall / Toronto

February 22, 2010 // Toronto, ON With his rich expressive voice and electrifying performances on the worlds great stages, American baritone Nathan Gunn has quickly become one of todays leading opera stars. The Grammy Award-winning baritone makes his Canadian Recital Debut on Wednesday, March 10, 8 pm at Roy Thomson Hall in a captivating program that ranges from miniature Schubert masterpieces to romantic songs by Tom Waits, music theatre selections by Benjamin Moore, novelties by Charles Ives, and traditional American folk songs. He is joined in recital by his wife, the esteemed American pianist, Julie Jordan Gunn. 

One of the most exciting and in-demand baritones of the day, Nathan Gunn has thrilled audiences in opera houses from New Yorks Metropolitan Opera to Londons Royal Opera House, Covent Garden with his portrayals in the title roles of Billy Budd, Il Barbiere di Siviglia, and Hamlet and as Guglielmo in Cosi fan tutte and the Count in Le Nozze di Figaro.  A frequent interpreter of new works, he has starred in several major world premiere performances, including Tobias Pickers An American Tragedy at the Metropolitan Opera; Andr Previns Brief Encounter at the Houston Grand Opera; and Peter Etvs Love and Other Demons at the 2008 Glyndebourne Opera Festival. He recently ventured into the music-theatre repertoire with concert performances of Camelot with the New York Philharmonic (broadcast live on PBSs Great Performances) and Showboat at Carnegie Hall.

Highlights of Mr. Gunns current season include the world premiere performance of Daron Hagens Amelia at the Seattle Opera, and appearances at the Metropolitan Opera in Die Zauberflte; the Dallas Opera in Don Pasquale; the Ravinia Festival in Le Nozze di Figaro; and the Los Angeles Opera in Il Barbiere di Siviglia and LElisir dAmore.  

Mr. Gunns impressive discography includes the title role in Billy Budd  (Virgin Classics), which won the 2010 Grammy Award for Best Opera Recording; the first complete recording of Rogers & Hammersteins Allegro (Sony); Peter Grimes (LSO Live!), which was nominated for a 2005 Grammy Award; and his debut album, a collection of American songs entitled American Anthem (EMI).  He also starred as Buzz Aldrin in Man on the Moon, an opera written for television and broadcast on the BBC in the UK, which won the Golden Rose Award for Opera at the Montreux Festival in Lucerne. Mr. Gunns most recent solo album, Just Before Sunrise (Sony/BMG Masterworks) features romantic arrangements of songs by Sting, Tom Waits, Billy Joel and others.   

Nathan Gunn was the recipient of the first-ever annual Beverly Sills Artist Award, and was recently awarded the Pittsburgh Opera Renaissance Award. He is an alumnus of the Metropolitan Opera Lindemann Young Artists Program and was the winner of the 1994 Metropolitan Opera National Council Competition. Mr. Gunn is a graduate of the University of Illinois at Champaign-Urbana where he is currently a Professor of Voice. While he is justly famous for his vocal prowess and acting, Mr. Gunn has also received fame for his good looks and physique in 2008, he was featured in People magazine's list of "The Sexiest Men Alive."

Julie Jordan Gunn, pianist, music director, vocal coach, song arranger, and on the faculty at the University of Illinois, received her doctorate under the distinguished accompanist and teacher, John Wustman. She lives in Champaign, Illinois with her husband Nathan Gunn, and their five children.

Roy Thomson Halls 2009/2010 International Vocal Recitals Series continues Call 416-872-4255 for tickets:
         Alexandra Deshorties, soprano; Howard Watkins, piano Sunday, April 25/10, 2PM
Joseph Calleja, tenor; Craig Rutenberg, piano Friday, May 28/10, 8PM (rescheduled from Nov.15/09)

La Ville de Montral souligne la 30e saison de lOrchestre Mtropolitain

Montral,  le 22 fvrier 2010 Le maire de Montral, M. Grald Tremblay, a
accueilli  ce  matin  maestro  Yannick  Nzet-Sguin  et  les  musiciens de
lOrchestre  Mtropolitain, loccasion du dvoilement de la programmation
de  la 30e saison de lOrchestre Mtropolitain. Ceux-ci ont t invits par
le  maire    signer  le  livre dor de la Ville de Montral, ainsi que les
musiciens  de  lOrchestre  Philharmonique  de Rotterdam de passage dans la
mtropole pour y donner un concert.

 Je  salue  avec  enthousiasme  les  succs  retentissants de lOrchestre
Mtropolitain,  qui  souligne  cette  anne  sa  30e saison et  qui a su se
tailler une place de choix sur lchiquier culturel de notre mtropole tout
en  entretenant  des liens troits avec des institutions internationales et
artistes de renom, a dclar le maire de Montral.

Depuis  mars  2000,  M.  Yannick  Nzet-Sguin  agit    titre de directeur
artistique  et  chef  principal  de  lOrchestre Mtropolitain. Montralais
dorigine,   il  est  aussi  directeur  artistique  et  chef  principal  de
lOrchestre  Philharmonique  de  Rotterdam, et est considr comme lun des
jeunes chefs les plus prometteurs du 21e sicle.

M. Nzet-Sguin a un exceptionnel talent quil fait rayonner partout sur
la  plante  et  qui  retentit  avec  clat  au  sein  de  notre  mtropole
culturelle. Tout comme lOrchestre Mtropolitain, il a grandement contribu
 dmocratiser  la  musique  classique  et la rendre plus accessible aux
Montralaises  et  aux  Montralais  , a ajout madame Helen Fotopulos, la
responsable  de  la  culture,  du patrimoine et de la condition fminine au
comit excutif de la Ville de Montral.

NY Festival Of Song: "The Sweetest Path"

MERKIN CONCERT HALL AT KAUFMAN CENTER AND NEW YORK FESTIVAL OF SONG PRESENT

THE SWEETEST PATH
The Great Flowering of French Art Song: Faur, Bizet, Ravel, Debussy,
many more

Tuesday, March 16 at 8 PM at Merkin Concert Hall at Kaufman Center

CULMINATION OF CARAMOORS VOCAL RISING STARS PROGRAM, FEATURING SINGERS INVITED FROM AROUND THE U.S.

Artists: John Brancy, Charlotte Dobbs, Rebecca Jo Loeb, Matthew Pea
Steven Blier and Michael Barrett


Kaufman Center and New York Festival Of Song (NYFOS, www.nyfos.orgwww.nyfos.org) present a special non-subscription program, The Sweetest Path, on Tuesday, March 16 at 8 PM at Kaufman Centers Merkin Concert Hall. The concert, celebrating the first great flowering of French art song, with the lush, poetic music of Faur, Ravel, Debussy, Bizet, Gounod and many other composers, culminates the second season of Caramoors Vocal Rising Stars program, a week-long residency for young professionals devoted to guiding and inspiring the next generation of vocal talent. The Caramoor Center for Music and the Arts in Katonah, New York is the programs sponsor, and will present The Sweetest Path on Saturday, March 13 in the Music Room at Caramoor. The initial season of the Caramoor Vocal Rising Stars Program will be underwritten, in part, by the Terrance W. Schwab Fund for Young Vocal Artists. Leading the weeks events will be NYFOS Artistic Directors and pianists Steven Blier and Michael Barrett, working with a select group of young singers from around the country.

Tickets for The Sweetest Path at Merkin Concert Hall are $40-$55, with $15 student discount tickets a half-hour before performances, as available. There are also $15 student tickets available in advance by calling (646) 230-8380. Merkin Concert Hall at Kaufman Center is at 129 West 67th Street (between Broadway and Amsterdam Avenue, New York, NY 10023. Telephone (212) 501-3330, or visit www.kaufman-center.org.
The artists are Charlotte Dobbs, soprano, featured last summer as the Governess in The Turn Of the Screw under the baton of Lorin Maazel; Rebecca Jo Loeb, mezzo-soprano, featured in NYFOSs Latin Lovers, and hailed by Opera News as a singer to watch; Matthew Pea, an award-winning tenor who can be heard on the Albany Records recording of The Turn Of the Screw; John Brancy, baritone, a Liederkranz Foundation winner; and NYFOS Artistic Director Steven Blier (A national treasure when it comes to the art of song The New York Times) and Associate Artistic Director Michael Barrett, General Director of Caramoor, as pianists/hosts.

Upcoming events at NYFOS include its April 12 gala Let Yourself Go, at Weill Recital Hall at Carnegie Hall, celebrating the music of Irving Berlin; and on May 4 and 6 at Merkin Concert Hall, The Newest Deal, the premiere of Pulitzer Prize finalist Harold Meltzers song cycle Beautiful Ohio*, created for and performed by tenor Paul Appleby, winner of the 2009 Metropolitan Opera National Council Auditions, and recently featured in Where We Come From.

Program:

The Great Outdoors
Gabriel Faur              Le plus doux chemin
Emmanuel Chabrier    Les cigales
Edouard Lalo              Au fond des halliers
Chabrier                      Lied

The Purple Years
Charles Gounod          O ma belle rebelle
Csar Franck               Le mariage des roses
Alfred Bachelet           Chre nuit
Georges Bizet              N'oublions pas!

Spanish Weekend
Albert Roussel            Le bachelier de Salamanque
Pauline Viardot           L'absence
Maurice Ravel            Vocalise en forme de habanera
Chabrier                      Espaa
New Voices
Maurice Ravel            Deux pigrammes de Clment Marot
                              
      1. D'Anne qui me jecta de la neige
                              
      2. D'Anne jouant de lespinette
Erik Satie                   Daphno
Max dOllone             L'enfant Eros
Francis Poulenc          La petite servante

Encounters
Faur                          En sourdine
Georges Auric            Attendez le prochain bateau
Albert Roussel           Sarabande
Claude Debussy         Colloque sentimental


After Hours
Maurice Ravel           Fascination
Ren Sylvano     

and Lucien Boyer, 
lyrics by 
Yvette Guilbert        Partie carre


Composers:

Georges Auric (1899 1983) was part of the French avant-garde, and composed music for ballet, musical theater, opera and classic films such as Cocteaus Beauty and the Beast. Many of his songs became popular hits.

Alfred Bachelet (1864 1944) is considered a key figure in early 20th century French opera, with a post-Romantic style similar to Richard Strauss.

Georges Bizet (1838-1875), a Romantic Composer influenced by Gounod and Schubert, is best known for his operas, including Carmen and The Pearl Fishers, as well as such instrumental works as Symphony In C.

Emanuel Chabrier (1841-1894) was an important Romantic composer who created operas (notably Ltoile), songs, orchestral works and piano music. And who influenced several succeeding generations of French composers, especially in his use of musical humor and wit.

Claude Debussy (1862-1918), one of the most prominent figures in impressionist music, was famous for his uniquely sensuous style in works such as the opera Plleas and Mlisande and orchestral works such as La Mer.

Max dOllone (1875-1959) was a composer, conductor and musicologist. His work was influenced by Massenet and Wagner, but his many operas and ballets showed his own sharply dramatic style.

Gabriel Faur (1845-1924) is considered the master of French art song, using a uniquely subtle, yet repetitive harmonic and melodic style which greatly influenced 20th century music.

Csar Franck (1822-1890) a major figure of late French Romantic music, developed and composed works in cyclic form, in which successive themes germinate from a main motif, and used harmonies influenced by Liszt and Wagner. Among his best known works are his Symphony in D and his violin concerto.

Charles Gounod 1818-1893) achieved fame as a Romantic composer through his operas Faust and Romo et Juliette and vocal works such as his adaptation of the first prelude of Bachs Well-Tempered Clavier, which he used as the foundation for his world famous Ave Maria.

Yvette Guilbert (1865-1944) was one of the greatest stars of French cabaret, singing songs of tragedy and lost love.  She was painted by Tolouse Lautrec, adored by Verdi, starred in silent films, wrote best-selling novels and sometimes composed her own music and lyrics, many of which were big hits.

Eduard Lalo (1823-1892) whose most famous vocal work is the opera Le Roi DYs, was noted for his strong melodies and colorful orchestration.

Francis Poulenc (1899-1963) was a member of the Paris group of composers called Les Six and applied Dadaist techniques to music, frequently blurring the lines between classical and popular idioms.

Maurice Ravel (1875-1937), another important figure in French impressionist music, was noted for his complex orchestral and instrumental textures, in works such as Daphnis and Chloe and La Valse.

Albert Roussel (1869-1937) wrote a variety of instrumental and vocal works. Influenced by impressionist composers, he reinvented in his own neoclassical style and jazz-oriented pieces.

Erik Satie (1866-1925), one of the most influential artists of the French avant-garde crowd, was noted for his minimalist pieces, which provided the inspiration for succeeding generations of French composers.

Pauline Viardot (1821 1910), a glamorous figure in late 19th Century opera, arranged works by Brahms, Schubert and other important composers. She also created songs and salon operas which were intended to be private exercises for her vocal students, but were discovered by Franz Liszt and eventually reached the public.


Bios

Hailing from Mullica Hill, New Jersey, John Brancy is in his third year of undergraduate studies at The Juilliard School. Mr. Brancys many scholarships include the E. & G. Valentine scholarship, the Mary Isabelle Kemp scholarship, and the Michael L. Brunetti memorial scholarship in voice. Other awards include an encouragement award in the 2008 Lotte Lenya competition, the First place prize in the 2007 Classical Singer competition, The Gold Award from NFAA, an encouragement award from Opera Index, and recently the Second Place prize in the Liederkranz Foundation opera competition. Mr. Brancys recent engagements have taken him to Carnegie Hall for two consecutive performances in last years season with Mid-America productions.

Charlotte Dobbs made her European debut this past summer as Corinna in Il viaggio a Reims at the Pesaro Rossini Festival, and returned to Italy in the fall to sing Rosina in the theaters of Jesi, Fermo, and Ravenna with the Fondazione Pergolesi Spontini. She also made her debut this season with the Chicago Opera Theater, as Servilia in La clemenza di Tito. Other recent credits include Donna Elvira, the title role in Tchaikovsky's Iolanta, Nuria in Ainadamar, and the Countess in Le nozze di Figaro with the Curtis Opera Theater. In 2008, she appeared in recital with Mitsuko Uchida at the Marlboro Music Festival, where she performed Schoenberg's Book of the Hanging Gardens. Also at Marlboro, she gave her first performance of Schoenberg's Second String Quartet. Her recent appearances also include the title role in Iphignie en Aulide, Elettra in Idomeneo, and Juno in La Calisto, all at the Juilliard School. Miss Dobbs made her Kimmel Center and Carnegie Hall debuts in Nielsen's Third Symphony with the Curtis Symphony Orchestra under the direction of Alan Gilbert in 2008. She has appeared on two NYFOS programs: Songs of Peace and War and No Song Is Safe From Us.

Hailed as a singer to watch (Opera News) and a dusky-toned mezzo (the New York Times) Rebecca Jo Loeb is a recent graduate of The Juilliard School. Included in her 2009-10 season are performances as the Second Fairy in A Midsummer Nights Dream with the New York City Ballet, her Carnegie Hall debut as the alto soloist in Bachs B minor Mass with the Saint Cecilia Chorus and Orchestra, performing in a workshop of The Enchanted Island with The Metropolitan Opera, and performing Bolcoms Cabaret Songs at Alice Tully Hall with the Riverside Symphony. This summer she will return to Glimmerglass Opera to perform in The Tender Land and Le nozze di Figaro. She has performed with the Boston Pops, the Mark Morris Dance Company, Central City Opera, as fellow at the Tanglewood Music Center, and as a Young American Artist at Glimmerglass Opera. Ms. Loeb made her Broadway debut in a program entitled Ladies Who Sing Sondheim starring Angela Lansbury. She performed Carrie in Carousel and Petra in A Little Night Music with the Boston Pops. Ms. Loeb has won the Kurt Weill Foundations Lotte Lenya competition and was a 2009 Career Bridges grant winner.

Matthew Pea enjoys a diverse repertoire in opera, concert and recital
of standard, new, and unjustly obscure repertoire. His operatic
credits include roles with Anchorage Opera, Virginia Opera, Chautauqua
Opera, Opera Santa Barbara, and the Des Moines Metro Opera. He was a
recent member of the Steans Institute at the Ravinia Festival and has
appeared in concert and recital with the American Classical Orchestra,
the Choral Society of New York, the San Jose Music Club, the Cleveland
Singers Club and The Song Continues Festival of the Marilyn Horne Foundation. This summer, he will be an Apprentice Artist with the Santa Fe Opera. Mr. Pea has won several awards, including a grant from the Lni F Bland Foundation, the San Jose Music Study Club Competition, and the Charles A. Lyman Vocal Competition. He is a graduate of Oberlin College and Conservatory and the Manhattan School of Music. His recordings includeLee Hoibys A Month in the Country and Spohrs Zemire and Azor, both available through Albany Records.

Steven Blier
Artistic director Steven Blier co-founded the New York Festival of Song (NYFOS) in 1988 with Michael Barrett. Since the Festivals inception he has programmed, performed, translated and annotated over one hundred vocal recitals with repertoire spanning the entire range of American song, art song from Schubert to Szymanowski, and popular song from early vaudeville to Lennon-McCartney.

Mr. Blier also enjoys an eminent career as an accompanist and vocal coach. His recitals with Rene Fleming, Cecilia Bartoli, Samuel Ramey, Susan Graham, Frederica von Stade, and Jessye Norman have taken him to the stages of Carnegie Hall, La Scala, and Londons Wigmore Hall. He has premiered works of John Corigliano, Ned Rorem, William Bolcom, John Musto, Paul Moravec, Tobias Picker, Robert Beaser, and Lee Hoiby, many of which were commissioned by NYFOS.

In addition to his many recordings with NYFOS, Mr. Bliers discography includes four volumes of songs by Charles Ives with baritone William Sharp (Albany Records), a Grammy-nominated CD of American songs with Mr. Sharp (New World Records), and first recordings of music by Busoni and Borodin with cellist Dorothy Lawson (Koch International). His two most recent releases are The Land Where the Good Songs Go with Sylvia McNair and Hal Cazalet, and Spanish Love Songs with Joseph Kaiser and the late Lorraine Hunt Lieberson (Bridge Records).

Mr. Blier is on the faculty of The Juilliard School, and has been active in encouraging young recitalists at summer programs, including the Wolf Trap Opera Company, Glimmerglass Opera, and the San Francisco Opera Center.

Michael Barrett
NYFOS co-founder and Associate Artistic Director Michael Barrett is Chief Executive and General Director of the Caramoor Center for Music and the Arts.  In 1992, he co-founded the Moab Music Festival with his wife, violist Leslie Tomkins. From 1994 to 1997, he was the Director of the Tisch Center for the Arts at the 92nd Street Y in New York.

A protg of Leonard Bernstein, Mr. Barrett began his long association with the renowned conductor and composer as a student in 1982.  He is currently the Artistic Advisor for the estate of Leonard Bernstein. Mr. Barrett has been a guest conductor with the Orchestra of St. Lukes, the New York Philharmonic, the London Symphony, the Israel Philharmonic and the Orchestre National de France, among others.  He also has served variously as conductor, producer, and music director of numerous special projects, including the world premiere of Volpone by John Musto.

Mr. Barretts discography includes: Spanish Love Songs, recorded live at Caramoor with Lorraine Hunt Lieberson, Steven Blier, and Joseph Kaiser; Live from the Moab Music Festival; the Grammy-nominated Evidence of Things Not Seen (New World Records); Aaron Jay Kernis: 100 Greatest Dance Hits (New Albion); On the Town (Deutsche Grammophon); Kaballah (Koch Classics) by Stewart Wallace and Michael Korie; Schumann Lieder with Lorraine Hunt and Kurt Ollman (Koch); and Arias and Barcarolles (Koch) by Leonard Bernstein (Grammy Award).

New York Festival of Song was founded in 1988 by Steven Blier and Michael Barrett.  NYFOS is dedicated to creating intimate song concerts of great beauty, humor and originality, combining music, poetry, and history to entertain, educate and create community among audiences and performers.  With a far-ranging repertoire of art songs, concert works and theater pieces, its thematic recitals have included programs from Brahms to the Beatles, from the nineteenth-century salons of Paris to Tin Pan Alley, from Russian art song to Argentine tangos, from sixteenth-century lute songs to new music.  NYFOS particularly celebrates American song literature and culture, and specializes in premiering and commissioning new American works.
###

NYFOSs New York City concert series is funded, in part, by the New York City Department of Cultural Affairs, in partnership with the City Council, and by the New York State Council on the Arts.
The May 4 and 6, 2010 performances of The Newest Deal are made possible, in part, by a generous grant from the National Endowment for the Arts.
 *Beautiful Ohio is commissioned by the ASCAP Foundation Charles Kingford Fund.
The second season of the Caramoor Vocal Rising Stars program will be underwritten, in part, by The Terrance W. Schwab Fund for Young Vocal Artists.
Paul Appleby appears with the cooperation of The Metropolitan Opera Lindemann Young Artist Development Program.

Metropolis Bleu - Le Prix littraire arabe Joumana Haddad

Le Prix littraire arabe Al Majidi Ibn Dhaher Metropolis bleu 2010
est dcern la pote libanaise
JOUMANA HADDAD
 Une voix unique dans la littrature arabe daujourdhui 

Montral, le 17 fvrier 2010- La Fondation Metropolis Bleu remettra cette anne le Prix littraire arabe Al Majidi Ibn Dhaher Metropolis bleu 2010 une toile de la posie arabe contemporaine : Joumana Haddad.
Ce prix, dune valeur de 5000 $, souhaite ainsi souligner la carrire littraire de cette auteure de renomme internationale. Madame Haddad recevra le Prix lors de la 12e  dition du Festival littraire international de Montral Metropolis bleu, qui se droulera du 21 au 25 avril 2010 lHtel Delta Centre-ville.
Elle est notamment lauteur de Le Retour de Lilith (aux ditions L Inventaire en franais en 2007), de Miroirs des passantes dans le songe (chez Al Dante en franais en 2010), et de Jai tu Shhrazade (chez Actes Sud en franais en 2010).  La plupart de ses uvres ont t traduites dans les langues quelle maitrise : larabe, langlais, le franais, lespagnol et litalien.

propos de Joumana Haddad
Ne en 1970 Beyrouth, Joumana Haddad est une pote, traductrice et journaliste littraire et elle prpare un doctorat sur la traduction potique. Elle parle sept langues. Elle a  reu en 2006 le Prix du Journalisme Arabe, et en novembre 2009 le Prix international Nord-Sud de la Fondation italienne Pescarabruzzo dans la catgorie posie. Elle a t []slectionne  en septembre 2009, par Beirut39, un projet conu par le  Beirut Unesco World Book Capital 2009 pour clbrer, lors du Festival Beirut39 qui se tiendra en  Avril 2010,  les trente-neuf auteurs arabes de moins de 39 ans considrs comme les plus intressants de 2009. 

Avant-gardiste, elle dsire donner aux mots leur pouvoir dans une socit o seule la mtaphore a lieu dtre  puisque selon elle   la vraie libert commence par la tte, par la pense . De ce fait, le controvers  Jasad  (www.jasadmag.com) - magazine culturel trimestriel qui veut penser la littrature et les arts du corps - la met sous les feux de la rampe depuis quelle la fond en 2008. Elle nest pas moins quune   voix unique dans la littrature arabe daujourdhui  daprs lauteur dorigine marocaine Tahar Ben Jelloun. 
En plus davoir interview un grand nombre d'crivains clbres tels quUmberto Eco, Paul Auster et Yves Bonnefoy, elle a aussi cocrit et jou en 2009 dans un film de la ralisatrice libanaise Jocelyne Saab Qu'est ce qui se passe ? , ainsi que dans un documentaire sur le pote palestinien Mahmoud Darwish.
 Enfin elle est  galement responsable des pages  Culture  du quotidien libanais An Nahar et administratrice du Prix International du Roman Arabe, surnomm le Booker arabe. 

propos du  Prix littraire arabe Al Majidi Ibn Dhaher
Le Prix est dcern annuellement un crivain arabe pour lensemble de son uvre, quel que soit le genre littraire, quil publie en langue arabe ou dans toute autre langue, le prix littraire arabe Al Majidi Ibn Dhaher Mtropolis bleu est dot dune bourse de 5 000 $. Prsid par Linda Leith, fondatrice et directrice artistique de Metropolis bleu, le jury 2010 est compos de Monsieur Issa J. Boullata, auteur, littraire, traducteur et rdacteur au magazine Banipal aussi bien que Zaki Nusseibeh du Palais Prsidentiel, Abu Dhabi, des Emirats Arabes Unis.
Le prix est soutenu par Abu Dhabi Authority for Culture and Heritage afin daccrotre la notorit des crivains arabes lchelle mondiale. Ce prix est nomm en lhonneur du pote Al Majidi Ibn Dhaher. Ce dernier a vcu la fin du 17e sicle et au dbut du 18e sicle et il a crit ce qui est maintenant appel la posie Nabati.

propos de la Fondation Metropolis bleu
La Fondation Metropolis bleu, base Montral, est un organisme but non lucratif qui a vu le jour en juin 1997. Sa mission est de runir des gens de diffrentes cultures pour partager le plaisir de lire et dcrire. Pour en savoir plus sur la Fondation Metropolis bleu, visitez www.metropolisbleu.org.

Sortie de disque - Guillaume Bouchard

Michel Ct, saxophone
Andr Lachance, guitare
Franois Ct, batterie
Guillaume Bouchard, contrebasse et composition

En magasin ds maintenant

Aprs Happy Blue, duo de contrebasses avec le lgendaire Michel Donato enregistr en 2006 sous le label parisien Zig-Zag Territoires, le contrebassiste qubcois Guillaume Bouchard prsente son nouveau disque Chemins.

Guillaume Bouchard se produit sur les scnes jazz europennes et canadiennes depuis plusieurs annes (Festival Django Reinhardt, Festival de jazz dAnger, Festival de jazz dAmiens, Festival de Jazz de Montral).

Michel Donato le qualifie ainsi :  Guillaume cest de la trs trs grande relve.  (Le Soleil, Qubec, 13 mars 2003); Parmi les contrebassistes d'ici, Guillaume m'apparat comme le plus proche de mon style (La Presse, Montral, 30 dcembre 2006). 

Dans Chemins, Guillaume Bouchard nous surprend par ses compositions o les mlodies qui nous transportent se mlent une harmonie toujours riche et recherche. Entour des excellents musiciens Michel Ct (saxophone), Andr Lachance (guitare) et Franois Ct (batterie), Guillaume Bouchard nous prsente cet album, qui se place dans la grande ligne du jazz traditionnel, comme un voyage dans son univers musical.

Biennale Danza - Marathon of the Unexpected

From today 17 February 2010 the request for admission to the selection for the Marathon of the Unexpected, the new off section of the 7th International Festival of Contemporary Dance, to be held in Venice from 26 May to 12 June, will be active on the Biennale di Venezia website (www.labiennale.org).

Planned to bring new talent to the light of day that would otherwise find it hard to gain visibility and dedicated to the most experimental work in dance, the Marathon of the Unexpected will be a space concentrated into one whole day within the festival, the 12th of June, and will take the form of brief non-stop performances not more than 15 minutes each chosen from the proposals received by 2 April at marathon@labiennale.org.

Aimed at dancers and choreographs with professional experience in choreography and performance, the selection will be made by the director of the Dance Sector, Ismael Ivo, who will be looking for new and innovative proposals.

Those chosen will be offered the stage of the Teatro Piccolo Arsenale by the Biennale, where the basic technical features will be available for each arrangement (dance mat, white wash, audio system with CD reader, video-projection system with DVD reader).

In line with the aim held by the Biennale di Venezia generally of presenting the transformations under way on the contemporary scene, the  Dance Sector promotes opportunities to discover and promote the creative originality of new generations. The Marathon of the Unexpected thus constitutes a further opportunity alongside the Arsenale della Danza, the training centre for contemporary dance and  of artistic production, whose 20 dancers will be the protagonists of Aria, Ismael Ivos new choreography, which will open the 7th International Festival of Contemporary Dance.

More information is available from the Biennale di Venezia site: www.labiennale.org

Cleveland Orchestra Youth Orchestra and Youth Chorus perform concert at Severance Hall on March 14

In second Youth Orchestra program of the season, James Feddeck conducts Saint-Sanss Symphony No. 3 (Organ)

Cleveland Orchestra Youth Chorus joins the Youth Orchestra for the Faur Requiem and also performs music by Mozart and Bruckner


CLEVELAND, February 16, 2010 The Cleveland Orchestra Youth Orchestra will perform its second Severance Hall concert of the 2009-10 season on Sunday, March 14, 2010, at 7:00 p.m.  James Feddeck, in his first season as music director of the Youth Orchestra, will begin the performance with Wolfgang Amad Mozarts Regina coeli, for which the Youth Orchestra will be joined by the Cleveland Orchestra Youth Chorus.  Next on the program is Camille Saint-Saenss Symphony No. 3 (Organ), with Cleveland Institute of Music masters degree program student Laura Ross as organ soloist.  After intermission, the Cleveland Orchestra Youth Chorus, led by its director, Frank Bianchi, will perform Anton Bruckners Ave Maria.  To conclude the program, Mr. Feddeck will conduct the Youth Orchestra and Youth Chorus in Gabriel Faurs Requiem
            Vocal soloists for Mozarts Regina coeli, all members of the Youth Chorus, will be sopranos Annalise Dzwonczyk and Katie Staskus, altos Rebeccah Dahlhausen and Elysha Ross, tenors TJ Fallon and Zachary Pytel, and basses DeRon McDaniel and Brogan Reilly.  Vocal soloists for the Faur Requiem will be Youth Chorus soprano Annalise Dzwonczyk and baritone Jaired Birks.
A Prelude Concert will be held in Reinberger Chamber Hall beginning at 2:00 p.m.  The Prelude will feature chamber music performed by Youth Orchestra ensembles, and is free to concert ticket holders.  
            Biographical information on James Feddeck and Frank Bianchi follows.
* * *
TICKETS cost $12 each (reserved seating).  Boxes are available at $160 each (8 seats per box). 

To charge tickets by telephone on American Express, Discover Card, MasterCard, and Visa, call Cleveland Orchestra Ticket Services at (216) 231-1111 or 800-686-1141 during regular ticket office hours (Monday through Friday from 9:00 a.m. to 6:00 p.m. and on Saturdays from 10:00 a.m. to 6:00 p.m.  Closed Sundays and major holidays, except for those days with performances, when the Ticket Office opens three hours prior to the performance start time.).  Tickets are also available through The Cleveland Orchestras website at clevelandorchestra.com.  The website offers secure ticket transactions with any major credit card and provides complete concert listings.
            Please note:  There are no added service charges or handling fees for concert tickets purchased through the Severance Hall Ticket Office in person, by telephone or fax, or on the website.
* * *
            The Cleveland Orchestra Youth Orchestra (COYO), now in its 24th season, is a full, 100-member symphony orchestra of young musicians from 44 communities in 13 counties across northern Ohio and western Pennsylvania.  The Youth Orchestra was founded in 1986 under the direction of former Cleveland Orchestra Resident Conductor Jahja Ling to provide talented young musicians with a pre-professional orchestra training experience of the highest possible artistic standard.  Since that time, more than 1,000 young musicians have benefited from the unique musical experiences that COYO offers: weekly coachings with members of The Cleveland Orchestra, rehearsals and performances in historic Severance Hall, and opportunities to work with internationally renowned guest artists and conductors, including Pierre Boulez, Peter Etvs, Yo-Yo Ma, Kurt Masur, Gil Shaham, Michael Tilson Thomas and Cleveland Orchestra Music Director Franz Welser-Mst.  As one of the best youth orchestras in the country, the Cleveland Orchestra Youth Orchestra has garnered a number of prestigious accolades.   Following the opening concert of the Youth Orchestras 2007-08 season, The Plain Dealer commented that As the last movement [of Sibeliuss Symphony No. 2] ascended to its sunny peak, the orchestra filled every corner of Severance Hall with tonal gold.  In March 2008, The Plain Dealer stated that the Youth Orchestras performance of the conclusion of Mahlers Symphony No. 1 shook the hall in a blaze of youthful glory. 
            In June 2009, the Cleveland Orchestra Youth Orchestra made its first appearances (performing four concerts) in Boston, Massachusetts, and surrounding areas, marking the first COYO tour since the Youth Orchestras triumphal tour performance at Carnegie Hall in 2001.

The Cleveland Orchestra Youth Orchestra is supported by generous grants from the Martha Holden Jennings Foundation, the Surdna Foundation, and many other donors.  Endowment support is provided by The George Gund Foundation and Christine Gitlin Miles. 

            In 1991, the Cleveland Orchestra Youth Chorus was founded to help raise awareness of choral music-making in the schools of northeastern Ohio and to encourage more students to continue their choral activities through college and into adulthood. The 125 members of the Youth Chorus are in grades 9 to 12 and represent some 45 schools and communities from 6 Northeastern Ohio Counties.   Like their colleagues in the Youth Orchestra, they are chosen through auditions. This past year over 150 students auditioned for the chorus.  Frank Bianchi serves as director of the Youth Chorus.
            In recent years, the Youth Chorus has collaborated with outstanding musical ensembles including the Cleveland Orchestra, Cleveland Orchestra Chorus, Cleveland Orchestra Youth Orchestra, Baldwin-Wallace Mens Chorus and the Cleveland State Chorale.  The Youth Chorus has appeared in concert at the summer conference of the Ohio Choral Directors Association, the Cathedral of St. John in Cleveland, Ohio and at the Ohio Music Education Association Convention in Cincinnati, Ohio.  Members of the Youth Chorus have participated in Holiday performances with the Cleveland Orchestra and Cleveland Orchestra Chorus and at the annual summer Blossom Festival. Many members of the Youth Chorus began their Severance Hall singing career as members of the Cleveland Orchestra Childrens Chorus. 
            Initial funding for the Youth Chorus was provided by the W.O. Frohring Foundation, the Edward and Ruth Wilkof Foundation, and the Sears Family Foundation, with ongoing support provided by the Wilkof Foundation.

The Cleveland Orchestra Youth Chorus is supported by the Edward and Ruth Wilkof Foundation.

Each of the Cleveland Orchestra Youth Orchestras concerts this season is to be broadcast on later dates by WCLV 104.9 FM. 
            The Cleveland Orchestra Youth Orchestra and Youth Chorus are part of a broad array of Cleveland Orchestra educational programs designed to foster a love of music and a lifetime of participation in the musical arts, and to nurture aspiring young musicians. These programs are part of the Orchestras Community Music Initiative.  Other programs include the Cleveland Orchestra Childrens Chorus, the Musical Rainbow concert series for children ages 3 to 6, Family Concerts for ages 7 and up, Education Concerts (which bring 25,000 schoolchildren to Severance Hall each year), Learning Through Music, the High School Matinee Concert, the Student Advantage Program for college students, and Concert Previews and Music Study Groups for adults.  For more information about any of these programs, call the Orchestras Department of Educational and Community Programs at (216) 231-7355, or visit clevelandorchestra.com.

CALENDAR LISTING:
Sunday, March 14, 2010, at 7:00 p.m.
(Prelude Concert at 6:00 p.m. featuring chamber music performed by members of the Youth Orchestra)

Severance Hall

CLEVELAND ORCHESTRA YOUTH ORCHESTRA
James Feddeck, conductor
CLEVELAND ORCHESTRA YOUTH CHORUS
Frank Bianchi, director

The Cleveland Orchestra Youth Orchestra and Youth Chorus:
MOZART                    Regina coeli

The Cleveland Orchestra Youth Orchestra:
            SAINT-SANS            Symphony No. 3 (Organ)

The Cleveland Orchestra Youth Chorus:
            BRUCKNER                Ave Maria

The Cleveland Orchestra Youth Orchestra and Youth Chorus:
            FAUR                        Requiem


The Cleveland Orchestra Youth Orchestra is supported by generous grants from the Martha Holden Jennings Foundation, the Surdna Foundation, and many other donors.  Endowment support is provided by The George Gund Foundation and Christine Gitlin Miles.
The Cleveland Orchestra Youth Chorus is supported by the Edward and Ruth Wilkof Foundation.

TICKETS:  $12 (reserved seating).  Call (216) 231-1111 or 1-800-686-1141, or order online at clevelandorchestra.com
________________________________________________________________________________

Press Contacts:         Jennifer Schlosser, (216) 231-7518
                                       Email: jschlosser@clevelandorchestra.com
                                    Ana Papakhian, Office: (216) 231-7476; Cell phone: (216) 370-2595
                                       Email: anap@clevelandorchestra.com


James Feddeck
Music Director
Cleveland Orchestra Youth Orchestra

Assistant Conductor
Elizabeth Ring and William Gwinn Mather Endowed Chair
The Cleveland Orchestra

James Feddeck is in his first season as an assistant conductor of The Cleveland Orchestra and as music director of the Cleveland Orchestra Youth Orchestra, having been appointed by Franz Welser-Mst in March 2009.  As assistant conductor, Mr. Feddeck conducts Education, Family, and other concerts and serves as cover conductor for Severance Hall and Blossom Festival subscription concerts.  He also helps oversee the editing of archival recordings of concerts and provide assistance to Franz Welser-Mst.  Mr. Feddeck made his debut with The Cleveland Orchestra in a Blossom Festival concert in August 2009, as an Aspen Academy Conductor.
            As music director of the Cleveland Orchestra Youth Orchestra, Mr. Feddeck leads the ensemble in weekly rehearsals and will conduct its 2009-10 season three-concert series in Severance Hall, concerts in the Cleveland area, and a performance for Severance Halls Community Open House Day in January 2010.  In March, he also will conduct the Youth Orchestra in a side-by-side concert with The Cleveland Orchestra, for high-school students.
            James Feddeck came to Cleveland from his prior position as assistant conductor of the Memphis Symphony Orchestra.  During his two-season tenure in Memphis, he developed and conducted subscription programs, educational concerts, and community programs, and served as an advocate for music education.
            This past summer, Mr. Feddeck served as assistant conductor at the Aspen Music Festival and School.  A conducting fellow for three summers at the American Academy of Conducting at the Aspen Music Festival and School, where he studied with Murry Sidlin and David Zinman, James Feddeck received the Aspen Conducting Prize in 2008.  He was awarded the Robert J. Harth Conductor Prize in 2007 and was nominated for the Glimmerglass Opera Conducting Prize in 2006.  In addition, he was the unanimous winner of the Sixth Vakhtang Jordania International Conducting Competition and, at twenty-two, its youngest participant.
            Mr. Feddecks musical training and background is unusually diverse and multifaceted.  He holds the distinction of having been admitted to the Oberlin Conservatory of Music in four areas: piano, oboe, organ, and conducting.  While at Oberlin, he was music director and conductor of Mozarts Cos fan tutte.  Following undergraduate and graduate degrees from Oberlin, where he studied conducting with Steven Smith, Timothy Weiss, and Bridget-Michaele Reischl, Mr. Feddeck continued his studies in conducting at the University of Michigan, working with Kenneth Kiesler.  He has participated in conducting masterclasses at Aspen with Patrick Summers, Harry Bicket, and James Conlon.
            An accomplished organist, Mr. Feddeck has performed recitals throughout Europe and North America and has won competitions sponsored by the American Guild of Organists.  As an oboist, he has taken a special interest in new music, having commissioned and premiered works including Daniel Pinkhams Oboe Quartet.
            Recent and upcoming conducting engagements include appearances at the Aspen Music Festival with artists including Misha Dichter and Cho-Liang Lin, Cleveland Institute of Music, Charlotte Symphony Orchestra (with soloist Yo-Yo Ma), and return performances with the Memphis Symphony Orchestra.

Frank Bianchi
Director, Cleveland Orchestra Youth Chorus
Assistant Director, Cleveland Orchestra Chorus

Frank Bianchi is in his fifth season as director of the Cleveland Orchestra Youth Chorus and his first season as assistant director of the Cleveland Orchestra Chorus.  In addition, he is an adjunct professor of music at the Baldwin-Wallace College Conservatory of Music and the director of the Baldwin-Wallace Mens Chorus.  Choral groups under his direction during his 30-year public-school teaching career have sung at district, regional, state, and national conventions of OMEA, MENC, and ACDA.
            Mr. Bianchi is very active as a choral clinician, choral conductor, and adjudicator of both concert and show choirs.  He has conducted well over 100 honors, district, regional, and all-state choirs throughout Ohio, Kentucky, and Pennsylvania.  This spring, he will conduct the Pennsylvania All-State Choir at the PMEA State Conference.  Mr. Bianchi has served in several capacities on the Adjudications Board for the Ohio Music Education Association and the Ohio Choral Directors Association and currently serves as the northeast Ohio regional chairperson for the Ohio Choral Directors Association. 
            Mr. Bianchi is a past recipient of the Outstanding Music Educator of the Year Award from the Ohio Music Education Association.  In addition to his duties at Severance Hall and Baldwin-Wallace College, he serves as director of liturgical music at Holy Martyrs Catholic Church in Medina.

Lori Laitman Featured Composer on Thomas Hampson's New Song of America Website

Lori Laitman is 
 Featured Composer
on Thomas Hampsons
New Song of America Website


Lori Laitman has been selected as the Featured Composer (February 2010) on Thomas Hampson's new website, songofamerica.net. 

Created by the acclaimed baritone in collaboration with the Library of Congress, the new online resource is a fascinating, authoritative and comprehensive database of influential American composers and poets those who have best communicated the story of America over the past 250 years, and in so doing, have shaped its cultural legacy, history and spirituality. This unique website acknowledges and celebrates seminal contributors to the development of poetry and song in America by presenting their lyrics, scores, profiles and relevant links for further study.  Laitmans works are featured on the timeline of American song, and her impressive oeuvre and recordings are highlighted.

Lori Laitman began composing for voice in 1991 and has since created an extensive body of works, many of which have entered the standard repertoire and are performed by top musicians worldwide.  Within her 200 art songs spanning the breadth of American literature from Dickinson to contemporary poets, Laitman has also crafted a unique body of music commemorating the Holocaust.

Apart from her art songs and song cycles, Laitmans output includes a chamber opera, Come to Me in Dreams; a full-length opera, The Scarlet Letter; and a Holocaust oratorio, Vedem, which premieres in 2010. Her solo recordings have received exceptional praise and she continues to receive countless commissions to write vocal music.

WNYC's Leonard Lopate Celebrates 25th Anniversary - Thursday, March 25th at 7pm

What:  Music, Memories and Mockery: A Leonard Lopate 25th Anniversary Roast       
"To stay on the air for 25 years, either the audience loves you or you're sleeping with the management, said Andy Borowitz. In Leonard's case, to my knowledge only the former is true."

Who:    Andy Borowitz Emcee
Roasters: Chuck Close, Rosie Perez, Martha Plimpton, Michael Lomonaco, Phillip Lopate
Plus: Ruth Reichl, Art Spiegelman, WQXRs Elliott Forrest, and more!
               Guest of Honor: Leonard!

When:    Thursday, March 25th at 7pm

Where:  The Cooper Union Great Hall
   7 East 7th Street (at 3rd Avenue)

Tickets: $25. Can be purchased at http://www.wnyc.org/events/149770

For more information: WNYC Listener Services (646) 829-4000

WNYC Presents

Music, Memories and Mockery:
A Leonard Lopate 25th Anniversary Roast

Andy Borowitz to Emcee

Limited Edition Anniversary T-Shirt Designed by Art Spiegelman

Thursday, March 25th at 7pm
At Cooper Union


(February 16, 2010) - For 25 years, The Leonard Lopate Show has served as New York City's salon of arts and ideas, featuring in-depth and insightful interviews with a range of luminaries, from newsmakers, tastemakers, and filmmakers to artists, authors, and actors.  From Francis Ford Coppola to Norman Mailer, Barack Obama to Meryl Streep, Henry Kissinger to Toni Morrison, a visit to the Lopate studio has been an essential stop in the New York cultural scene.

On Thursday, March 25th at 7pm, WNYC will celebrate Leonard with Music, Memories and Mockery: A Leonard Lopate 25th Anniversary Roast. The toasters and roasters all have long associations with the show:
  • CHUCK CLOSE, painter and photographer
  • MARTHA PLIMPTON, stage and screen actress
  • MICHAEL LOMONACO, Executive Chef and partner, Porter House New York
  • ROSIE PEREZ, actress, dancer, choreographer, director and community activist
  • PHILLIP LOPATE, essayist, novelist, poet (and brother of Leonard!)

Humorist ANDY BOROWITZ will emcee, and put Leonard in the hot seat by turning the tables and interviewing the man himself.  Jazz pianist JASON MORAN will provide musical entertainment.

"To stay on the air for 25 years, either the audience loves you or you're sleeping with the management, said BOROWITZ. In Leonard's case, to my knowledge only the former is true."

A special edition T-shirt, designed by longtime listener and Pulitzer Prize-winning comic book author ART SPIEGELMAN will be available on-site. 

Tickets are $25 and are available at https://www.ovationtix.com/trs/pe/7959435.

In addition, on March 5th during Leonards regularly scheduled program, an audio documentary narrated by On the Medias BROOKE GLADSTONE will present highlights from his 25 years on the air. The show will also air celebrity tributes throughout the week of March 1st-5th.

*  *  *

During his time on WNYC, Leonard Lopate has welcomed an impressive range of guests poets, painters, politicians, novelists, dancers, Nobel and Pulitzer Prize winners, filmmakers, scientists and chefs to talk about their work, their process, and their passions. Leonard is renowned for an interview style that sounds less like traditional talk radio and more like eavesdropping on a fascinating conversation. He engages his guests in complex, illuminating talks that delve deeply into each guests experiences, thoughts, and feelings. He can be skeptical or enthusiastic, as needed, but his conversational mode favors dialogue over debate.

The Leonard Lopate Show has been recognized with three Associated Press Awards for Best Interview for interviews with President Jimmy Carter, Tony Bennett and Yoko Ono. Additionally, the show has received three James Beard Foundation Broadcast Media Awards in the Radio Food Show category, including a win for his Holiday Recipe Swap segment with Chef Michael Lomonaco, who will be on hand to celebrate Leonards 25th anniversary.


The Leonard Lopate Show airs weekdays from 12noon-2pm on WNYC 93.9 FM, AM 820 and via live webstream at www.wnyc.org, where all interviews are also available on-demand.


WNYC Radio is New York's premier public radio franchise, comprising WNYC-FM, WNYC-AM, and WQXR, as well as www.wnyc.org and www.wqxr.org. As America's most listened-to AM/FM public radio stations, reaching more than one million listeners every week, WNYC extends New York City's cultural riches to the entire country on-air and online, and presents the best national offerings from networks National Public Radio, Public Radio International, American Public Media, and the British Broadcasting Company. WNYC 93.9 FM broadcasts a wide range of daily news, talk, cultural and music programming, while WNYC AM 820 maintains a stronger focus on breaking news and international news reporting. Classical 105.9 WQXR is New York Citys sole 24/7 classical music station, presenting new and landmark classical recordings, as well as live concerts from the Metropolitan Opera and the New York Philharmonic, among other New York City venues, immersing listeners in the citys rich musical life. In addition to its audio content, WNYC produces content for live, radio and web audiences from The Jerome L. Greene Performance Space, the stations street-level multipurpose, multiplatform broadcast studio and performance space. For more information about WNYC, visit www.wnyc.org.

Mois de la danse 2010

La Maison des arts ouvre toutes grandes ses portesĶ 
Laval, le 16 fvrier 2010 Du 25 mars au 24 avril prochains, la danse semparera la Maison des arts de Laval. En effet, le 4e Mois de la danse reprend possession de la scne de ce lieu culturel en prsentant une programmation exceptionnelle regroupant les forces vives de la danse dici et dailleurs. 

Les spectacles 
Les activits du Mois de la danse dbuteront le 25 mars avec NuĶ Malgr ce que peut voquer le titre de ce spectacle, cest lme des personnages qui est ici mise nu. Le chorgraphe, Harold Rhaume, russit avec Nu djouer le mythe de limpntrabilit de la danse contemporaine. 

Les 4   8 ans apprcieront assurment Le cabaret dans des vilains petits canards, une uvre signe Hlne Blackburn, prsente le 28 mars 14 h. Tandis que le 30 mars, le Collge Montmorency accueille les danseurs de la relve montralaise qui nous prsente un match dimprovisation-mouvement unique : les Imprudanses.

Et, afin de mettre en lumire le talent des danseurs et danseuses de la rgion, Envol Danse sera prsent la Salle Andr-Mathieu, les 27 et 28 mars et les 9, 10 et 11 avril la Maison des arts. Le Mois de la danse se poursuit, les 13 et 14 avril o la troupe TANZ DANSE du Collge Montmorency foulera les planches de la Maison des arts avec Rien nefface lessentiel. 
Your browser may not support display of this image. 
Le 16 avril, assistez   Rapaill, un spectacle de danse qui se singularise par un mlange unique de gigue et de danse contemporaine. Deux musiciens et cinq danseurs excutent, avec le rythme des mots du pote qubcois Gaston Miron, cette uvre fascinante avec un synchronisme tonnant et une nergie dbordante. 

De plus, cest lors du vernissage de lartiste peintre Lisa Tognon, le 23 avril prochain, que la chorgraphe-interprte Ginette Boutin prsentera Passages; une visite guide dcidment inhabituelle de lexposition. Finalement, le Mois de la danse se terminera par un 5 7 dansant prsent dans certains lieux indits de la Maison des arts, en compagnie de Ginette Boutin et de la compagnie les Imprudanses. 

Le Mois de la danse 
Instaur en avril 2007, le Mois de la danse propose des rencontres et des spectacles qui mettent en valeur cette discipline artistique qui transcende les frontires des cultures et des langues. Dcouvrez la programmation complte du Mois de la danse la Maison des arts en vous procurant le dpliant promotionnel ou en visitant le www.ville.laval.qc.ca, sous longlet Culture.
Rservation : 450 667-2040
? 450 662-4440 www.ville.laval.qc.ca 

ArtistLed Makes Catalog Digitally Available On Classical Archives

Classical Archives  (www.ClassicalArchives.com), the ultimate classical music destination has  joined forces with ArtistLed, the independent record label founded by David Finckel and Wu Han (Artistic Directors of the Chamber Music Society  of Lincoln Center), to make the entire ArtistLed catalog digitally  available for the first time since the labels inception in 1997.

Classical Archives continues its efforts to bring the best of classical music to the digital world by offering exclusive digital access to the complete ArtistLed catalogue of critically acclaimed recordings. The ArtistLed catalog, produced by classical music's first musician-directed label, will be available for one month exclusively on Classical Archives.

To celebrate this creative collaboration, a truly extraordinary exclusive interview by Classical Archives Artistic Director, Dr. Nolan Gasser with David Finckel and Wu Han, and a One Click Concert will be featured on the site. The One Click Concert is a collection of  movements from the ArtistLed catalog, selected by David Finckel and Wu Han for free streaming in its entirety to all visitors of Classical Archives.

Classical Archives CEO, Pierre Schwob notes, We are so proud to embrace the bold initiatives that David and Wu Han have taken to uphold the integrity of classical music through their ArtistLed label, and are honored to exclusively offer their digital recordings on our site.

This integrity is clearly seen in David Finckels comment to Dr. Gasser: If we dont treat audiences and potential listeners with respect for their ability to be curious to be fascinated by the idea of learning something new, something that were interested in then its all lost. Because then youre just trying to second-guess what somebody might like, and the competition is ridiculously ferocious.

Visit the Classical Archives today at www.ClassicalArchives.com.

About Classical Archives
Classical Archives (www.classicalarchives.com), the ultimate classical music destination, is the largest digital music subscription service dedicated to classical music. The site offers more than 620,000 tracks, 7,800 composers, and 27,000 artists representing more than 110 record labels.  It also features a breakthrough in site navigation that allows users to search and cross-reference by any relevant criteria: composer, work title, artist, albums, historical period, instrument, genre, and many others that make finding and comparing the best classical recordings easier than it has ever been. Classical Archives offers unique membership opportunities that allow users to take advantage of its vast resources easily and affordably.  Fees are $9.95/month or $99.50/year.  Benefits include the ability to listen to music from the entire site (complete tracks or works); a 10% discount on all downloads (which are yours to keep for life!); and the first two weeks as a free trial of the service.   Free registered members also enjoy great benefits: the ability to freely listen to Classical Archives own large catalog of contributed tracks, which includes many performances from world-class talents; the ability to listen to any music clips (30-60 seconds); the ability to purchase hi-definition downloads; and the ability to access and download free MIDI files.

Golijov's Pasin Two CD & DVD Set Available March 23rd

GOLIJOV: La Pasin segn San Marcos
Biella Da Costa/Jessica Rivera/
Reynaldo Gonzlez-Fernandez
Orquesta La Pasin/Members of the Simn Bolvar Youth Orchestra of Venezuela
Schola Cantorum de Venezuela / Mara Guinand

NEW YORK, NY February 2010 A decade ago the premiere of Osvaldo Golijovs La Pasin segn San Marcos dropped like a bomb on the belief that classical music is an exclusively European art (Alex Ross, The New Yorker) and became known as the first indisputably great composition of the 21st Century (Boston Globe). Deftly exploiting the popular appeal and emotional immediacy of samba, salsa, flamenco, mambo, and the elemental vigor of folk and popular motifs, Golijovs La Pasin segn San Marcos sets the last days of Christ amidst the streets of Latin America.  On March 23rd, Deutsche Grammophon releases the first new recording of the work since the premiere in 2000.  Both Golijov and the producers at DG felt it imperative to create this definitive new studio recording of La Pasin to showcase the richness of the works texture and its maturity over the past decade. The audio recording on two CDs is released in tandem with the DVD of a 2008 live performance from the Holland Festival conducted by Robert Spano.

National Public Radio hailed La Pasin as one of the most important records of the decade, and has referred to Golijov as one of the most exciting, innovative and important composers working today. Commissioned by the International Bach Academy, it bowed in 2000 in Stuttgart on the 250th anniversary of Bachs death.

The original recording of this work, recorded live at that premiere in 2000 was an important early document of this new work, but a decade later La Pasin has, according to Golijov acquired a certain monumentality.  It has evolved from a wild beast into a coherent being; into something that is still powerful but in a more self-assured way. The important thing in doing this new recording was to show the stage of maturity the piece has reached.

The recording is radically different, Golijov says, because we know what we are doing and we know how to record all this vast array of percussion that was a blur in the first recording but now creates this rainbow of shifting colors.  We also know how to record the many layers of the voices.  We can really have a clear picture of what this piece is, as opposed to just a snapshot which is what we had ten years ago. Also, the performance is different.  It is still visceral but grown-up.  It is a piece that already exists.  It is a presence; it is an entity in the world.  And it sounds like that.

On April 24 and 25, La Pasin segn San Marcos will be performed at the Walt Disney Concert Hall in Los Angeles, presented by the Los Angeles Philharmonic as part of Gustavo Dudamels Americas and Americans Festival spotlighting music from North and South America. The performers include Orchestra La Pasin conducted by Maria Guinand, and vocalist Luciana Souza.  This spring Osvaldo Golijov will be the composer in residence for the Toronto Symphony's New Creations Festival, held February 25-March 3, 2010 while March 11-15th will bring Osvaldo Golijov's final concerts as Composer in Residence at the Chicago Symphony Orchestra.  More information at www.osvaldogolijov.com.

More information about this recording including excerpts, listening guides, video trailer and tracklist can be found at www.deutschegrammophon.com/golijov-pasion.

Announcing the Finalists! / Annonce des finalistes! CBC Literary Awards/les Prix littraires Radio-Canada

Montreal, February 16, 2010 CBC/Radio-Canada, the Canada Council for the Arts and Air Canadas enRoute magazine are proud to announce the 80 English finalists of the CBC Literary Awards/les Prix littraires Radio-Canada. They were chosen from more than 6,000 submissions in French and English from across the country, in the Creative Nonfiction, Poetry and Short Story categories. All Canadians are invited to celebrate the announcement of the 2009 CBC Literary Awards/ Prix littraires Radio-Canada winners on Thursday, March 18.

Literary Awards Host Shelagh Rogers will unveil the English-language winners chosen from the 80 finalists at 11 a.m. EST on CBC Radio Ones (88.5 FM in Montreal) Q with Jian Ghomeshi. Christiane Charette will announce the French-language winners that same day on La Premire Chane de Radio-Canada.

Interviews with the winners will air on a special broadcast of The Next Chapter, hosted by Shelagh Rogers on March 22 at 1 p.m. The winning works will be published in Air Canada's enRoute magazine and read on CBC Radios Between the Covers on Sirius Satellite Radio April 12 16. They will also be available as a podcast on itunes, the cbc.ca/podcasting page or cbc.ca/books as of
April 14.

The Awards are presented in partnership with the Canada Council for the Arts and enRoute magazine. The Canada Council supports the prizes with $60,000 so that the 12 winners (6 in each official language) receive $6,000 for the first prize and $4,000 for the second prize in the three categories; Creative Nonfiction, Poetry, and Short Story. Publishing the works in enRoute magazine guarantees a pool of one million readers per month for the winners, who will also be heard coast-to-coast by thousands of CBC and Radio-Canada listeners.

The CBC Literary Awards / Prix littraires Radio-Canada are the most significant prizes awarded to unpublished literary work in Canada. They provide visibility for new authors and also help further the careers of more established Canadian writers.

For more than 30 years the Awards have led Canadians to discover renowned writers such as Michael Ondaatje, Carol Shields, Gail Anderson-Dargatz, Franois Barcelo, Arlette Cousture, Marie-Sissi Labrche, Barry Callaghan, Susan Musgrave, Bonnie Burnard, Shauna Singh Baldwin, Normand de Bellefeuille, Monique Proulx, David Helwig, Camilla Gibb and Jacques Godbout. 

For all information on the Awards / Prix, please visit www.cbc.ca/literaryawards

-30-

Media Contact:                                                Source:
Diane Hargrave                                                  Catherine Megelas, Communications Officer
Diane Hargrave Public Relations                          CBC Communications Quebec Region
416-467-9954, poste 104                                    514-597-4499, catherine.megelas@cbc.ca
dhprbks@interlog.com               
 
 
 

 

ANNONCE DES FINALISTES


Montral, le 16 fvrier 2010 CBC/Radio-Canada, le Conseil des Arts du Canada et le magazine enRoute dAir Canada ont dvoil aujourdhui le nom des 72 finalistes francophones des Prix littraires Radio-Canada/CBC Literary Awards. Les finalistes ont t choisis parmi plus de 6000 inscriptions reues en franais et en anglais de partout au pays, dans les catgories Rcit, Posie et Nouvelle. Tous les Canadiens sont invits rendre hommage aux laurats des Prix littraires Radio-Canada/CBC Literary Awards 2009 le jeudi 18 mars 2010.

Parmi ces finalistes, six laurats seront lus grands gagnants et leurs noms seront annoncs le jeudi 18 mars en direct lmission Christiane Charette, diffuse de 9 h 11 h sur les ondes de la Premire Chane de Radio-Canada (95,1 FM Montral). cette occasion, lanimatrice sentretiendra avec les gagnants des premiers prix ainsi quavec le coordonnateur des jurs, Jean Fugre. Le mme jour, les six laurats anglophones seront dvoils par Shelagh Rogers 11 h lmission Q de
Jian Ghomeshi, sur les ondes de CBC Radio One. De plus, le dimanche 21 mars 14 h, Lorraine Pintal recevra elle aussi les trois premiers laurats francophones lmission Vous men lirez tant.
En entrevue, ils auront loccasion de partager leur exprience unique avec lanimatrice.

Ces prix sont prsents en partenariat avec le Conseil des Arts du Canada et le magazine enRoute.
Le Conseil des Arts apporte une contribution de 60 000 $, permettant ainsi aux douze laurats (six dans chaque langue officielle) de recevoir 6000 $ pour le premier prix et 4000 $ pour le second prix dans les trois catgories, soit Rcit, Posie et Nouvelle. La publication des uvres dans le magazine enRoute garantit aux laurats une visibilit auprs de un million de lecteurs par mois. Les uvres des laurats bnficient galement dune couverture mdia auprs des milliers dauditeurs de CBC et de Radio-Canada
dun ocan lautre.

Les Prix littraires Radio-Canada/CBC Literary Awards sont les prix les plus importants dcerns pour des uvres non publies au Canada. Ils apportent une visibilit aux auteurs qui nen sont qu leurs dbuts et contribuent promouvoir la carrire dcrivains canadiens plus connus.

Les Prix littraires ont permis aux Canadiens de dcouvrir depuis plus de trente ans de nombreux auteurs rputs comme Franois Barcelo, Arlette Cousture, Marie-Sissi Labrche, Michael Ondaatje, Carol Shields, Gail Anderson-Dargatz, Barry Callaghan, Susan Musgrave, Bonnie Burnard, Shauna Singh Baldwin, Normand de Bellefeuille, Monique Proulx, David Helwig, Camilla Gibb et Jacques Godbout. 

Pour toute information sur les Prix, veuillez visiter Radio-Canada.ca/prixlitteraires.

Composer/percussionist Lukas Ligeti performs Afrikan Machinery at Music Gallery 3/27

BrilliantĶneatly bridges the classical-modernist-world-music divide.  - The Scotsman (U.K.)

Fresh off his first ever UK solo performances, composer/percussionist Lukas Ligeti continues to wow audiences with his post-minimalist polyrhythmic music in a nationwide Spring 2010 concert tour (see schedule below).  Performing selections from his most recent album, Afrikan Machinery (Tzadik), Ligetis live repertoire for electronica percussion, specifically the Marimba Lumina (an innovative mallet instrument invented by legendary synthesizer pioneer Don Buchla), combines his talents as a composer and an improvisor with elements of African music, electronic, jazz and indie pop.

Cited as one of the worlds top classical composers (Wall Street Journal), Ligeti brings his unique musical language that contains a multitude of new melodies, textures, polyrhythmic percussion cycles, and snapshots of highly diverse African-tinged soundscapes.  The music allows for a certain freedom of improvisation and expresses my joy and my sadness, explains Ligeti. My imagination not only in sounds but also in shapes and colors; and my longing for places far away, especially for the continent of Africa, to which this music is a loving tribute.

Ligetis Afrikan Machinery has been hailed by audiences and critics alike including a 2008 50 Records of the Year nod from The Wire magazine.  Following a recent gig at the 2009 London Jazz Festival, The Guardian described his music as defiantly originalĶa musical one-off. According to the Los Angeles Times, Ligeti represents, under a Clark Kent exterior, a new generation of musical Superman a globally minded, technologically adept, technically sophisticated composer who also happens to be a virtuoso performer and accomplished improvisor.

About Lukas Ligeti                                                                                                                                                      
Transcending the boundaries of genre, composer/percussionist Lukas Ligeti has developed a musical style of his own that draws upon downtown New York experimentalism, contemporary classical music, jazz, electronica, as well as world music, particularly from Africa. Known for his non-conformity and diverse interests, Lukas creates music ranging from the through-composed to the free-improvised, often exploring polyrhythmic/polytempo structures, non-tempered tunings, and non-western elements.  He has also been participating in cultural exchange projects in Africa for the past 15 years. Lukas concert music has been commissioned by the American Composers Orchestra, Bang on a Can, Vienna Festwochen, and the Kronos Quartet, to name a few. He frequently performs solo on electronic percussion, and as a drummer co-leads several bands including Burkina Electric, the first electronica band from Burkina Faso in West Africa. Lukas has also performed/recorded with John Zorn, Henry Kaiser, Raoul Bjrkenheim, Marilyn Crispell, Jim ORourke, Gary Lucas, John Tchicai, and many others. For everything else, visit www.myspace.com/lukasligeti.

2010 Lukas Ligeti Solo Concert Tour
Sat 3.20 University of Virginia, Bridge PA1, Charlottesville, VA, virginia.edu                  
Wed 3.24 Galapagos Art Space, 16 Main Street, Brooklyn, NY, galapagosartspace.com
Thu 3.25 Axiom Gallery for New and Experimental Media, 141 Green Street, Boston, MA, axiomart.org   
Fri 3.26 Casa del Popolo, 4873 boul. St. Laurent, Montreal, Canada, casadelpopolo.com
Sat 3.27 Music Gallery, 197 John Street, Toronto, Canada, musicgallery.org                        
Mon 3.29 Metropolis Underground, Syracuse, NY                                                                       
Tues 3.30 Garfield Artworks, Pittsburgh, PA                                                                                    
Wed 3.31 Museum of Contemporary Art (MOCA), 8501 Carnegie Avenue, Cleveland, OH, mocacleveland.org                                                                                                                                      
Thu 4.1 Skylab, Columbus, OH           
Fri 4.2 Robinwood Concert House, Toledo, OH
Sat 4.3 Contemporary Space 13, Cincinnati, OH

Les Impatients prsente l'exposition Parle moi d'amour

Lexposition-encan

Nouvelle formule pour la 12e dition

Montral, le lundi 15 fvrier 2010 - Jean-Bernard Trudeau, prsident du conseil dadministration, Michel Dallaire, coprsident, artiste, Tina Sealy, coprsidente, Impatiente et Clmence DesRochers, porte-parole, ont le plaisir dinviter le grand public la 12e dition de lexposition-encan Parle-moi damour. Lexposition se tiendra jusquau 23 mars 2010 dans la salle RONA du Centre Les Impatients (100, rue Sherbrooke Est, 4e tage).

Lexposition-encan Parle-moi damour, qui se droule chaque anne durant la priode de la Saint-Valentin, connatra cette anne sa 12e dition. Cet vnement unique en arts visuels runit des artistes professionnels et des Impatients. Plus dune cinquantaine dartistes simpliquent gnreusement dans cette cause et offrent une uvre qui est vendue lors de lencan. Parmi eux, Madeleine Arbour, Elmyna Bouchard, Laurence Cardinal, Janine Carreau, Ren Derouin, Clmence DesRochers, Michle Drouin, Jean-Louis mond, liane Excoffier, Pierre Gauvreau, Raymonde Godin,  Yves Louis-Seize,  Jaber Lutfi, Lo Rosshandler et Serge Roy.

l'occasion de cette 12e dition, l'vnement prend un nouveau virage :
         Du ct des Impatients
Pour la premire fois dans lhistoire des Impatients, une cinquantaine duvres provenant des archives seront prsentes, accompagnes des  Dlirantes  et des  Tenaces , des poupes ralises en atelier qui seront mises en vente lors de cette fte.
         Du ct des artistes
Une plus grande varit de format est propos cette anne aux artistes professionnels.
         Lors de soire de clture
Cette anne, la soire se terminera par un encan cri, anim par Pierre Paquet lors de laquelle une cinquantaine duvres seront mises en vente. Mis part la soire de clture, le fonctionnement de l'encan demeure le mme. Les uvres ralises sont offertes aux collectionneurs par le biais d'un encan silencieux ds louverture de l'exposition, et ce, jusqu' la soire de clture. La mise de dpart demeure 50 $.

Cette exposition-encan a pour but de recueillir des fonds pour permettre aux Impatients de poursuivre leur double mission : offrir un lieu dexpression artistique et thrapeutique aux personnes souffrant de problmes de sant mentale et de favoriser les changes avec la communaut par la diffusion de leurs ralisations. Au-del de limpact financier de lvnement, il sagit pour Les Impatients de sensibiliser le grand public aux ralits des personnes connaissant des problmes de sant mentale, problmes qui touchent une personne sur cinq au Qubec.

Le centre Les Impatients est un organisme but non lucratif dont la mission est daider les personnes atteintes de maladie mentale en leur offrant des ateliers dexpression artistiques, et ce, dans cinq lieux diffrents : au Centre Wellington (Institut Douglas), lHpital Louis-H. Lafontaine, Montral-Est et dans le centre-ville de Montral.

Heures douverture
Mardi au vendredi de 10 h 17 h, jeudi jusqu' 19 h
Samedi et dimanche de 13 h 17 h
Pour plus dinformation : 514-842-1043


Cet vnement est ralis grce au ministre de la Sant et des Services sociaux, Postes Canada, Prologue, Transcontinental, Lundbeck Canada inc., Gestion Phila, Fondation du Grand Montral, Hydro-Qubec, Le Curateur public du Qubec, Gowling Lafleur Henderson LLP, Plican International Inc, Fondation des maladies mentales, Communications Voir, SAQ, DeSerres et RONA.

New Jersey State Opera presents Gershwins' PORGY AND BESS at Newark Symphony Hall May 21 and 23, 2010

GREGG BAKER, LAQUITA MITCHELL, LESTER LYNCH, ANGELA BROWN,
JANINAH BURNETT and LAWRENCE CRAIG
star in the Gershwins American Musical Masterpiece

PERFORMANCES MAY 21 and 23
AT HISTORIC NEWARK SYMPHONY HALL

TICKETS ON SALE NOW

NEWARK, NJ February 5, 2010 Celebrating its 45th Anniversary Season, the award-winning New Jersey State Opera, under the leadership of Artistic Director and Maestro Jason C. Tramm and Managing Director Jonathan L. Quitt, proudly announces principal casting for the 75th Anniversary Production of The Gershwins Porgy and Bess, to be presented May 21 and 23 at historic Newark Symphony Hall (1030 Broad Street).

Acclaimed opera veterans Gregg Baker (Metropolitan Opera, NYCO, The Wiz, Timbuktu) and Laquita Mitchell (Kennedy Centers Master Class with Tyne Daly, 2004 Metropolitan Opera National Council Auditions Grand Prize Winner) take on the title roles, with Lester Lynch (NYCO) as Crown, Angela Brown (Metropolitan Opera) as Serena, Janinah Burnett (Metropolitan Opera) as Clara, and Lawrence Craig (NYCO) as Sportin Life. 

Jonathan Eaton (Artistic Director, Opera Theatre of Pittsburgh; director NYCOs Turandot, Carmen and Cav/Pag) directs with Jason C. Tramm conducting a 55-piece orchestra.   Auditions for the ensemble will be announced shortly.

Long considered the crowning achievement of its authors, George Gershwin, DuBose and Dorothy Heyward and Ira Gershwin, Porgy and Bess is based on Dubose and Dorothy Heywards novel and play Porgy.

Set in the fictional Catfish Row, South Carolina, Porgy and Bess is the story of the crippled beggar Porgy transformed by his unexpected and improbable love for Bess, featuring some of the greatest songs in musical theatre including Summertime, I Got Plenty o Nothin, Bess, You Is My Woman Now, and It Aint Necessarily So.   

The Gershwins Porgy and Bess makes its Newark debut at the historic Newark Symphony Hall (1030 Broad Street, Newark, NJ) for two performances on Friday, May 21 at 8:00pm and Sunday, May 23 at 3:00pm.  Single tickets are priced from $46.20 - $135.45.  To purchase tickets by phone call Ticketmaster at 1-800-745-3000 or visit ticketmaster.com.  Tickets may also be purchased at the Newark Symphony Hall Box Office, 973-792-1730 or ticketservices@newarksymphonyhall.org.  For Group Sales, VIP, and sponsorship opportunities; or more information contact New Jersey State Opera at 973- 623-5757 or info@njstateopera.org.

Yaron Herman au Palais Montcalm

Qubec, le 16 fvrier 2010 Dans le cadre de sa tourne mondiale le pianiste Yaron Herman sera de passage au Palais Montcalm le 13 mars prochain, entour du contrebassiste Matt Brewer et du batteur Gerald Cleaver. Vedette montante de la note bleue, ce pianiste qui impressionne par sa fougue, sa crativit et son lyrisme prsentera cette occasion son plus rcent album, Muse

Consacr rvlation instrumentale aux Victoires du Jazz 2008, Yaron Herman se destinait une carrire de basketteur dans lquipe dIsral avant quune blessure au genou le fasse bifurquer vers le piano. Grce ses performances poustouflantes, il devient rapidement le pianiste dont tout le monde parle avec admiration et stupfaction notamment lors de ses visites au Qubec dans le cadre du Festi Jazz de Rimouski et au Festival international de jazz de Montral lanne dernire.

En 2005, son premier album en piano solo Variations, particulirement acclam par la critique, lui permet de dployer un sens aigu de limprovisation. Ds lors, il commence donner ses premiers concerts solos en Europe, en Amrique du Sud, aux tats-Unis et en Chine. Deux ans plus tard, Yaron Herman enregistre A Time for Everything, son premier album en trio o il mle subtilement ses influences jazz, pop, des compositions personnelles. Sa version trs originale de Toxic de Britney Spears, et sa reprise de Message in A Bottle  de The Police le font rapidement connatre et aimer au-del mme de l'auditoire jazz.

Le Quartet Andr Leroux assurera la premire partie de ce spectacle. Qualifi par La Presse  d'instrumentiste montralais de calibre mondial , le saxophoniste Andr Leroux nous prsentera son premier album, Corpus Callosum, un album qui rend hommage l'esprit de la musique de John Coltrane travers des compositions originales.

YARON HERMAN
 Samedi 13 mars 2010 20 h la salle Raoul-Jobin du Palais Montcalm
Rgulier : 35 $ - Prix jeunesse : 12,50 $
Rservations 418 641-6040

 www.palaismontcalm.ca

Les plus beaux airs d'opra - Salle Rolland Brunelle - jeudi 25 mars 20h

LES PLUS BEAUX AIRS D'OPRA
Extraits dopra de Mozart, Puccini, Donizetti, Verdi, Massenet, Offenbach et plusieurs autres

L"ATELIER LYRIQUE DE LOPRA DE MONTRAL   
Caroline Bleau, soprano
Lara Ciekiewicz, soprano
Roy Del Valle, baryton-basse
Chantale Nurse, soprano
Pierre Rancourt, baryton
Suzanne Rigden, soprano
et Annie Sanschagrin, Laurate dApro lOpra

Ce concert est inspir par la mmoire du fondateur de notre socit musicale: le pre Fernand Lindsay, un grand amoureux de l'opra.

JEUDI   25   MARS   2010      20 H
SALLE ROLLAND-BRUNELLE
CENTRE CULTUREL DE JOLIETTE
20 rue St-Chrles Borrome Sud
Joliette J6E 4T1
25 $ + tx. (tudiants 15 $ + tx.)
Rservation : 450 759-6202

Rservez ds maintenant !

Clavecin en concert : Communiqu concert 19 mars 2010

Domenico Scarlatti
Messe brve La Stella et Stabat Mater 10 voix

Le vendredi 19 mars 2010, 20 h 00
Chapelle Notre-Dame-de-Bon-Secours, 400, rue Saint-Paul Est, Vieux-Montral

Prix des billets :
Entre simple 28 $ / An (65 ans et +) 25 $
tudiant, temps plein, 25 ans et moins 10 $
15 ans et moins accompagn dun adulte : gratuit

Renseignements et rservations : 514-748-8625 www.clavecinenconcert.org


Montral, 4 mars 2010 Lors de son prochain concert, Clavecin en concert vous proposera dentendre deux uvres de musique sacre de Domenico Scarlatti : la messe brve La Stella et le Stabat Mater 10 voix. Dix chanteurs et trois musiciens seront dirigs par Luc Beausjour. Quatre sonates pour orgue de Domenico Scarlatti complteront le programme.


 Vin bnfice  la crypte au profit de Clavecin en concert

Aprs le concert, tous ceux qui dsirent participer un  Vin bnfice  pourront se rendre la crypte de la chapelle o des vins et fromages seront servis. Luc Beausjour jouera dune pinette en aile doiseau du facteur Yves Beaupr.

Prix des billets :
Concert seulement (20 h) : rgulier 28 $, an 25 $, tudiant 10 $
Concert et vin bnfice : an et rgulier 75 $, tudiant 60 $.
Vin bnfice : 50 $ (21 h)

Rservations : Gisle Pelletier 514-748-8625 / gpelletier@vif.com / clavecinenconcert.org

Clavecin en concert remercie le Conseil des arts et des lettres du Qubec, le Conseil des Arts du Canada et le Conseil des arts de Montral de leur soutien.
Renseignements : Louis Allard, 514-805-9904

Le Vivier, carrefour des musiques nouvelles : Concerts du mois du mars

PROMENONS NOUSĶ
DANS LES CONCERTS DU MOIS DE MARS 2010

Productions Super Musique : Ignaz Schick + Martin Ttreault, Derome + Htu  [10 mars]
SMCQ : Solstices - Hommage Gilles Tremblay [18 mars]
Quatuor Molinari : Le Quatuor selon Schnittke  [17 au 20 mars]
Quasar :
Les mutations dynamiques [31 mars + 1er avril]

50% de rduction sur le prix des billets avec la Carte rabais Le Vivier
www.saisonlevivier.ca
Montral, jeudi 4 mars 2010 Le Vivier, carrefour des musiques nouvelles, un regroupement de 22 organismes musicaux montralais, prsente sa premire saison de 15 concerts de musiques nouvelles, sur plusieurs scnes montralaises, en codiffusion avec ses membres.

Les concerts prsents en mars 2010 nous permettront dentendre, les mercredi 10 mars 20 h au Goethe-Institut Montral, deux surprenants duos, le Montralais Martin Ttreault et le Berlinois Ignaz Schick aux tables tournantes, ainsi que les iconoclastes extra sensoriels, Jean Derome et Joane Htu ; jeudi 18 mars 20 h la salle Pierre-Mercure du Centre Pierre-Pladeau, une soire pour dcouvrir le piano chez Gilles Tremblay, sous les doigts intrpides de la pianiste Louise Bessette ; mercredi 17 au samedi 20 mars 20 h au Conservatoire de musique de Montral, un concert-marathon du Quatuor Moilinari avec lintgrale des quatuors cordes dAlfred Schnittke ; et mercredi 31 mars + 1er avril 2010 20 h  Espace DellArte
, une odysse numrique en musique avec le quatuor de saxophones Quasar.

LE CLIP DU MOIS - Pour un aperu des concerts prsents en mars, cliquez sur ces liens : http://www.youtube.com/watch?v=z8CwKz_gzFc&feature=youtube_gdata

mercredi 10 mars 2010, 20 h
Goethe-Institut Montral - 418, rue Sherbrooke Est - 20$ & 10$
SuperMusique : Ignaz Schick & Martin Ttreault + Derome & Joane Htu
Concert et lancement de deux disques
Folie des tables tournantes avec le Berlinois Ignaz Schick et le Montralais Martin Ttreault.
En premire partie, le duo extrasensoriel Nous perons les oreilles :
Jean Derome, saxophone, flte, objets; Joane Htu, saxophone, voix.

jeudi 18 mars 2010, 20 h
Salle Pierre-Mercure du Centre Pierre-Pladeau - 300, boul. de Maisonneuve Est - 25$ & 10$
SMCQ : Solstices - Hommage Gilles Tremblay

Du solo au concerto : une soire pour dcouvrir le piano chez Gilles Tremblay, sous les doigts intrpides de Louise Bessette + deux crations :
Michel Gonneville, Voles (2010, cration), pour piano
David Adamcyk, Devant lazur (2008, cration), pour voix de soprano, saxophones tnors et baryton, piano. Commande : SMCQ

Gilles Tremblay : Solstices (ou Les Jours et les saisons tournent, 1971), pour flte, clarinette, cor, deux percussions et contrebasse ; Musiques de leau (2008) et Envoi (1982), pour piano solo, deux fltes (et piccolos), clarinette, clarinette basse, cor, deux trompettes, deux trombones, trois percussions, deux violons et contrebasse. Commande: Claude Helffer, avec laide du CAC

Avec Ensemble de la SMCQ, sous la direction de Walter Boudreau. Louise Bessette, piano ;
Julieanne Klein, soprano ; Zosha Di Castri, piano ; Adam Kinner, saxophones.

mercredi 17 au samedi  20 mars 2010, 20 h
Conservatoire de musique de Montral - 4750, rue Henri-Julien - 25$ & 10$
Quatuor Molinari : Le Quatuor selon Schnittke *
Concert-marathon en 4 jours

Lintgrale des quatuors cordes dAlfred Schnittke (1934-1998), lun des reprsentants les plus jous de la musique sovitique moderne, qui fusionne tradition et modernisme de faon expressive et dramatique.
Au programme, 14 uvres  de musique de chambre : Quatuor no.1 (1966) ; Canon in Memoriam Igor Stravinsky (1971) ; Quatuor no.2 (1981) ; Quintette avec piano (1972-76) ; Quatuor no.3 (1983) ; Quatuor no.4 (1986).

Quatuor Molinari : Olga Ranzenhofer, violon ; Frdric Bednarz, violon ; Frdric Lambert, alto ;
Pierre-Alain Bouvrette, violoncelle. Artiste invits, les pianistes : Louise Bessette, Natsuki Hiratsuka et Janelle Fung.

mercredi 31 mars + 1er avril 2010, 20 h
Espace DellArte
- 20$
Quasar : Les mutations dynamiques *
Une odysse numrique en musique, lumires et mouvement avec le quatuor de saxophones
uvres de Daniel Peter Biro (Victoria), Nicolas Gilbert (Montral), Jesper Nordin (Stockholm)
et Pedro Rebelo (Belfast).

Quasar : Marie-Chantal Leclair, Mathieu Leclair, Andr Leroux, Jean-Marc Bouchard (saxophones).

* Les concerts du Quatuor Molinari et de Quasar sont enregistrs par Espace musique, la radio musicale de Radio-Canada (100, 7 FM Montral) et sera diffus ultrieurement  sur ses ondes dans le cadre des Soires classiques, animes par Michel Keable, du lundi au jeudi 20 h, d'un bout l'autre du pays. Il sera galement disponible pour coute sur demande sur la webradio classique d'Espace musique Radio-Canada.ca/musique.
Concerts venir dans la Saison Le Vivier
21 avril : Grand concert annuel: Hommage Garant - Nouvel Ensemble Moderne
20 mai : Bungalopolis - Codes d'accs
Vido de la saison : http://www.youtube.com/watch?v=xwvb6QehT-4&feature=youtube_gdata

Le Vivier, carrefour des musiques nouvelles a t cr en 2007 pour faire valoir le dynamisme des musiques de cration et en favoriser son dveloppement et sa diffusion auprs dun plus large public. Le Vivier uvre actuellement pour l'implantation Montral d'un lieu ddi aux musiques nouvelles.

Les  22 organismes membres de Le Vivier
LArsenal musique ; Bradyworks ; Centre de musique canadienne au Qubec (CMC) ; Chants Libres ; Codes daccs ; Constantinople ; DAME / Ambiances magntiques ; DIFFUSION i MDIA / empreintes DIGITALes ; Ensemble contemporain de Montral+ (ECM+) ; Espaces sonores illimits (ESI) ; In Extensio ; Innovations en concert (IEC) ; Nouvel Ensemble Moderne (NEM) ; Productions SuperMusique (PSM) ; Productions Totem contemporain ; Quasar, quatuor de saxophones ; Quatuor Bozzini ; Quatuor Molinari ; Rseaux des arts mdiatiques ; Sixtrum, Ensemble percussion ; Socit de musique contemporaine du Qubec (SMCQ) ; et Transmission

Le Vivier reoit, pour sa programmation, lappui du CALQ et du CAM ; et pour l'implantation d'un lieu ddi aux musiques nouvelles, le soutien de la Ville de Montral ; du Ministre de la culture, des communications et de la condition fminine du Qubec (MCCCFQ) ainsi que du Forum des quipements culturels ; et de la Brigade Volante.

Autres partenaires : Caisse de la Culture ; Conseil qubcois de la musique ; La Liste

Monday, March 8, 2010

15 ans dj pour le Festival de chambre de Montral !

http://www.festivalmontreal.org/
Renseignements : 514.489.7444  

Montral, le 17 dcembre 2009 2010 sera une anne de clbrations pour le Festival de musique de chambre de Montral, qui prsentera sa 15e dition du 6 au 29 mai 2010 !

Fond en 1995 par le violoncelliste Denis Brott qui en assume toujours la direction artistique, le Festival de musique de chambre de Montral a pour but de promouvoir la musique de chambre sous toutes ses formes en lassociant parfois d'autres disciplines artistiques et en faisant appel des artistes de rputation internationale ou en mergence. Le Festival vise aussi susciter la dcouverte et mettre en valeur la richesse culturelle et patrimoniale de Montral.

Pour marquer le coup en grand, plusieurs artistes de renom, qui ont grandement contribu au succs et au prestige du festival tel que Nathalie Choquette, Oliver Jones, Jean Marchand, Anton Kuerti et Luc Beausjour, participeront ldition anniversaire. Place la musique et la fte !

Les Journes Schumann - 30 avril au 9 mai 2010

www.fondationartemusica.ca


Montral, 19 janvier 2010 - Aprs avoir soulign les anniversaires de Haydn en mars 2009, et de Handel en novembre 2009, la Fondation Arte Musica honore ce printemps un des grands compositeurs de lpoque romantique loccasion du 200e anniversaire de sa naissance, Robert Schumann (1810-1856).

Gnie romantique par excellence, Schumann a crit une uvre minemment personnelle, parmi les plus belles et les plus mouvantes de son poque. Esprit fantasque limagination dbordante, mais aussi cur tourment, Schumann fut victime dun mal qui le conduira la folie et la mort. Sa musique voque ce constant conflit entre le bonheur et le dsespoir.

Nous vous proposons de dcouvrir ou redcouvrir luvre schumannienne travers cinq concerts qui couvriront lessentiel des diffrentes priodes cratrices du compositeur : sa musique pour piano, ses lieder et sa musique de chambre.

Pour complter ce panorama, trois sries de cours (Robert Schumann, vie et uvre dun musicien pote, Robert Schumann: Romantic Genius, Les grands thmes du romantisme en musique), un film documentaire et une confrence seront au programme.

Nous vous invitons donc tre des ntres dans lintimit de la magnifique Salle des miroirs du Muse des beaux-arts de Montral durant ces quelques jours, afin de vous laisser imprgner par cette musique belle, passionne et prenante. Romantique parmi les romantiques allemands, celui que Saint-Sans dcrivait comme lhomme des choses exquises , Schumann laisse, qui lcoute, un sentiment de profonde humanit.

Puccini's Perfect Opera, La boheme

Minnesota Opera's production of Puccini's La bohme opens March 6

Twin-cast spectacular - James Valenti and Ellie Dehn; Adam Diegel and Jennifer Black


Minnesota Opera is pleased to remount its popular 1996 production of Puccinis La bohme. Considered the worlds favorite opera, this heartwarming love story inspired Rent and is the quintessential portrait of romance, high-spirited friendship and the idealistic pursuit of love and art.

James Valenti* and Ellie Dehn*, who lit up the stage in the 2008 Romeo and Juliet, reunite in one cast, while Adam Diegel+ and Jennifer Black+ make their company debuts leading the other in this twin-cast spectacular. Hyung Yun* and Peter Barrett+ share the role of Marcello, and Karin Wolverton* (Rusalka) and Naomi Isabel Ruiz+ alternate as Musetta. The beloved Minnesota Opera production is lovingly reimagined by director Justin Way. Emmanuel Joel-Hornak conducts the Minnesota Opera Orchestra in his company debut.

Production Information

THE CAST
Rodolfo, a poet - James Valenti*, Adam Diegel+
Mim, a seamstress - Ellie Dehn*, Jennifer Black+
Marcello, a painter - Hyung Yun*, Peter Barrett+
Musetta, a belle of the Latin Quarter - KarinWolverton*, Naomi Isabel Ruiz+
Colline, a philosopher - Jonathan Kimple*, Rodolfo Nieto+
Schaunard, a musician - JeffreyMadison*, Michael Nyby+
Benoit, the landlord - Ben Crickenberger
Parpignol, a toy vender - Brad Benoit
Alcindoro, Musetta's wealthy admirer - Ben Johnson

THE CREATIVE TEAM
Conductor - Emmanuel Joel-Hornak
Stage Director - Justin Way
Original Set Designer - Robert Brill
Set and Lighting Designer - Marcus Dilliard
Costume Designer - Jennifer Caprio

PERFORMANCE DATES
Saturday, March 6, at 7:30 p.m.*
Sunday, March 7, at 2:00 p.m.+
Tuesday, March 9, at 7:30 p.m.*
Wednesday, March 10, at 7:30 p.m.+
Thursday, March 11, at 7:30 p.m.*
Friday, March 12, at 7:30 p.m.+
Saturday, March 13, at 7:30 p.m.*
Sunday, March 14, at 2:00 p.m.+

ORDWAY
345 Washington Street, St. Paul, MN 55102

TICKETS
$20 - $200
Call the Minnesota Opera Ticket Office at 612.333.6669 or purchase online at mnopera.org.

MNBAQ / Nouvelle expo : De Pellan Ferron

De Pellan Ferron.
Slection duvres qubcoises de La Banque TD

Du 4 fvrier au 28 mars 2010

Muse national des beaux-arts du Qubec
Parc des Champs-de-Bataille, Qubec (Qubec) G1R 5H3
1 866 220-2150
www.mnba.qc.ca

Et les finalistes sont...

Socit qubcoise de recherche en musique
Au service de la musique depuis 1980

Concours de confrences pour les tudiants Prsences de la musique 2009-2010
Et les finalistes sont...

Montral, le 10 fvrier 2010 - La SQRM est heureuse d'annoncer les quatre finalistes de son concours tudiant Prsences de la musique. Grande anne pour la forte participation et la qualit des candidatures, le millsime 2009-2010 fut remarquable. La Socit a reu quatorze propositions de confrences d'tudiants provenant de diverses universits qubcoises (Laval, McGill et Montral).

Le jury tait compos de Julie Pedneault-Deslauriers (Universit dOttawa), Francis Dub (Universit Laval), Jacinthe Harbec (Universit de Sherbrooke) et Alexia Jenson (Cercle de musicologie, Universit de Montral). Ces membres ont tenu souligner le haut niveau de la recherche musicale qui se pratique dans le cadre des programmes dtudes suprieures au Qubec.

Les tudiants suivants ont t retenus pour participer la finale du concours :

Frdric Chiasson (Facult de musique de l'Universit de Montral) Koechlin dcrivant Scelsi : comment la mthode de description du timbre de Koechlin peut expliquer l'orchestration d'une oeuvre de musique contemporaine.

Flavia Gervasi (Musicologie, Facult de musique de l'Universit de Montral) La vocalit de tradition orale du Salento (Italie du Sud) entre la pratique actuelle et l'apprciation des anciens chanteurs paysans.

Michel Vallires (Music Theory, cole de musique Schulich de l'Universit McGill)Fonctionnalit formelle intrinsque : approches thorique et perceptive des dbuts, milieux et fins chez W.A. Mozart.

Kimberley White (Musicologie, cole de musique Schulich de l'Universit McGill)The debutante and her critics : Ritual initiation at the Paris Opera, 1830-1850.

La finale se tiendra le 25 mars prochain 17:30 la salle B-421 de la Facult de musique de lUniversit de Montral dans le cadre de la srie de confrences du Cercle de musicologie de cette institution. Les finalistes seront invits faire une prsentation orale de 20 minutes, aprs quoi il y aura une priode de questions de 10 minutes. Le jury attribuera au laurat une bourse de 500 $. Le gagnant aura aussi l'opportunit de prsenter la version intgrale de sa confrence dans le cadre de la srie Prsences de la musique 2010-2011, en plus d'une publication dans Les Cahiers de la SQRM.

Introducing The Artisan Collection by Vincent Bach

The makers of world famous Bach Stradivarius trumpets bring you five exciting new Stradivarius models Introducing The Artisan Collection by Vincent Bach

Bach Stradivarius - No other brand evokes more passion, loyalty, and respect. Exceptional tonal color, balanced response, and superb projection are hallmarks of designs by Vincent Bach. Carrying on the legacy and true to the vision of the master craftsman, the makers of todays Bach Stradivarius proudly introduce The Artisan Collection.

The Artisan Collection features new Bb, C, Eb, tunable bell D/Eb combination, and 4 valve long bell piccolo trumpets. Skillfully handcrafted, Artisan culminates in a unique blend of classic design, elegant styling, and the signature Bach sound.

Design features include a one-piece hand-hammered yellow brass bell with flat rim, special acoustic bell treatment, two-piece nickel/brass valve casing construction, Monel pistons, sets of brass and plastic valve guides, enhanced radius ferrules, 1st slide split ring, unique serial number sequence, and deluxe engraving. All models are outfitted in elegant cases that combine classic Vincent Bach styling, contemporary materials, and exceptional design.

The Artisan Collection

AB190 Key of Bb, .459 bore, extended low F 3rd slide rod stop, available in silver-plate as AB190S

AC190 - Key of C, .462 bore, available in silver-plate finish as AC190S

AE190 Key of Eb, .462 bore, extra dual bore main tuning slide, available in silver-plate finish as AE190S

ADE190 Key of D/Eb, .450 bore, tunable bells with flat rim in D and Eb, separate set of slides for D and Eb, available in silver-plate finish as ADE190S

AP190 Key of A/Bb, .450 bore, 4 valves, set of four mouthpipes includes both trumpet and cornet shank mouthpiece receivers, available in silver-plate finish as AP190S

Over a year in the making, development of The Artisan Collection was aided by long-time Bach artists Michael Sachs, principal trumpet, The Cleveland Orchestra, and Phil Smith, principal trumpet, New York Philharmonic Orchestra. Special thanks go to both Michael and Phil for their contributions to acoustic design and testing.

Players all across the country are giving rave reviews about the sound, the response, and the quality of todays Bach professional trumpets, said Jeff Christiana, Director of Marketing for Bach. The Artisan Collection enhances the entire line of Bach Stradivarius by offering todays players the look, feel and signature Bach sound of vintage Bach designs. Staying true to key elements of Vincent Bachs original designs was critical in the development of this new collection. Whether a passionate enthusiast or performing artist, experience The Artisan Collection and discover the Artisan within.

For complete information, visit http://www.bachbrass.com/. Vincent Bach instruments are handcrafted in the U.S.A. by Conn-Selmer, Inc., the largest manufacturer of band and orchestral instruments and accessories in the United States and a subsidiary of Steinway Musical Instruments, Inc. To contact Conn-Selmer, write to P.O. Box 310, Elkhart, IN 46515-0310 U.S.A. or visit http://www.conn-selmer.com/.

Cameron Live! out June 1, 2010

CAMERON CARPENTER ANNOUNCES
SPRING 2010 TOUR


Includes concerts in the United States, United Kingdom, France, Switzerland, Russia, Germany, and Canada

US Cities Include: Philadelphia, Cleveland, Ithaca, Ann Arbor,
Los Angeles, Chicago, San Francisco, and New York CD release concert

Cameron Carpenter opens his spring 2010 tour at Philadelphia's Kimmel Center Verizon Concert Hall with a solo concert on March 6, and closes his tour with the Edmonton (Alberta) Symphony Orchestra at Winspear Center on June 1. He will play in concert halls, theatres, and churches, and on some of the most important music series in the world.

One of the interesting concerts in his spring tour will be his return to Russia, where he made his Moscow debut in November 2009. In a concert at Tchaikovsky Hall of the Moscow Philharmonic, the audience demanded eight encores. The following week, in a concert in St. Petersburg's Capella, the audience demanded twelve encores. The first classical concert hall built in Russia since the Revolution is "Dom Musica," the Moscow International Performing Arts Center, where he will play a new four-manual pipe organ on May 16. He will also play again in St. Petersburg.

He will make his debut as a lecturer-although he always speaks to his audiences, and greets them prior to a concert-at the Michigan Theatre in Ann Arbor, Michigan (April 1) on the University of Michigan's prestigious Penny Stamps Lecture Series. In the course of the lecture he will perform and demonstrate on the theatre's organ.

Two California concerts are long-awaited by audiences: First Congregational Church in Los Angeles (April 18), which features the largest church pipe organ in the world; and Louise M. Davies Hall in San Francisco (May 2), which features the largest pipe organ in any American concert hall. In both cases, Cameron will choose the varied program during his rehearsal sessions on the instruments.

Finally, he will play William Walton's Crown Imperial and Orb and Sceptre marches, and Francis Poulenc's Organ Concerto with the Edmonton Symphony Orchestra in Edmonton, Alberta (June 1). The second half of this concert will be Cameron solo. His organ and orchestra performances are extraordinary, and have resulted in his being appointed Artist-in-Residence at the Carmel Symphony Orchestra (Carmel, IN) through 2014.

His summer tour, in support of his second Telarc album, CAMERON LIVE!, begins in New York at Le Poisson Rouge on June 8. The new two-disc album includes a DVD featuring a cinema organ and music from Schubert to Sousa-with a new work by Cameron for cinema organ; and a CD, recorded live in New York at St. Mary the Virgin where he performed the world premiere of his "Serenade and Fugue on B.A.C.H.," which ends the live Bach concert recording.

"Genre-bending" is a description that Cameron has gotten from writers and reviewers. The spring tour of 2010 will confirm his position as the most exciting organist on the concert circuit, and feature his work as soloist, arranger, improviser, and composer.Spring Tour Schedule:

PHILADELPHIA, PA
March 6, Saturday at 3:00 PM.
Kimmel Center Presents Series, Verizon Hall

FAIRVIEW PARK, OH
March 11, Thursday at 8:00 PM
Messiah Evangelical Lutheran Church

ITHACA, NY
March 26, Friday at 8:15 PM
Ford Hall, Ithaca College

ANN ARBOR, MI
April 1, Thursday at 5:10 PM
Michigan Theatre, University of Michigan
Penny Stamps Lecture Series

ALPE D'HUEZ, FRANCE
April 8, Thursday at 6:15 PM
Notre-Dame des Neiges, Orgues et Montagnes

BIENNE, SWITZERLAND
April 11, Sunday at 6:00 PM
Eglise du Pasquart, Jeunes Etoiles de l'Orgue

LOS ANGELES, CA
April 18, Sunday at 4:00 PM
First Congregational Church of Los Angeles

EVANSTON, IL
April 23, Friday at 8:00 PM
First United Methodist Church

SAN FRANCISCO, CA
Sunday, May 2 at 6:00 PM
Davies Symphony Hall Concert Series

NEW YORK, NY
Tuesday, May 4 at 7:00 PM
St. Vincent Ferrer

MOSCOW, RUSSIA
Sunday, May 16 at 7:00 PM
Moscow International House of Music

MANCHESTER, ENGLAND
Friday, May 21 at 7:30 PM
International Concert Series at The Bridgewater Hall

DARMSTADT, GERMANY
Monday, May 24 at 5:00 PM
Evangelische Paulusgemeinde

EDMONTON, ALBERTA, CANADA
Tuesday, June 1 at 7:30 PM
Edmonton Symphony OrchestraThe Francis Winspear Centre for Music

New York, NY
CAMERON LIVE! CD RELEASE CONCERT
Tuesday, June 8
Le Poisson Rouge

St. Lawrence Choir to present psalms in music

Three concerts March 20th, 21st and 28th

Montreal, March 6, 2010 - St. Lawrence Choir, under the direction of its artistic director, Michael Zaugg, will present Psalmi, a concert of a cappella music. There will be two performances in Montreal: Saturday, March 20th, at glise de lImmacule Conception, 4201 Papineau Ave., and Sunday, March 21st, at Notre-Dame-de-Grce Church, 5333 Notre-Dame-de-Grce Ave. Both begin at 7:00 p.m.; then a third performance in Hudson at 4:00 p.m. on Sunday, March 28th, at St. Thomas Aquinas Church, 413 Main Road.
Featuring texts from the Book of Psalms, the programme spans 400 years of musical history, and presents emotions ranging from despair to hope. The concert is built around a set of three psalms by Mendelssohn, and also includes work by Monteverdi, Rachmaninoff, Gjeilo, Kreek, Poulenc and Bach.

Tickets purchased in advance are $20.00 (adult), $15.00 (senior), and $10.00 (student). To obtain these, go to www.slchoir.qc.ca or contact (514) 483-6922. If bought at the door, tickets are $25.00 (adult), $20.00 (senior), and $10.00 (student).


For further information visit www.slchoir.qc.ca or call (514) 483-6922.

Labels:

Award Winning Modern Jazz Trumpeter Maurice Brown's New Album The Cycle of Love out March 16

http://www.mauricebrown.net/


Brown who grew up in Harvey (IL) - always has shown a knack for penning insinuating melodic hooks. Not surprisingly, then, the tunes from The Cycle of Love linger in memory. Howard Reich, Chicago Tribune

Brown is one of the most exciting young trumpeters in jazz--be it New Orleans or New York. His improvisations are fresh, his chops dynamic and he's writing what could very well become a new generation of hard-bop- meets-new-grooves standards. -- Jason Koransky, DownBeat Magazine

"Maurice Brown is one of the most talented of his generation. He has the vision to bring a new voice, not only to his instrument, but to jazz in general.world renowned musician Terence Blanchard

New York, N.Y. Renowned trumpeter, composer and bandleader Maurice Brown, whose soulful melodies and improvisational rhythms have been electrifying the music scene since his top ten debut album, Hip to Bop, (2004) is releasing his highly anticipated sophomore album titled The Cycle Of Love Tuesday, March 16th through his record label Brown Records. Time Tick Tock is the first single off of the album and can be downloaded for free via his website http://www.mauricebrown.net/.

Brown describes The Cycle of Love as Ķ my interpretation of the different stages we go through in our quest for true happiness. In describing the first single off the album Time Tick Tock, Brown says, Time Tick Tock refers to the active mind at work when we take the time to weigh the good and the bad. The Cycle of Love is Browns official entry into the crossover music world as he combines a unique mix of contemporary jazz with a hip-hop heartbeat and soulful groove. The album showcases Browns talents as a trumpeter, composer, and bandleader, and also puts on display his remarkable, lyrical melodies.

Maurice Mobetta Brown has worked with countless jazz greats including Ramsey Lewis, Roy Hargrove, Ellis Marsalis and Curtis Fuller. He has also worked with Aretha Franklin, John Legend, Wyclef Jean, Musiq Soulchild, The Brand New Heavies, The Roots and recently wrapped up a world tour with Laura Izibor. Brown is known for using his signature style which he coined Hornification with the aforementioned crossover popular acts. Says Brown, Hornification is a term I came up with to describe my original horn lines and arrangements. I uniquely pile my horn parts to create a complete horn section. The goal of hornification is to compose expressive horn lines that feel like they were always a part of the song.

Browns debut album, Hip to Bop received an overwhelming response from both bebop enthusiasts and hip-hop fans and pushed Hip to Bop onto the top-ten charts across the country. Born in Chicago, Brown began playing trumpet while still a teen. He developed his skills further when he moved to New Orleans (2001), where he held down a weekly slot at the premiere jazz club in town. He moved to New York in 2005 after Hurricane Katrina. He currently resides in Brooklyn, New York where he is preparing for U.S. and International tours this year (dates to be announced).

Additionally, a documentary film featuring Maurice is set to be released later this year. The film, titled Brass Movement: A Modern Jazz Story follows Browns life as a modern-day jazz musician who overcomes tremendous adversity to become a defining voice of a new hip-hop-jazz movement. The Central Brooklyn Jazz Consortium inducted Brown into the Brooklyn Jazz Hall of Fame in 2008 and he is the recipient of numerous awards, including the Deacon Leroy Applin Young Lion/Lioness Award and the ASCAP Foundation Young Jazz Composer Awards

Clmence Des Rochers et Les Impatients L'Avenir

Montral, le mercredi 10 fvrier 2010 Suite au succs remport le 6 fvrier dernier lors dun vnement en compagnie dIsabelle Cyr, Danielle Oddera, Sophie Faucher, Yves Marchand et lOpra de Montral, les Impatients reviennent la Maison de la Culture LAvenir. Cette fois-ci, pour mettre nouveau en lumire la sortie de la 6e dition du coffret Mille mots damour, une soire de lecture de lettres damour aura lieu le samedi 17 avril 19h30 en prsence de la lgendaire Clmence Des Rochers, Sylvie Tremblay, Benot Sarrasin, Alain Labont et des artistes de lOpra de Montral. Un seul soir! Un moment unique!

La Fondation Les Impatients repousse encore et toujours les frontires. Ldition 2010 comprend entre autres des lettres de Ginette Reno, Jacques Attali, Alexandre Despatie, Claudine Mercier, Yves Duteil et un indit de Marcel Pagnol. De plus, elle compte dans son aventure la participation du Rseau communautaire, en collaboration avec lOffice rgional de Sant Sud-Est Inc/ South Eastman Regional Health Authority, de la province du Manitoba ainsi que de quelques personnalits du monde du sport afin de faire un clin dil aux Jeux Olympiques de Vancouver 2010.

Le coffret Mille mots damour est compos de lettres offertes par des crivains, des artistes, des mdecins, des Impatients, des journalistes et des gens du grand public. Les lettres du grand public proviennent de diffrents concours men par plusieurs parrains et marraines dont Monique Giroux (Espace Musique), Joel Lebigot (Premire Chane), Roxanne St-Gelais ( V Tl ) ainsi que Valrie Sirois et Jean-Franois Benot (Cit Rock Dtente) et Jeanette Kelly (CBC) qui invitent les auditeurs, lors de leur mission quotidienne, y participer.

Mille mots damour a pour but de recueillir des fonds pour permettre aux Impatients de poursuivre sa double mission qui est doffrir un lieu dexpression artistique et thrapeutique aux personnes souffrant de problmes de sant mentale et de favoriser les changes avec la communaut par la diffusion de leurs ralisations.

Au-del de limpact financier de lvnement, il sagit pour le centre Les Impatients de sensibiliser le grand public aux ralits des personnes connaissant des problmes de sant mentale, qui touchent une personne sur cinq au Qubec.

Le coffret sera en vente ds janvier 2010 dans tous les Renaud-Bray du Qubec ainsi qu la Fondation Les Impatients ( 100, rue Sherbooke est, 4e tage ) au montant de 39,95$.

Pour rserver votre place pour la soire de lecture de lettres damour : 819 394 3350. L'adresse de La Maison de la Culture de L'Avenir est le 624, rue Principale, L'Avenir.Prix : 25$

Tous les profits de la soire seront verss la Fondation Les Impatients.

Budget du Qubec 2010 : La culture est partie prenante de la relance conomique

Budget du Qubec 2010 : La culture est partie prenante de la relance conomiqueCulture Montral rappelle au gouvernement du Qubec limportance dinvestir dans le secteur

Montral, le 9 fvrier 2010 Culture Montral profite de la rentre parlementaire Qubec pour rappeler aux lus limportance de maintenir et de renforcer le soutien de ltat qubcois au secteur culturel dans le cadre du budget 2010-2011.

Au fil des ans, de nombreuses tudes ont dmontr que les arts et la culture constituent de puissants leviers de dveloppement, tant conomique que social. Le secteur culturel est prsent et actif sur tout le territoire. Cest un secteur dynamique, ancr localement et rsilient. Il est crateur demplois stimulants et gnre des retombes conomiques importantes en plus de porter des valeurs lies de prs au dveloppement durable, prcise Simon Brault, prsident de Culture Montral. Les investissements publics dans ce secteur sont rentables court, moyen et long terme et ils sont dune importance capitale pour lavenir du Qubec et pour son positionnement international

Culture Montral propose diverses mesures afin de stimuler adquatement lactivit culturelle au Qubec, et plus spcifiquement Montral, envers laquelle le gouvernement du Qubec sest clairement engag, en 2007, pour quelle atteigne sa pleine maturit titre de mtropole culturelle. Ainsi, dans le cadre du budget 2010-2011, Culture Montral demande que le gouvernement du Qubec :

1) acclre la mise en uvre du Plan daction 2007-2017 adopt lors du Rendez-vous novembre 2007- Montral, mtropole culturelle, en portant une attention claire au dveloppement du Quartier des spectacles et dautres quartiers culturels ; au tourisme culturel ; aux projets daccueil et de coproduction culturelle internationaux ; et la diffusion internationale de nos artistes, artisans et crateurs.

2) mette profit les outils dont il dispose pour soutenir la croissance du secteur artistique et culturel par, notamment, le maintien dallocations adquates au Conseil des arts et des lettres du Qubec (CALQ), la Socit de dveloppement des entreprises culturelles (SODEC) et au ministre de la Culture, des Communications et de la Condition fminine (MCCCFQ), ainsi quaux programmes de soutien la cration, la production, la diffusion et la formation financs par ces organismes.

Lappui Tl-Qubec, qui est la fois creuset de cration et outil de diffusion exceptionnel dexpression de lidentit qubcoise, est galement essentiel.

3) cre un fonds culturel ddi au dveloppement de la participation culturelle et de nouvelles initiatives pour le dveloppement et la prennit des lieux vocation culturelle. Administr par le Conseil des arts et des lettres du Qubec, un nouveau fonds culturel pourrait tre cr grce la perception de la TVQ sur la vente des produits culturels sur le territoire qubcois. Lenveloppe budgtaire ainsi cre servirait stimuler la frquentation des uvres et des vnements artistiques et culturels, notamment auprs des communauts culturelles et des lves du rseau scolaire qubcois; et crer de nouvelles mesures encourageant le dveloppement et la prennit des lieux de cration, de production et de diffusion sur lensemble du territoire.

4) mette en uvre diverses mesures de dveloppement culturel novatrices et concrtes, telles que la cration dun programme de prt sans intrt pour lachat dune uvre dart qubcoise; et ladoption dune politique ambitieuse - et dote de ressources suffisantes - dintgration de lart public aux projets damnagement urbain.

5) accorde de nouveaux pouvoirs habilitants la Ville de Montral, lui permettant ainsi de diversifier ses sources de revenus. Culture Montral croit que le partage des revenus fiscaux entre les paliers de gouvernement doit tre repens pour accorder plus de pouvoirs habilitants Montral afin de lui permettre de diversifier ses sources de revenus.Le gouvernement du Qubec doit aller beaucoup plus loin que les timides avances de la Loi modifiant diverses dispositions lgislatives concernant Montral. Par exemple, laugmentation du taux de la taxe perue sur lessence constituerait une nouvelle source de revenus pour la Ville de Montral, laidant ainsi atteindre ses objectifs, notamment en ce qui a trait au dploiement de la mtropole culturelle.

Nous sommes aujourdhui la croise des chemins, tant Montral quau Qubec. Les dcideurs publics doivent faire des choix qui concilient la ncessit datteindre lquilibre budgtaire et le mieux-tre de la population. En laborant une vision de linvestissement public qui sappuie sur des indicateurs de performance tant conomiques que sociaux ou environnementaux, lon constatera rapidement que tout montant investi en culture est un investissement gagnant , conclut Simon Brault.

Fond en 2002, Culture Montral est un mouvement citoyen et non partisan dont le mandat est daffirmer le rle central des arts et de la culture dans toutes les sphres du dveloppement de Montral. Par le biais dactivits de mobilisation, de communication, de recherche et de concertation, Culture Montral contribue difier lavenir de Montral, mtropole culturelle. Lorganisation bnficie du soutien de ses membres, du ministre de la Culture, des Communications et de la Condition fminine du Qubec, de la Ville de Montral, de la Confrence rgionale des lus de Montral, du Conseil des arts et des lettres du Qubec et du Cirque du Soleil.

Classiques: vnement d'intrt communautaire / Community Event

vnement d'intrt communautaire

vnement : Jacques SAINt-Jean, piano Coups de cur

Date : Dimanche 14 mars 2010

Heure : 15:00

Adresse : 176, chemin du Bord-du-Lac Lakeshore, Pointe-Claire

Cot : Laissez-passer

Description : Dans le cadre des Rendez-vous du dimanche, Manrico Tedeschi prsente le pianiste renomm Jacques Saint-Jean pour un aprs-midi de pices toujours fort apprcies du public. Le rpertoire inclut des uvres de Chopin, Gershwin, Donizetti, Liszt et Adinsel.

Organisation : Centre culturel de Pointe-Claire, Stewart Hall

Contact : Rceptionniste

Tlphone : 514-630-1220

Community Event:

Event: Jacques SAINt-Jean, piano All Time Favourites

Date: Sunday, March 14, 2010

Time: 3:00 p.m.

Address: 176 ch. du Bord-du-Lac Lakeshore, Pointe-Claire

Cost: Passes

Description: During this Sunday Rendez-Vous, Manrico Tedeschi presents acclaimed pianist Jacques Saint-Jean in an afternoon of piano favourites. The repertoire will include works by Chopin, Gershwin, Donizetti, Liszt, and Adinsel.

Organization: Pointe-Claire Cultural Centre, Stewart Hall.

Contact name: Receptionist

Telephone: 514-630-1220

vnement d'intrt communautaire

vnement : MUSIQUE ET DANSE EN NOUVELLE-FRANCE

Date : Vendredi 26 mars 2010Heure : 20:00 (les portes ouvriront 19:30)

Adresse : 2, avenue Sainte-Anne, Pointe-Claire

Cot : 14$ et 7$

Description : Grand concert lglise Saint-Joachim. Dans un programme liant danse, textes et musique, Les Ides Heureuses vous fait revivre une soire dans un salon bourgeois de la Nouvelle-France au 18e sicle. On y dcouvre une vie musicale fort bien dveloppe et ancre dans le quotidien de ses habitants. uvres de Charpentier, Lully, Boismortier et le Livre dorgue de Montral, ponctues dextraits de correspondance de Mme Bgon, pouse du Gouverneur de Trois-Rivires.!

Organisation: Centre culturel de Pointe-Claire, Stewart Hall

Contact : Rceptionniste

Tlphone : 514-630-1220

Community Event Event:

MUSIC AND DANCE IN NEW FRANCE

Date: Friday, March 26, 2010

Time: 8:00 p.m. (doors open at 7:30 p.m.)

Address: 2 Sainte-Anne Avenue, Pointe-Claire

Cost: Tickets $14 and $7

Description: Grand Concert. Using a combination of dance, text and music, Les Ides Heureuses transport their audience to a bourgeois living room in 18th century New France, where you will discover a well-developed sense of musicality anchored in the daily life of the inhabitants. Works by Charpentier, Lully, Boismortier and the Livre dorgue de Montral, are interwoven with extracts of letters by Mme Bgon, wife of the Governor of Trois-Rivires.

Organization: Pointe-Claire Cultural Centre, Stewart Hall.

Contact Name: Receptionist

Telephone: 514-630-1220

MNBAQ / Nouvelle expo : Barbie et la mode

Barbie et la mode. 1959-1966

Du 9 fvrier au 18 avril 2010

CONTACT DE PRESSE
Muse national des beaux-arts du Qubec
Parc des Champs-de-Bataille, Qubec (Qubec) G1R 5H3
1 866 220-2150
www.mnba.qc.ca

Mark O'Connor Hosts "Dazzling" (Wall St Journal) 'Jam Session,' Out April 13

World-renowned acoustic musicians Mark O'Connor (violin), Chris Thile (mandolin), Frank Vignola (guitar), Bryan Sutton (guitar), Jon Burr (bass) and Byron House (bass) can captivate audiences with just their instruments. But for them, jamming is a meeting of musical minds and genres in communication, a perfect example of holistic American music. Their forthcoming CD 'Jam Session,' out April 13 on OMAC Records, offers "dazzling" (Wall Street Journal) live acoustic recordings that combine bluegrass and gypsy jazz as never before on disc.

The result: a "jam band" for the ages comparable in its rhythmic intoxication and stratospheric solos with the Grateful Dead's 'Live/ Dead' or the Charlie Parker/Dizzy Gillespie/Bud Powell/ Charles Mingus/ Max Roach 'Jazz at Massey Hall.' Perhaps no better jam recordings have been captured on acoustic string instruments in recent memory. Tracks include "Gypsy Fantastic," reminiscent of O'Connor's mentor Stephane Grappelli; the bossa nova-tinged "Soft Gyrations"; and the country swing of "Don't Let The Deal Go Down."

For a press-only mp3 album download, please reply to: asilva@shorefire.com

A standout track, the slow, sly "In The Cluster Blues," features Chris Thile in what O'Connor calls "the greatest improvised mandolin solo of all time," two spectacular guitar solos and O'Connor's soaring and masterful blues violin improvisation.

"Sometimes improvisational exchanges between musicians can escalate to a fever pitch," O'Connor says in the liner notes. "A spontaneous conversation between the players can become an art form." That's exactly what happens on 'Jam Session.'

Many of the melodies on 'Jam Session' bring to mind those showcased in his 'O'Connor Violin Method Vol. I and Vol. II', released this past fall, the first of its kind to use America's classical, jazz and folk music to educate the next generation of musicians so they can feel comfortable playing music in many idioms for a lifetime. Along with a busy concert schedule, O'Connor will be conducting teacher training seminars for the O'Connor Violin Method throughout the spring. Click here for Mark O'Connor's complete schedule: http://markoconnor.com/index.php?page=calendar

The tracks on 'Jam Session', which O'Connor produced, are live concert recordings from Merkin Hall, New York City; Blair School of Music, Nashville; South Street Theatre, Morristown, NJ; and the Rocky Mountain Bluegrass Festival, Lyons, CO.

Meanwhile, O'Connor has officially relaunched his YouTube channel: http://www.youtube.com/user/MarkOConnor

It contains exhaustive clips from all periods of O'Connor's distinguished career.

'Jam Session' Track Listing:
1. Granny White Special - 4:29
2. Gypsy Fantastic - 5:22
3. Macedonia - 6:11
4. Swingin' On The "Ville - 6:03
5. Soft Gyrations - 12:09
6. Pickles On The Elbow - 7:53
7. Don't Let The Deal Go Down - 7:05
8. In The Cluster Blues - 15:56
9. Minor Swing - 6:03

Sunday, March 7, 2010

Vancouver Opera Announces 2010-2011 Season

Highlights include the world premire of a new Canadian opera, the appearance of legendary British director Sir Jonathan Miller, the return of Eglise Gutirrez, and the Vancouver premire of Mozarts La Clemenza di Tito

Vancouver, BC ~ The world premire of a brand-new VO-commissioned opera, the appearance of the prodigiously talented stage director Sir Jonathan Miller, the return of one of operas most coveted sopranos, and the Vancouver premire of Mozarts rarely-performed La Clemenza di Tito are just four highlights of Vancouver Operas 51st season.

VOs 2010-2011 season will include Lillian Alling, by composer John Estacio and librettist John Murrell (October 16 23, 2010); Donizettis moving Lucia di Lammermoor (December 4 11, 2010); Mozarts final opera, La Clemenza di Tito (February 5 12, 2011); and Verdis beloved La Traviata (April 30 May 12, 2011).

Zinns clever set is a white room in classical style with a sliding back panel that can be opened to reveal outside scenes...The four young people are in severe black 18th-century dress in the first act, and after the rebellion against Tito, appear in negative image tattered white costumes of the same design, a metaphor for their faltering fortunes, raved the Globe and Mail.

La Traviata The VO debut of Sir Jonathan Miller

Directing La Traviata will be the inimitable Sir Jonathan Miller, CBE, famed British physician, television presenter, humorist, sculptor, and theatre and opera director. After completing his medical training, Sir Jonathan began his involvement with the stage in 1962 as part of the British comedy revue Beyond the Fringe, alongside Peter Cook, Dudley Moore and Alan Bennett.

Since then, Sir Jonathan has enjoyed one of the most stellar careers in modern theatre, directing countless plays (including 11 for the BBCs Shakespeare series) and more than 50 operas at some of the worlds most distinguished venues from La Scala to The Metropolitan Opera.

Sir Millers gorgeous La Traviata, a co-production with Glimmerglass Opera, beautifully focuses on the drama of Verdis beloved drama of passion, intimacy and tragedy.

DATES, STORIES, CASTING DETAILS

The unveiling of a new Canadian opera, Lillian Alling, to launch the 2010-2011 season will be a fitting culmination of our Golden Anniversary celebrations, said VO General Director James W. Wright. I am thrilled to present to Vancouver audiences and to the world this beautiful and captivating new work by Canadas foremost opera-creation team."

Added Wright, We have been working on Lillian Alling with care and love for more than four years, through an extensive creation process that included five workshops. The production is by far the companys largest investment in its fifty-year history and, I believe, a valuable contribution to the future of opera in Canada. I am especially pleased to bring together a creative team with a proven track record of audience-pleasing new operas filled with tuneful arias, big chorus numbers and lush orchestration, all in the service of a literate and fascinating libretto based on the true-life experiences of a very mysterious woman!

The most recent and the final workshop of the music for Lillian Alling took place in December, 2009. Composer John Estacio is currently orchestrating the opera and will complete the score in time for the start of rehearsals in September, 2010.

SEASON HIGHLIGHTS

Lillian Alling - A World Premire

Lillian Alling is the fascinating and often harrowing drama based on legend and a true story of a Russian immigrant as she crosses the continent on foot in the 1920s from New York City into the rugged landscape of northern British Columbia.

Composer John Estacio and librettist John Murrell are the creators of the highly-praised Frobisher and Filumena. The stage director is acclaimed Canadian theatre and opera director Kelly Robinson and the set and costume designer is Toronto-based Sue LePage. The all-Canadian cast will include superstar mezzo-soprano Judith Forst.

Lucia di Lammermoor The Return of Eglise Gutirrez

Having stunned audiences with spine-tingling coloratura in 2009s Rigoletto, Eglise Gutirrez will be back to perform one of the most difficult roles in the soprano repertoire. Gutirrez delivers a ravishing first-act Caro nome, and stellar work thereafter, raved the Vancouver Sun after her VO debut last season.

Her Lucia has been praised widely, including recently by the Florida Sun-Sentinel: Can the human voice box actually issue the soaring trills that Eglise Gutirrez emits in the Florida Grand Opera's production of Lucia di Lammermoor?ĶSet amid murder, madness and a blood-stained wedding dress, Gutirrez's voice swells, ebbs and performs more loop-the-loops than any rollercoaster at Busch Gardens.

Singing alongside her in the role of Raimondo will be Ms.Gutirrezs husband, celebrated bass-baritone Burak Bilgili. American tenor Michael Fabiano, currently appearing in two productions at The Metropolitan Opera, will sing Edgardo, with Canadian baritone Gregory Dahl as Enrico.

The visually splendid production is from San Francisco Opera.

La Clemenza di Tito Vancouver Opera Premire

Canadians rule the stage in the VO premire of Mozarts final and most noble opera, La Clemenza di Tito (The Clemency of Titus). Juno Award-winning tenor John Tessier sings Titus, the Roman emperor whose compassionate nature is a model for modern times. Vitellia is sung by New Brunswick soprano Wendy Neilsen. Toronto-based mezzo-soprano Krisztina Szab sings Sesto, and BC soprano Kathleen Brett, last seen at VOs Golden Anniversary Concert & Gala, sings Servilia.

The dramatic and innovative sets and costumes are the product of one of the most exciting production teams in opera: stage director Chas Rader-Shieber and designer David Zinn.

Zinns clever set is a white room in classical style with a sliding back panel that can be opened to reveal outside scenes...The four young people are in severe black 18th-century dress in the first act, and after the rebellion against Tito, appear in negative image tattered white costumes of the same design, a metaphor for their faltering fortunes, raved the Globe and Mail.

La Traviata The VO debut of Sir Jonathan Miller

Directing La Traviata will be the inimitable Sir Jonathan Miller, CBE, famed British physician, television presenter, humorist, sculptor, and theatre and opera director. After completing his medical training, Sir Jonathan began his involvement with the stage in 1962 as part of the British comedy revue Beyond the Fringe, alongside Peter Cook, Dudley Moore and Alan Bennett.

Since then, Sir Jonathan has enjoyed one of the most stellar careers in modern theatre, directing countless plays (including 11 for the BBCs Shakespeare series) and more than 50 operas at some of the worlds most distinguished venues from La Scala to The Metropolitan Opera.

Sir Millers gorgeous La Traviata, a co-production with Glimmerglass Opera, beautifully focuses on the drama of Verdis beloved drama of passion, intimacy and tragedy.

DATES, STORIES, CASTING DETAILS

Lillian Alling Music by John Estacio and Libretto by John Murrell
Sponsored by Teck
In English with SURTITLESTM
October 16, 19, 21, 23, 2010. All performances 7:30pm at the Queen Elizabeth Theatre.

In 1927, young Lillian Alling arrives at Ellis Island, New York from Russia in desperate search of Jozf. Penniless, she walks across North America and into the wilds of northwestern BC, following Jozfs elusive path. During her brave trek, she is embraced by a Norwegian farming community in North Dakota, incarcerated in Oakalla Prison Farm near Vancouver, and loved by Scotty, a lineman along BCs telegraph trail.

Principal Cast
Lucia: Eglise Gutirrez
Edgardo: Michael Fabiano
Enrico: Gregory Dahl
Raimondo: Burak Bilgili
Conducted by Jonathan Darlington
Directed by Amiel Gladstone
Set design by Gerard Howland
Co-produced with San Francisco Opera

La Clemenza di Tito by W. A. Mozart
Sponsored by the Vancouver Opera Guild
In Italian with English SURTITLESTM
February 5, 8, 10, 12, 2011. All performances 7:30pm at the Queen Elizabeth Theatre.

Roman Emperor Tituss compassionate nature is severely tested when Vitellia, daughter of the deposed emperor, conspires to have Titus assassinated because he has passed her over as his wife. When the plot fails and the assassin is charged, Titus does not waver from his noble principles, even when Vitellia, now Tituss intended bride, confesses to the crime.

Principal Cast
Tito: John Tessier
Vitellia: Wendy Neilsen
Servilia: Kathleen Brett
Sesto: Krisztina Szab
Conducted by Jonathan Darlington
Directed by Chas Rader-Shieber
Set and costume design by David Zinn

La Traviata by Giuseppe Verdi
Sponsored by Mission Hill Family Estate
In Italian with English SURTITLESTM
April 30, May 3, 5, 7, 10, 12, 2011. All performances 7:30pm at the Queen Elizabeth Theatre.
Parisian courtesan Violetta leads a life of wild indulgence until she discovers the love of Alfredo, a true and good-hearted man. When their relationship threatens to disgrace his well-placed family, Alfredos father privately pressures Violetta to leave, and the couple is torn apart. After bitterness and misunderstanding, they are reunited in forgiveness, but tragically it is too late: Violettas precarious health fails and Alfredo is left alone.

Principal Cast
Violetta: Erin Wall
Alfredo: David Pomeroy
Germont: James Westman
Conducted by Jacques Lacombe
Directed by Sir Jonathan Miller
Set and costume design by Isabella Bywater
Co-produced with Glimmerglass Opera

SUBSCRIPTIONS & TICKETS

Subscriptions for Vancouver Operas 2010-2011 season are now on sale at the VO Ticket Centre, 604-683-0222. Renewing subscribers can renew online or by mail, fax, telephone or in person.

Non-subscription tickets to all performances of the four mainstage productions go on sale August 3, 2010. Visit http://www.vancouveropera.ca/ or call 604-683-0222.


Nouvelle exposition : Sur le chemin des lgendes avec Jean-Claude Dupont

Une ralisation de Pointe--Callire

la dcouverte des traditions orales francophones et amrindiennes en Amrique du Nord

Du 9 fvrier au 16 mai 2010

Une prsentation de la Financire Sun Life

Montral, le 8 fvrier 2010 Pointe--Callire, muse darchologie et dhistoire de Montral prsente, du 9 fvrier au 16 mai 2010, Sur le chemin des lgendes avec Jean-Claude Dupont. travers le travail de lethnologue et peintre Jean-Claude Dupont, le public est invit dcouvrir la richesse du patrimoine oral francophone et amrindien en Amrique du Nord.

Au fil de ses enqutes de terrain sur le territoire francophone, Jean-Claude Dupont a recueilli des centaines de lgendes quil a fait connatre grce la publication douvrages spcialiss et de recueils, mais aussi par ses propres toiles dexpression nave. Avec cette exposition, cent lgendes de notre patrimoine sont prsentes, appuyes de peintures, de reproductions, et de nombreux objets de contexte. Jean-Claude Dupont partage ainsi sa passion pour les lgendes et coutumes francophones et amrindiennes.

Ceux et celles qui ont eu le bonheur de croiser sur leur route ce passionn de la culture populaire savent quil est de ces personnes trop rares qui mnent sans relche la qute qui les anime, celle de recueillir et de prserver les savoirs traditionnels de lAmrique franaise. Le Muse est fier de sy associer et den faire profiter le grand public. dclare Francine Lelivre, directrice gnrale de Pointe--Callire.

Jean-Claude Dupont : nourrir la mmoire
Jean-Claude Dupont est n en 1934 Saint-Antonin (comt de Rivire-du-Loup) o il grandit dans le magasin gnral familial. Aprs des tudes en Beauce, au Nouveau-Brunswick et en Nouvelle-cosse, il rencontre Luc Lacourcire lUniversit Laval, qui lui enseigne lenqute sur le terrain et lanalyse darchives. Jean-Claude Dupont a produit, seul ou en collaboration, au cours des 30 dernires annes, un nombre impressionnant douvrages sur la culture immatrielle et matrielle des francophones dAmrique du Nord. Sa dmarche unique mlant art et ethnologie (il a illustr des lgendes en prs de 400 tableaux!), lui a valu de nombreuses expositions en Amrique du Nord, en Europe, en Russie et mme au Japon. Plusieurs distinctions, dont le Prix du Qubec en patrimoine, confirment limportance de son travail dans la conservation et la sauvegarde de notre patrimoine.

Comme lensemble de luvre de Jean-Claude Dupont comprend prs de 400 tableaux et que les lgendes que lethnologue a recueillies dans le cadre de ses recherches sont nombreuses, le dfi de slectionner les uvres et les lgendes pour cette exposition tait norme. Cest ainsi qua t privilgie la reprsentativit des rgions parcourues par Jean-Claude Dupont ainsi que les thmes et les personnages les plus exploits dans les lgendes.

Bien avant la tlvision et le texto, les lgendesĶ
Les lgendes de lAmrique francophone ont plusieurs sources dinspirations. Les colons franais qui stablissent en Nouvelle-France transmettront les rcits de leurs anctres et dcouvriront les riches mythologies amrindiennes qui existent dj en Amrique. Si les lgendes ont perdur, cest quelles ont une raison dtre, et quelles ont longtemps fait cho au quotidien dune population. Empreintes de merveilleux et ancres dans le rel, les lgendes sont transmises pour plusieurs raisons : elles expliquent certains phnomnes, et donc rassurent, elles incitent chacun rester dans le droit chemin trac par lglise, elles renforcent la communaut et elles ajoutent du merveilleux et de lhumour un quotidien parfois trs dur.

Dans les lgendes, on retrouve souvent la nature comme lment principal, mais aussi la religion et lomniprsence du bien et du mal. Cette dualit est ainsi reprsente par de nombreux personnages, certains bons, certains peu recommandables, dont le Diable, incontestable vedette. Ces personnages mythiques sont prsents dans lexposition : lgendes illustres, racontes, et mises en contexte grce diffrents objets. On sattarde aussi aux lgendes inspires par lhistoire ou par de rels faits divers qui ont marqu limaginaire. Finalement, lexposition explore la chasse-galerie par le biais des nombreuses versions et adaptations de ce classique de la littrature.

Des tmoignages sonores dune grande valeur
Lors de ses enqutes sur le terrain, Jean-Claude Dupont a enregistr de nombreux tmoignages offrant un clairage humain et touchant sur ces histoires transmises de gnration en gnration. Ces enregistrements dmontrent quel point les lgendes font partie du patrimoine culturel spcifique une rgion et ses habitants. Le visiteur peut, entre autres, couter des gens raconter comment le diable a voulu faire le notaire ou lhistoire du loup-garou qui a t vu lchant la vitre dune maison. Lexposition propose aussi des extraits musicaux, dont un reel de violon et une complainte sur la lgende de La marie enleve... Ces enregistrements ont t capts il y a plus de 40 ans auprs de multiples informateurs lors dune srie denqutes sur le territoire. noter que ces enregistrements sont maintenant conservs aux Archives de folklore et dethnologie de lUniversit Laval, un fonds unique en Amrique du Nord sur la culture francophone.

Profession : glaneur de lgendes
Un ethnologue tudie la culture immatrielle et matrielle dune socit en sassurant de recueillir tout ce qui est tradition, mode de vie et culture de ses anctres. Passeur de mmoire, Jean-Claude Dupont a un esprit dobservation et danalyse aiguis. Ses dmarches et ses recherches sur le terrain font preuve dune grande minutie et sa cueillette de donne rigoureuse nous lgue un savoir dune grande valeur. Dans cette exposition, cest aussi le travail de lartiste qui est mis de lavant, par le biais de ses toiles dexpression nave qui laissent entrevoir la grande sensibilit de lhomme. Un art vivant et color qui nous enchante et nous charme.

Dimanche Lgendes, une activit spciale ne pas manquer
Le dimanche 21 mars 14 h, Pointe--Callire propose une activit trs spciale prsente dans le cadre de lexposition Sur le chemin des lgendes avec Jean-Claude Dupont. Dans les vestiges du Muse, le conteur Eric Michaud raconte des lgendes qubcoises et lhistorien Jacques Lacoursire explique leurs origines.

Venez dcouvrir les lgendes de lAmrique francophone et amrindienne et contribuez perptuer la mmoire collective!

Cette exposition a t ralise dans le cadre dune entente de partenariat entre Pointe--Callire, muse darchologie et dhistoire de Montral et le Muse qubcois de culture populaire et sera prsente Pointe--Callire du 9 fvrier au 16 mai 2010.

Pointe--Callire remercie Jean-Claude Dupont pour sa trs gnreuse collaboration, ses partenaires : le Muse qubcois de culture populaire, la Commission franco-qubcoise sur les lieux de mmoire communs et Les ditions GID et ses commanditaires la Financire Sun Life, Historia, Via Rail, Archambault et La Presse.

Le Muse est subventionn par la Ville de Montral.






28e dition du FIFA - Prsentation du jury

UN JURY PRESTIGIEUX LA
28e DITION DU FIFA


Montral, le lundi 8 fvrier 2010 Dans le cadre de la 28e dition du Festival International du Film sur lArt (FIFA) qui se droulera du 18 au 28 mars 2010, le directeur gnral et fondateur Ren Rozon est heureux dannoncer la nomination de lartiste multidisciplinaire et ancien lieutenant-gouverneur du Nouveau-Brunswick Hermngilde Chiasson (Nouveau-Brunswick) titre de prsident du jury. Il sera paul par des jurs dexception dont le cinaste spcialiste en musique contemporaine Uli Aumller (Allemagne), le cinaste, crivain et journaliste Jean Bergeron (Qubec), lhistorienne du cinma Angela Dalle Vacche (Italie) et le galeriste Jules Maeght (France).

Bien avant ses prestigieuses fonctions politiques, Hermngilde Chiasson joue un rle essentiel dans le dveloppement culturel en Acadie. La liste de ses crations artistiques est impressionnante. En effet, il a particip plus de 100 expositions dont 18 individuelles, et plusieurs de ses uvres font partie de collections publiques et prives. cela sajoute la ralisation de 17 films dont plusieurs prims, parmi lesquels Toutes les photos finissent par se ressembler (1985), Le Grand Jack (1987), Robichaud (1989), Le taxi Cormier (1990), pope (1996), laurat du Grand prix TV5, et Ceux qui attendent (2002).

Uli Aumller est spcialis dans les documents sur la musique contemporaine. Il possde une feuille de route de plus de 150 productions pour diffrentes chanes radiophoniques allemandes et collabore galement avec plusieurs chanes de tlvision. Deux de ses films ont dj t projets au FIFA : Mon cinma pour loreille La musique concrte de Francis Dhomont et Paul Lansky (20e FIFA) et The Kiss of a Divine Nature (23e FIFA). Son uvre A Sudden New Listening Experience sera prsente dans ldition de cette anne.


Jean Bergeron a remport de nombreux prix en tant que concepteur et ralisateur publicitaire. En 2000, il a sign un ouvrage de vulgarisation scientifique, Les hritiers de Frankenstein. Scnariste et ralisateur arien du premier film daction Imax 3D, Duel au canyon, il se consacre depuis quelques annes au documentaire dauteur, un mode dexpression qui lui sied parfaitement. Son film Achever linachevable a t prsent louverture du 26e FIFA en 2008 et a remport le Prix ex quo de la Meilleure uvre canadienne. En 2009, ce film a t laurat du prix Gmeau du meilleur documentaire dans la catgorie nature et sciences.

Angela Dalle Vacche est rpute pour avoir ouvert le champ des tudes cinmatographiques lhistoire de lart. Elle collabore rgulirement avec la Cineteca de Bologne, le Nederlands Film Museum, le Anthology Film Archives New York et le DAMS/Gorizia en Italie. Elle a notamment publi Cinema and Painting: How Art Is Used in Film (1996) et Diva: Defiance, Passion, and Early Italian Cinema (2008), la maison ddition The University of Texas Press.

Jules Maeght est le petit-fils de Marguerite et Aim Maeght, les clbres fondateurs de la Fondation Maeght, institution incontournable des arts du XXe sicle. En 1998, il devient responsable de la Galerie Maeght. Situe Barcelone, la programmation de cette galerie est trs contemporaine et associe la jeune gnration catalane aux artistes internationaux. Passionn de photographie et de cinma, il cre en 2003 la collection Entretien, dont lobjectif est de privilgier la parole de lartiste autour dune pense, dun ou plusieurs thmes. Il est maintenant directeur des ditions Maeght et de limprimerie Arte. Paralllement, il prsente en DVD des films produits par la Fondation Maeght sur des artistes tels que Mir, Ubac, Riopelle et Giacometti. ce titre, le public montralais aura la chance unique dassister une rtrospective de 14 films prsents loccasion du 45e anniversaire de la Fondation Maeght.

Le Festival International du Film sur lArt (FIFA) est une socit but non lucratif voue la promotion et la diffusion des meilleures productions mondiales de films sur lart et darts mdiatiques. Dune dure de 10 jours et de nature comptitive, le FIFA est lvnement annuel le plus important au monde dans son domaine. Il est le rendez-vous des artistes et artisans du milieu des arts et de la cinmatographie aussi bien que des amateurs dart et de cinma.


LE 28e FIFA SE TIENDRA DU 18 AU 28 MARS 2010.

Recipients of the 2010 Governor Generals Performance Arts Awards Announced

Governor Generals Performing Arts Awards
for Lifetime Artistic Achievement

BRYAN ADAMS, FRANOISE FAUCHER, WALTER HOMBURGER,
EDOUARD LOCK, ROBIN PHILLIPS, BUFFY SAINTE-MARIE

Ramon John Hnatyshyn Award for Voluntarism in the Performing Arts

MOHAMMED AND YULANDA FARIS

National Arts Centre Award

YANNICK NZET-SGUIN

MONTREAL, February 23, 2010 Bryan Adams, Franoise Faucher, Walter Homburger, Edouard Lock, Robin Phillips and Buffy SainteMarie have been named the 2010 recipients of the Governor General's Performing Arts Awards (GGPAA) for Lifetime Artistic Achievement, the most prestigious artistic honour bestowed in Canadian performing arts. The recipients have propelled their talent and vision to the highest level and made an enduring contribution to culture in Canada. Each year, the Awards shine a spotlight on these phenomenal people who, with their magic, enrich the lives of all Canadians.

The Lifetime Artistic Achievement Awards are accompanied by two special Awards which recognize individuals taking the performing arts in inspiring new directions. The Ramon John Hnatyshyn Award for Voluntarism in the Performing Arts is given this year to Mohammed and Yulanda Faris, and Yannick NzetSguin will receive the National Arts Centre (NAC) Award.

The Awards will be presented at Rideau Hall on April 30, 2010 by Governor General Michalle Jean. Time will never erase the pathways that these great performing artists have traced, both for us the public and for young generations of creators. For they are pathways of light that cross through our lives and shed a brighter light on everything they touch. And so we thank them for all of those rays of hope they shine on our world, which would otherwise be a darker and duller place," said Her Excellency the Right Honourable Michalle Jean, Governor General of Canada.

This years recipients of the six Governor Generals Performing Arts Awards for Lifetime Artistic Achievement are:

Bryan Adams (Singer/songwriter, photographer and social activist): One of Canadas most successful recording artists, rock singers and songwriters, he has established himself as a leading figure on the international popular music scene. With numerous awards and millions of album sales and sold-out concerts worldwide, he is also an accomplished photographer and is actively involved with many social and humanitarian causes through The Bryan Adams Foundation.
Franoise Faucher (Actress, director and broadcaster): From her stage debut in Montreal in 1951, she has personified the dynamic vitality of Quebec theatre. A veritable living legend, she has played a central role in the development of Quebec culture and inspired an entire generation of theatre artists (particularly women) with the unquenchable passion and boundless dedication she has shown for over 60 years. On stage and on screen, she attractedand, with remarkable energy, continues to attracta wide and diverse audience of loyal fans.

Walter Homburger (Orchestra manager, impresario and artist manager): A driving force in the development of orchestras and classical music in Canada for over half a century, he has promoted a succession of extraordinary artists (including Glenn Gould, Victor Braun, Jan Rubes, Louis Lortie, and James Ehnes). His unrivalled 25year term as managing director of the Toronto Symphony Orchestra set new standards for orchestra management in Canada and became a model for following generations of music directors and managers.

Edouard Lock (Choreographer): A brilliant innovator whose originality and daring have transformed contemporary dance, he has reinvented the art form, bridging contemporary dance and classical ballet to create a unique choreographic language. His influence over the past 30 years has been phenomenal: he has built his company, La La La Human Steps, into one of the worlds most exciting and original dance troupes, and has put Quebec and Canada firmly on the international cultural map.

Robin Phillips (Director, actor, designer and teacher): One of Canadas greatest English-language stage directors, he has inspired an entire generation of Canadian actors, designers and directors with his creative vision, passion, and discipline, and has set the standard for excellence in staging works both classical and contemporary. In his six seasons with the Stratford Shakespeare Festival he directed 35 productions featuring such outstanding artists as Martha Henry, William Hutt, Brian Bedford, Maggie Smith, Jessica Tandy, and Colm Feore.

Buffy Sainte-Marie (Singer/songwriter, visual artist, educator and social activist): She has achieved international acclaim as a singer/songwriter, visual artist, advocate for Aboriginal rights, and mentor. Her powerful songs of love, hope, protest and triumph have sensitized people around the world to important political and social issues. She continues to tour extensively, capturing audiences everywhere with the energy, intensity, and raw communicative power of her performances.

Each recipient will receive a cash award of $25,000 contributed by the Canada Council for the Arts and a commemorative medallion struck by the Royal Canadian Mint.

Mohammed and Yulanda Faris are this years recipients of the Ramon John Hnatyshyn Award for Voluntarism in the Performing Arts. They have been an active force in the Vancouver arts community for close to 40 years. They have liberally donated their time and financial support (often anonymously) to opera, dance, the visual arts, and literature, with a particular focus on young people, arts education, professional training opportunities, and legacy giving. The Farises will receive a specially commissioned work by Canadian glass artist Naoko Takenouchi of Vancouver, British Columbia, and a commemorative medallion struck by the Royal Canadian Mint.
Yannick NzetSguin is this years recipient of the National Arts Centre Award, presented for exceptional achievement over the past performance year. Yannick NzetSguin is one of the fastest-rising stars on the international classical music scene. Acclaimed by musicians, audiences and critics alike for his musicality, dedication and charisma, he is in great demand as a symphonic and operatic conductor and has appeared with leading orchestras around the world. In addition to a commemorative medallion struck by the Royal Canadian Mint and a cash award of $25,000, Maestro Nzet Sguin will receive an original piece of artwork designed by Canadian ceramic artist Paula Murray of Chelsea, Quebec.

In addition to honouring the 2010 recipients, the Awards feature a unique Mentorship Program, a partnership inaugurated in 2008 between the Governor Generals Performing Arts Awards Foundation (GGPAAF) and Canadas National Arts Centre. Designed to unite past Lifetime Artistic Achievement Award recipients and talented mid-career artists, the program serves as a creative catalyst and as an investment in future Canadian artistic achievement. Distinguished actor Gordon Pinsent, who received a Governor Generals Performing Arts Award in 2004 (film/theatre), has chosen to mentor Kevin Loring, an extraordinarily talented young actor. The program is a unique opportunity for the potential laureates of tomorrow to benefit from the creativity and experience of icons who have blazed the trail before them.

The 2010 recipients will be honoured at various events in Ottawa from April 29 to May 1. On April 29, the recipients will be introduced in the House of Commons, followed by a Parliamentary Reception. On April 30 at Rideau Hall, Her Excellency the Right Honourable Michalle Jean, Governor General of Canada, will present the countrys highest performing arts honour to each recipient at a special ceremony and dinner. On May 1, the National Arts Centre will host a sparkling Gala to celebrate the 2010 recipients, a star-studded celebration featuring superb performances, evocative film portraits, and personal tributes by guest stars.

The National Film Board of Canada (NFB), an important creative concept partner for the Gala since 2008, will once again produce eight unforgettable short films to celebrate the lives of the 2010 recipients, which will be screened at the May 1 Gala. The NFB brings together some of Canadas most talented documentary filmmakers for this project to create signature films that capture the essence of each Award laureate.

The Awards continue to benefit from the significant partnership established in 2007 with the National Arts Centre (NAC). Dedicated to achieving the highest presence for the Awards, the NAC is responsible for the production of the annual Gala performance as well as the event's fundraising and marketing activities. The NAC's in-house expertise and experience in these key aspects of the annual celebrations significantly enhance the profile of the Awards and their distinguished recipients.

Created in 1992, the Governor Generals Performing Arts Awards are the most prominent artistic honour bestowed upon Canadians in the performing arts. They are administered by the GGPAA Foundation, a private, not-for-profit charitable organization. Nominations for the awards are solicited from the public and the performing arts community. Peer selection committees, representing the various performing arts disciplines and regions of Canada, review the nominations and submit a short list of nominees in the seven award categories to the GGPAA Foundation Board of Directors, which makes the final selection of recipients of the Awards for Lifetime Artistic Achievement and the Ramon John Hnatyshyn Award for Voluntarism in the Performing Arts. Nominations for 2011 are now being accepted at http://www.ggpaa.ca/. The recipient of the National Arts Centre Award is selected by the Board of Trustees of the NAC from a list of candidates proposed by a nominating committee of senior NAC artistic programmers.

The National Arts Centre is proud to produce the 2010 Governor Generals Performing Arts Awards Gala in partnership with the Governor Generals Performing Arts Awards Foundation and the National Film Board of Canada. The Awards are presented with the support of the Department of Canadian Heritage and the Canada Council for the Arts. The GGPAAF gratefully acknowledges National Partners McDonalds Restaurants of Canada, Pratt & Whitney Canada Corporation and Weber Shandwick Worldwide. The GGPAAF also acknowledges the significant contributions of Enbridge, Gowling Lafleur Henderson LLP, technology partner IBM, Llama Communications, automobile sponsor Mark Motors of Ottawa, Optima, media partner The Ottawa Citizen, and The Royal Canadian Mint. Grateful thanks also go to the National Committee of volunteers, including Co-Chairs M. Ann McCaig, C.M., A.O.E., LL.D and James S. Kinnear.

Tickets for the Governor Generals Performing Arts Awards Gala on Saturday, May 1, 2010 go on sale to the general public on February 23, 2010 at the NAC Box Office and through Ticketmaster, 613-7551111 or http://www.ticketmaster.ca/.

HATCH Seasn Continues with the Award Winning Praxis Theatre and Section 98

TORONTO, ON (February 23, 2010) Harbourfront Centre is excited to present Praxis Theatres Section 98, an interactive work-in-progress on civil rights in Canada. The collective creation, directed by Michael Wheeler, Praxis Co-Artistic Director and Tarragon Theatre Director-in-Training, invites the audience to interact with and inform the artistic product. This open source creative model will solicit audience feedback and participation prior, during and following the presentation, through praxistheatre.com, voted #1 Cultural Blog in Canada by the 2009 Canadian Blog Awards.

Section 98 seeks an immediate relationship with the here and now by drawing inspiration from forms of political theatre of the past and juxtaposing them with the present day. Inspired by the Living Newspaper theatrical style made popular New York City as part of the Depression-era Federal Theatre Project, the production focuses on 1930s Communist theatre artists in Toronto, 1970s FLQ activists in Montreal, and reserves a portion of the performance to concern contemporary civil rights issues.
The HATCH program is ideal for a work in this stage of the creation process said Wheeler. There is no other opportunity in Toronto to experiment with complex ideas and concepts mid-process with a full array of technical tools and support. Were quite excited to see which elements resonate and integrate with a live audience.

Led by groundbreaking feminist Jean Jim Watts, the Progressive Arts Club creates political drama in Depression-era Toronto. The group are pervasive agitators - at one point their sold-out protest play about the imprisonment of Communist Party leader Tim Buck, Eight Men Speak, is shut down by personal authorization of Conservative Prime Minister R.B. Bennett. During the FLQ crisis, Carole de Vault goes from being a FLQ collaborator to an RCMP mole. We experience the effects of The War Measures Act through her transformation and a series of first person interviews with a variety of Quebecers.

Section 98 is designed to allow each iteration of the production to insert material that considers contemporary civil rights questions occurring at the time of performance. In this workshop Praxis Theatre will be exploring the testimony given to the Special Committee on the Canadian Mission in Afghanistan November 25th, 2010 as well as civil rights issues that come to light following the exhaustion of a billion dollar security budget for the 2010 Olympic Games in Vancouver.

Harbourfront Centre is pleased to present Section 98, by Praxis Theatre in the Studio Theatre on March 13, 8 p.m. Tickets are $12 or $10 for students, seniors and arts workers and are available by phone at 416-973-4000 or through www.harbourfrontcentre.com/hatch. The performance will be followed by an artist Q & A.

Praxis Theatre is the Toronto-based award-winning indie theatre company behind Stranger, Dyad, Steel and The Master and Margarita. This production invites you to participate with your cell phone or PDA during the presentation, and online before or after the performance at praxistheatre.com.

Section 98
A work-in-progress presented by Praxis Theatre Created in collaboration with Michael Wheeler, Director; Laura Nordin, Assistant Director; Verne Good, Sound and Lighting Designer; Aislinn Rose, Script and Open Source Coordinator; Brittney Filek-Gibson, Stage Coordinator; and Margaret Evans, Melissa Hood, Greta Papageorgiu, David Tompa, and Alex Fallis, Performers.

About HATCH: emerging performance projects at Harbourfront Centre
Entering its seventh year, the HATCH residency and mentorship programme is a key initiative in Harbourfront Centres mission to develop local artists and their unique practices.

The HATCH mentorship provides resources and professional assistance to a new generation of engaging and innovative contemporary artists to reach their next career stage with a comprehensive understanding of process and challenges that artists must embrace.

The HATCH residency package includes one week rent-free in the Studio Theatre, technical and production assistance, box office backing and administrative assistance, marketing and media relations support and workshops, and professional development assistance.

For more information please visit www.harbourfrontcentre.com/hatch

ahdri zhina mandiela's who knew grannie: a dub aria - Obsidian/Factory World Premiere (March 13 - April 4, 2010)

MANDIELAS DUB ARIA - OBSIDIAN/FACTORY WORLD PREMIERE

Toronto, ON Thursday, February 18, 2010. who knew grannie: a dub aria, written and directed by ahdri zhina mandiela and produced by Obsidian Theatre Company in association with Factory Theatre, has its world premiere March 18 April 4, 2010 (with previews on March 1314 and 16-17). who knew grannie: a dub aria, sponsored by TD Bank Financial Group, is about four cousins who reunite for the burial of their grandmother, the woman who raised them. They go back to Jamaica and reclaim their past and discover who they are through childhood games, songs and powerful memories. On the wings of the symbolic sankofa bird, the cousins go on a powerful cathartic journey full of joy, laughter and pain to the music of the heart and the drums of their homeland. Factory Artistic Director Ken Gass says that the award-winning mandiela Ķ has a unique muscular poetic voice that drives this imaginative and very theatrical new form, the dub aria. Visit http://www.obsidian-theatre.com/ and http://www.factorytheatre.ca/.

Dub poetry is a type of performance poetry that has its roots in spoken word overlaying reggae rhythms. A dub aria goes one step further and replaces the reggae music with human voices and percussion. Obsidian Theatre Companys Artistic Director Philip Akin (director of Factory Theatres Toronto the Good in 2009 and the current remount of Intimate Apparel by Obsidian/Canadian Stage) elaborates, What we have is a new art form that creates lyricism and music through language and chorale work. And yet this aria form is very accessible and understandable. Repetition and clarity of thought allows any audience to easily follow the story and be surrounded by the rich imagery. Yes, some of it may start off sounding a little differentĶ but listen, release your imagination, let the story sink into your bones and most of all dont fear the dub. It really isnt that scary. u cant run/run/run from the roots u need to redeem for a future. (Excerpt from who knew grannie: a dub aria by ahdri zhina mandiela).

Mandielas who knew grannie: a dub aria cast includes Miranda Edwards (Toronto the Good, The Madonna Painter) as likklebit, Ordena (The Real McCoy; da kink in my hair; Adventures of a Black Girl in Search of God) as grannie, Joseph Jomo Pierre (Born Ready; Pusha-Man; Hip-Hop Who Stole the Show) as tyetye, Andrea Scott (For Colored Girls who have Considered Suicide When the Rainbow is Enuf; Omnium Gatherum; Kindness) as vilma and Marcel Stewart (Toronto the Good; Theatre of the Film Noir; MacBeth) as kris. Joining them is musician Amina Alfred (blood.claat;da kink in my hair; Capturing Freedom) representing the sankofa bird. Julia Tribe is the Set & Costume Designer, Bonnie Beecher is the Lighting Designer, Shauna Japp is the Stage Manager, and Neha Ross is the Apprentice Stage Manager. mandielas Assistant Director is Jajube Mandiela. For behind-the-scene blog entries from company theatre artists, see http://whoknewgrannie.blogspot.com/.

Performers (l-r): Amina Alfred, Miranda Edwards, Ordena, Joseph Jomo Pierre, Andrea Scott, Marcel Stewart

Widely known as director and poet/performer, mandiela (director of Factorys Scratch in 2008) has been working in the Canadian arts scene since the late 1970's. She has received both the Luscombe Award for mentoring and the prestigious Dora Mavor Moore Silver Ticket in 2006. In 2007 she also received the Victor Martyn Staunton-Lynch Prize for mid-career theatre artists from Canada Council for the Arts. mandiela is founder and artistic director of the Toronto-based performance art company, b current and is also the creator of rock.paper.sistahz., a festival of new works.

Who knew grannie: a dub aria is 80 minutes in length, with no intermission, and plays Tuesday Saturday at 8 p.m. and Sunday at 2 p.m. (except Sunday, March 14 - 7 p.m. preview) in the Factory Mainspace Theatre. Single tickets run $15 - $35 (discounts for previews, seniors, students or theatre artists as well as groups of ten or more) and may be purchased online at http://www.factorytheatre.ca/ 24 hours a day, or by calling (416) 504-9971 or by visiting the Factory Theatre Box Office in person Tuesday through Saturday, 1 p.m. - 7 p.m., at 125 Bathurst Street (at Adelaide Street), Toronto. In addition, 3play subscriptions, Pay-What-You-Can Sunday and a limited number of $10 RUSH tickets (Tuesday, Wednesday and Friday) are available.






Noted Choreographer Rachid Ouramdane Brings His Latest Piece to World Stage

Prominent Choreographer Rachid Ouramdane Delivers a Harrowing Journey About Finding Contemporary Identity with the Solo Dance Piece Loin...(Far...)

TORONTO, ON (Feb. 18, 2010) Harbourfront Centres World Stage 2009-10 continues with LoinĶ(FarĶ), the new semi-autobiographical solo project from French/Algerian choreographer Rachid Ouramdane and his company LA. World Stage hosts the Canadian premiere of LoinĶ(FarĶ) at the Enwave Theatre from March 11 through March 13, 2010.

In this hour-long piece, Ouramdame smuggles the audience with him on a quest exploring identity and what it means to be a foreigner. Inspired by a family history perforated with war and colonialism, LoinĶ(FarĶ) incorporates Ourandames personal travels through Vietnam and Cambodia witnessing lives separated by violence.

*MEDIA NOTE: Rachid Ouramdane will not perform this piece at Harbourfront Centres World Stage, performing in his stead will be celebrated dance artist Fabrice Lambert.

This meditative expedition occurs within a boundary created by three oscillating loud-speakers, which are accompanied by strobe-like lighting and a large video screen. Within this border, Ouradame interacts with these objects through the use of floor pedals and a microphone, cueing video footage as well as haunting soundscapes and the original music of Alexandre Meyer.

Incorporating bodily movements that invoke captivity and struggle, LoinĶ(FarĶ) blurs the line between dance and documentary. According to Ouramdane the result achieves depictions of a body pierced by other peoples history.

LoinĶ(FarĶ) is one of the first works to emerge from LA, a company Ouramdane founded in 2007. Throughout his 13-year career, Ouramdame has become known for his multidisciplinary work which reassesses the definitions of performer and choreographer.

**Media images and resources: http://media.harbourfrontcentre.com/worldstage/

New for World Stage 2009-10: Visit harbourfrontcentre.com/worldstage to learn about Harbourfront Centres commitment to developing artists and audiences through World Stage initiatives and programmes, such as special events, artist talks and more.

LoinĶ(FarĶ)
Choreographed by Rachid Ouramdane/LA (France)
Performed by Fabrice Lambert
Mar. 11-13, 8 p.m.
Duration: 60 minutes
Enwave Theatre, 231 Queens Quay West
Tickets: $30

Full Credits
Created and conceived by: Rachid Ouramdane
Performed by: Fabrice Lambert
Music: Alexandre Meyer
Video: Aldo Lee
Lights: Pierre Leblanc
Costume and Make up: La Bourette
Set: Sylvain Giraudeau
Realisation Assistant: Erell Melscot
Stage Management and Sound: Sylvain Giraudeau
Video Management: Jenny Teng
Lighting Management: Stphane Graillot
Administration, Production: Charlotte Giteau
Tour Management: Frdric Prouchine
Communication: Eve Beauvallet

Complete information about performance times, single tickets, packages and the Performance Card ($15 tickets for arts workers and students, Tues. Thurs. performances only) is available through the Harbourfront Centre box office by phone at 416-973-4000, or harbourfrontcentre.com/worldstage.

Harbourfront Centres World Stage 2009-10 gratefully acknowledges the support of Department of Canadian Heritage, Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council and the Westin Harbour Castle, the official hotel of World Stage.

The Odessa Philharmonic at Brooklyn Center - 3/13

Brooklyn Center for the Performing Arts at Brooklyn College continues its 2009-2010 World Stages series with a concert by the acclaimed Odessa Philharmonic on Saturday, March 13, 2010 at 8pm. Making its Brooklyn Center debut as part of its first U.S. tour in ten years, the Odessa Philharmonic perform will a program including Schubert's Symphony No. 8 in B minor ("Unfinished"), Beethoven's Symphony No. 7 in A major, and Saint Sans' Cello Concerto featuring soloist William DeRosa.

Founded in 1937, the Odessa Philharmonic performed regularly throughout the Soviet era under such conductors as Nathan Rachlin, Yuri Temirkanov, Kurt Sanderling, Arvid Jansons and Mariss Jansons. Because of Odessa's ranking as a "regional" city by the Soviet government, the orchestra was not allowed to travel outside the borders of the USSR. With the independence of Ukraine, the orchestra's status rose; in January of 1993 the Government of Ukraine formally awarded the Odessa Philharmonic Orchestra federal status, making it the only performing arts organization in Ukraine outside of Kiev to attain this distinction.

Under the baton of Maestro Hobart Earle, the Odessa Philharmonic has performed in major concert halls of the United States, Canada, Australia, Great Britain, Germany, Switzerland, Austria, Spain, France, Greece, Hungary, Bulgaria, Russia and throughout Ukraine. Highlights of Maestro Earle's career include performances in the Musikverein (Vienna), the Philharmonie (Cologne), the Beethovenhalle (Bonn), the Barbican Hall (London), the National Auditorium (Madrid), the Liszt Academy (Budapest) the Great Halls of the Moscow Conservatory and the St. Petersburg Philharmonic Society. In the United States he has appeared in Carnegie Hall, the Kennedy Center, Orchestra Hall in Chicago, Davies Hall in San Francisco and the General Assembly of the United Nations.

About Maestro Hobart Earle
Maestro Hobart Earle is currently in his fifteenth season as Music Director and Principal Conductor of the Odessa Philharmonic Orchestra. He studied under Ferdinand Leitner in Salzburg and Leonard Bernstein and Seiji Ozawa at Tanglewood. He also studied conducting at the Academy of Music in Vienna, received a performer's diploma in clarinet from London's Trinity College of Music, and is a magna cum laude graduate of Princeton University.

In addition to the Odessa Philharmonic, Maestro Earle has led such orchestras as the Vienna Chamber Orchestra, the Vienna Tonkuenstler Orchestra, the Noord-Nederlands Orkest in Holland, the Orchestra della Toscana in Italy, and in the U. S., the Buffalo Philharmonic Orchestra, the North Carolina Symphony, the Florida Philharmonic Orchestra and the San Diego Chamber Orchestra. In recognition of his work with the Odessa Philharmonic Orchestra, Hobart Earle was awarded the title "Distinguished Artist of Ukraine", the first and only foreigner in the history of Ukraine so honored.

About William DeRosa
William DeRosa has established himself as one of the leading cellists of his generation. He has appeared with numerous orchestras including the Los Angeles, Florida, Ekaterinburg, and BBC Philharmonics, the Symphony Orchestras of Milwaukee, Utah, and San Francisco, and Los Angeles Chamber Orchestra. As a recitalist, DeRosa has performed at the Kennedy Center, the Music Center in Los Angeles, Chicago's Orchestra Hall and Boston's Jordan Hall. He is also an active chamber musician, performing with many of the world's leading ensembles including the Artis, Emerson and Cleveland quartets. His festival appearances have taken him to Aspen, Marlboro and Seattle, as well as overseas. He has regularly performed on NPR and has been the subject of documentaries and television specials broadcast on PBS and CBS. DeRosa has recorded for EMI Classics and Audiofon Records. He performs on a rare and pristine cello crafted by Dominico Montangana (Venice, 1739).

About Brooklyn Center for the Performing Arts
Founded in 1954, the mission of Brooklyn Center for the Performing Arts is to present outstanding performing arts and arts education programs, reflective of Brooklyn's diverse communities, at affordable prices. Brooklyn Center's presentations explore both the classical traditions and the boldest contemporary performances, embracing the world culture that defines Brooklyn. Brooklyn Center for the Performing Arts welcomes over 70,000 people to the 2,400 seat Walt Whitman Theatre each season, and boasts one of the largest arts education programs in the borough, serving schoolchildren from over 225 schools annually.

The Odessa Philharmonic at Brooklyn Center for the Performing Arts
Walt Whitman Theatre at Brooklyn College, 2900 Campus Road, Brooklyn
Saturday, March 13, 2010 at 8pm
Tickets: $35, $25

Online orders: BrooklynCenter Online.org Box Office: (718) 951-4500, Tuesday - Saturday, 1PM - 6PM
Groups of 15 or more: (718) 951-4600, ext. 33

Major support for Brooklyn Center for the Performing Arts' World Stages: Music series is provided by National Grid.

Brooklyn Center for the Performing Arts' programs are made possible in part with public funding from the City of New York Department of Cultural Affairs and the National Endowment for the Arts. Funding for the 2009-2010 season is provided by: Target; JP Morgan Chase; Brooklyn Community Foundation; Con Edison; Macy's; TD Bank; the Carnegie Corporation of New York; Air Jamaica; The Harkness Foundation for Dance; and the Lila Acheson Wallace Theater Fund, established in the New York Community Trust by founders of The Reader's Digest Association. Additional support provided by CNG Publications, The Brooklyn Eagle, and WBGO. Marriott New York LaGuardia Airport is the official hotel of Brooklyn Center for the Performing Arts 2009-2010 season. Backstage catering graciously provided by Applebee's.

Brooklyn Center acknowledges the support of Assemblymembers Karim Camara, Steven H. Cymbrowitz, Rhoda Jacobs, Alan Maisel, Joan L. Millman, N. Nick Perry, Annette Robinson, and Helene E. Weinstein, members of the Brooklyn Delegation to the New York State Assembly, and New York State Senators Martine Malav Dilan, Kevin S. Parker, and John L. Sampson. Special thanks to Council Speaker Christine C. Quinn, Councilman Domenic M. Recchia, Jr. Councilmembers Kendall B. Stewart and Albert Vann, and Cultural Affairs Commissioner Kate D. Levin.

Jonathan Harvey Concert Postponed: New Music Concerts

Replaced by Screening of Towards and Beyond & Performance
Friday March 12 at 8:00PM at Betty Oliphant Theatre
Admission is Free.

For Immediate Release Toronto, February 17, 2010: New Music Concerts regrets to announce that due to health issues, celebrated British composer Jonathan Harvey is unable to travel at this time. As a result, the March 12 concert has been postponed until next season; the date and venue will be confirmed at a later date. In place of the scheduled event, New Music Concerts will present a free screening of Towards and Beyond, a 48 minute DVD documentary by Barrie Gavin featuring an exclusive interview in which Jonathan Harvey discusses his music and philosophy. As an added treat, Robert Aitken (flute) and David Swan (piano) will perform Harvey's "Run Before Lightning" composed in 2004 for the Concours Rampal flute competition, and Fujiko Imajishi will revisit "Reconciliation", a solo violin piece written for her by Geoffrey Palmer which she first performed for New Music Concerts in 2002. Mr. Palmer, whose flute concerto Cancri 55 was to be premiered on the now postponed concert, will be in attendance.



'Towards and Beyond
Friday March 12 at 8:00PM
Betty Oliphant Theatre: 404 Jarvis Street, Toronto
Harvey: Run Before Lightning; Palmer: Reconciliation;
Gavin: Towards and Beyond (DVD documentary with Jonathan Harvey).
Robert Aitken, flute; David Swan, piano; Fujiko Imajishi, violin.
Free Admission

New Music Concerts
157 Carlton Street, Suite 203 Toronto ON M5A 2K3
416.961.9594 / fax 416.961.9508
New Music Concerts gratefully acknowledges the support of The Canada Council for the Arts; Toronto Arts Council; The Department of Heritage through Arts Presentation Canada; The Province of Ontario through the Ontario Arts Council & the Ontario Arts Foundation Endowment Fund; The Goethe Institut; The Julie-Jiggs Foundation; The Koerner Foundation; The McLean Foundation; Roger D. Moore; The SOCAN Foundation; The Imperial Tobacco Canada Foundation; The Amphion Foundation Inc.; The Aaron Copland Fund for Music, Inc.; Edward Epstein and Gallery 345.

NEXUS percussion group presents World and Canadian premieres at Glenn Gould Studio

Saturday, March 20, 2010
Tickets Now on Sale!

For Immediate Release
February 17, 2010

Toronto, Ont... Canadas percussion group NEXUS presents Tribute, a mixed program on Saturday, March 20, 2010 at Glenn Gould Studio. It includes the world premiere of R.E.member-ing by NEXUS founding member William Cahn, and the Canadian premiere of Handmade Proverbs by Japanese composer Toru Takemitsu.

The concert also includes performances of John Cages Credo in US, additional pieces by Takemitsu, as well as Remembrance and Lullaby for Esm by NEXUS founding member Robin Engelman. The group will be joined by guest artists, pianist Midori Koga and percussionists Paul Ormandy and Ryan Scott.

The programming for Tribute was inspired by the recent retirement of NEXUS founding member Robin Engelman, due to on-going vision difficulties. During his time with NEXUS Engelman introduced the group to John Cages Credo in US and conducted it a number of times. He was a close friend of Toru Takemitsu from the time they met when Engelman was principal percussion in the Toronto Symphony Orchestra, under Seiji Ozawa. Takemitsu invited NEXUS to tour in Japan several times, and composed their most successful concerto From me flows what you call Time. NEXUS performed the piece more than 80 times with orchestras all around the world. It will be Engelmans arrangements of the pieces by Takemitsu that will be performed in this concert.

The opening piece Ancient Military Aires is a collection of traditional military drum beatings. The performance of this is also a tribute to Engelman as the composer and percussionist has a great interest and expertise in this historical area. He has also composed many pieces in this style (for fife and drums). He brought a great zeal to NEXUS for learning more about the tradition from which NEXUS instruments and techniques originate.

Robin Engelmans arrangements of songs by Takemitsu may be heard on NEXUS most recent CD Wings. His piece Lullaby for Esm is featured on the NEXUS CD Lullaby, and Remembrance is included on the NEXUS CD NEXUS Now. John Cages Credo in US will appear on NEXUS upcoming CD featuring percussion works of John Cage.

Guest Artists

Midori Koga has been a featured soloist, chamber musician and accompanist in music festivals throughout the world. She is a prize winner in several national competitions. An advocate of 20th century music, she commissions, performs and records with new music ensemble QUORUM. As a lecturer she has presented at several pedagogy conferences. She is currently an Associate Professor of Piano at the University of Torontos Faculty of Music.

Paul Ormandy is a multi-faceted percussionist, workshop leader and facilitator with boom, a communications organization that delivers team building and performance management services to corporations. He is also Professor of Cuban Music at York University, Visiting Artist in Percussion at the Etobicoke School of the Arts, and is also affiliated with The Royal Conservatory of Music and the University of Toronto. His musical experience as a percussionist includes performing in the Canadian productions of the musicals The Lion King, The Producers and The Lord of the Rings.

Ryan Scott is an acclaimed marimba and multi-percussion soloist who has performed extensively in North America, Europe, Japan, Indonesia and Africa. He is affiliated with a number of Canadian orchestras, including: the Canadian Opera Company Orchestra, Esprit Orchestra, the National Ballet of Canada Orchestra, the Bob Becker Ensemble, and many others. He has collaborated numerous times with violist Rivka Golani, and has been a guest artist with NEXUS on several occasions. He has recorded with several Canadian record labels. During his undergraduate and graduate studies at the University of Toronto he had the opportunity to study with NEXUS co-founders Russell Hartenberger and Robin Engelman.

NEXUS

Founded in 1971, Canadian percussion group NEXUS has been at the forefront of Canadian chamber music for over three decades. NEXUS is known for the innovation and diversity of their programs, an impressive history of collaborations and commissions, their revival of 1920s novelty ragtime xylophone music, and their influential improvisatory ideas. The group has toured in both Canada and the U.S., as well as to Australia, New Zealand, Asia, Brazil, Scandinavia and Europe. They were the first Western percussion group to perform in the Peoples Republic of China.

NEXUS percussion group performs Tribute on Saturday, March 20, 2010 at 7:30 p.m. at Glenn Gould Studio, 250 Front Street West. General admission tickets are $10 for students, $20 for seniors and $40 for adults. They can be purchased in advance through Roy Thomson Halls box office, online at http://www.roythomson.com/ or by phone by calling 416-872-4255.

For more information on NEXUS and upcoming concert dates log on to http://www.nexuspercussion.com/

Inaugural Digital Strategies Conference to take place in Toronto on We...

www.digitalstrategiesconference.com

TORONTO, Feb. 8 /CNW/ - The Digital Strategies Conference, focused on effectively marketing products and services in the Digital Age, will take place Wednesday, March 10, at the Fairmont Royal York Hotel in Toronto. From start-ups to Fortune 500 companies, online marketing is key to business success. Presented by Digital Media Wire, in association with the Canadian Association for the Advancement of Music & the Arts (CAAMA), marketers and business owners will learn how to use the latest e-business tools and make smart investment decisions with limited marketing dollars.

This full-day event will feature appearances from media executives discussing top digital media and marketing trends. Panellists will highlight how to maximize revenues by leveraging social media communities, online analytic tools, search engine marketing strategies and video platform tools.

Confirmed to keynote at the conference are two best-selling authors Bob Garfield and Scott Fox, Louise Clements and Anthony Soohoo.

Bob Garfield is a columnist, critic, essayist, pundit, international lecturer, and inveterate broadcaster. He recently published the book The Chaos Scenario which outlines the new landscape for media and advertising in a digital world. On television, he is the advertising analyst for ABC News and on radio, he is the co-host of NPR's On The Media.

Scott Fox is an entrepreneur and online marketing and e-commerce success coach. A best-selling author, he has held the number one spot on both Amazon.com's E-commerce list and Hi-Tech Careers list. Publisher's Weekly calls his book e-Riches 2.0 "a godsend to those intimidated by digital media." His expertise is based on personal experience building multi-million dollar e-businesses, ranging from small web startups to the online division of a major corporation.

Louise Clements is Head of Sales for Facebook in Canada. Clements is responsible for building strategies and solutions for Facebook's advertisers, one of the key steps in Facebook's on-going success in leveraging the power of its users.

Anthony Soohoo is Senior Vice President and General Manager of CBS Interactive's Entertainment & Lifestyle division. Soohoo joined CBS in 2007 with the acquisition of Dotspotter, one of the fastest growing community-powered pop culture properties on the web. Prior to founding Dotspotter, Anthony was Vice President and General Manager at Yahoo.

Additional speakers include Jack Rotherham, SVP, Strategic Development and Partnerships, Metacafe; Ned Sherman, CEO and Publisher, Digital Media Wire Inc.; Jay Baage, VP, Content, Digital Media Wire; Phil Miano, National Sales Director, Mobile Advertising, AOL; Michael O'Donnell, CEO, Skytide; Laura Coltrin, Senior Search Engine Optimization Manager, MySpace Canada; Richard Sussman, Director, Media & Entertainment, Nielsen Online; Bob Johnson, VP & Principal Analyst, IDG Connect; Matthew Snyder, CEO & Founder, ADObjects; Will Page, Chief Economist, PRS for Music; Mark Ghuneim, CEO & Founder, Wiredset/Trendrr; Giovanni Gallucci, Social Media Ninja, Author & Guest Speaker; Colin Gillis, Director of Research & Senior Tech Analyst, BGC Financial; Paul Cormack, Consumer Marketing Manager, Family + Playhouse Disney, Astral Television Networks; Tim O'Shaughnessy, CEO & Co-Founder, LivingSocial; Adam Cahan, CEO, Auditude; Andrew Goodman, Founder & Principal, Page Zero; David U.K., Managing Director, Worldwide; Maurizio Angelone, CEO, Member of the Board of Directors, MyScreen Mobile Inc.; Chris Williams, Managing Director, Media Contacts, Havas Digital; Ned Bigelow, Sales Manager, Mojiva; Sean MacPhedran, Director of Creative Strategy, Fuel Industries; and Sonny Mayugba, Bus. Dev. Director, Sacramento Press.

Registration information and up-to-date details on the speakers can be accessed by visiting the Digital Strategies Conference website:


Please add this information to your listings. We are presently confirming interviews. Thank you!

Digital Media Wire, Inc. launched in early 2000 with a simple yet compelling proposition to provide busy executives with a daily briefing of the most important news stories about the business of digital media. On July 20, 2000, we published the first issue of Digital Media Wire Daily - our daily email newsletter dedicated to objective coverage of news stories about the convergence of media, entertainment and technology. Today, we are a full scale media company that owns and produces 8 major conferences, publishes daily newsletters and directories, and operates the popular www.dmwmedia.com news and community portal.

The Canadian Association for the Advancement of Music & the Arts (CAAMA) is a national organization representing the interests of artists and SMEs in Canada's music and entertainment businesses. CAAMA provides access to industry leaders, key buyers and timely information on developing trends, technologies and emerging markets. CAAMA empowers its members with the critical tools to facilitate growth and success in today's digital economy while fostering international trade relationships and initiatives. For more information, visit www.caama.org.

Le Festival Orford 2010 prsente La semaine Kent Nagano et l'OSM

Du samedi 31 juillet au dimanche 8 aot - Un grand vnement dans le cadre du Festival Orford avec 13 spectacles dans 2 lieux

Kent Nagano et l'OSM pour deux grands concerts avec Till Fellner et Christian Tetzlaff
Le nouvel Orchestre de l'Acadmie Orford - OAO! dirig par Kent Nagano et Jean-Franois Rivest

Rcitals avec la soprano Andrienne Pieczonka et le pianiste
Aldo Ciccolini

La soprano Suzie LeBlanc dans une soire consacre Monteverdi
Musique de chambre avec le Quatuor Pacifica et Mari Kodama

Tafelmusik et la violoniste Aisslinn Nosky
Jrg Widman, compositeur et musicien l'honneur
Classe de matre avec Christian Tetzlaff

MONTRAL, le 5 fvr. /CNW Telbec/ - Du 31 juillet au 8 aot prochain, dans le cadre du Festival Orford 2010 qui sera prsent du 18 juin au 15 aot, le public est convi La semaine Kent Nagano et l'OSM, vritable "festival dans un festival". Cette collaboration entre le Centre d'arts Orford (CAO) et l'Orchestre symphonique de Montral a t annonce aujourd'hui Montral en prsence de Kent Nagano, directeur musical de l'OSM, Jean-Franois Rivest, directeur artistique du CAO, Madeleine Careau, chef de la direction de l'OSM et Mathieu Bouchard, prsident du CA du CAO.

"L'quipe du Centre d'arts Orford est ravie de ce nouveau partenariat avec l'Orchestre symphonique de Montral. Il constitue l'une des pierres angulaires de notre plan stratgique en vue de bonifier notre offre culturelle de qualit et d'tre un moteur conomique encore plus puissant pour la rgion des Cantons-de-l'Est" dclare Mathieu Bouchard, prsident du conseil d'administration du Centre d'arts Orford.


13 spectacles dont 2 concerts avec Kent Nagano et l'OSM

La semaine Kent Nagano et l'OSM propose aux mlomanes une riche varit de manifestions musicales et artistiques. La semaine s'ouvre avec le pianiste Till Fellner dans un rcital consacr aux trois dernires sonates de Beethoven la salle de concert Gilles-Lefebvre.

En clture, le public retrouve ce grand interprte, cette fois avec l'OSM et Kent Nagano l'glise Saint-Patrice de Magog. Le violoniste allemand Christian Tetzlaff se joint l'OSM pour le second concert de l'Orchestre.

Le public est galement convi deux autres rcitals, celui du grand pianiste Aldo Ciccolini et de la soprano Andrienne Pieczonka; deux concerts de musique de chambre avec le Quatuor Pacifica et Mari Kodama puis avec les professeurs de l'Acadmie Orford. L'orchestre de chambre de Toronto, Tafelmusik, se produira la salle de concert Gilles-Lefebvre ainsi que la soprano Suzie LeBlanc et le Nouvel Opra dirig par Alexander Weimann dans une soire consacre la musique de Monteverdi. Une classe de matre ouverte au public sera galement donne par le violoniste Christian Tetzlaff.

Le directeur musical de l'OSM Kent Nagano explique : "J'ai voulu faire de cette semaine un lieu de rencontre o les jeunes musiciens de talent pourraient ctoyer les meilleurs interprtes et changer avec eux; un lieu de rencontre o le public serait invit entendre les prestations de grands artistes internationaux. Je remercie le Centre d'arts Orford pour son accueil et tiens souligner la prcieuse collaboration de son directeur artistique, Jean-Franois Rivest."

Le nouvel Orchestre de l'Acadmie Orford - OAO!

La semaine Kent Nagano et l'OSM sera aussi l'occasion de mettre en lumire une grande nouveaut l'Acadmie : l'Orchestre de l'Acadmie Orford - OAO! Cette formation permettra aux stagiaires d'exprimenter tous les aspects de la vie de musicien d'orchestre. Plusieurs musiciens de l'OSM dont les violons solos Andrew Wan et Richard Roberts partageront leur expertise avec cette nouvelle gnration d'interprtes. En grande premire, Jean-Franois Rivest et Kent Nagano dirigeront ce nouvel Orchestre de l'Acadmie Orford.

"Kent Nagano est un trs grand chef d'orchestre. Son implication ainsi que celle de l'organisation de l'OSM et de ses musiciens, la programmation haut de gamme ainsi que le lien troit que dveloppera Maestro Nagano avec les jeunes de l'Orchestre de l'Acadmie Orford - OAO!, tmoignent avec loquence de la profondeur de sa vision artistique et de sa compatibilit avec les idaux qui animent le Centre d'arts Orford", dclare Jean-Franois Rivest, directeur artistique du Centre d'arts Orford.

La chef de la direction Madeleine Careau a soulign "qu'avec ce partenariat, l'OSM et le Centre d'arts d'Orford mettent en commun un savoir-faire d'excellence et poursuivent leur mission respective. La "Semaine Kent Nagano et l'OSM", sera l'occasion pour le public d'entendre de grands musiciens d'ici et de la scne internationale".

Billets en vente ds maintenant

Les billets sont en vente ds maintenant la billetterie du Centre d'arts Orford. Un abonnement, c'est la chance d'obtenir les meilleurs siges, d'conomiser jusqu' 20% sur le prix rgulier des billets et d'obtenir de nombreux privilges dont des laissez-passer pour assister aux concerts prsents par les stagiaires de l'Acadmie Orford. Abonnez-vous et courez la chance de gagner votre abonnement ou encore un magnifique panier cadeau offert par Bleu Lavande.
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RSERVEZ DS MAINTENANT
1 800 567-6155 ou le 819 843-3981.


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La programmation complte du Festival Orford 2010 sera annonce lors d'une confrence de presse Orford le mardi 13 avril prochain.

Pour obtenir tous les dtails et horaires consultez le site Internet: http://www.arts-orford.org/

Le Festival Orford est prsent par Hydro-Qubec.

Saturday, March 6, 2010

Dancap presents Miss Saigon

DANCAP PRODUCTIONS INC.
IN ASSOCIATION WITH PITTSBURGH CLO
PRESENT TONY AWARD-WINNER
MISS SAIGON
Music by CLAUDE-MICHEL SCHNBERG
Lyrics by RICHARD MALTBY Jr. and ALAIN BOUBLIL
July 9 to August 1, 2010
at the Four Seasons Centre for the Performing Arts


Toronto (February 4, 2010) - Dancap Productions in association with Pittsburgh CLO proudly announces a limited engagement of the Tony Award-winning sensation MISS SAIGON, from July 9 to August 1, 2010, at the Four Seasons Centre for the Performing Arts.
"Miss Saigon is one of the most successful musicals in the history of British theatre and I am thrilled to be bringing this eye-popping production to the Four Seasons Centre. It is the perfect east-meets-west themed companion piece to our presentation of Rodger's & Hammerstein's South Pacific," said Dancap Productions President Aubrey Dan.

Dancap's inaugural Summer Broadway Series at the Four Seasons Centre for the Performing Arts will feature MISS SAIGON from July 9 to August 1, 2010 followed by Rodger's & Hammerstein's South Pacific from August 12 to September 5, 2010. Pre-sale opportunities begin Saturday, February 6, with individual show tickets and two-show packages starting from only $106.00.

Set in 1975 during the final days of the American occupation of Saigon, MISS SAIGON is an epic love story. An American soldier and a Vietnamese girl fall in love, only to be separated during the fall of Saigon. Their struggles to find each other over the ensuing years end in tragedy for her, and a fighting chance for the child he never knew he had. MISS SAIGON features show-stopping numbers like "I Still Believe", "Why God Why?" and "The American Dream".

A modern interpretation of Puccini's Madame Butterfly, creators Alain Boublil and Claude-Michel Schnberg (Les Misrables) were first inspired by a photo of a Vietnamese mother leaving her daughter at a departure gate for a plane headed to the United States, and, presumably, a better life. The idea of a mother's ultimate sacrifice is a central theme in MISS SAIGON.

Launched in 2007 by Aubrey Dan, Dancap Productions Inc., based in Toronto Canada, (http://www.dancaptickets.com/), is a commercial theatre company dedicated to producing and presenting the best of Broadway-style theatre created in collaboration with acclaimed artists and award-winning creative teams. Current and upcoming Broadway shows with producing and investment credits include: The Addams Family, Memphis, West Side Story, A Little Night Music and Come Fly Away. Past Broadway and international credits include: Wicked, Tom Stoppard's Rock 'n' Roll, [Title of Show], Tony Award-winner In The Heights and multi-award winning JERSEY BOYS, with productions on Broadway, First National Tour, Las Vegas, London's West End, Melbourne and the long-running Dora Award-winner in Toronto.

Since 1946, the Pittsburgh CLO has been the driving force behind live musical theatre in Pittsburgh and the entire Southwestern Pennsylvania region. Under the direction of Van Kaplan, since 1997, this not-for-profit arts organization appreciates the support of nearly 200,000 patrons each year and produces a subscription series, educational programs, national tours and develops and invests in new works, including 11 Broadway shows (12 Tony Awards) and currently Come Fly Away and The Addams Family. Its dedication to the musical theatre art form extends to include such programs as the CLO Academy, the CLO Mini Stars, the Gene Kelly Awards, the Richard Rodgers Award, The National High School Musical Theater Awards, the Construction Center for the Arts and the CLO Cabaret. PittsburghCLO.org

DANCAP PRODUCTIONS INC.
IN ASSOCIATION WITH PITTSBURGH CLO
By arrangement with
CAMERON MACKINTOSH
Present
MISS SAIGON
Music by CLAUDE-MICHEL SCHNBERG
Lyrics by RICHARD MALTBY Jr. and ALAIN BOUBLIL
Additional Material by RICHARD MALTBY Jr.
Orchestrations by WILLIAM D. BROHN
Originally produced for the stage by CAMERON MACKINTOSH LTD.

Four Seasons Centre for the Performing Arts,
145 Queen St. W (University Avenue -- Osgoode Subway)
July 9 to August 1, 2010
Tuesday to Saturday at 7:30pm, Wednesday, Saturday and Sunday at 2pm
Individual Tickets: $28.00-$175.00
For package and individual show ticket information, call 416.644.3665, or visit http://www.dancaptickets.com/
For groups of 12 or more, call 416.644.3666

Prestigieuse programmation pour Jazz en Rafale - Ds le 18 mars

Montral, le jeudi 4 fvrier 2010 Le festival Jazz en Rafale est fier de vous dvoiler la programmation de sa srie principale qui, pour ce 10me anniversaire, dmnage lAstral (la nouvelle maison des Festivals). Cette anne, des concerts au Upstairs et au Dise Onze ainsi que des classes de matres sajoutent la programmation. Le festival se droulera, comme son habitude, sur deux week-ends conscutifs, les 18, 19, 20 et 25, 26, 27 mars 2010.

Pour son 10me anniversaire, Des rencontres tous les soirs partir de 20h lAstral !

Cette srie propose des concerts totalement indits et uniques, runissant sur la mme scne des artistes locaux et internationaux. changes, dialogues musicaux, motions et surprises seront au rendez-vous tous les soirs. (cf. prsentation du programme et des artistes en annexe).

18 mars : Yaron Herman (France) Trio + Quatuor cordes19 mars : Duo piano Jean-Michel Pilc (NY) + Franois Bourassa20 mars : Andr Leroux Quartet + Ari Hoenig (NY)25 mars : Karen Young et ses duos Michel Donato, Norman Lachapelle et ric Auclair26 mars : Richard Gagnon Trombones Actions + Steve Davis (NY)27 mars : 1re partie - Rafael Zaldivar trio 2e partie - duo guitare Sylvain Luc + + Sylvain Provost.

Le Upstairs : dvoilement de la programmation

Grce notre nouveau partenariat de coproduction avec le Upstairs, la programmation du festival senrichit de concerts et de rencontres surprises dans ce lieu prestigieux du jazz montralais tous les soirs 21h.

18 mars - Dave Watts Quintet - lancement de son album Will It Rain?19 et 20 mars - Samuel Blais invite Larry Grenadier (NY)25 mars - Michel et Jeannette Lambert invite Reg Schwager (Toronto)26 et 27 mars - Brian Hurley invite Peter Bernstein (NY)

Dise Onze Jazz club

Pour la premire fois, Jazz en Rafale sassocie au Dise Onze, jazz club situ au cur du plateau Mont-Royal, pour une srie de concerts prsentant des artistes locaux mergents et confirms.

5me Concours de la Relve Jupiter-Vandoren

Ce concours participe lmergence dartistes jazz du Qubec et opre comme un vritable tremplin en accompagnant ces jeunes artistes vers la professionnalisation. Les gagnants du concours se voient offrir un album et une place dans le catalogue Effendi.
Retrouvez en 1re partie de chaque concert lAstral, la 5me dition du Concours de la Relve Jupiter-Vandoren, de 19h 19h45. Les rsultats seront dvoils le 27 mars aprs la prestation du Rafael Zaldivar trio, grand gagnant de ldition 2009.

Les inscriptions au concours de la Relve Jupiter-Vandoren sont ouvertes jusquau 5 fvrier 2010. Les conditions de participation et le formulaire sont disponibles sur http://www.jazzenrafale.com/

Masterclasses

Pour fter son 10me anniversaire, Jazz en Rafale organise des masterclasses uniques en collaboration avec les meilleurs artistes internationaux de la srie. Pour cette premire dition, cinq artistes se prtent au jeu: Yaron Herman (piano), Sylvain Luc (Guitare), Ari Hoenig (batterie), Steve Davis (trombone) et Larry Grenadier (Contrebasse).

Billetterie Les billets sont prsentement en vente par Internet sur le rseau TicketPro et la billetterie de lAstral (514-288-8882).

Outdoor Opera and Ballet on Rhine for All in Dsseldorf

Live outdoor gala broadcast from Dsseldorfs opera house Deutsche Oper and major summer outdoor event in citys historic Old Town continue after last years successful premier. Ballet added opera.

Dsseldorf, Germany -- On Friday, July 16, 2010, a major opera gala featuring international stars will be visible in two Dsseldorf locations at once: At the Deutsche Oper, one of Germanys premier opera houses, and on a giant outdoor screen in Dsseldorfs castle square in the heart of the citys historic Old Town.

With the event at the opera house for ticket holders and the live broadcast a free event open to anyone, Dsseldorf joins other major German opera cities in an effort to make opera more accessible. This has led to attracting a wider audience and opening the art form to more people in Dsseldorf than would fit in the opera house; hence, the name Opera and Ballet for All. More than 10,000 people gathered for last years outdoor broadcast.

Musical director Axel Kober will conduct Dsseldorf Symphonic Orchestra that night, and Martin Schluepfer will direct the Ballet on the Rhine. Solo Performers include Vesselina Kasarova, one of the worlds most sought-after mezzo soprano singers.

Why Not Theatre's world premiere of I'm So Close opens March 23

Why Not Theatre presents the world premiere of I'm So Close
Part of The Theatre Centre's Free Fall 2010
in partnership with Harbourfront Centre's World Stage
Opens Tuesday March 23 to Saturday, April 3, 2010

Toronto, March 1, 2010- Winner of the Spotlight Award at the 2008 SummerWorks Festival in Toronto and named by NOW Magazine as an Outstanding Ensemble in its "best of the fest" list, I'm So Close is a newly devised, physical, tragic-comedy conceived and created by Toronto-based Why Not Theatre's award-winning international ensemble: Ravi Jain (Canada - who the Toronto Star named one of "2010's People to Watch"), Katrina Bugaj (United States) and Troels Hagen Findsen (Denmark).

The trio have collectively written, direct and star in this world premiere running March 23-April 3 at The Theatre Centre as part of its annual Free Fall Festival, in partnership with Harbourfront Centre's World Stage, and will tour directly afterwards to the Tremors festival in Vancouver for April 2010.

Part of the Theatre Centre's 2-year Residency Program, I'm So Close has been substantially reworked since its 2008 Summerworks and Dublin Fringe incarnations (under the title I'm So Cose It's Not Even Funny) where it garnered much acclaim:

"impressively talented in their chosen genre of physical theatre" - Sunday Independent (Dublin)
" a collage of absurdist meditations on human strictures like time, technology... The company peppers the performance with delightfully unpredictable stage stunts..." -Now Magazine.

I'm So Close is a heartbreaking love song, droned out by the hum of the technological landscape that is bringing us together and pushing us apart.

Steve, an inventor driven to make the world a greener place, is on the cusp of a breakthrough that could be a "game-changer" for the industry. As Steve finds himself plunged into the fast-paced world of billion dollar business, with a new IVA - "Indian Virtual Assistant" - named Raj who works in New Delhi, his success propels him to dive more and more into his iPhone and to drift further and further away from his wife Stella.

We are living in a world where we are more connected than we have ever been. Technology allows us to communicate instantly across oceans, and develop relationships with those who we have never even met. But at what cost? As techological advances hit the market at an accelerating rate one has to ask: how connected are we really?
Why Not Theatre's acclaimed productions include The Prince Hamlet and Spent, among others. Additionally, Co-Artistic Director Ravi Jain directed Greenland by Nicolas Billon for SummerWorks 2009 where it won the SummerWorks Prize for Outstanding Production and NOW Magazine's Audience Choice Award.
Why Not Theatre ranges from entirely devised work to theatrical adaptations and revivals of classic texts. By combining various media with explosive physical energy, Why Not Theatre creates stories that inspire alternative visions of existence.

Why Not Theatre presents the world premiere of I'm So Close
Created as part of The Theatre Centre Residency Program.
Written by, directed by and starring Ravi Jain (Canada),
Katrina Bugaj (United States) and Troels Hagen Findsen (Denmark)
Co-writer and Dramaturgy by Nicolas Billon (Canada)
Lighting design by Gina Scherr (U.S.), Sound design by M.L Dogg (U.S.)
Costume design by Kelsey Hart (Canada), Projections designed by Jamie Nesbitt (Canada)

Part of The Theatre Centre's Free Fall Festival, in partnership with Harbourfront Centre's World Stage.
Opens Tuesday March 23 and runs to Saturday, April 3, 2010
Tuesdays through Sundays as follows during the festival:
Tuesday, March 23, 8pm; Wednesday, March 24, 8:30pm
Friday, March 26, 7pm; Saturday, March 27, 9pm
Sunday, March 28, 2pm
THEREAFTER:
Tuesday March 30 - Saturday April 3 at 8pm


The Theatre Centre, 1087 Queen Street West
Tickets: $20 (Discounts for students, seniors, groups, equity) with Sunday Pay-What-You-Can Matinee.
Box Office: 416-973-4000 or online at http://www.theatrewhynot.org/

New International Festival Name Tied to Its Roots

Fort Macleod, Alberta A musical phenomenon only found in Albertas west is branded a new name tying its roots to its growing international stature.

The Fort Macleod International Festival, formerly known as Windy Mountain Music, is the fresh name chosen for the chamber music festival held every May in Fort Macleod and other select southern Alberta locations.

We spent a great deal of time deliberating a new name for the festival, says Gerard Gibbs, Empress Theatre executive director. We want to tie the event with the location and its international scope.

Rivka Golani, Fort Macleod International Festival music director and world renowned viola player, recognized the need for a name change several years ago. The name, after undergoing several minor changes over the years was recently finalized.

We chose this name because part of our philosophy is based on appreciation and deepening of the ties of our place, namely Fort Macleod, says Golani. The place has offered us fertile soil in which to grow and cultivate our festival, which has also slowly been gaining international notoriety.

The five day event, now in its fifth year, is known to attract musicians who perform internationally on the worlds top stages and are recording artists at the leading edge of classical music.

Audience members are treated to an interactive concert delight outside the concert norm. Musical preludes providing unique insight into the background of the composers, music and musicians is only a small part of this special event. Concert goers get up close and personal.

With musicians, travel to unique locations to witness extraordinary performances and enjoy a selection of international cuisine and comradery.

The festival is scheduled to host five concerts May 27 31, 2010, with several new venues added including The Galt Museum, Lethbridge, Head Smashed in Buffalo Jump, Fort Macleod and the Eckhardt-Gramatte Hall, Calgary. All the exciting event details will be launched on a new website fortmacleodinternationalfestival.com in the coming days.

One Night Only - Mariachi Live! with the Victoria Symphony

Victoria, BC On Saturday, March 13, Mariachi Del Sol reunites with the Victoria Symphony for a passionate and rhythmic live performance at UVic Centre. This 10-member band, fully dressed in charro costumes, will ignite the evening with classical panache, from soft romantic ballads to lively ranchero songs.

Mariachi Del Sol, one of Canadas outstanding Mexican music ensembles, joins forces with the Victoria Symphony for the second time in five years. Mariachi Del Sol will be playing all-time favourites, tribute medleys to their composers, and powerful showpieces. The festive and exuberant evening includes Jesus Cisneros Soy Mexico, Spanish composer Manuel de Fallas famous Ritual Fire Dance from his opera.

El amor brujo, and Ruben Fuentes mariachi anthem Sones de Jalisco. Audiences will also hear Lluvia (Rain), written by band leader, singer/songwriter and guitarist Octavio Carrillo, which was inspired by the weather of British Columbia and Mexico.

Mariachi Del Sol (Mariachi Canada), founded in 1992, is a mixture of Mexican and Canadian musicians. The core musicians include founder Octavio Carrillo, Johnny Guzman, Edurdo Rincon, Miguelito Valdex, Antonio Bernal, Cameron Wilson, Eduardo Galdames, Robert Clark, Mark Ferris and Sandra Fiddes. Since its formation, Mariachi Del Sol has performed at countless public, private and charitable functions in Canada, Mexico, the US and overseas, in front of all types of audiences. Upcoming performance includes the International Mariachi Festival Guadalajara City in Jalisco, Mexico in August 2010.

The Victoria Symphony is Vancouver Islands largest and most active arts organization performing for more than 125,000 people each year, including 10,000 schoolchildren. Showcasing the outstanding talents of its musicians and guest artists, the Victoria Symphonys 2009-2010 season offers a diverse and exciting line-up of over 50 concerts led by its vibrant Music Director Tania Miller.

The Victoria Symphony wishes to acknowledge the generous support of series sponsor The Bay Centre. Meet members of Mariachi Del Sol at The Bay Centre on March 12 between 2 pm and 4 pm, where they will be performing a taste of their music and available for autographs and photos.

Mariachi Live!
March 13, 8:00 pm
UVic Centre
$26 Adults, $21 Students
$12.00 (vsSoundcheck)

Lakeshore Arts' 1000acts-of-art.ca Launch-March 8!

LAKESHORE ARTS
CORDIALLY INVITES YOU TO THE
1000acts-of-art.ca
Launch & Kick-Off Party Monday, March 8!

Lakeshore Arts launches an innovative community-building initiative, using art as the catalyst, with 1000-acts-of-art.ca as a forum for creativity and distribution.

1000acts-of-art.ca is an interactive on-line arts hub created to inspire local Etobicoke residents and artists to "commit" an act of art and record it onto the site.

1000acts-of-art.ca allows users to track their own acts of art, write comments, and upload pictures and video, and list their services and events to create a community art hub.
Free to join and easy to access, 1000acts-of-art.ca will be a major resource with listings of local arts-related organizations (theatres, dance studios/schools, libraries, community centres, etc.), arts-friendly businesses (restaurants, cafes, bakeries, banks,etc.), and individuals who create art. Different arts-related events will be highlighted each month.

Generously funded by the Ontario Trillium Foundation, this community-building initiative covers the Lakeshore areas of South Etobicoke: Mimico by the Lake, Mimico Village, New Toronto, Long Branch and Alderwood.

1000acts-of-art.ca
Launch & Kick-Off Party Monday, March 8, 2010
6PM - 7:30 PM

The Big Guy's Little Coffee Shop
2861 Lake Shore Blvd. West (at Fifth St., East of Islington)
Admission: Free

Cleveland Orchestra to join Orchestras Feeding America to benefit the Cleveland Foodbank

Americas orchestras will partner with Feeding America in a national food drive for second consecutive year

Concertgoers and community members invited to drop off food at events on March 9, 14, 18 and 20

CLEVELAND, February 26, 2010 The Cleveland Orchestra will hold a food drive March 9-20 to collect goods to be donated to the Cleveland Foodbank. The partnership is part of Orchestras Feeding America, a national food drive by Americas symphony orchestras. This is the second consecutive year that Americas orchestras have mobilized their musicians, staff, volunteers, and audiences to help alleviate hunger in communities across the country.

Non-perishable food donations will be collected at the Cleveland Orchestra High School concert on Tuesday, March 9, at 12:00 p.m.; Family Concert on Sunday, March 14, at 2:00 p.m.; Cleveland Orchestra Youth Orchestra and Youth Chorus concert on Sunday, March 14, at 7:00 p.m.; and the Cleveland Orchestra concerts on Thursday, March 18, and Saturday, March 20, at 8:00 p.m. For information about the types of food that can be accepted, please visit clevelandorchestra.com.

To date, 94 orchestras are participating in Orchestras Feeding America, and the number of participants is growing daily. Most orchestras will conduct their food drives during the month of March. The project is organized by the League of American Orchestras, which represents the nations professional, volunteer, and youth orchestras, and Feeding Americas network of over 200 food banks and 63,000 agencies. In 2009, 250 orchestras in all 50 states collected more than 200,000 pounds of food. Last year, The Cleveland Orchestra collected nearly 1,000 pounds of food, all of which was donated to the Cleveland Foodbank.

The length and severity of the economic downturn has impacted many of us, individuals and businesses alike, but now is the time for us to help our neighbors most in need, said Cleveland Orchestra Executive Director Gary Hanson. This food drive is just one way our orchestra can give back to the Northeast Ohio community.
According to the most recent USDA study, 49.1 million Americans (of which 16.7 million were children) lived in food-insecure households in 2008. Each week, approximately 5.7 million people receive emergency food assistance from an agency served by a Feeding America member. This is a 27 percent increase over numbers reported in Hunger in America 2006, which reported that 4.5 million people were served each week.

* * *

Long considered one of Americas great orchestras, The Cleveland Orchestra stands today among the worlds most revered symphonic ensembles. In concerts at home in Severance Hall, at Blossom Music Center, in residence in Miami, and on tour, The Cleveland Orchestra continues to set standards of performing excellence and imaginative programming that serve as models for audiences and performers alike.

The Cleveland Orchestras Community Music Initiative is a series of artistic initiatives and new programs aimed at diversifying the Orchestras offerings and reaching more children, adults, teachers, students, musicians, and families than ever before. These innovative programs offer everyone, from preschool children to adults, the opportunity to experience music in a variety of ways, throughout their lives, and throughout the community.

For more information, visit clevelandorchestra.com.

Duo Brazil o perform at Christ Church Cathedral Ottawa on March 13th - 8: 00 P.M.

OTTAWA, Feb. 26 /CNW Telbec/ - Cathedral Arts is pleased to announce that DUO BRAZIL, the exciting new ensemble created by Ottawa's internationally renowned soprano, Donna Brown, along with guitar virtuoso, Andrew Mah in 2007, will perform music of Brazil at Christ Church Cathedral, 420 Sparks Street, on Saturday, March 13th at 8:00 P.M.

These two great Canadian musicians will present a night of evocative tropical magic, showcasing some of the very best Brazilian music across both popular and classical idioms. The programme will include music by Baden Powell, Jobim, Villa Lobos, Garoto and others.

Tickets at $40, $30, $20 and $15 (students) are available through the Cathedral Arts office at 613-567-1787, or, purchase online at cathedralarts@yahoo.ca. Members of the audience are invited to bring non-perishable items to support the Dalhousie Food Cupboard.

The Oberlin Conservatory of Music Awarded 2009 National Medal of Arts

OBERLIN, OHIO (February 25, 2010)The Oberlin Conservatory of Music is a recipient of the 2009 National Medal of Arts, the highest award given by the United States government to artists and arts patrons in recognition of the wealth and depth of their creative expressions. President Barack Obama is presenting the award to Dean of the Conservatory David H. Stull at a White House ceremony today in the East Room. Those in attendance include Oberlin College President Marvin Krislov, Robert Lemle, chair of Oberlin College's Board of Trustees, and trustee Stewart Kohl. A gala dinner celebrating the honorees took place at the National Museum of American History yesterday evening, sponsored by the President's Committee on the Arts and the Humanities.


The Oberlin Conservatory of Music is the only professional music school to be so honored by President Obama. The other honorees for 2009 are: singer and songwriter Bob Dylan; director and actor Clint Eastwood; graphic designer Milton Glaser; architect and sculptor Maya Lin; singer, dancer, and actress Rita Moreno; soprano Jessye Norman; arts patron and design advocate Joseph P. Riley Jr.; painter and sculptor Frank Stella; conductor Michael Tilson Thomas; composer and conductor John Williams; and the School of American Ballet.


The National Endowment for the Arts (NEA) administrates the National Medal of Arts.


These individuals and organizations show us how many ways art works every day. They represent the breadth and depth of American architecture, design, film, music, performance, theatre, and visual art, says NEA Chairman Rocco Landesman. This lifetime honor recognizes their exceptional contributions, and I join the President and the country in saluting them.


Oberlin College President Marvin Krislov, who was appointed by President Obama to the National Council on the Humanities in 2009, says: Being awarded the National Medal of Arts is a tremendous honor for the Oberlin Conservatory of Music. It is a great tribute to the conservatorys faculty, staff, and students, past and present, whose relentless dedication to achieving excellence is the hallmark of music at Oberlin.


Renowned internationally as a professional music school of the highest caliber, the Oberlin Conservatory of Music has been called a national treasure by the Washington Post. Established in 1865 as one of the two divisions of Oberlin College in Oberlin, Ohio, the conservatory is Americas oldest continuously operating conservatory of music and is the only major music

school in the U.S. devoted primarily to the education of undergraduate musicians.


This is an extraordinary moment in the history of the Oberlin Conservatory of Music, says Dean Stull. It is directly attributable to the brilliant work undertaken by generations of faculty, students, and alumni since our founding more than 140 years ago. We should all take great pride in receiving the highest honor in the land for artistic excellence and achievement. I offer my deepest gratitude to President Obama for his recognition of Oberlin, and for including us in his first group of honorees to receive the National Medal of Arts.


The conservatory prepares artistically talented and intellectually gifted students for professional careers in music and a lifetime of effective advocacy for the arts. The degree programs of the conservatory are designed to develop understanding and insight into the arts, as well as the knowledge, skills, and technical competence essential to professional musicians. The members of the conservatorys internationally distinguished faculty are dedicated to both teaching and professional performance. Central to its mission are the more than 500 performances and events Oberlin produces each year by ensembles, students, and faculty of the conservatory and by guest artists, including residencies by Distinguished Professor of Voice Marilyn Horne, Professor of Conducting Robert Spano, and guest conductor Sir Simon Rattle.


The effectiveness of an Oberlin Conservatory education can be measured in the success of its students and graduates. Among recent awards won by conservatory students and recent graduates are the Metropolitan Opera National Council Audition Grand Prize (2008, 2007, 2003, 2002); Fischoff National Chamber Music Competition Grand Prize (2007, 1996); Fulbright Scholarships (nine in the last five years); and Javits Fellowships (three in the last four years). In 2008, eighth blackbird, a contemporary music ensemble fully formed at Oberlin, won the Grammy Award for Best Chamber Music Performance.


Oberlin has performed at Carnegie Hall to rave reviews (Oberlins performance of the Bartk Concerto for Orchestra was described as stellar by the New York Times); launched a national record label (Oberlin Music) distributed on iTunes and other digital media channels; performs annually at the Kennedy Center as part of the Conservatory Project Series; and undertook a nine-day tour of China with its 66-member student orchestra, performing to critical acclaim and capacity audiences in five cities, including Beijing and Shanghai. The conservatory supports innovative student-developed performance projects and arts initiatives through the Creativity & Leadership project, Oberlins new entrepreneurship program, funded by a $1.1 million grant from the Ewing Marion Kauffman and Burton D. Morgan Foundations.


A leader in music education, Oberlin offered the countrys first four-year degree program in public school music (1921); introduced the Suzuki method of string pedagogy to the U.S. (1958); was the first U.S. undergraduate institution to establish a program in electronic music (1969); and is building the worlds first gold-level LEED-certified (Leadership in Energy and Environmental Design) music teaching facility, the Litoff Building. Oberlin was the first professional music school to admit African Americans, including Pulitzer Prize winning alumnus George Walker. An Oberlin graduate founded the Cleveland Orchestra, and its extraordinary concert facilitySeverance Hallcarries his family name.


Conservatory alumni and faculty have won countless Grammy Awards and international competitions, gained national and international stature as performers, conductors, composers, scholars, educators, and arts administrators. Graduates hold leadership positions and perform with all major orchestras including Boston, Cleveland, Philadelphia, the National Symphony, and the New York Philharmonic, and with distinguished opera companies such as Lyric Opera Chicago, the Metropolitan, and San Francisco. Other alumni have pursued successful careers in jazz, chamber music, or the film industry. Many others teach in schools, colleges, universities, and conservatories around the country, and Oberlin leads all undergraduate institutions in the number of graduates who go on to earn doctorates in music.


ABOUT THE NATIONAL MEDAL OF ARTS

The National Medal of Arts is designed to honor exemplary individuals and organizations that have encouraged the arts in America and offered inspiration to others through their distinguished achievement, support, or patronage. Unlike other awards, it is not limited to a single field or area of artistic endeavor. Congress established the award in 1984 to honor individuals or groups who, in the Presidents judgment, are deserving of special recognition by reason of their outstanding contributions to the excellence, growth, support, and availability of the arts in the United States. The National Council on the Arts is responsible for making recommendations to the President of worthy individuals and organizations to receive the medal, which was designed by internationally renowned sculptor Robert Graham (1938-2008), who created the Olympic Gateway for the 1984 Olympic Games in Los Angeles. The Robert Graham Studio, located in Venice, California, produces the medals.


Past recipients of the National Medal of Arts include actors, architects, artists, art historians, arts patrons, choreographers and dancers, composers, musicians, poets and writers, ensembles, arts organizations, and schools. The pantheon of individuals and groups honored with the award include, among others, the actors Jessica Tandy, Julie Harris, and James Earl Jones; artists Georgia OKeefe, Romare Bearden, and Willem de Kooning; composers Elliott Carter Jr. and Aaron Copland; composer and lyricist Stephen Sondheim; dancers and choreographers Martha Graham, Jerome Robbins, and Merce Cunningham; musicians Dave Brubeck, Dizzy Gillespie, Wynton Marsalis, Rudolf Serkin, and Isaac Stern; singers Ella Fitzgerald, Marilyn Horne (Distinguished Visiting Professor of Voice at Oberlin), and Barbra Streisand; writers Saul Bellow, Eudora Welty, and John Updike; National Public Radio, and, this year, the Oberlin Conservatory of Music.


ABOUT OBERLIN COLLEGE AND THE OBERLIN CONSERVATORY OF MUSIC

Ranked consistently among the nations top liberal arts schools, Oberlin College is committed to rigorous academics, artistic and musical excellence, and social justice. Founded in 1833, Oberlin was the first institution of higher education in America to adopt a policy to admit students of color (1835) and the first college to award bachelors degrees to women (1841) in a coeducational program. Oberlins distinct history of challenging intellectual and social conventions shapes the student experience today, which fosters strong bonds among a diverse community of bright and talented students from around the world. Oberlins combination of a leading liberal arts college and a world-class music conservatory creates an unparalleled learning environment.

Friday, March 5, 2010

Prochain concert du Club musical de Qubec, l'Ensemble Boby Lakatos, le 15 mars

Une vritable tornade! LEnsemble Boby Lakatos au Club musical de Qubec, le 15 mars

Le CLUB MUSICAL DE QUBEC prsente, pour la premire fois Qubec, le spectaculaire Ensemble Roby Lakatos, le lundi 15 mars prochain la salle Louis-Fchette du Grand Thtre de Qubec.

Descendant d'une lgendaire famille de violonistes tziganes, Roby Lakatos est un artiste indfinissable. la fois acrobate et pote du violon, il triomphe sur toutes les grandes scnes. Lui et son prodigieux ensemble dfient les lois de la gravit et galvanisent leur public partout o ils vont. La salle Louis-Frchette se transformera le temps d'une soire pour vous offrir une exceptionnelle dcouverte signe encore une fois Club musical.


Au programme des uvres de Michel Legrand, Jzsef Suha Balogh, Vladimir Cosma, Grigoras Dinicu, Vittorio Monti et, bien sr, Roby Lakatos lui-mme. La musique tzigane son meilleur!

En 2010, les plus GRANDS se succdent toujours au Club musical de Qubec, avec lensemble Boby Lakatos, le 15 mars, au Grand Thtre de Qubec.

Il reste encore de trs bonnes places pour ce concert. Les billets sont en vente la billetterie du Grand Thtre de Qubec, en composant le 643-8131 ou 1-877-643-8131 ou encore dans le rseau BILLETECH (billetech.com).


clubmusicaldequebec.com http://www.robylakatos.com
http://www.robylakatos.com
Photos disponibles / Possibilits dentrevues
Source : Louise Forand-Samson, directrice artistique
Tel : 418-653-7869 / louisefsamson@videotron.ca


LEnsemble Roby Lakatos
ROBY LAKATOS,
premier violon
LSZLO BNI,
second violon
JEN ISTVN LISZTES
cymbalom
LSZL BALOGH,
guitare
LSZL LISZTES, contrebasse
FRANTISEK JNOSKA, piano


Le violoniste tzigane Roby Lakatos est non seulement un immense virtuose, mais galement un musicien d'une extraordinaire polyvalence. galement laise dans la musique classique, le jazz et le folklore de sa Hongrie natale, Lakatos est un des rares musiciens qui outrepassent les dfinitions: violoniste tzigane, virtuose classique, improvisateur jazz, compositeur, arrangeur, rincarnation du XIXe sicle... il est tout a la fois! Il est l'archtype du musicien universel, que l'on rencontre rarement de nos jours, un musicien dont les forces comme interprte proviennent de ses activits d'improvisateur et de compositeur.


N en 1965 au sein d'une lgendaire famille de violonistes gitans descendant de Janos Bihari, le roi des violonistes gitans , Roby Lakatos dbuta la musique ds sa plus tendre enfance et fit ses dbuts sur scne l'ge de neuf ans comme premier violon d'un ensemble tzigane. Ses qualits de musicien ne se dvelopprent pas seulement dans le milieu familial, mais galement au Conservatoire Bla Bartk de Budapest, o il obtient en 1984 le Premier Prix de violon. Entre 1986 et 1996, lui et son prodigieux ensemble se sont produits aux Ateliers de la Grande le de Bruxelles, qui devint cette poque leur rsidence. Il a collabor avec le violoniste Vadim Repin et le jazzman Stphane Grappelli et il comptait parmi ses admirateurs Sir Yehudi Menuhin, qui se faisait un point d'honneur de visiter les Ateliers lors de ses sjours bruxellois. En mars 2004, sest produit avec le London Symphony Orchestra sous la direction de Maxim Vengerov au sein d'un festival consacr au violon.


Lui et son ensemble jouent aussi frquemment sur les plus grandes scnes d'Europe, d'Asie et d'Amrique. Cette saison-ci, en plus d'une tourne canadienne qui les mne Toronto, Edmonton, Qubec et au Mont Orford et dune vaste tourne mexicaine, ils sexcutent Pcs en Hongrie, Gteborg en Sude ainsi qu'au Savannah Music Festival. Roby Lakatos a son actif une douzaine denregistrements, en solo, avec son ensemble ou avec dautres musiciens mrites, la plupart ayant t produits par Deutsche Grammophon.

Programmation de la 28e dition du FIFA

LE FESTIVAL INTERNATIONAL DU FILM SUR L'ART se tiendra du 18 au 28 mars 2010 et promet une slection internationale de films de grande qualit la porte de tous !

Montral, le jeudi 25 fvrier 2010 Ren Rozon, directeur et fondateur du Festival International du Film sur lArt (FIFA), est heureux dannoncer la programmation de la 28e dition qui se tiendra du 18 au 28 mars prochain. Prsente en association avec ARTV, ldition 2010 du FIFA proposera au public une slection exceptionnelle de 230 films provenant de 23 pays. Ces uvres magistrales permettront aux spectateurs, quils soient dardents cinphiles ou de simples amateurs, de dcouvrir lart sous toutes ses formes, art port lcran par de talentueux ralisateurs.

Pendant dix jours, se succderont dans de nombreux sites de diffusion diffrents types de films. Que lon pense aux biographies, aux enqutes, aux hommages, aux films danimation ou aux portraits de personnalits marquantes, chacun des films prsents entranera le spectateur dans un voyage unique. De la musique la peinture, de larchitecture lart contemporain, de la danse la littrature et lanimation, cette dition clbrera en grandes pompes la crativit des artistes dici et dailleurs.

Aperu de la slection
Le FIFA, cest aussi le thtre dune grande comptition internationale qui mettra cette anne de lavant 43 films provenant de 14 pays dont 9 productions canadiennes parmi lesquelles se retrouvent 8 productions qubcoises. Dans cette liste, on retrouve Blanc, Noir ou Rien, un duo port lcran par Jeanne Renaud, pionnire de la danse contemporaine au Qubec, et par lartiste multidisciplinaire Mario Ct, mettant en vedette deux danseurs exceptionnels : Louise Bdard et Sylvain mard; Bulls eye, un peintre lafft de Bruno Boulianne dmontre la dmarche unique de lartiste visuel canadien Marc Sguin, oscillant entre la ville et la nature, la figuration et labstraction; Symphonie Montral de Bettina Ehrhardt propose les temps forts de la 75e saison de lOrchestre symphonique de Montral, dirige par le chef Kent Nagano; Hubert Vos et lImpratrice, ralis par Micaela van Rijckevorsel, illustre la restauration du tableau du peintre sur la puissante Cixi, impratrice de Chine, tout en saisissant lesprit de lpoque; King of Spies John Le Carr de Werner Khne et Andr Shfer porte lcran la rencontre avec ce matre de lespionnage, la fois radical, redoutable, analytique, drle et intelligent; The New Rijksmuseum dOeke Hoogendijk met de lavant les premires annes de ce qui est considr comme le plus important chantier culturel des Pays-Bas; Or, les murs du ralisateur Julien Sall se penche sur luvre puissante du compositeur franais Thierry Machuel, qui sintresse linsertion sociale des prisonniers partir dactivits de posie et de crations musicales; Romy Schneider une femme en trois notes, du ralisateur Frederick Baker, propose un portrait de cette grande actrice dans toute sa complexit; Save the Last Dance for Me: Company of Elders de Fran Landsman trace lexistence dune compagnie de danse inusite qui met en vedette des danseurs gs de 61 85 ans; et Vivre avec lartĶ un art de vivre dAnne-Marie Tougas prsente le portrait du collectionneur Bernard Landriault travers ses rflexions, sa relation avec les uvres et les artistes de sa collection.

vnements spciaux
Les vnements spciaux du FIFA demeurent de grands incontournables. La projection du film Antonine Maillet Les possibles sont infinis, une ralisation de Ginette Pellerin, sera prsente en grande premire qubcoise le vendredi 19 mars 2010 en prsence de lartiste. Ce documentaire se veut une incursion complice dans lunivers de lcrivaine acadienne devenue clbre en 1971 avec La Sagouine et par lattribution du prix Goncourt en 1979. Le visionnement sera suivi dune rencontre anime par Jean Fugre, chroniqueur littraire, avec la ralisatrice Ginette Pellerin et lcrivaine Antonine Maillet. La projection du film Offre-moi ton corps de Bernar Hbert et Rene Claude Riendeau raconte la dmarche de photographes qui utilisent le corps humain pour exprimer certaines proccupations humaines et sociales. Elle sera suivie du vernissage de lexposition de photographies en prsence de certains artistes du film dont Elinor Carruci, Elena Dorfman et liane Excoffier. Lvnement Quarantaine proposera une rencontre entre Marie-Christine Trottier et lquipe de cration interdisciplinaire de ce film compose entre autres des ralisateurs Marlene Millar et Philip Szporer et du comdien Marc Bland. The Holocaust Memorial: Inner States, vnement reli au film Expansive Grounds, ralis par Gerburg Rohde-Dahl, rassemble Phyllis Lambert, architecte, directeur-fondateur et prsident du conseil des fiduciaires du CCA, et Ursula Feist, survivante de lHolocauste. Elles partagent, avec le public, leur perception du controvers monument berlinois conu par larchitecte Peter Eisenman la mmoire des victimes de la Shoah. Learning from Light: The Vision of I.M. Pei, qui retrace les tapes de la conception du Muse dart islamique de Doha au Qatar, sera suivi dune table ronde. Lvnement Magasin gnral, anim par Catherine Perrin, invitera le public rencontrer la joyeuse bande des artisans de ce documentaire dont font partie les co-ralisteurs Adeline Le Guellaud et Dominique Tripier-Mondancin et les auteurs et crateurs de la bande dessine, Rgis Loisel et Jean-Louis Tripp. Lvnement The Ground is Moving proposera le vernissage de linstallation vido de lartiste Suisse Christoph Oertli. Finalement, lvnement LArt de Chopin (bicentennaire cette anne) ,anim par Catherine Perrin, suscitera une discussion sur le talent du gnie musical et du film ralis par Grald Caillat.

Les diverses disciplines
Le FIFA, cest galement plusieurs disciplines du domaine des arts portes lcran. Il propose cette anne lart de larchitecture avec le film Jean Nouvel, les traits de larchitecte et lart actuel avec les projections de Chine, lempire de lart?, About Jenny Holzer et Art:21-Art in the Twenty-first Century: Transformation. Lart trs populaire de la BD sera mis en lumire avec Loisel et Tripp, traits complices et The Man without a Home: Study of a Portrait of Hugo Pratt, alors que lart de la danse mergera de Carolyn Carlson, le regard du geste, Aurlie Dupont, lespace dun instant, Isral Galvan et Sidi Larbi Cherkaoui Rve de Babel. Lart du design introduira Milton Glaser: To Inform and Delight et Il tait deux fois un jardin, alors que lhistoire de lart allemand depuis la Deuxime Guerre mondiale, est voque via la trs belle production Germanys Cold War Cultures 1945-1989. Lart de la musique jazz sera lhonneur dans Boris Vian, la vie jazz et Harlem Montmartre : une histoire du jazz Paris. Trois trs beaux films porteront sur lart de la musique avec Juliette Grco, Je suis comme je suis , La musique, avenir du Venezuela : El Sistema et The Real World of Peter Gabriel. Lart de la peinture prsentera six incontournables dont David Hockney: A Bigger Picture, Botero Born in Medellin, Magritte, le jour et la nuit, Gauguin Tahiti et aux Marquises, Views on Vermeer 12 short Stories et La vie cache des uvres Rembrandt. Lart du cinma sera reprsent par Andrzej Wajda: Chronicler of Poland, Disney.Pixar, Juliette Binoche dans les yeux, Life and Work of Milos Forman, The Magnificent Tati et Philippe Noiret, gentleman saltimbanque. Lart de la photographie vivra grce la prsentation de Studio Malick : un regard sur lautre Afrique. Malick Sidib vient tout rcemment de gagner le prestigieux 1er prix de la World Press Photo 2010.

Hommage
Au cours de ldition 2010, le FIFA rendra un vibrant hommage Andr S. Labarthe, critique, scnariste, producteur et surtout ralisateur. Ce crateur complexe, curieux de tous les domaines intellectuels et artistiques quil analyse, exprime cette rudition dans son champ dexpertise : le cinma. Une dizaine de ses films, notamment sur Arthur Penn, Carolyn Carlson, Samuel Fuller, Alfred Hitchock, John Ford, John Cassavetes, Pierre Perrault et Martin Scorsese, sera au programme.

De plus, le 45e anniversaire de la Fondation Maeght, dont la mission est de prsenter lart contemporain et moderne sous toutes ses formes, sera mis lhonneur au 28e FIFA dans la prsentation de quatorze films de choix portant sur des artistes tels que Calder, Miro, Chagall, Giacometti, Braque, Malraux et Riopelle. Le FIFA aura ce grand privilge daccueillir nul autre quun des membres de la clbre famille, M. Jules Maeght, (membre du jury) lors de ces dix jours de festivits. Et dans la section panorama, la premire dune uvre tant attendue depuis prs de 40 ans sera prsente. Il sagit dun film de Charles Gagnon tourn en 1969, rest inachev du vivant de lartiste et termin, titre posthume, par sa fille Monika. Un hommage sera aussi consacr Daniel Olson, cet artiste prolifique de Montral reconnu pour ses vidos, ses installations, ses photographies et ses performances.

Partenaires
Le FIFA est heureux de compter sur des partenaires fidles sans qui la russite de lvnement ne serait pas possible. Le FIFA remercie notamment le Muse des beaux-arts pour la tenue des matines du festival, souligne sa toute nouvelle collaboration avec lUniversit Concordia et salue la collaboration troite avec la Cinmathque Qubcoise pour la prsentation des films ddis au 7e art. Le FIFA remercie galement quelques-uns de ses partenaires mdias dont ARTV, le Devoir, Tl-Qubec, The Gazette et le journal Mtro. Il dsire aussi remercier tous ses partenaires privs et publics ainsi que tous ceux et celles qui contribuent la ralisation et au succs de ldition 2010.

Lieux de projections et billetterie
Le 28e FIFA prendra laffiche compter du 18 mars 2010, dans neuf salles du centre-ville, soit la Bibliothque nationale du Qubec, le Centre canadien darchitecture, le Cinma de lOffice national du film du Canada, la Cinmathque qubcoise, le Goethe-Institut, le Muse dart contemporain, le Muse des beaux-arts, la Place des Arts et lUniversit Concordia.

Les billets seront disponibles ds le 27 fvrier midi aux guichets de la Place des Arts ainsi quen ligne au www.artfifa.com ou par tlphone au (514) 842-2112. Le cot rgulier des billets est de 12$ lunit et de 80$ pour lachat dun carnet de 8 billets. Des tarifs jeunesse et ans sont galement disponibles. Le FIFA vendra galement des billets sur place aux neuf salles lors de projections et ce, une heure avant les reprsentations. Finalement, un nouveau passeport Arts mdiatiques est disponible au cot de 25$ et permettra laccs cinq sances diffrentes.

Obtenez de plus amples informations en consultant www.artfifa.com ou par tlphone au (514) 874-1637 ou aux kiosques du FIFA qui seront en place ds le 1er mars la Place des Arts et ds le 9 mars lUniversit Concordia et la Grande Bibliothque.

Michael Tilson Thomas Wins National Medal of Arts

Nations Highest Award for Artistic Achievement Presented Today by President Barack Obama in White House Ceremony

(Washington, D.C.February 25, 2010) Michael Tilson Thomas (MTT), Music Director of the San Francisco Symphony, Founder and Artistic Director of the New World Symphony, Americas Orchestral Academy, and Principal Guest Conductor of the London Symphony Orchestra, has been awarded the National Medal of Arts, the nations highest award for artistic achievement. The award will be presented by President Barack Obama at a ceremony in the East Room of the White House, where Tilson Thomas will be recognized for his contributions to American culture.

I am grateful to have the opportunity to share the deep and ongoing tradition of classical music with all Americans, said Tilson Thomas. I receive this award with gratitude to President Obama, the National Endowment for the Arts and to my many musical colleagues throughout the country whose devotion makes all this possible. I especially want to thank the San Francisco Symphony and the New World Symphony families for our special collaborations over these many years.

Michael Tilson Thomas is acclaimed as a conductor, composer and educator. Currently in his 15th season as music director of the San Francisco Symphony, he is also the Founder and Artistic Director of the New World Symphony, the premier orchestral academy for gifted young musicians. With a background that includes grandparents, Boris and Bessie Thomashefsky, founding members of the Yiddish Theater in America, and working relationships with legendary composers of the 20th century, such as Igor Stravinsky, Aaron Copland and Leonard Bernstein, MTTs wide ranging perspectives on music have won him respect and trust among musicians and audiences worldwide.

He conducts and has recorded musical works ranging from Bach, Tchaikovsky and Beethoven to Gershwin, Ives and Reich. The recordings of the complete Mahler symphony cycle by MTT and the San Francisco Symphony have been recognized with seven Grammys, including three this year for Symphony No. 8.

MTTs commitment to music education is longstanding. He was Director of the New York Philharmonics Young Peoples Concerts from 1971 to 1977, helped to create the Discovery Series with the London Symphony Orchestra and is currently creating the Keeping Score Project with the San Francisco Symphony. Keeping Score includes the nationally televised PBS series, radio programming, interactive websites and a K-12 education program, all designed to make classical music more accessible to people of all ages and musical backgrounds. His Keeping Score radio series, The MTT Files, won a Peabody Award in 2008.

In 1987, he founded the New World Symphony (NWS) an orchestral academy dedicated to the artistic, personal and professional development of outstanding young instrumentalists. There, in addition to a full season of master classes and concerts, he employs Internet2 technology to bring conductors, soloists and coaches from across the globe into virtual collaboration with NWS fellows. Hundreds of NWS alumni are working in 175 professional orchestras around the world. A new Frank Gehry-designed campus will open in Miami Beach in January, 2011.

MTT served as artistic director of the YouTube Symphony Orchestra (YTSO), a 96-member ensemble selected from 3,000 video auditions created by musicians from 30 countries and all walks of life and the first orchestra auditioned entirely online. He conducted the YTSO in April 2009 at a Carnegie Hall concert, which received global coverage.

He has won ten Grammys for his recordings and is a Chevalier dans lordre des Arts et des Lettres of France. He has been named by Musical America as both Musician of the Year and Conductor of the Year and is a Fellow of the American Academy of Arts and Sciences.

For more information, visit www.michaeltilsonthomas.com or www.facebook.com/michaeltilsonthomas

NY Festival Of Song, 3/16 "The Sweetest Path"

MERKIN CONCERT HALL AT KAUFMAN CENTER AND NEW YORK FESTIVAL OF SONG PRESENT

THE SWEETEST PATH
The Great Flowering of French Art Song: Faur, Bizet, Ravel, Debussy,
many more
Tuesday, March 16 at 8 PM at Merkin Concert Hall at Kaufman Center

CULMINATION OF CARAMOORS VOCAL RISING STARS PROGRAM, FEATURING SINGERS INVITED FROM AROUND THE U.S.

Artists: John Brancy, Charlotte Dobbs, Rebecca Jo Loeb, Matthew Pea
Steven Blier and Michael Barrett


Kaufman Center and New York Festival Of Song (NYFOS, www.nyfos.org) present The Sweetest Path, on Tuesday, March 16 at 8 PM at Kaufman Centers Merkin Concert Hall. The concert, celebrating the first great flowering of French art song, with the lush, poetic music of Faur, Ravel, Debussy, Bizet, Gounod and many other composers, culminates the second season of Caramoors Vocal Rising Stars program, a week-long residency for young professionals devoted to guiding and inspiring the next generation of vocal talent. The Caramoor Center for Music and the Arts in Katonah, New York is the programs sponsor, and will present The Sweetest Path on Saturday, March 13 in the Music Room at Caramoor. The initial season of the Caramoor Vocal Rising Stars Program will be underwritten, in part, by the Terrance W. Schwab Fund for Young Vocal Artists. Leading the weeks events will be NYFOS Artistic Directors and pianists Steven Blier and Michael Barrett, working with a select group of young singers from around the country.

Tickets for The Sweetest Path at Merkin Concert Hall are $40-$55, with $15 student discount tickets a half-hour before performances, as available. There are also $15 student tickets available in advance by calling (646) 230-8380. Merkin Concert Hall at Kaufman Center is at 129 West 67th Street (between Broadway and Amsterdam Avenue, New York, NY 10023. Telephone (212) 501-3330, or visit www.kaufman-center.org.

The artists are Charlotte Dobbs, soprano, featured last summer as the Governess in The Turn Of the Screw under the baton of Lorin Maazel; Rebecca Jo Loeb, mezzo-soprano, featured in NYFOSs Latin Lovers, and hailed by Opera News as a singer to watch; Matthew Pea, an award-winning tenor who can be heard on the Albany Records recording of The Turn Of the Screw; John Brancy, baritone, a Liederkranz Foundation winner; and NYFOS Artistic Director Steven Blier (A national treasure when it comes to the art of song The New York Times) and Associate Artistic Director Michael Barrett, General Director of Caramoor, as pianists/hosts.

Upcoming events at NYFOS include its April 12 gala Let Yourself Go, at Weill Recital Hall at Carnegie Hall, celebrating the music of Irving Berlin; and on May 4 and 6 at Merkin Concert Hall, The Newest Deal, the premiere of Pulitzer Prize finalist Harold Meltzers song cycle Beautiful Ohio*, created for and performed by tenor Paul Appleby, winner of the 2009 Metropolitan Opera National Council Auditions, and recently featured in Where We Come From.

Program:

The Great Outdoors
Gabriel Faur Le plus doux chemin
Emmanuel Chabrier Les cigales
Edouard Lalo Au fond des halliers
Chabrier Lied

The Purple Years
Charles Gounod O ma belle rebelle
Csar Franck Le mariage des roses
Alfred Bachelet Chre nuit
Georges Bizet N'oublions pas!

Spanish Weekend
Albert Roussel Le bachelier de Salamanque
Pauline Viardot L'absence
Maurice Ravel Vocalise en forme de habanera
Chabrier Espaa
New Voices
Maurice Ravel Deux pigrammes de Clment Marot
1. D'Anne qui me jecta de la neige
2. D'Anne jouant de lespinette
Erik Satie Daphno
Max dOllone L'enfant Eros
Francis Poulenc La petite servante

Encounters
Faur En sourdine
Georges Auric Attendez le prochain bateau
Albert Roussel Sarabande
Claude Debussy Colloque sentimental



After Hours
Maurice Ravel Fascination
Ren Sylvano
and Lucien Boyer,
lyrics by
Yvette Guilbert Partie carre

Composers:

Georges Auric (1899 1983) was part of the French avant-garde, and composed music for ballet, musical theater, opera and classic films such as Cocteaus Beauty and the Beast. Many of his songs became popular hits.

Alfred Bachelet (1864 1944) is considered a key figure in early 20th century French opera, with a post-Romantic style similar to Richard Strauss.

Georges Bizet (1838-1875), a Romantic Composer influenced by Gounod and Schubert, is best known for his operas, including Carmen and The Pearl Fishers, as well as such instrumental works as Symphony In C.

Emanuel Chabrier (1841-1894) was an important Romantic composer who created operas (notably Ltoile), songs, orchestral works and piano music. And who influenced several succeeding generations of French composers, especially in his use of musical humor and wit.

Claude Debussy (1862-1918), one of the most prominent figures in impressionist music, was famous for his uniquely sensuous style in works such as the opera Plleas and Mlisande and orchestral works such as La Mer.

Max dOllone (1875-1959) was a composer, conductor and musicologist. His work was influenced by Massenet and Wagner, but his many operas and ballets showed his own sharply dramatic style.

Gabriel Faur (1845-1924) is considered the master of French art song, using a uniquely subtle, yet repetitive harmonic and melodic style which greatly influenced 20th century music.

Csar Franck (1822-1890) a major figure of late French Romantic music, developed and composed works in cyclic form, in which successive themes germinate from a main motif, and used harmonies influenced by Liszt and Wagner. Among his best known works are his Symphony in D and his violin concerto.

Charles Gounod 1818-1893) achieved fame as a Romantic composer through his operas Faust and Romo et Juliette and vocal works such as his adaptation of the first prelude of Bachs Well-Tempered Clavier, which he used as the foundation for his world famous Ave Maria.

Yvette Guilbert (1865-1944) was one of the greatest stars of French cabaret, singing songs of tragedy and lost love. She was painted by Tolouse Lautrec, adored by Verdi, starred in silent films, wrote best-selling novels and sometimes composed her own music and lyrics, many of which were big hits.

Eduard Lalo (1823-1892) whose most famous vocal work is the opera Le Roi DYs, was noted for his strong melodies and colorful orchestration.

Francis Poulenc (1899-1963) was a member of the Paris group of composers called Les Six and applied Dadaist techniques to music, frequently blurring the lines between classical and popular idioms.

Maurice Ravel (1875-1937), another important figure in French impressionist music, was noted for his complex orchestral and instrumental textures, in works such as Daphnis and Chloe and La Valse.

Albert Roussel (1869-1937) wrote a variety of instrumental and vocal works. Influenced by impressionist composers, he reinvented in his own neoclassical style and jazz-oriented pieces.

Erik Satie (1866-1925), one of the most influential artists of the French avant-garde crowd, was noted for his minimalist pieces, which provided the inspiration for succeeding generations of French composers.

Pauline Viardot (1821 1910), a glamorous figure in late 19th Century opera, arranged works by Brahms, Schubert and other important composers. She also created songs and salon operas which were intended to be private exercises for her vocal students, but were discovered by Franz Liszt and eventually reached the public.

Bios

Hailing from Mullica Hill, New Jersey, John Brancy is in his third year of undergraduate studies at The Juilliard School. Mr. Brancys many scholarships include the E. & G. Valentine scholarship, the Mary Isabelle Kemp scholarship, and the Michael L. Brunetti memorial scholarship in voice. Other awards include an encouragement award in the 2008 Lotte Lenya competition, the First place prize in the 2007 Classical Singer competition, The Gold Award from NFAA, an encouragement award from Opera Index, and recently the Second Place prize in the Liederkranz Foundation opera competition. Mr. Brancys recent engagements have taken him to Carnegie Hall for two consecutive performances in last years season with Mid-America productions.

Charlotte Dobbs made her European debut this past summer as Corinna in Il viaggio a Reims at the Pesaro Rossini Festival, and returned to Italy in the fall to sing Rosina in the theaters of Jesi, Fermo, and Ravenna with the Fondazione Pergolesi Spontini. She also made her debut this season with the Chicago Opera Theater, as Servilia in La clemenza di Tito. Other recent credits include Donna Elvira, the title role in Tchaikovsky's Iolanta, Nuria in Ainadamar, and the Countess in Le nozze di Figaro with the Curtis Opera Theater. In 2008, she appeared in recital with Mitsuko Uchida at the Marlboro Music Festival, where she performed Schoenberg's Book of the Hanging Gardens. Also at Marlboro, she gave her first performance of Schoenberg's Second String Quartet. Her recent appearances also include the title role in Iphignie en Aulide, Elettra in Idomeneo, and Juno in La Calisto, all at the Juilliard School. Miss Dobbs made her Kimmel Center and Carnegie Hall debuts in Nielsen's Third Symphony with the Curtis Symphony Orchestra under the direction of Alan Gilbert in 2008. She has appeared on two NYFOS programs: Songs of Peace and War and No Song Is Safe From Us.

Hailed as a singer to watch (Opera News) and a dusky-toned mezzo (the New York Times) Rebecca Jo Loeb is a recent graduate of The Juilliard School. Included in her 2009-10 season are performances as the Second Fairy in A Midsummer Nights Dream with the New York City Ballet, her Carnegie Hall debut as the alto soloist in Bachs B minor Mass with the Saint Cecilia Chorus and Orchestra, performing in a workshop of The Enchanted Island with The Metropolitan Opera, and performing Bolcoms Cabaret Songs at Alice Tully Hall with the Riverside Symphony. This summer she will return to Glimmerglass Opera to perform in The Tender Land and Le nozze di Figaro. She has performed with the Boston Pops, the Mark Morris Dance Company, Central City Opera, as fellow at the Tanglewood Music Center, and as a Young American Artist at Glimmerglass Opera. Ms. Loeb made her Broadway debut in a program entitled Ladies Who Sing Sondheim starring Angela Lansbury. She performed Carrie in Carousel and Petra in A Little Night Music with the Boston Pops. Ms. Loeb has won the Kurt Weill Foundations Lotte Lenya competition and was a 2009 Career Bridges grant winner.

Matthew Pea enjoys a diverse repertoire in opera, concert and recital of standard, new, and unjustly obscure repertoire. His operatic credits include roles with Anchorage Opera, Virginia Opera, Chautauqua Opera, Opera Santa Barbara, and the Des Moines Metro Opera. He was a recent member of the Steans Institute at the Ravinia Festival and has appeared in concert and recital with the American Classical Orchestra, the Choral Society of New York, the San Jose Music Club, the Cleveland Singers Club and The Song Continues Festival of the Marilyn Horne Foundation. This summer, he will be an Apprentice Artist with the Santa Fe Opera. Mr. Pea has won several awards, including a grant from the Lni F Bland Foundation, the San Jose Music Study Club Competition, and the Charles A. Lyman Vocal Competition. He is a graduate of Oberlin College and Conservatory and the Manhattan School of Music. His recordings includeLee Hoibys A Month in the Country and Spohrs Zemire and Azor, both available through Albany Records.


Steven Blier
Artistic director Steven Blier co-founded the New York Festival of Song (NYFOS) in 1988 with Michael Barrett. Since the Festivals inception he has programmed, performed, translated and annotated over one hundred vocal recitals with repertoire spanning the entire range of American song, art song from Schubert to Szymanowski, and popular song from early vaudeville to Lennon-McCartney.

Mr. Blier also enjoys an eminent career as an accompanist and vocal coach. His recitals with Rene Fleming, Cecilia Bartoli, Samuel Ramey, Susan Graham, Frederica von Stade, and Jessye Norman have taken him to the stages of Carnegie Hall, La Scala, and Londons Wigmore Hall. He has premiered works of John Corigliano, Ned Rorem, William Bolcom, John Musto, Paul Moravec, Tobias Picker, Robert Beaser, and Lee Hoiby, many of which were commissioned by NYFOS.

In addition to his many recordings with NYFOS, Mr. Bliers discography includes four volumes of songs by Charles Ives with baritone William Sharp (Albany Records), a Grammy-nominated CD of American songs with Mr. Sharp (New World Records), and first recordings of music by Busoni and Borodin with cellist Dorothy Lawson (Koch International). His two most recent releases are The Land Where the Good Songs Go with Sylvia McNair and Hal Cazalet, and Spanish Love Songs with Joseph Kaiser and the late Lorraine Hunt Lieberson (Bridge Records).

Mr. Blier is on the faculty of The Juilliard School, and has been active in encouraging young recitalists at summer programs, including the Wolf Trap Opera Company, Glimmerglass Opera, and the San Francisco Opera Center.

Michael Barrett
NYFOS co-founder and Associate Artistic Director Michael Barrett is Chief Executive and General Director of the Caramoor Center for Music and the Arts. In 1992, he co-founded the Moab Music Festival with his wife, violist Leslie Tomkins. From 1994 to 1997, he was the Director of the Tisch Center for the Arts at the 92nd Street Y in New York.

A protg of Leonard Bernstein, Mr. Barrett began his long association with the renowned conductor and composer as a student in 1982. He is currently the Artistic Advisor for the estate of Leonard Bernstein. Mr. Barrett has been a guest conductor with the Orchestra of St. Lukes, the New York Philharmonic, the London Symphony, the Israel Philharmonic and the Orchestre National de France, among others. He also has served variously as conductor, producer, and music director of numerous special projects, including the world premiere of Volpone by John Musto.

Mr. Barretts discography includes: Spanish Love Songs, recorded live at Caramoor with Lorraine Hunt Lieberson, Steven Blier, and Joseph Kaiser; Live from the Moab Music Festival; the Grammy-nominated Evidence of Things Not Seen (New World Records); Aaron Jay Kernis: 100 Greatest Dance Hits (New Albion); On the Town (Deutsche Grammophon); Kaballah (Koch Classics) by Stewart Wallace and Michael Korie; Schumann Lieder with Lorraine Hunt and Kurt Ollman (Koch); and Arias and Barcarolles (Koch) by Leonard Bernstein (Grammy Award).


New York Festival of Song was founded in 1988 by Steven Blier and Michael Barrett. NYFOS is dedicated to creating intimate song concerts of great beauty, humor and originality, combining music, poetry, and history to entertain, educate and create community among audiences and performers. With a far-ranging repertoire of art songs, concert works and theater pieces, its thematic recitals have included programs from Brahms to the Beatles, from the nineteenth-century salons of Paris to Tin Pan Alley, from Russian art song to Argentine tangos, from sixteenth-century lute songs to new music. NYFOS particularly celebrates American song literature and culture, and specializes in premiering and commissioning new American works.
###

NYFOSs New York City concert series is funded, in part, by the New York City Department of Cultural Affairs, in partnership with the City Council, and by the New York State Council on the Arts.

The May 4 and 6, 2010 performances of The Newest Deal are made possible, in part, by a generous grant from the National Endowment for the Arts.

*Beautiful Ohio is commissioned by the ASCAP Foundation Charles Kingford Fund.
The second season of the Caramoor Vocal Rising Stars program will be underwritten, in part, by The Terrance W. Schwab Fund for Young Vocal Artists.
Paul Appleby appears with the cooperation of The Metropolitan Opera Lindemann Young Artist Development Program.

Infinitheatre prsente FATHER LAND

INFINITHTRE prsente la premire mondiale de FATHER LAND, crit par Arthur Holden et dirig par Guy Sprung, au Bain St-Michel du 9 au 28 mars.

Avec
Dylan Gouze

Neil Napier

Howard Rosenstein

Dcors & costumes James Lavoie
Lumires Sarah Yaffe
Sonorisation Keith Thomas
Rgie Sarah-Marie Langlois

Dates & Heures Le 9 28 mars
Prvues March 9 & 10 Payez-que-vous-pouvez
Premire March 11
Mardi samedi 20:00
Dimanche Matine 14:00
Lundi FERM

Billets
Admission Gnale $20
tudiants & Aines $15
Groupes (6 et lus) $10

Lieu
Bain St-Michel
5300, St-Dominique

Guichet Site Web
(514) 987 1774 www.infinitheatre.com
box-office@infinitheatre.com

The High Park Choirs of Toronto welcomes Caitlin Smith as new Choir Manager

TORONTO, Feb. 24 /CNW/ - The High Park Choirs of Toronto is pleased to announce the appointment of their new Choir Manager, Caitlin Smith. Caitlin is a talented Toronto-based musician. She recently returned from New York City, where she spent 2008-2009 on a study grant from the Canada Council for the Arts. While there, she studied composition with the renowned pianist and composer Jim McNeely, was a participant in the BMI Jazz Composers' Workshop, and studied orchestral conducting with Gary Fagin and Alan Pierson.

As Choir Manager of the High Park Choirs of Toronto, Caitlin will work closely with Artistic Director Zimfira Poloz and will be instrumental in ensuring that the day-to-day management of the choirs is efficient and effective. She will take on many administrative tasks and facilitate internal communications.

Caitlin is a graduate of the jazz program at Humber College in Toronto, where she studied composition and woodwind performance. Caitlin has also studied composition with Dave McMurdo and film composer Christopher Dedrick. She holds certificates in classical clarinet, harmony and theory through the Royal Conservatory of Music.

Caitlin's talents are multi-faceted. She is a composer, conductor, arranger, copyist, teacher, and performer. She leads the 20-piece Tiny Alligator Large Band and is co-founder of the new The Wireless Orchestra. She was the conductor of the Hart House Jazz Ensemble at the University of Toronto for 2007-2008. Her compositions and arrangements have been performed by orchestras at home and abroad and her music has been played on CBC Radio One and on JazzFM 91.1.

About Zimfira Poloz

Zimfira Poloz has been the Artistic Director for the High Park Choirs of Toronto since 2004, and under her direction, the choirs have earned praise nationally and internationally. She is a highly respected conductor, educator and adjudicator with a distinguished international reputation. She has been decorated with numerous awards in her long career, including the Honoured Representative of Education of the Republic of Kazakhstan Award, the city of Hamilton's V.I.P. Award and the Leslie Bell Prize Award for Choral Conducting from the Ontario Arts Council. She is invited regularly to serve as clinician for festivals, lead workshops for educators, and jury International Choir Competitions, including the renowned Choir Olympics.

About High Park Choirs

The High Park Choirs was founded in 1986 as a girls' choir and now comprises over one-hundred-and-twenty boys and girls aged five to eighteen arranged in five skill-based divisions. The choirs develop the children's choral and musical ability while promoting inclusiveness, fun, teamwork, cultural diversity and choral excellence. The result is a group of children who have confidence in themselves and each other and produce a beautiful and unique sound that has impressed local and international audiences.


The choirs are guided by highly acclaimed artistic staff whose talent and choice of innovative repertoires has drawn singers from 71 schools across the GTA. The choirs have also benefited from collaborations with renowned Canadian and international composers and are the children's choir-in-residence at the Faculty of Music, University of Toronto. Children interested in joining the choirs are encouraged to attend an open rehearsal and audition at Runnymede United Church.

Revenue Canada Charitable Registration Number
88621 7793 RR0001

Compositeur de taille olympique au Thtre Centennial

Stephan Moccio, compositeur de taille olympique au Thtre Centennial

Page du spectacle http://www.ubishops.ca/centennial/program/stephan-moccio-fr.html

Sherbrooke, le 24 fvrier janvier 2010. Bien aprs la clture des Jeux Olympiques de Vancouver, la pice thme de la station CTV I believe/Jimagine, interprte par Annie Villeneuve et compose par le pianiste Stephan Moccio retentira dans le cur des athltes et de la population canadienne. Cest dans lintimit du Thtre Centennial Sherbrooke que se produira le pianiste Stephan Moccio le vendredi 19 mars prochain ds 20 h. Pour loccasion, il interprtera des pices de son premier disque Exposure et sans doute une version piano du thme olympique. En 2008, le Thtre Centennial prsentait Stephan Moccio en premire partie de la chanteuse jazz Sophie Milman.

Compositeur recherch, Stephan Moccio est aussi reconnu pour avoir crit pour Cline Dion (co-auteur de A New has Come ), Josh Groban, Sarah Brightman ainsi que pour Annie Villeneuve. Il sagit dune deuxime collaboration entre le pianiste et lex-acadmicienne. En effet, Moccio signe la pice Mon hro , sur lalbum ponyme de lex-acadmicienne.

Exposure, le premier album de Stephan Moccio, sur lequel il compose pour le piano solo, a t certifi Disque dor en aot 2009. De plus, on retrouve la musique du compositeur torontois sur le disque Berceuse pour Philou auquel on dcernait, en novembre dernier, un prix Flix Album de lAnne- Instrumental. Un deuxime album est prsentement en production.

Les dtails du spectacle de Stephan Moccio se retrouve sur le site Web du thtre Centennial www.centennialtheatre.ca . On se procure des billets en composant le 819-822-9692.

Stephan Moccio auThtre Centennial (Universit Bishop)
Vendredi 19 mars 2010 20 h

www.stephanmoccio.com

Rgulier $23.00, An (60+) $15.00, tudiant (avec carte) $15.00
Billetterie : 819-822-9692

Festival Guitare Alla Grande

Gatineau, le 24 fvrier 2010 Aprs le franc succs du festival Guitare Alla Grande 2009, la grande fte annuelle de la guitare revient du 18 au 21 mars 2010, au grand plaisir de tous les amateurs ! Le Conservatoire de musique de Gatineau vous invite venir couter des concerts qui traverseront tous les styles musicaux, du flamenco la musique nouvelle, et ce, en compagnie des meilleurs guitaristes de la rgion qui joueront en solo, en ensembles et mme en orchestre de guitares ! Ce sera aussi loccasion dassister des cours de matres offerts par les membres du prestigieux Amadeus Guitar Duo, en provenance de lAllemagne, et de les entendre en rcital.

Le Amadeus Guitar Duo est un des duos de guitare les plus reconnus sur la scne internationale. Dale Kavanagh (Canada) et Thomas Kirchhoff (Allemagne) ont dbut leur collaboration en 1991 et ont donn depuis plus de 750 concerts travers le monde. Les critiques musicaux soulignent particulirement la virtuosit ptillante de leur jeu ainsi que la richesse et la chaleur de leur son qui remplit les salles les plus grandes.

Les vnements ont lieu au Conservatoire de musique de Gatineau (430, boul. Alexandre-Tach) ainsi qu la Salle Freiman (610, rue Cumberland) et au pavillon Tabaret (550, rue Cumberland) de lUniversit dOttawa. Lentre est libre pour toutes les activits, sauf le concert du Amadeus Guitar Duo (billets 20 $, ans et membres de la Socit de guitare dOttawa 15 $).

Ķ the Guitar Alla Grande Festival (2009) was a great success. In a jam packed four days we had seen a great deal of musical talentĶ This little festival definitely packs quite a punch! We look forward to next years edition. Classical Guitar, juillet 2009

HORAIRE du festival guitare alla grande
(galement disponible sur notre site conservatoire.gouv.qc.ca
Le jeudi 18 mars, 20 h :
Concert douverture avec les lves de lUniversit dOttawa et du Conservatoire de musique de Gatineau
uvres de musique nouvelle Salle Freiman

Le vendredi 19 mars, de 13 h 30 15 h 30 :
Atelier de guitare flamenco avec Patrice Servant Salle Fernand-Graton
de 16 h 17 h :
Rcital de Bruno Roussel, guitariste
uvres de Coste, Roux, Malatset Kleynjans Salle Fernand-Graton
19 h 30 :
Rcital de Patrice Servant, guitariste
uvres de Amigo, Servant, Lecuona et danses flamenco traditionnelles Salle Fernand-Graton

Le samedi 20 mars, de 9 h 30 12 h 30 :
Cours de matres avec le Amadeus Guitar Duo Salle Fernand-Graton et local 1.05 du Conservatoire
20 h :
Concert du Amadeus Guitar Duo
uvres de Telemann, Haendel, Jolivet, Kavanagh et autres Pavillon Tabaret
Billets en vente lentre de la salle

Le dimanche 21 mars, de 11 h 14 h :
Salon des luthiers et exposants Pavillon Tabaret
15 h :
Concert de clture du festival Guitare Alla Grande
Varit densembles de guitares et orchestre Guitare Alla Grande Pavillon Tabaret

Consultez sans tarder le calendrier complet de nos activits sur notre site Web conservatoire.gouv.qc.ca. Ce site vous offre de vous abonner un fil RSS, une faon simple et pratique dtre inform sur nos activits. Procurez-vous galement notre dpliant de la programmation 2009-2010 en tlphonant au 819 772-3283.

Rene Fleming sings Arcade Fire, Mars Volta + more on new album

RENE FLEMING VISITS A NEW UNIVERSE ON 'DARK HOPE', OUT THIS SPRING ON DECCA

One of the World's Most Celebrated Voices Puts An Indelible Signature On Songs By Arcade Fire, Band of Horses, Death Cab For Cutie, The Mars Volta, Muse, and Leonard Cohen

Rene Fleming's new album 'Dark Hope', which the opera star describes as a "visit to a new, parallel universe," will be released by Decca this spring. The album was recorded in close collaboration with producer David Kahne (Regina Spektor, The Strokes, The Bangles, Sublime, and countless others) in New York City, and features a diverse and adventurous track listing of songs.



Endlessly (Muse)
No One's Gonna Love You (Band of Horses)
Oxygen (Willy Mason)
Today (Jefferson Airplane)
Intervention (Arcade Fire)
With Twilight As My Guide (The Mars Volta)
Mad World (Tears for Fears)
In Your Eyes (Peter Gabriel)
Stepping Stone (Duffy)
Soul Meets Body (Death Cab For Cutie)
Hallelujah (Leonard Cohen)

Fleming, the superstar soprano known as "the people's diva," says of 'Dark Hope': "I've always been inspired by artists who have shown musical and intellectual curiosity and the courage to take risks. Because everything about the voice interests me, I felt it would be fascinating to learn a completely different style of singing."

Producer Kahne was a true collaborator during the recording process, driving most of the arrangements and coaching Fleming in this music. Also joining Fleming on the album are her two daughters and sister, who sing backup on several songs.

Fleming says that for the recording of this album, "Singing in a small, acoustic booth, with a microphone that's very close, in this very intimate style, is the complete opposite of how I usually sing."

There were similarities to how she prepares dramatically for an opera role, however. Fleming points out that for each track on 'Dark Hope' "we found an interpretation that enabled the point of view to sound authentic coming from me. Every song has a story, so this whole idea of enacting or playing a role is doubly true for this music."

Rene Fleming, a Fulbright Scholar and three-time Grammy award winner, has captivated audiences at leading opera houses and concert halls around the world. Last year, the acclaimed soprano was a featured performer at President Obama's Inaugural Celebration. Fleming has also had a longtime interest in jazz and has recorded jazz repertoire on 'Haunted Heart', the lauded collaboration with pianist Fred Hersch and guitarist Bill Frisell.

http://www.shorefire.com/clients/rfleming/
http://reneefleming.com/



Photo credit: Andrew Eccles

Rebecca Northan in Blind Date Extended by Popular Demand

Held Over! One of the Most Daring and Exhilarating Undertakings in the Scope of Modern Theatre Rebecca Northan in Blind Date Extended Mar. 9 through Mar. 12

TORONTO, ON (Feb. 24, 2010) Harbourfront Centres World Stage today announced the extension of Rebecca Northan in Blind Date, the hilarious and sexy show adored by audiences and critics alike.

Held over by popular demand, Blind Date has been extended for a third week, Mar. 9 through Mar. 12. After a sold-out run in 2009, audiences will have four additional opportunities in 2010 to see Northans brilliant improvisational mastery.


Rebecca Northan in Blind Date
Feb. 24 27, Mar. 2 6, Mar. 9 12 All Shows 8 p.m. (Doors at 7 p.m.)
Harbourfront Centres York Quay Centre, 235 Queens Quay West
Tickets: $30

Facult de musique UdeM : nomination du nouveau doyen

Nos flicitations Sylvain Caron !

Ce lundi, le 22 fvrier, le Conseil de lUniversit de Montral
a nomm le professeur Sylvain Caron
au poste de doyen de sa Facult de musique.
Monsieur Caron entrera en fonction le 1er juin prochain.

Vous trouverez, en pice jointe, le communiqu dtaill
mis par la Facult de musique cette occasion.

Adventures In Music Brings Culture to Kids!

Winnipeg, MB February 23, 2010 Offered by the Education & Outreach Department (E&O) of the Winnipeg Symphony Orchestra (WSO), the Adventures in Music program will host their first concert of the season tomorrow, Wednesday, February 24!

Spanning over seven dates from February to April in three Manitoba cities (Winnipeg, Brandon and Winkler), the Adventures in Music concerts will provide over 13,000 students in Grades 4-8 the opportunity see the full Winnipeg Symphony Orchestra perform live! Over 500 of those students will perform with the orchestra on recorder, strings and percussion, by singing and with choreographed movement and dance!

As part of this years concert programming, the students and the WSO will share the stage with the Rusalka Ukrainian Dance Ensemble, Viva Brasil (Brazilian martial arts & dance group), Young Stars (musical theatre group) and Xiao-Nan Wang (Chinese flute-master). Because of the popularity and demand of this program, an eighth concert has been added to the Winnipeg schedule!

In their music classes, children learn the programmed pieces along with interactive activities and a Study Guide their music teachers receive at the beginning of the school year. This Study Guide is created with the school curriculum in mind, and is provided to the teachers at a workshop that is presented by the Manitoba Orff Chapter. Additionally, throughout the school year, students create artwork inspired by the piece, Estacios Frenergy. While they are being performed on stage, the artwork will be displayed on stage for thousands of people to see!
In honour of the Olympic Games in Vancouver, this years theme of Adventures in Music is Orchestra Games. The program celebrates culture and sport with pieces such as Williams Olympic Fanfare and Theme, Vangelis Chariots of Fire and Menkens Go the Distance from Hercules.

Adventures in Music dates:

Centennial Concert Hall in Winnipeg
February 24 1:00 pm
February 25 10:30 am; 1:00 pm
March 23 10:30 am; 1:00 pm
March 24 10:30 am; 1:00 pm
March 25 10:30 am

Westman Centennial Auditorium in Brandon
April 28 10:30 am; 1:00 pm
P.W. Enns Concert Hall in Winkler
April 28 10:30 am; 1:00 pm

The Winnipeg Symphony Orchestra is committed to reaching audiences of all ages through their Education and Outreach programs. The WSO is the largest performing arts organization offering music education outreach programs in the province of Manitoba. These programs are designed to make symphonic music exciting and accessible to all.

Ben Harper and Relentless7 Live from the Montreal International Jazz Festival CD/DVD - English & French Press Releases

On July 12, 2009, Ben Harper and Relentless7 captivated a massive crowd of 250,000 with a blistering performance that outshone the fireworks that accompanied it to close the Montreal International Jazz Festival on its 30th Anniversary. "What a memorable show. Ben Harper's Relentless7 sublimely inspired, rocking like hell," raves Andr Mnard, Creative Director of Le Festival de Jazz de Montral.

Urgent. Infectious. Energized. Thats how Ben Harper and Relentless7 have been characterized and this special CD/DVD combo perfectly captures their impassioned artistry. Music critics praised the band's performance with statements such as: "Ben Harper and the Restless 7: worthy of fireworks" (Journal de Montreal) and "Ben Harper powerfully espresses himself. Uncompromisingly intense, the pedal to the metal." (Le Devoir).

The band too were incredibly moved by their experience of closing the esteemed Montreal Jazz Festival. "One of the greatest festivals in the world, in one of the greatest cities in the world, the Montreal International Jazz Festival has long been a musical home for me. This show was exceptionally special to myself and band because it felt like the entire city was there with us that night," says Ben Harper.

The CD/DVD which will be released on March 9, 2010 gives those who attended the opportunity to relive the excitement of this unforgettable performance. It also allows fans who missed the event a chance to still experience the magic, including exciting covers of 'Under Pressure' & 'Red House.'

'BEN HARPER AND RELENTLESS7 - LIVE FROM THE MONTREAL INTERNATIONAL JAZZ FESTIVAL' TRACKLISTING:

CD:
Faster Slower Disappear Come Around
Number With No Name
Shimmer and Shine
Lay There & Hate Me
Why Must You Dress In Black
Red House
Another Lonely Day
Keep It Together
Boots Like These
Under Pressure
Up To You Now
Faithfully Remain
Serve Your Soul

DVD:
Faster Slower Disappear Come Around
Number With No Name
Shimmer and Shine
Lay There & Hate Me
Why Must You Dress In Black
Red House
Another Lonely Day
Skin Thin
Fly One Time
Keep It Together
Boots Like These
Under Pressure
Up To You Now
Faithfully Remain
Serve Your Soul


Four outstanding pianists perform together on stage in rare concert event - Mar. 10


Piano Spectacular
Wednesday, March 10th 7:30 pm

Edmonton, AB Ķ Your Edmonton Symphony Orchestra (ESO) embraces the diversity of great pianists and composers in a rare evening celebrating all things pianistic. Four dazzling musicians perform on four beautiful Steinway pianos at the Francis Winspear Centre for Music in this one-night only event. Music Director William Eddins will take on a dual role of conductor and performer, and in doing so will share the stage and the same ivory keys with extraordinary pianists Jon Kimura Parker, Angela Cheng, and Michael Massey.

When not conducting the orchestra from the podium, Bill Eddins leads from the piano when he plays the final movement from Mozarts Piano Concerto in D minor, which features both a restless rippling melody contrasted by a bright cheerful melody. In an extremely rare solo performance, with only a piano and himself on stage, Mr. Eddins will play the energetic, vigorous, carefree, yet dignified El pelele by Enrique Granados.

Internationally acclaimed concert pianist Jon Kimura Parker will be backed by the ESO in Rachmaninoffs fiercely virtuosic Rhapsody on a Theme of Paganini and in Mozarts final movement of his final work for piano and orchestra, Piano Concerto in B-flat Major. Mr. Parker will then perform two solo piano works a movement from Beethovens Eighth Sonata, nicknamed The Pathtique and famous for its famous melancholic melody, and his own arrangement of music from Stravinskys lively Petroushka, based on an old Russian folk tale.

One of Canadas brightest pianists returns to the Winspear stage to play works by a composer who wrote almost exclusively for piano, and a composer who himself was a brilliant pianist. Edmontons own Angela Cheng will be accompanied by the orchestra in a movement of Chopins Second Piano Concerto, but will perform as a soloist in Chopins First Ballade, a romantic piece of music cast in shadows of darkness. Ms. Cheng and the orchestra also present the beautifully sublime Andante movement from Mozarts Piano Concerto in C Major.

Current Music Director of the Edmonton Youth Orchestra, Michael Massey takes to the ivory keys in Finzis Eclogue, a simple work yet rich in texture which is unfailingly moving in performance. Once the orchestra clears the stage for solo performances, Mr. Massey brings two of Medtners Fairy Tales to life, or Skazi as Medtner knew them.

Piano Spectacular will be recorded for broadcast on CBCs In Concert, with host Bill Richardson. In Concert can be heard every Sunday from 11:00 am to 3:00 pm on CBC Radio Two, 90.9 FM in Edmonton. The air-date will be announced on our website, EdmontonSymphony.com, once confirmed.

Please note that there will be two intermissions during this concert. Ticket prices range from $24 $69 (agency fees apply), and are available through the Winspear Centre Box Office. Purchase by phone at (780) 428-1414, toll-free at 1-800-563-5081, or online at EdmontonSymphony.com.

The next Symphony Special will take place on April 13th, 2010. Contemporary Christian artist Sandi Patty performs timeless hymns and inspirational classics with your ESO.

Thank you to our season media sponsors CBC and the Edmonton Journal, and performance sponsors Piano Centre and Global TV.

Sponsorship inquiries can be directed to Marc Carnes, Director of Development, at (780) 401-2518.

The Edmonton Symphony Orchestra, marking its 58th season in 2009-2010, has taken its place as one of Canada's foremost orchestral ensemble. Its current roster includes 56 musicians from Canada and around the world, performing a wide-ranging repertoire from the great classical masterworks to pops and children's concerts. The presence of the orchestra and its enrichment of the community's quality of life are key elements in the stature and profile of Edmonton on the national and international scene.

Media Contact:
Pamela Pecush, Publicist
Edmonton Symphony Orchestra
Office: (780) 401-2532; Cell: (780) 952-2532
Pamela.Pecush@winspearcentre.com

Winspear Centre Box Office:
#4 Sir Winston Churchill Square
(780) 428-1414 or 1-800-563-5081
www.edmontonsymphony.com


Biographies

Internationally acclaimed concert pianist Jon Kimura Parkers extraordinary career has taken him from Carnegie Hall and Londons Royal Festival Hall to Baffin Island and Zimbabwe. An Officer of The Order of Canada, Mr. Parker has given two command performances for Queen Elizabeth II, and has performed for the Prime Ministers of Canada and Japan. Mr. Parker has performed as guest soloist with the New York Philharmonic, the Cleveland Orchestra, the Philadelphia Orchestra, the Warsaw Philharmonic, the NHK Tokyo Orchestra, and with other major orchestras in Atlanta, Baltimore, Boston, Cincinnati, Dallas, Los Angeles, Minneapolis, Montral, San Diego, Salt Lake City, and Toronto. An active media personality, Mr. Parker has hosted the classical music television series Whole Notes, on the Bravo! network. He also hosted CBC Radio Twos five-part series Up And Coming, showcasing young musicians. Mr. Parker was also seen on CNN performing in war-torn Sarajevo, and documented on PBSs The Visionaries.

Jon Kimura Parker is Professor of Piano at The Shepherd School of Music at Rice University in Houston. He is also the E. Stephen Purdom Distinguished Visiting Artist at the Schwob School of Music at Columbus State University, and Honorary Co-Chair of the Piano Pedagogy Research Laboratory at the University of Ottawa. Jackie Parker received all of his early education with his uncle, Edward Parker and his mother, Keiko Parker. He studied with Lee Kum-Sing at the Vancouver Academy of Music and University of British Columbia, Marek Jablonski at The Banff Centre, and with renowned pedagogue Adele Marcus at The Juilliard School, where he received his doctorate. He won the Gold Medal at the 1984 Leeds International Piano Competition. He was born, raised, and educated in Vancouver. He lives in Houston with his wife, violinist Aloysia Friedmann and their daughter Sophie. For further information, please see
www.kimura.com and www.oicmf.org.

Mr. Parker last appeared with the ESO in February 2009.


Consistently cited for her brilliant technique, tonal beauty and superb musicianship, Edmonton-raised pianist Angela Cheng is one of Canada's brightest stars. She has appeared as soloist with virtually every orchestra in Canada, as well as the Birmingham Symphony, Buffalo Philharmonic, Colorado Symphony, Houston Symphony, Indianapolis Symphony, Jacksonville Symphony, Louisiana Philharmonic, Saint Louis Symphony, Syracuse Symphony, Utah Symphony, and the Israel Philharmonic, among others. The frequency with which she is re-engaged is remarkable.

Ms. Cheng's debut recording of two Mozart concertos with Mario Bernardi and the CBC Vancouver Orchestra received glowing reviews. Other CDs include Clara Schumann's Concerto in A Minor with JoAnn Falletta and the Women's Philharmonic (for Koch International); selected works of Clara and Robert Schumann, four Spanish concertos with Hans Graf and the Calgary Philharmonic, and both Shostakovich concertos with Mario Bernardi and the CBC Radio Orchestra (all for CBC). Angela Cheng was the 1986 Gold Medal winner at the Arthur Rubinstein International Piano Masters Competition as well as the first Canadian to win the prestigious Montral International Piano Competition (1988). In the same year, the Canada Council awarded Ms. Cheng its coveted Career Development Grant. For her outstanding interpretations of Mozart, she received the Medal of Excellence at the Mozarteum in Salzburg in 1991.

Ms. Cheng last appeared with the ESO in June 2007.


Michael Massey was born in England and emigrated to Canada in 1957. Studies at the University of Alberta earned him a Bachelor of Music degree and the gold medal in piano performance of the Western Board of Music. Following his graduation he spent two years studying at the Geneva Conservatory where he was unanimously awarded the "Premier Prix de Virtuosit." Mr. Massey has performed as a soloist and chamber musician throughout Canada, England and Scotland. He has been the orchestral pianist with the Edmonton Symphony Orchestra for over 25 years. Since 1977, he has been Music Director of the Edmonton Youth Orchestra program. In 1988 and 1996 Mr. Massey wrote and published The Canadian Repertoire Manual, a source book and analysis of Canadian music suitable for youth orchestras. In 2002, for his contribution to the cultural life of the city, Mr. Massey was inducted into the Edmonton Cultural Hall of Fame as an ArtistBuilder and also received the Queen's Golden Jubilee Medal.

Mr. Massey last appeared as a soloist with the ESO in April 2009.


Under Music Director William Eddins charismatic and energetic direction, the Edmonton Symphony has attained a level of musicianship and profile in the community it has rarely achieved. He has conducted performances in nearly every subscription series the ESO has presented, as well as a wide variety of special concerts and galas.

Bills musical life began at age five when his parents bought a Wurlitzer Grand piano at a garage sale. He attended the Eastman School of Music, graduating at age eighteen, making him the youngest graduate in the history of the institution. He also studied conducting with Daniel Lewis at the University of Southern California. Previous positions include a five-year tenure as Principal Guest Conductor of the RT National Symphony Orchestra (Ireland) and as Resident Conductor of the Chicago Symphony Orchestra and Associate Conductor of the Minnesota Orchestra.

Bill Eddins continues to pursue many varied interests, both personally and professionally. While conducting has been his principal pursuit, he continues to perform on piano in Edmonton and elsewhere. He recently built a state of the art recording studio and has begun work on a series of chamber music recordings. He blogs regularly on
insidethearts.com and has done a series of podcasts called Classical Connections available at williameddins.com.

Committed to his leadership of the ESO, Mr. Eddins accepts a limited number of guest appearances elsewhere. He led a highly-acclaimed production of Porgy and Bess for Opra de Lyon in June 2008, which he will reprise during the summer of 2010. His latest recording, of American music for Cello and Piano, has been released on the Naxos label.

A native of Buffalo, New York, Bill currently resides in Minneapolis with his wife Jen, a clarinetist, and their two boys, Raef and Riley.

Thursday, March 4, 2010

A Line in the Sand

Set in the desert just outside of Doha, Qatar in the Persian Gulf, the three-hander is the story of Mercer, a troubled Canadian soldier and Sadiq, a teenage Palestinian black marketeer, who meet in the fall of 1990 during Operation Desert Shield. Overlooking vast cultural differences against a backdrop of global conflict, the two develop a secret friendship that is violently severed by the torture and murder of the 16-year-old Palestinian boy inside the Canadian base. Mercer was, at the very least, a witness to the atrocity, perhaps even a willing participant in his friends death, and the Colonel is determined to unearth the truth.

Performance Information

Dates & Times March 8 - 21

Previews March 8

Opening March 9

Mon. through Thurs. 20:00

Friday DARK

Sat. & Sun. 20:00

Sunday Matine 14:00

Tickets

General Admission $22

Seniors, Students, QDF, CAEA $15

Groups (10 or more) $14

Venue

Segal Centre Studio

5170, ch. de la Cte-Ste-Catherine

Box Office Web Sites

(514) 848 - 9696 www.tableaudhotetheatre.ca


www.cshow.ca www.segalcentre.org

Art of Time presents The Kreutzer Sonata in dance & music & theatre

Featuring Ted Dykstra in his adaptation of Leo Tolstoy's novella of the same nameand the choreography of James Kudelka danced by Coleman Lemieux & Compagnie to Beethoven's Kreutzer Sonata, performed byAndrew Burashko on piano and violinist Marie Brard.


Toronto, February 24, 2010 - Capitalizing on the tremendous sold-out success of The Kreutzer Sonata last season, the Art of Time Ensemble, under the artistic direction of founder Andrew Burashko, re-stages this outstanding concert evening inspired by and featuring Ludwig Van Beethoven's Kreutzer Sonata (Sonata for violin and piano No. 9 in A Major, Op. 47) at Harbourfront Centre's Enwave Theatre from March 18-21, 2010.

Sponsored by BMO Financial, this unique evening moves in a bold direction with a collage of theatre, dance and music that features a dramatic adaptation of Leo Tolstoy's passionate novella, The Kreutzer Sonata, written and performed by award-winning actor/director Ted Dykstra.
The second half features James Kudelka's 15 Heterosexual Duets: a virtuosic work choreographed by one of Canada's most eminent choreographers to Beethoven's Kreutzer Sonata, and danced by the acclaimed Coleman Lemieux & Compagnie to the accompaniment of Andrew Burashko on piano and Marie Brard on violin. Like the Tolstoy story, it explores the male/female relationship.

Coleman Lemieux & Compagnie is led by Bill Coleman and Laurence Lemieux, who are also life partners. 15 Heterosexual Duets features some of the most talented dancers in the country:
Kate Alton
Valerie Calam
Michael Caldwell
Lauren Chin
Bill Coleman
Luke Garwood
Andrew Giday
Jones Henry
Sylvain Lafortune
Laurence Lemieux
Graham McKelvie


Founded by Artistic Director Andrew Burashko, the Art of Time Ensemble is now in its 11th season. Art of Time provides a unique musical experience that breaks down barriers between artistic and musical disciplines, and reveals the vibrancy of classical music as a contemporary artistic expression, appealing to a range of audiences. Its concerts are provocative, engaging and accessible to people unfamiliar with classical music, but also immensely fulfilling to aficionados. Currently, Art of Time is on tour with singer Steven Page in support of the release this month of its latest CD, A Singer Must Die.
The 2009/2010 season features performances by Emilie-Claire Barlow, Coleman Lemieux & Compagnie, Guinga, Kevin Hearn, Gregory Hoskins, Raine Maida, Andy Maize, Peter Mettler, Andrea Nann, Steven Page, Alejandra Ribera, Sarah Slean, John Southworth and R.H. Thomson, plus some of the finest classical and jazz musicians in the country.



Art of Time Ensemble

-Andrew Burashko, Artistic Director-

presents The Kreutzer Sonata

Inspired by and featuring Beethoven's Kreutzer Sonata

Featuring Ted Dykstra and the choreography of James Kudelka danced by Coleman Lemieux & Compagnie, accompanied by Andrew Burashko on piano and violinist Marie Brard.




Thursday March 18 - Sunday March 21, 2010

Thursday-Saturday at 8 PM with a Sunday matinee at 2 PM

Enwave Theatre 231 Queens Quay West

Tickets: $19-$49 ; Box Office: 416-973-4000 AND http://www.artoftimeensemble.com/


Wednesday, March 3, 2010

Performance Spring Festival at Factory April

Toronto, ON Wednesday, March 3, 2010... Factory Theatres Performance Spring, April 1 25, is a festival of groundbreaking works for Toronto from the national scene. Sponsored by TD Bank Financial Group, the festival lineup features three major productions and diverse new works: Where the Blood Mixes and A Fabulous Disaster in the Mainspace Theatre; this time in the Studio Theatre; and, CrossCurrents in the Studio Theatre. Artistic Director Ken Gass says, The lineup brings together some of Canadas most extraordinary playwrights and theatre artists in a festival format. Im particularly pleased to welcome Kevin Lorings Where The Blood Mixes back to the Factory after its all too brief showing during LuminaTO two years ago. This is a play that speaks from the heart to a burning issue and I sincerely hope it will continue to spark the vital conversations necessary to help heal the wounds of our shared past. For behind-the-scenes perspectives by the artists involved, see http://performancespring.blogspot.com; for ticket information, visit www.factorytheatre.ca or call (416) 504-9971.
Where the Blood Mixes plays for 11 performances only, April 7 18. This show is produced by the Vancouver Playhouse Theatre Company and The Belfry Theatre in association with The Savage Society and presented by Factory Theatre and the Vancouver 2010 Cultural Olympiad. Governor General Award-winning playwright Kevin Loring, born in Lytton, British Columbia, writes about a survivor of the residential school system, suddenly reuniting with his daughter after two decades, and together they confront the pain of the past. Set during the salmon run where the Fraser and Thompson Rivers meet, Where the Blood Mixes offers an irreverent, funny and brutally honest look into the heart of a people. In 2008, Lorings debut play was the hit of the LuminaTO Festival in Toronto and the Magnetic North in Vancouver, and is currently playing at the Vancouver 2010 Cultural Olympiad. Directed by Glynis Leyshon, the show stars Ben Cardinal as Mooch, Kim Harvey as Christine, Margo Kane as June, Billy Merasty as Floyd, and Tom McBeath as George. Lighting design is by Itai Erdal, set design is by Robert Lewis, projection design is by Jamie Nesbitt, and costume design is by Patricia Smith. Visual art in the production is by Carl Stromquist, and the music is composed and played by Jason Burnstick. Where the Blood Mixes was co-developed by the Vancouver Playhouse Theatre Company; LuminaTO Festival of Arts & Creativity; The Savage Society; and Western Canada Theatre (Kamloops). The piece, originally titled The Ballad of Floyd, was part of Factory Theatres CrossCurrents 2004.
A Fabulous Disaster, written and performed by Denise Clarke and produced by One Yellow Rabbit Performance Theatre of Calgary, plays April 20 24. Gass says, Denise Clarkes much loved Sign Language was a highlight of Performance Spring 2007, and I am very happy to have this Canadian dance-theatre icon back with her solo show, A Fabulous Disaster. This is a fast-paced, highly entertaining dance-theatre work that follows a recently jilted woman stranded in a forest during a wildfire, battling to save the animals, herself and her broken heart. Poignant and elegant, A Fabulous Disaster bounces through the themes of love, jealousy and belonging and is a unique theatrical event that everyone and their pets can relate to.

Single tickets for Where the Blood Mixes, and A Fabulous Disaster, are $25 Tuesday Thursday, 8 p.m., and $35 Friday Saturday, 8 p.m.; $10 limited RUSH Tickets are available on Tuesday, Wednesday and Friday (7 p.m. lineup and 7:50 p.m. purchase).
adelheids this time, choreographed by Factory Dance-Artist-in-Residence Heidi Strauss, plays April 1 4 and 8 10, 8 p.m. (tickets are $22 adult and $18 for student/senior/CADA members), and April 11, 2 p.m. (tickets are P-W-Y-C or $25 in advance). this time is a new contemporary dance work loosely based on Light, a wordless one-act play by Ken Gass (1970). Dancers Brendan Wyatt (Toronto) and Justine Chambers (Vancouver) are caught in an unstable environment with a mounting tension that challenges them and their relationship, driving them to unexpected forms of escape and freedom. The environment is created by composer John Mark Sherlock, sound and video designer Jeremy Mimnagh and lighting designer Rebecca Picherack. Gass comments, Strauss as it is world premiere in last years Performance Spring Festival received billing in NOW Magazines Top 10 Dance Shows of 2009. Im excited to see the birth of this time, her new work.
CrossCurrents is curated by Factory Theatre Dramaturge Iris Turcott, and runs throughout April. The dynamic new play development festival of brave and raw works represents the great artistic and cultural diversity of Canadian theatre creators and playwrights. In addition to readings, there are symposiums and other public events. CrossCurrents 2010 features an impressive roster of artists including Byron Abalos, Nina Lee Aquino, Charlotte Corbeil Coleman, Meegwun Fairbrother, Jani Lauzon, Amy Lee Lavoie, Daniel MacIvor, ahdri zhina mandiela, Adam Pettle, Joseph Jomo Pierre, Michele Riml and Pamela Sinha. Factory is also hosting new work by bcurrent, Cahoots Theatre Company, fu-GEN Asian-Canadian Theatre Company, Native Earth Performing Arts and Obsidian Theatre Company as part of CrossCurrents. Admission is by donation ($10 suggested minimum).
Closing the season is the revival of George F. Walkers outrageous comedy, Featuring Loretta, directed by Ken Gass (May 1 June 27), Factory Mainspace Theatre, and a Gala Event celebrating Factory Theatres 40th Birthday scheduled for May 10, 2010.