LSM Newswire

Saturday, October 18, 2008

Evenements theatrale


JOHN AND BÉATRICE

Textes de Carole Fréchette

Traduction de John Murrell

Mise en scène de Guy Sprung

Du 14 Octobre au 9 Novembre

Bain St-Michel

5300, rue St-Dominique

(Coin McGuire)

Billetterie :

(514) 987 – 1774 poste 104

box-office@infinitheatre.com

Prix des billets :

Adultes : 20$

Âge d'or / étudiants : 15$

Prévues & Groupes : 10$


JOHN AND BÉATRICE

« Jeune héritière qui n'a jamais aimé personne recherche un homme

qui pourra l'intéresser, l'émouvoir et la séduire. Dans l'ordre. Récompense substantielle. »

Béatrice a affiché une annonce un peu partout en ville. Elle attends maintenant dans sa tour à bureau pour son prince charmant. John reçoit son appel et en utilisant un simple langage, il réussit à provoquer émotionnellement Béatrice avant même qu'elle s'en aperçoive. Un mélange entre un mythe grecque et un conte de fée.

Prévues 14 & 15 octobre

Première 16 octobre

Fermeture 9 novembre

Du mardi au samedi 20 h 00

Dimanche 14 h 00

Lundi FERMÉ

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Theatre Listing


JOHN AND BÉATRICE

By Carole Fréchette

Translated by John Murrell

Directed by Guy Sprung

Oct. 14 – Nov. 9

Bain St-Michel

5300, rue St-Dominique

(Corner McGuire)

Box Office:

(514) 987 – 1774 ext. 104

box-office@infinitheatre.com

Ticket Prices:

Regular: $20

Seniors/Students: $15

Groups: $10


JOHN AND BÉATRICE

Beatrice waits up her tower in her nearly empty room for the perfect man to arrive. John answers the call. He has to climb up all thirty-three flights because the elevator has broken down. Will the ever-longing-for-perfection eternal feminine, find love? Will the mythical macho adventurer, find insight and settle down? A cross between a Greek Myth and a Brothers Grimm fairy tale.

A play by Carole Fréchette, internationally acclaimed and Governor General Award-winning playwright, performed in Montréal for the first time in English.


Previews October 14 & 15

Opening October 16

Closing November 9

Tues. to Sat. 8 pm

Sunday 2 pm

Monday DARK

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Giorgia Fumanti à Salaberry-de-Valleyfield

LA STAR INTERNATIONALE GIORGIA FUMANTI

EN CONCERT À LA SALLE ALBERT-DUMOUCHEL

Le dimanche 19 octobre, à 20 h 00


Montréal, le 17 octobre 2008 – La chanteuse québécoise d’origine italienne Giorgia Fumanti nous convie à un concert magique le dimanche 19 décembre, à 20h00 à la Salle Albert-Dumouchel de Salaberry-de-Valleyfield.

La charismatique chanteuse, qui a élu domicile dans les Laurentides il y a quelques années, nous invite donc pour ce concert s’annonçant des plus mémorables, touchant et empreint d’authenticité. Pour cette occasion toute spéciale l’artiste internationale interprétera les grands classiques, des chansons extraites du répertoire pop et classique de même que quelques pièces tirées de célèbres musiques de film, sans oublier des chansons de son plus récent album (From My Heart) ainsi que des primeurs de Je Suis, son premier opus en français, dont la sortie est prévue le mardi 18 novembre prochain.

Mentionnons qu’au cours de la dernière année Giorgia Fumanti a brillé sur certaines scènes comptant parmi les plus prestigieuses du monde, notamment aux É.-U., au Mexique, en Italie, au Portugal, en Angleterre, en Grèce, en Chine, à Taiwan, au Japon, en Corée du Sud, à Hong Kong et en Inde. Elle a également joint sa voix à celles de stars internationales dont José Carreras, Lang Lang, Mario Frangoulis, Patrizio Buanne, Justin Hayward – Moody Blues, John McDermott, Zucchero et Lucio Dalla. En août dernier, aux Jeux Olympiques de Beijing, elle a livré une magnifique prestation devant plusieurs millions de téléspectateurs.

Après avoir été chaudement applaudie aux quatre coins du monde, voilà que la belle Italienne est de retour à la maison. Une occasion en or s’offre donc aux gens de Salaberry-de-Valleyfield et de la région, alors qu’elle déposera sa voix d’ange a la Salle Albert-Dumouchel au 169, rue Champlain, le dimanche 19 octobre à 20h00.

Les billets sont en vente au coût de 25 $. Ils sont en vente à billetterie de la Salle Albert-Dumouchel (169, avenue Champlain, 450.373.1739) et sur www.ovation.qc.ca

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Hold the dates: Dulcinea's Lament, DB Clarke Theatre


The D.B. Clarke Theatre presents

A Dulcinea Langfelder & Co. production

Dulcinea's Lament

By Dulcinea Langfelder

Directed by Alice Ronfard


Mark these dates in your autumn calendar

Wednesday, November 12 – Wednesday, November 19, 2008


Inspired by Don Quixote's muse, Dulcinea del Toboso, Dulcinea Langfelder takes on Cervantes' 'absent heroine'. Using her namesake from the novel, she expresses her vision of religious attitudes, the world and its history. In this multimedia theatre production, you don't need to have read the book

to know intuitively who Dulcinea is.


Dulcinea's Lament – seven shows only

A presentation of the D.B. Clarke Theatre

1455 de Maisonneuve West, Guy metro

Reservations: (514) 848-2424, ext. 4742 or Admission


Dulcinea Langfelder is an inspired, multidiscipline artist. www.dulci-langelder.org


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Friday, October 17, 2008

NACO, Oct. 21-22: Pinchas Zukerman and Jon Kimura Parker give preview of Western Canada Tour repertoire


NAC Orchestra led by Music Director Pinchas Zukerman with piano soloist Jon Kimura Parker gives Ottawa a preview of its Western Canada Tour repertoire on Oct. 21-22

Ottawa, OntarioThe National Arts Centre Orchestra will set off on October 24 on a 20-day Western Canada Tour across four provinces and to Whitehorse – the latter marking the ensemble’s first-ever trip to the Yukon. While on tour, Music Director Pinchas Zukerman and musicians will be involved in more than 130 activities in 26 communities, reaching some 8,000 participants. On Tuesday, October 21 and Wednesday, October 22 in Southam Hall, Pinchas Zukerman and guest pianist Jon Kimura Parker will give National Arts Centre audiences a preview of some of the repertoire they are taking on tour.

Jon Kimura Parker, one of Canada’s best known and most popular pianists, guarantees a definitive interpretation of Tchaikovsky’s iconic Concerto for Piano No. 1 in all its romantic ardour. Maestro Zukerman will also lead the Orchestra in the soaring melodies of Tchaikovsky’s Symphony No. 5.

There are free pre-concert talks at 7 p.m. both nights with William Littler, music columnist of the Toronto Star, hosted by Jill LaForty, Radio Music Producer of CBC Radio entitled “Tchaikovsky, the Loved and Hated”.

The NAC Orchestra musicians are joined by the five participants in the 2008-09 NAC Institute of Orchestral Studies. These apprentices have been selected by audition to rehearse, perform and be mentored by the NAC Orchestra musicians during five separate weeks throughout the season. They will join the Orchestra on tour for performances in five of the cities where the NAC Orchestra performs.

Concertgoers are invited to remain in Southam Hall after the concerts on October 21 and 22 for a post-concert talkback during which Jon Kimura Parker will interview the IOS apprentices.

Follow the NAC Orchestra’s Western Canada Tour online at www.NACOtour.ca where there are tour blogs, audio clips, a photo gallery, and more.

The National Arts Centre Foundation gratefully acknowledges support for the Western Canada Tour from Presenting Partner EnCana, Signature Education Partner Agrium, and the NAC Friends, a generous group of supporters including True Energy Trust and SaskTel and a number of individual donors who have made the Western Canada Tour possible.

The extraordinary career of internationally acclaimed pianist Jon Kimura Parker has taken him from Carnegie Hall and London’s Royal Festival Hall to Baffin Island and Zimbabwe. In recent seasons, he has performed as guest soloist with the New York Philharmonic, The Cleveland Orchestra, The Philadelphia Orchestra, the Warsaw Philharmonic and the NHK Tokyo Orchestra.

Jon Kimura Parker has a long history with the National Arts Centre Orchestra including a 1998 tour in Canada and a 1996 tour in the Eastern U.S. This season, he is the NAC Orchestra’s first artist-in-residence appearing in concert and in recital, and playing an integral role in education outreach. The Vancouver-born musician is an Officer of The Order of Canada, this country’s highest civilian honour.

Tickets for these Mark Motors Audi Signature Series concerts on Tuesday, October 21 and Wednesday, October 22 at 8 p.m. are on sale now at $19.00, $39.00, $49.00, $59.00, $69.00 with box seats at $86.00 (GST and Facility Fee included) at the NAC Box Office (Monday to Saturday from 10 a.m. to 9 p.m.), and through Ticketmaster (with surcharges) at 613-755-1111. Ticketmaster may also be accessed through the NAC’s website at www.nac-cna.ca.

Half-price tickets for students in all sections of the hall are on sale in person at the NAC Box Office upon presentation of a valid student ID card. Live Rush tickets (subject to availability) for full-time students (aged 13 to 29) are $11 at the NAC Box Office from 2 p.m. the day before the concert to 6 p.m. the day of, upon presentation of a valid Live Rush card.

Groups of 10 and more save 15% to 20% off the regular price of tickets to NAC Music, Theatre and Dance performances. To reserve your seats call 613-947-7000 ext. 384 or email grp@nac-cna.ca.

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November Concert Listings


The VSO’s November Concert Listings

Vancouver BC November brings cold weather and miserable rainy grey days to Vancouver – but the VSO brings hot concerts and lots of joy and cheer to audiences around the Lower Mainland! There are several great concerts, beginning with Vancouver favourite Angela Cheng, who graces the Orpheum stage to perform Beethoven’s Piano Concerto No.3; a concert that also includes Dvorak’s New World Symphony. Another season highlight is The Festival of Remembrance – an inspiring series of concerts that commemorate the 90th Anniversary of the end of WWI. Cellist Raphael Wallfisch will be featured in the first two Festival of Remembrance concerts performing Bloch’s moving Hebraic Rhapsody at the Orpheum and in Surrey’s Bell Centre for the Performing Arts. The Festival concludes with one of the most important works of the twentieth century, Benjamin Britten’s epic War Requiem – featuring the Vancouver Bach Choir, Vancouver Bach Children’s Chorus, and three outstanding vocal soloists.

The world of Ballet comes alive with dancers from Goh Ballet in the second Pacific Arbour Tea & Trumpets concert of the season. Byron Stripling, a true Jazz and Blues master, will bring his immense talent to Vancouver again in the London Drugs VSO Pops concert Nothin’ But The Blues. Concerts for kids include Teddy Bears Music Picnic with entertainers Let Your Music Shine with Lisa and Linda and Al Simmons bringing his one-man, multi-prop performance to children in Something’s Fishy…with Al Simmons. The month comes to a close with violin genius Corey Cerovsek, who returns home to perform the stunning Sibelius Violin Concerto.

CONCERT INFO

Tiny Tots Series:

Teddy Bears Music Picnic

Saturday, November 1, 10:00am, 11:30am, Terry Fox Theatre

Let Your Music Shine with Lisa and Linda, entertainers

Bring your teddy bear for this show filled with playful songs, games and musical stories. A family favourite!

Adult Tickets $15, Child Tickets $7

Tickets available by phone at 604.876.3434 or online at www.vancouversymphony.ca

Premier Education Partner:

TELUS

Masterworks Gold Series:

New World Symphony

Saturday & Monday, November 1 & 3, 8pm, Orpheum Theatre

Yoav Talmi, conductor

Angela Cheng, piano

Beethoven Loenore Overture, No.3

Beethoven Piano Concerto No.3 in C minor, Op. 37

Dvorak Symphony No.9 in E minor, New World

One of the top Classical pianists anywhere, Vancouver favourite Angela Cheng graces the Orpheum stage to perform Beethoven. And the orchestra performs Dvorak’s blockbuster New World Symphony, one of the most popular symphonies ever written.

Tickets $25 to $78.50 (Student, Senior and Subscriber discounts available)

Tickets available by phone at 604.876.3434 or online at www.vancouversymphony.ca

Generously Supported By:

Radio Sponsor: CKNW AM980

Musically Speaking Series:

Festival of Remembrance

Saturday, November 8, 8pm, Orpheum Theatre

Bramwell Tovey, conductor

Raphael Wallfisch, cello

Meyerbeer Le prophete: Coronation March

Mendelssohn Calm Sea and Prosperous Voyage

Mahler Symphony No. 5: Adagietto

Bloch Schelomo: Hebraic Rhapsody

Timothy Corlis Olympic Commission

Weill Threepenny Opera: Suite

Offenbach Gaite Parisienne: Suite

An inspiring concert that helps to commemorate the 90th Anniversary of the end of World War I. Superb cellist Raphael Wallfisch performs Bloch’s beautiful, moving Hebraic Rhapsody for cello and orchestra.

Tickets $20 to $56 (Student, Senior and Subscriber discounts available)

Tickets available by phone at 604.876.3434 or online at www.vancouversymphony.ca

Generously Supported By:

Video Screen Sponsor: TELUS

Video screen presentations created and produced by students and staff of digital video productions at Columbia Academy.

Surrey Nights Series:

Festival of Remembrance

Monday, November 10, 8pm, Bell Performing Arts Centre

Bramwell Tovey, conductor

Raphael Wallfisch, cello

Meyerbeer Le prophete: Coronation March

Mendelssohn Calm Sea and Prosperous Voyage

Mahler Symphony No. 5: Adagietto

Bloch Schelomo: Hebraic Rhapsody

Timothy Corlis Olympic Commission

Weill Threepenny Opera: Suite

Offenbach Gaite Parisienne: Suite

An inspiring concert that helps to commemorate the 90th Anniversary of the end of World War I. Superb cellist Raphael Wallfisch performs Bloch’s beautiful, moving Hebraic Rhapsody for cello and orchestra.

Tickets $37 (Student, Senior and Subscriber discounts available)

Tickets available by phone at 604.876.3434 or online at www.vancouversymphony.ca

Generously Supported By:

Series has been endowed by a generous gift from Werner and Helga Höing

PricewaterhouseCoopers Masterworks Silver Series:

Festival of Remembrance: Britten’s War Requiem

Saturday & Monday, November 15 & 17, 8pm, Orpheum Theatre

Bramwell Tovey, conductor

Christie Reside, flute*

Joni Henson, soprano**

James Taylor, tenor**

Aaron St. Clair Nicholson, baritone**

Vancouver Bach Choir**

Vancouver Bach Children’s Chorus**

Barber Adagio for strings

Bernstein Halil for flute and orchestra*

Britten War Requiem, Op. 66**

Marking the 90th Anniversary of the end of World War I, this epic concert features Benjamin Britten’s seminal work, War Requiem, a brilliant denunciation of the horrors of war.

Tickets $25 to $78.50 (Student, Senior and Subscriber discounts available)

Tickets available by phone at 604.876.3434 or online at www.vancouversymphony.ca

Generously Supported By:

Series Sponsor: PricewaterhouseCoopers

Video Screen Sponsor: TELUS

Video screen presentations created and produced by students and staff of digital video productions at Columbia Academy.

Radio Sponsor: CKNW AM980

Pacific Arbour Tea & Trumpets Series:

Beautiful Ballet

Thursday, November 20, 2pm, Orpheum Theatre

Evan Mitchell, conductor

Dancers from Goh Ballet

Christopher Gaze, host

Tchaikovsky Swan Lake: Spanish Dance

Tchaikovsky Swan Lake: Pas de Deux

Tchaikovsky Nutcracker: Grand Pas de Deux

Gounod Ballet Music (selections)

Rimsky-Korsakov Snow Maiden: IV: Dance of the Buffoons

Saint-Saens Samson and Dalila: Dance Bacchanale

Borodin Polovtsian Dances

Khachaturian Sabre Dance

The world of Ballet comes alive on the Orpheum stage, with VSO Assistant Conductor Evan Mitchell and dancers from Goh Ballet presenting favourite moments by Tchaikovsky, Rimsky-Korsakov, Khachaturian, Borodin and more.

Tickets $36 (Student, Senior and Subscriber discounts available)

Tickets available by phone at 604.876.3434 or online at www.vancouversymphony.ca

Generously Supported By:

Series Sponsor: Pacific Arbour

London Drugs VSO Pops Series:

Nothin’ But The Blues

Friday & Saturday, November 21 & 22, 8pm, Orpheum Theatre

Jeff Tyzik, conductor

Byron Stripling, trumpet/vocalist

Wycliffe Gordon, trombone

Dee Daniels, vocalist

Bobby Floyd, organ

TBA, drums

Byron Stripling has quickly become a favourite with Vancouver audiences, holding them in the palm of his hand with extraordinary talent, a larger-than-life stage presence, and an authenticity rarely found in any but the true Jazz/Blues masters. Hear him bring the real Blues alive on the Orpheum stage, then leap to your feet in for the inevitable standing ovation.

Tickets $25 to $78.50 (Student, Senior and Subscriber discounts available)

Tickets available by phone at 604.876.3434 or online at www.vancouversymphony.ca

Generously Supported By:

Series Sponsor: London Drugs

Radio Sponsor: 600AM

Spectra Energy Kids’ Koncerts Series:

Something’s Fishy…with Al Simmons


Sunday, November 23, 2pm, Orpheum Theatre

Evan Mitchell, conductor

Al Simmons, entertainer

Al Simmons and his one-man, multi-prop, music-filled, off the wall performances have elevated audiences world-wide to collective giggles and all-out guffaws. A perennial children’s favourite, Al’s orchestral shows are some of the very best in children’s entertainment.

Tickets $26 (Student, Senior and Subscriber discounts available)

Tickets available by phone at 604.876.3434 or online at www.vancouversymphony.ca

Generously Supported By:

Series Sponsor: Spectra Energy

Premier Education Partner: TELUS

Masterworks Diamond Series:

The Genius of Corey Cerovsek

Saturday & Monday, November 29 & December 1, 8pm, Orpheum Theatre

Carlos Miguel Prieto, conductor

Corey Cerovsek, violin

Verdi I vespri siciliani: Overture

Sibelius Violin Concerto in D minor, Op. 47

Bartok Concerto for Orchestra

Violin wunderkind Corey Cerovsek returns home to perform the sublime Sibelius. Bartók’s Concerto for Orchestra is a rarely performed gem, and will rock the Orpheum.

Tickets $25 to $78.50 (Student, Senior and Subscriber discounts available)

Tickets available by phone at 604.876.3434 or online at www.vancouversymphony.ca

Generously Supported By:

Radio Sponsor: CKNW AM980

Beltone Symphony Sundays Series:

The Genius of Corey Cerovsek

Sunday, November 30, 2pm, Orpheum Theatre

Carlos Miguel Prieto, conductor

Corey Cerovsek, violin

Verdi I vespri siciliani: Overture

Sibelius Violin Concerto in D minor, Op. 47

Bartok Concerto for Orchestra

Violin wunderkind Corey Cerovsek returns home to perform the sublime Sibelius. Bartók’s Concerto for Orchestra is a rarely performed gem, and will rock the Orpheum.

Tickets $20 to $56 (Student, Senior and Subscriber discounts available)

Tickets available by phone at 604.876.3434 or online at www.vancouversymphony.ca

Generously Supported By:

Series Sponsor: Beltone

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Jack Everly Conducts the ESO in The Beat Goes On: Music of the Baby Boomers!


Robbins Pops:

The Beat Goes On with conductor Jack Everly, a stellar cast of vocalists and

the Music of the Baby Boomers!

Friday, October 31st and Saturday, November 1st- 8pm

Edmonton, ABThe Beat Goes On with conductor Jack Everly, the Edmonton Symphony Orchestra (ESO) and the Music of the Baby Boomers! Join Maestro Everly, and six incredible vocalists, as the ESO turns back the clock to the 1960s, when the "Fab Four" took the world by storm, the Beach Boys made summer "endless," and the Supremes put Motown on the map. Singers Joe Cassidy, Roy Chicas, Heath Calvert, N’Kenge, Kristine Reese, and Christian De Cicco help you reminisce with music from television and movie themes, as well as popular hits from the airwaves, including music by Burt Bacharach and Frankie Valli.

Ticket prices for this performance range from $24 to $79 (agency fees apply). Student and senior rush tickets are subject to availability and can be purchased two hours prior to performance time. Tickets are available through the Winspear Centre Box Office.

The next performance of the Robbins Pops takes place on December 5th & 6th with Edmonton favourite Robert Bernhardt conducting a Yuletide Celebration.

This series is generously supported by Bill & Mary Jo Robbins

Saturday, November 1st is generously sponsored by Peterson Walker LLP

Media Sponsor: Magic 99 FM

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Spectacle Awlad Al-Haram de Jerusalem In My Heart au MAI / concert of Jerusalem In My Heart at the MAI


Awlad Al-Haram de Jerusalem In My Heart au MAI
Musique arabe expérimentale psychédélique
english version will follow

Vendredi 24 et samedi 25 octobre 2008, 20h

Montréal le 17 octobre 2008 - Jerusalem In My Heart présente Awlad Al-Haram une performance des plus hypnotiques, les 24 et 25 octobre prochains à 20h dans la Galerie du MAI (Montréal, arts interculturels). Ce 3ème spectacle présenté dans le cadre de la Série Musique du MAI, Circulation, est sans doute l'un des projets musicaux les plus éclatés et risqués du moment. L'artiste n'hésite pas à piquer nos stéréotypes et questionne les représentations occidentales du Levant tout en rendant hommage à l'apport musical du Moyen-Orient et à sa culture politique. Un spectacle à ne pas manquer, puisque les performances de JIMH sont uniques et éphémères !

Awlad Al-Haram concilie sonorités électriques actuelles, éléments classiques et psychédéliques d'inspiration post-coloniale de la musique moyen-orientale. Performance conceptuelle et dynamique tant musicalement que visuellement, le spectacle regroupe sur scène un fascinant cœur de 30 voix féminines. Comme dans la forme musicale traditionnelle moyen-orientale de type « appel et réponse », les voix unies et le clap syncopé des mains des 30 choristes répondent au chant solo, aux guitares et aux claviers. Inspiré de pratiques rituelles et funéraires musulmanes, JIMH nous entraîne dans ce voyage hypnotique où règne l'apparente confusion du chao. Présenté dans la superbe galerie du MAI, le spectacle est également enrichit par l'intensité des projections 16 mm de Karl Lemieux.

Jerusalem In My Heart (JIMH) est Radwan Moumneh.
Guitariste, chanteur et compositeur, Radwan Moumneh télescope des éléments psychédéliques et transes de la culture arabe avec des sonorités actuelles, dans une vision ludique, novatrice et expérimentale. Son pseudonyme JIMH provient du nom d'un album de la grande chanteuse libanaise Fairuz. Radwan partagera la scène du MAI avec son fidèle complice le joueur de oud éclectique Sam Shalabi. Leur dernière collaboration sur disque remonte à janvier 2008 pour l'album solo Eid de ce dernier, paru sur l'étiquette Alien8 Recordings. Radwan est membre du groupe montréalais psych pop, Pas Chic Chic et on le retrouve également aux commandes de l'infatigable studio d'enregistrement, l'Hotel 2 Tango.

On peut se procurer les billets pour ces représentations en se présentant à la billetterie du MAI, située au 3680 rue Jeanne-Mance ou en composant le 514 982-3386.



Awlad Al-Haram by Jerusalem In My Heart at the MAI
Psychedelic Experimental Arab music

Friday, October 24 and Saturday, October 25 at 8 pm

Montreéal, October 17, 2008 - Jerusalem In My Heart's hypnotic show Awlad Al-Haram will be presented in the MAI's Gallery on October 24 and 25 at 8 pm. Awlad Al-Haram - the third featured show in the MAI's musical series, Circulation - is undoubtedly one of the season's most explosively risky. With this show, JIMH underscores western (mis)representations of the Levant while paying homage to Middle Eastern musical and political cultures. Not to be missed as JIMH rarely performs live! Each concert is a unique, unrepeatable experience!

Awlad Al-Haram mixes modern electronic sounds with classical Arab elements and psychedelic Middle Eastern music from the postcolonial era. Musically and visually dynamic, this spectacular performance will feature a fascinating choir of 30 female voices. Grounded in Middle Eastern musical traditions of call-and-response, the voices and syncopated clapping of the choir will accompany solo vocals, guitars, and keyboards. Inspired by Muslim mourning rituals, this show is a hypnotic journey where confusion and chaos apparently reign. Presented in the MAI's superb gallery space, this concert will be enriched by the intensity of Karl Lemieux's 16 mm projections.

Radwan Moumneh is Jerusalem In My Heart (JIMH).
Guitarist, singer, and composer, Radwan blends his playful, innovative, experimental vision with psychedelic and trance elements from Arab cultures, and modern electronic sounds. His pseudonym is borrowed from the title of an album by the legendary Lebanese singer Fairuz. He will perform at the MAI with the eclectic oudist Sam Shalabi. Their last collaboration was on Shalabi's recent solo album, Eid, on the Alien8 Recordings label. He is also member of the Montreal-based pysch pop band, Pas Chic Chic, as well as the co-owner of the analog sound studio, Hotel 2 Tango.

Tickets for the shows are available at the MAI's ticket office located on 3680 Jeanne-Mance Street or by calling 514-982-3386.


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Doc Soup: Award-winning documentary

AWARD-WINNING DOCUMENTARY THE ENGLISH SURGEON LAUNCHES CALGARY'S DOC SOUP SERIES


RENOWNED BRAIN SURGEON AND FILM'S SUBJECT DR. HENRY MARSH IN ATTENDANCE

Calgary, October 15, 2008 – The Calgary International Film Festival (CIFF) and Hot Docs Canadian International Documentary Festival are pleased to announce THE ENGLISH SURGEON (D: Geoffrey Smith, UK) will launch Calgary's monthly Doc Soup screening series. Called "funny, frightening, and deeply moving" by the New York Times and "a gorgeous and utterly moving portrait" by Indiewire, THE ENGLISH SURGEON won Best International Feature Documentary awards at both the 2008 Hot Docs and Silver Docs festivals.


THE ENGLISH SURGEON screens on Wednesday, November 5, at 7:00 p.m. at the Cineplex Odeon Eau Claire Market, 200 Barclay Parade, S.W. Renowned brain surgeon and the subject of the film, Dr. Henry Marsh, will be in attendance for a post-screening Q&A.


About the Film

What is it like to have God like surgical powers, yet to struggle against your own humanity? What is it like to try and save a life, and yet to fail?


Driven by the need to help others where he can, Dr. Henry Marsh, one of London's foremost brain surgeons, has been going out to Kiev for over 15 years to help improve upon the medieval brain surgery he witnessed there during his first visit in 1992. Today, the patients see him as the great saviour from the West, desperate parents want him to save their child, and his Ukrainian colleague sees him as a guru and a benefactor. But for all this immediate satisfaction, Henry also sees grossly misdiagnosed patients, children who he can't save, and a lack of equipment and trained supporting staff. "It's like selling your soul to the devil, but what can you do? My son had a brain tumour as a baby and I was desperate for someone to help me. I simply can't walk away from that need in others".


It is this dilemma – one of his own making – that makes Henry so interesting. It lets his troubled and compassionate humanity through and reveals the universal theme at film's centre: the struggle to do good things in a selfish and flawed world.


With an original soundtrack by Nick Cave and Warren Ellis, THE ENGLISH SURGEON openly confronts moral and ethical issues which touch every one of us. And all in a country called the Ukraine which is struggling to do the same thing….


The Screenings

The Doc Soup monthly screening series brings the latest Canadian and international documentaries to the big screen in Calgary, Toronto and Vancouver. Subscription packages for Calgary's Doc Soup are currently available at www.docsoup.ca for $99 (save $45). Each subscription guarantees a ticket to every Doc Soup selection and comes with free bonus tickets to the Calgary International Film Festival. Single tickets for THE ENGLISH SURGEON are $12. Single tickets are not sold in advance and are only sold at the door, subject to availability.


Upcoming screening dates for Calgary's Doc Soup are January 7, February 4, March 4, April 1, and May 6. Doc Soup titles are announced at least one month prior to their screenings and, whenever possible, guest directors are in attendance.


Hot Docs is pleased to acknowledge Citytv as the Presenting Partner of the Doc Soup series.


Hot Docs

Hot Docs, North America's largest documentary festival, conference and market, will present its 16th annual edition from April 30 – May 10, 2009. An outstanding selection of 170+ documentaries from Canada and around the world will be presented to Toronto audiences and international delegates. Hot Docs will also mount a full roster of conference sessions and market events and services for documentary practitioners, including the renowned Toronto Documentary Forum, May 6 & 7, and The Doc Shop. For more information please visit www.hotdocs.ca.


About CIFF

Founded in 1998, the Calgary International Film Festival (CIFF) is a charitable, not-for-profit, cultural organization based in Alberta, Canada. Inspired by the pioneering spirit and maverick ideals of the community, CIFF showcases films that break traditional boundaries and forge new cinematic ground. CIFF celebrates an unparalleled breadth and depth of cultural diversity through the meaningful, accessible, and artistic medium of film and engages thousands of artists to showcase the best films from filmmakers in over 100 countries around the world. CIFF is held annually at the end of September, screening over 200 films and hosting several gala events, awards, and special presentations. For more information visit www.calgaryfilm.com.

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Cellist Steven Isserlis visits U of T

British cellist Steven Isserlis to perform and teach master classes at faculty of music as 2008 Lorand Fenyves resident artist

"The music world - and music itself - is infinitely richer for the presence of Steven Isserlis." - Gramophone Magazine (UK)

TORONTO – Steven Isserlis is acclaimed worldwide for his musicality and technique alike. A leading cellist of his generation, he is especially renowned for his interpretation of the music of Robert Schumann, and has received the coveted Schumann Prize of the City of Zwickau (Schumann’s birthplace). From November 3 -5, Mr. Isserlis will visit the University of Toronto Faculty of Music as the Lorand Fenyves Resident Artist. His residency includes a cello recital with pianist Connie Shih (including works by Schumann) and two cello master classes featuring advanced cello students of the Faculty of Music.

Details of the residency:

Monday, November 3, 2008
Cello Recital with Connie Shih on the Chamber Music Series

Mendelssohn: Variations concertantes
Schumann: Adagio and Allegro, op 70
Schumann (arranged for cello by Isserlis): Violin Sonata No. 3
Britten: Sonata
Poulenc: Sonata

The concert takes place at 7:30 pm in Walter Hall in the Edward Johnson Building at 80 Queen’s Park. Tickets ($25 adults and $15 seniors/students) can be purchased at the box office in person or by calling 416-978-3744.

Tuesday & Wednesday, November 4 & 5, 2008
Cello Master Class

1 pm. Walter Hall. Free


Steven Isserlis is a cellist whose passion for music transcends conventional divisions. He is equally at home in chamber music or in recital; delving into the historical archives to emerge with a forgotten gem; or on the concert platform with some of the world's most prestigious orchestras and conductors.
This season's highlights include a residency at Frankfurt's Alte Oper, who prominently features Isserlis as its 'Auftakt' artist, incorporating a concert with the Chamber Orchestra of Europe; and performances with the Orchestre de Paris under Christoph Eschenbach at the Enescu Festival in Bucharest. Isserlis appears with the Philharmonia under Paavo Järvi, the Philadelphia Orchestra under Charles Dutoit and tours with both the City of Birmingham Symphony and the Australian Chamber orchestras. He also participates in a Gala Concert with the Israel Philharmonic to mark the 50th anniversary of the Mann Auditorium, performing Bloch's Schelomo under Zubin Mehta's baton. With a strong interest in authentic performance, Isserlis plays with many of the foremost period instrument orchestras. He has recently performed all Beethoven's works for cello with fortepianist Robert Levin in Boston and at London’s Wigmore Hall. Last season he performed the Dvorák Cello Concerto with the Orchestra of the Age of Enlightenment under Sir Simon Rattle.
The chamber concerts of Isserlis' devising are renowned, not only for the quality of performance, but also for his ingenuity and innovation in programming. Schumann is a particular passion for Isserlis, and last season he performed Schumann's Cello Concerto on a major tour of Germany with the Junge Deutsche Philharmonie under Marc Albrecht, spearheaded a Schumann project in Japan, and performed in an evening of words and music dedicated to the story of Schumann and Brahms ­ with a script written by Isserlis ­ in London and New York. This season, Isserlis presents a Russian series of his own devising at the Wigmore Hall, French and Russian programmes as part of his residency at Frankfurt's Alte Oper, and a series of chamber music and educational events at the New Zealand International Arts Festival.
Last season, he launched his own series at the 92nd St Y in New York; such was its success that the series continues and develops in the present season. Isserlis’s interest in musical education has another outlet in the masterclasses he gives regularly all over the world; and for the past ten years he has been Artistic Director of the masterclass and chamber music seminar IMS Prussia Cove. He has also published several editions and arrangements, principally for Faber Music.
Steven Isserlis is a keen exponent of contemporary music and works with many composers on new commissions. He recently gave the world première of Wolfgang Rihm¹s Cello Concerto at the Salzburg Festival, and future plans include the première performances of works written for him by Mikhail Pletnev and Thomas Adès.
With an award-winning discography, Isserlis' recordings reflect his diverse interests in repertoire. His most recent release is of the complete Solo Cello Suites by Bach on the Hyperion label, which has been met with the highest critical acclaim and won many awards. Other recent releases include two recordings with Stephen Hough: the Brahms sonatas, coupled with works by Dvorák and Suk, for Hyperion Records, voted Listeners' Disc of the Year on BBC Radio 3's CD review; and a highly-acclaimed disc of children's cello music for BIS Records.
Awarded a CBE in 1998 in recognition of his services to music, Steven Isserlis has received many honours, including in 2000 the Schumann Prize of the City of Zwickau (Schumann's birthplace); previous recipients include Gilels, Masur, Richter and Fischer-Dieskau.
Steven Isserlis plays the Feuermann Stradivarius of 1730, kindly loaned by The Nippon Music Foundation of Japan


Pianist Connie Shih, born in Canada, is considered to be one of Canada's most outstanding young artists. In 1993, she won the Sylva Gelber Award for most outstanding classical artist under age 30. At the age of nine, she made her orchestral debut with Mendelssohn's First Piano Concerto with the Seattle Symphony Orchestra. At 12, she was the youngest ever protégé of Gyorgy Sebok at Indiana University, and then continued her studies at the Curtis Institute with Claude Frank. Later studies were undertaken with Fou Ts'ong in Europe. As soloist, she has appeared extensively with orchestras throughout Canada, U.S. and Europe and in recitals she has made countless appearances in Canada, the U.S., Iceland, England, Germany, and China. She frequently performs chamber music with many world renowned musicians. To critical acclaim, she appears regularly in recital with Steven Isserlis. She has performed at London’s Wigmore Hall in London, Carnegie Hall, and at the prestigious Bath Music Festival and the Kronberg Festival. This past season included collaborations with Steven Isserlis, Susan Gritton and Anthony Marwood at the Aldeburgh Festival and other performances with Tabea Zimmermann and Isabelle Faust.

The Lorand Fenyves Residency program was established by the Fenyves family in 2006 to perpetuate the legacy and pedagogical vision of the late Lorand Fenyves, violin professor at the University of Toronto for over 35 years.
The purpose of the Residency is to provide undergraduate and graduate string students direct access to world renowned master teachers and artists in the spirit of Mr. Fenyves. Visiting Artists’ residencies include intensive individual coaching, master classes, and public recitals.

The Faculty of Music Chamber Music Series brings to Walter Hall some of the world’s finest chamber music groups. Recent and upcoming performers include the Miro Quartet, Berlin Philharmonic Wind Quintet, St. Lawrence String Quartet, cellist Steven Isserlis, and the Gryphon Trio. For more information on this and other Faculty of Music concert series, please visit our website at http://www.music.utoronto.ca or contact the Box Office at 416-978-3744.

Ticket sales and general inquiries:

Faculty of Music Box Office
Hours: 1 – 7 pm, Monday to Friday, with extended hours on performance nights.
Phone: 416-978-3744
Address: Lobby level, Edward Johnson Building, 80 Queen’s Park, Toronto ON M5S 2C5

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Concert November 9: Jin Joo Cho

Jeunesses Musicales Ontario presents

JINJOO CHO, VIOLIN
LOUISE-ANDRÉE BARIL, PIANO

Date: Sunday November 9th Time: 3:00pm
Venue: Gladstone Hotel, 1214 Queen Street West
Tickets: $15 Adults/ $10 Students & Seniors
For on-line ticket orders: http://jinjoo.eventbrite.com/

Jeunesses Musicales Ontario is proud to present violinist Jinjoo Cho and
pianis Louise-Andrée Baril with their concert as part of the Desjardins
Concerts 2008-2009. This tour will bring the two musicians in many cities
throughout Quebec, Ontario, Nova Scotia, New Brunswick and British Colombia.

JINJOO CHO, VIOLIN
Violinist Jinjoo Cho won the First Grand Prize and the People's Choice Award
at the 2006 Montreal International Musical Competition, and the gold medal
at the 2005 Stulberg International String Competition. She has appeared as a
soloist with the Cleveland Orchestra, the Montreal Symphony Orchestra, the
Quebec Symphony Orchestra, the Seoul Philharmonic Orchestra, the Kalamazoo
Symphony, CityMusic Cleveland, and the Aspen Concert Orchestra. She has
worked with world renowned artists such as Robert McDuffie, Peter Oundjian,
Muhai Tang, and Kent Nagano. Ms. Cho appeared on a national radio broadcast
of From the Top in a program later designated best of the year. Ms. Cho has
given recitals in Seoul, Cleveland, Montreal, and New York, and she served
as a musician-in-residence at the Kentucky Center for Performing Arts. Ms.
Cho made her European debut in the Herkulessaal in Munich last season.
During the 2007-2008 seasons, Ms. Cho had performed in subscription concerts
with the Quebec Symphony, the Winnipeg Symphony, I Musici de Montréal, and
CityMusic Cleveland.

Ms. Cho, a dedicated orchestral and chamber musician, was a member of the
Wo¡-Mén String Quartet. The group was coached by Peter Salaff, Donald
Weilerstein, Arnold Steinhardt and the Cavani, Pacifica, and Takács String
Quartets. Her duo with cellist Joshua Roman regularly performs in Cleveland,
Seattle, and Spokane.

Ms. Cho, a native of Seoul, South Korea, attended the Yewon Art School. She
has been attending the Aspen Music Festival and School and was a member of
the Young Artist Program at the Cleveland Institute of Music from 2002
onward, in both venues as a student of Paul Kantor. She attended the Curtis
Institute of Music, studying there with Joseph Silverstein and Pamela Frank,
and is currently enrolled at the Cleveland Institute of Music, where she is
working as a student of Paul Kantor.

LOUISE-ANDRÉE BARIL, PIANO
A native of Cornwall, pianist Louise-Andrée Baril is one of Canada's most
accomplished musicians. An arranger, soloist, chamber musician, vocal coach,
and rehearsal pianist, she has collaborated with major ensembles and
conductors in Canada and abroad. She is regularly invited to collaborate in
major international competitions. She appears on over forty recordings and
is regularly heard on Radio-Canada's airwaves. Passionate about opera, her
repertoire includes over one hundred operatic works. She is especially
dedicated to French vocal music.

Louise-Andrée takes a great interest in emerging artists and has established
several opera workshops and projects for young artists, such as the
Université de Montréal's opera workshop and the Orford Arts Centre opera. A
much sought-after teacher, she works with several music institutions in
Quebec, Ontario, and the United States. Since 2007, Louise-Andrée Baril has
been an artistic advisor at Jeunesses Musicales of Canada, for the
movement's opera productions in particular.

Since 1949, Jeunesses Musicales of Canada has had a dual mission: to bring
fine music to audiences of all ages, especially 3 to 12-year-olds, and to
foster the careers of outstanding young professional instrumentalists,
singers and composers in Canada and abroad. Thanks to the support of its
partners and the work of hundreds of volunteers, Jeunesses Musicales of
Canada has become Canada's largest classical music performance network and
produces some 800 concerts a year. In 2000, the organization opened a new
building in Montreal that includes a 100-seat chamber music hall.
JMC is affiliated with Jeunesses Musicales International (JMI), founded in
1945 in Belgium and considered today by UNESCO as the world's leading
cultural organization dedicated to youth and music. Each year, Jeunesses
Musicales International's 41 national chapters organize more than 30,000
musical events, reaching an audience of some six million people.

This tour is made possible thanks to the financial support of the Mouvement
des caisses Desjardins, the Conseil des arts et des lettres du Québec, The
Canada Council for the Arts, Canadian Heritage, the Conseil des arts de
Montréal The Ontario Arts Council, and The Toronto Arts Council.

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Thursday, October 16, 2008

Les Mélodînes de la Place des Arts


LES MÉLODÎNES DE LA PLACE DES ARTS

Début attendu d'une 6e saison prometteuse

Les jeudis de 12 h 10 à 12 h 50 les 23 et 30 octobre prochains

Montréal, le jeudi 16 octobre 2008 – Pro Musica et la Place des Arts poursuivent leur fructueuse collaboration en présentant la 6e saison des MÉLODÎNES les jeudis de 12 h 10 à 12 h 50. Une série de douze concerts passionnants seront offerts aux amoureux de belle musique entre les mois d'octobre 2008 et d'avril 2009. Qu'on apprécie les œuvres de grands compositeurs tels Bach, Beethoven, Liszt et Schubert ou qu'on désire s'aventurer dans des sonorités plus audacieuses comme le ragtime, le big band ou le jazz, les MÉLODÎNES promettent à nouveau des divertissements de qualité interprétés par des artistes de grand talent. Les jeudis midis, apportez votre lunch et laissez-vous griser par la musique pendant quarante minutes.

Jeudi 23 octobre de 12 h 10 à 12 h 50 au Piano nobile de la Place des arts

Interprétés au piano par Jimmy Brière, les extraits du recueil Harmonies poétiques et religieuses du compositeur d'origine hongroise Franz Liszt retrouveront toute leur splendeur mystique et leur essence spirituelle. Lauréat de multiples récompenses au Canada et à l'étranger, Jimmy Brière a joué avec plusieurs orchestres symphoniques majeurs du Québec. Ses prestations en récital, en musique de chambre ou en solo avec orchestre ont été diffusées sur les ondes de Radio-Canada et CBC. Avec le clarinettiste Guy Yehuda et l'altiste Yuval Gotlibovich, il forme le Trio di Colore, qui s'est mérité une médaille d'or au Concours de musique de chambre Fischoff aux États-Unis en 2004. Tant comme soliste qu'en récital, sa sonorité éclatante fait de Jimmy Brière l'un des pianistes canadiens les plus appréciés de sa génération.

Jeudi 30 octobre de 12 h 10 à 12 h 50 au Studio-théâtre de la Place des Arts

Depuis la fin de ses études aux Universités de Montréal et McGill, le jeune baryton Marc-Antoine d'Aragon s'est fait remarquer dans de multiples récitals et concerts. Il y a quelques mois, il s'est mérité deux Prix prestigieux à la compétition vocale d'Opéra Lyra à Ottawa et aux Metropolitan Opera National Council Auditions pour le district de Pittsburgh. On pourra entendre sa « constante maîtrise de la voix et de sa projection » (Le Devoir) au Seattle Opera en avril 2009. C'est le réputé pianiste Francis Perron, qui poursuit une carrière active en Amérique du Nord et en Europe qui accompagnera d'Aragon. Lors de la saison 2007-2008 des MÉLODÎNES, d'Aragon et Perron ont interprété avec panache Dichterliebe (Les amours du poète), de Robert Schumann. Cette année, nous aurons droit à un autre cycle de lieder romantique, Die schöne Müllerin (La belle Meunière) de Franz Schubert.

Une coproduction de la Société Pro Musica et de la Place des Arts.

Entrée : 8 $ (taxes incluses) – Apportez votre lunch !


Réservations : Billetterie de la Place des Arts 514-842-2112 ou 1-866-842-2112 ou laplacedesarts.com







LES MÉLODÎNES AT PLACE DES ARTS

Eagerly awaited launch of 6th season

Thursdays, October 23 and 30 from 12:10 to 12:50 p.m.

Montreal, October 16, 2008 – Pro Musica and Place des Arts are continuing their successful collaboration with the launch of the 6th season of LES MÉLODÎNES. A series of twelve delightful concerts will be offered to music-lovers on Thursdays from 12:10 to 12:50 p.m. between October 2008 and April 2009. From masterworks by Bach, Beethoven, Liszt and Schubert to the bold rhythms of ragtime, big band and jazz, LES MÉLODÎNES is once again offering high-calibre concerts by talented artists. Thursdays at noon, bring your lunch and let the music weave its spell for forty minutes.

Thursday, October 23 from 12:10 to 12:50 p.m. at the Piano nobile of Place des arts

Interpreted by pianist Jimmy Brière, excerpts from the Harmonies poétiques et religieuses by Hungarian composer Franz Liszt will radiate all their mystical splendour and spirituality. A recipient of numerous awards in Canada and abroad, Jimmy Brière has performed with several major orchestras in Quebec. His recitals, chamber music and concerto performances have been broadcast by Radio-Canada and CBC. Together with clarinettist Guy Yehuda and violist Yuval Gotlibovich, he is a member of the Trio di Colore, which won a Gold Medal at the Fischoff National Chamber Music Competition in the United States in 2004. Whether in solo or group, the dazzling sonorities of Jimmy Brière have made him one of the most popular Canadian pianists of his generation.

Thursday, October 30 from 12:10 to 12:50 p.m. at the Studio-théâtre of Place des Arts

Since completing his studies at the Université de Montréal and McGill, the young baritone Marc-Antoine d'Aragon has made a name for himself in numerous recitals and concerts. He has won two prestigious awards over the past few months, one at the Opera Lyra vocal competition in Ottawa and the other at the Metropolitan Opera National Council Auditions for the district of Pittsburgh. His "continual mastery of voice and projection" (Le Devoir) will be on display with the Seattle Opera in April 2009. The distinguished pianist Francis Perron, who is active in both North America and Europe, will accompany Marc-Antoine d'Aragon. During the 2007-2008 season of LES MÉLODÎNES, d'Aragon and Perron gave us a spirited rendition of Robert Schumann's Dichterliebe (Poet's Love). This year, they will perform another Romantic song cycle: Die schöne Müllerin (The Miller's Beautiful Daughter) by Franz Schubert.

A co-production of the Société Pro Musica and Place des Arts

Admission: $8 (taxes included) – Bring your lunch!

Reservations: Place des Arts Box Office at 514-842-2112 / 1-866-842-2112 or laplacedesarts.com

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Handel and Haydn Society appointments


Handel and Haydn Society announces three senior staff appointments

Rita McAteer joins staff as Director of Development and External Affairs, Robert Nairn is named Artistic Administrator, and Clifford H. Rust is appointed Director of Finance and Administration.

BOSTON, October 16, 2008 – The Handel and Haydn Society today announced the appointments of Rita McAteer as Director of Development and External Affairs, Robert Nairn as Artistic Administrator, and Clifford H. Rust as Director of Finance and Administration.

Rita McAteer joined the Society staff as Director of Development and External Affairs for the Handel and Haydn Society on September 30, 2008. In her role, Ms. McAteer directs all income generating activities, which are supported by fundraising, marketing, and communications efforts for the Society’s $3.2M budget. Since 2005, Ms. McAteer had served as Associate Director of Development for Boston Lyric Opera, during which time she doubled foundation giving for the organization while overseeing corporate and foundation giving, annual fund operations, and managing a major donor portfolio. She previously served as Director of Marketing for the Huntington Theatre Company from 1999 until 2005, during which time the number of productions and the budget doubled. As a member of the senior leadership team, she planned, supervised, and executed all aspects of building the Calderwood Pavilion at the BCA, the first new theatres in Boston in 75 years.

Rob Nairn, principal bass for the Handel and Haydn Society since 2003, assumed his new role as Artistic Administrator on September 26, 2008. His appointment coincides with the announcement of Harry Christophers as the Artistic Director Designate of the Society. In his role, Mr. Nairn will plan and implement artistic programming and policies set forth by the Society’s Artistic Director. Rob Nairn is a versatile performer on the double bass with a career that has spanned Europe, the U.S. and Australasia. Currently Associate Professor at Penn State University, Rob recently joined the Juilliard School’s Academy program in historical performance. Alongside a busy career that includes solo appearances, chamber and orchestral music, Mr. Nairn plans to continue his active concert schedule with the Handel and Haydn Society.

Clifford H. Rust joined the senior staff team at Handel and Haydn Society as Director of Finance and Administration in July 2008. A member of Handel and Haydn Society professional chorus for 15 years, Mr. Rust holds an MBA, cum laude, from the F.W. Olin Graduate School of Business at Babson College and a bachelor’s degree in music from Dartmouth College. Mr. Rust taught music before joining the Boston Music Company in 1997, where he served as General Manager until 2003. Until joining the Society, Mr. Rust was CFO and General Manager of Business Operations for Digital Tigers, Inc. in Atlanta, GA.

Commenting on the appointments, Executive Director and /CEO Marie-Hélène Bernard said, “I am delighted to welcome Rita McAteer, Rob Nairn and Cliff Rust to the Handel and Haydn Society family. Their collective experience and abilities make them ideal to direct our artistic and audience development efforts. Together as the senior management team, they will work with me, our Board, our staff and Artistic Director Harry Christophers towards planning successful bi-centennial celebrations for Handel and Haydn Society in 2015. They each bring tremendous qualifications and a genuine love of the music of that Handel and Haydn Society promotes, and I look forward to planning an exciting future for the organization with them.”

The Handel and Haydn Society is a professional period-instrument orchestra and chorus and an internationally recognize­d leader in the field of historically-informed performance. Founded in Boston in 1815, the Society is the oldest continuously performing arts organization in the United States, with a long history of innovation: it gave the American premieres of Handel’s Messiah (1818), Haydn’s The Creation (1819), Verdi’s Requiem (1878), Bach’s Mass in B Minor (1887), and Bach’s St. Matthew Passion (1889). The Society today, under the leadership of Artistic Director Designate Harry Christophers, Artistic Advisor Sir Roger Norrington, Principal Conductor Grant Llewellyn, and Conductor Laureate Christopher Hogwood, is committed to its mission “to perform Baroque and Classical music at the highest levels of artistic excellence and to share that music with as large and diverse an audience as possible.” The Massachusetts Cultural Council has lauded the organization for its “willingness to take risks and explore new musical horizons.”

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National Arts Centre Orchestra Western Canada Tour, Oct. 24-Nov. 12


Canada’s National Arts Centre Orchestra led by Music Director Pinchas Zukerman embarks on Western Canada Tour, Oct. 24 to Nov. 12, 2008, including over 130 educational events

OTTAWA, CANADA Canada’s National Arts Centre Orchestra, with Music Director Pinchas Zukerman as conductor and violin soloist, will head to Western Canada for its 2008 tour from October 24 to November 12. The Western Canada Tour, with pianist Jon Kimura Parker, composer Alexina Louie, and guest conductors James Judd and Boris Brott, will include 13 orchestral concerts in 10 cities – from Victoria to Whitehorse to Winnipeg – spanning four provinces plus the Orchestra’s first-ever visit to the Yukon. In addition, the Orchestra will reach thousands of young people through events ranging from masterclasses with Pinchas Zukerman and Jon Kimura Parker to student concerts with the full Orchestra. In total, there will be more than 130 education activities in 26 cities and communities during the 20-day tour.

The Western Canada Tour 2008 will see the National Arts Centre Orchestra performing concerts led by Pinchas Zukerman in Vancouver (Oct. 25 and 27 at 8 p.m.), Victoria (Nov. 1 at 8 p.m.), Calgary (Nov. 7 at 8 p.m.), Regina (Nov. 8 at 8 p.m.), Saskatoon (Nov. 9 at 7:30 p.m.) and Winnipeg (Nov. 10 at 8 p.m.). Guest conductor James Judd will lead concerts in Prince George (Oct 28 at 8 p.m.), Whitehorse (Oct. 29 at 8 p.m.) and Kamloops (Nov. 2 at 8 p.m.). There will be student matinees led by the NAC Orchestra’s Principal Youth and Family Conductor Boris Brott in Whitehorse (Oct. 30 at 10 a.m.); at CFB Edmonton (Nov. 4 at 1:15 p.m.) as part of an innovative day in residence both on the military base and at the Kipnes Centre for Veterans; and in Spruce Grove (Nov. 5 at 10:30 a.m.). Pinchas Zukerman and members of the NAC Orchestra will perform chamber music at the Banff Centre (Nov. 6 at 8 p.m.).

The NAC is donating the performances of the artists and the NAC Orchestra in Winnipeg, Saskatoon, and Victoria to help host orchestras in those cities with their fundraising, and in Regina in honour of that orchestra’s 100th anniversary season.

The National Arts Centre Foundation gratefully acknowledges support for the Western Canada Tour from Presenting Partner EnCana, Signature Education Partner Agrium, and the NAC Friends and Trailblazers.

A distinguishing feature of any National Arts Centre Orchestra tour is educational outreach to children and youth. These outreach activities are opportunities for Music Director Pinchas Zukerman, guest artists and musicians of the Orchestra to step off the stage and into schools and classrooms to teach, encourage and inspire students, and to leave a real and lasting imprint.

The education events on the Western Canada Tour will include instrumental masterclasses for advanced students led by Pinchas Zukerman, Jon Kimura Parker and musicians of the NAC Orchestra; student open rehearsals with the NAC Orchestra; instrumental clinics in high schools; school concert-demonstrations by NAC Musician in the Schools ensembles in French immersion schools and by teaching musicians with the NAC’s Music Alive Program (formerly Music Ambassador Programme) in Alberta and Saskatchewan; sectional rehearsals with youth and community orchestras; composition lectures/masterclasses and pre- and intermission-concert chats with NAC Award Composer Alexina Louie; and pre-concert lobby performances by local youth choirs and instrumental ensembles. An additional special project is Music Connections - Winnipeg, a 9-week in-school program that integrates Aboriginal and Western cultural traditions and culminates with a live performance by up to 90 participating students with a brass octet from the NAC Orchestra on November 12 at 1 p.m. (location to be determined). Over 50 partners are engaged in helping to present these outreach activities.

In addition, the five participants in the NAC Orchestra’s 2008-09 Institute of Orchestral Studies will join the Orchestra on tour to perform in Vancouver, Calgary, Regina, Saskatoon and Winnipeg. These students, selected by audition, will be rehearsing and performing with the NAC Orchestra during five separate weeks throughout the season.

NAC educational resources to be distributed on the Western Canada Tour consist of the “Vivaldi and the Four Seasons” Teacher Resource Kit, the “Let’s Go Mozart” Teacher Resource Kit, and the “Introducing Beethoven” student newspaper guides. Schools involved in the student matinees on tour, the “Music Connections – Winnipeg” project, and the Music Alive Program will be supplied with the relevant resources.

The Western Canada Tour website to be found at NACOtour.ca will include a tour blog, audio clips, a photo gallery, and more.

Pinchas Zukerman said: “It is wonderful to be traveling again to the West Coast with the NAC Orchestra. As Music Director, one of my favourite aspects of going on tour is the pleasure of performing for other communities and giving them a feel for what we do at home. We also look forward to our many educational activities which not only utilize the excellent players in our orchestra, but also our Artist-in-Residence Jon Kimura Parker, and NAC Award Composer, Alexina Louie. We hope the communities we meet enjoy these concerts and activities, and that we will see them again in Ottawa!”

“The National Arts Centre belongs to all Canadians... and it’s extremely important to us that we make a real contribution to communities across the country,” said Peter Herrndorf, NAC President and CEO. “NAC Orchestra performance and education tours provide opportunities for Canadians to hear our musicians in concert halls and in classrooms, while enriching our collaborations with Canadian artists, educators and partners on a national level.”

Christopher Deacon, Managing Director of the Orchestra added: “We are grateful for the opportunity to assist some of our fellow Canadian orchestras with their fundraising efforts this season by donating the services of Pinchas Zukerman and the NAC Orchestra in Winnipeg, Saskatoon, Regina and Victoria. This, and the on-going education initiatives that begin during the tour and continue into the future, are ways that we are able to leave a lasting imprint after we tour.

CONCERT REPERTOIRE

The National Arts Centre Orchestra will perform Alexina Louie’s Infinite Sky with Birds at every public concert. Vancouver-born Alexina Louie, one of Canada’s most frequently performed composers, has been one of the NAC’s three Award Composers since 2002. Infinite Sky with Birds, which had its world premiere at the NAC in 2006, is one of the NAC Orchestra commissions she has composed during this period. Programmes will alternate between the soaring melodies of Tchaikovsky’s Symphony No. 5 and Mozart’s masterful final Symphony (No. 41) known as the “Jupiter”. Some audiences will have the opportunity to hear Pinchas Zukerman, one of the leading string players in the world, as violin soloist in Mozart’s Violin Concerto No. 3. Others will hear the internationally renowned Vancouver-born pianist Jon Kimura Parker performing either Tchaikovsky’s iconic Piano Concerto No. 1 or Beethoven’s Piano Concerto No. 4. In Calgary, the NAC Orchestra will combine forces with the Calgary Philharmonic Orchestra to perform Tchaikovsky’s Symphony No. 5.

STUDENT MATINEES – “BRAVO BEETHOVEN!”

The NAC Orchestra will again bring its highly successful recipe for interactive Student Matinees on tour to Whitehorse, Edmonton and Spruce Grove led by Principal Youth and Family Conductor Boris Brott. The Orchestra will present Bravo Beethoven! featuring Ottawa-based actor Peter Duschenes, the Artistic Director of Platypus Theatre, as co-host in the role of Beethoven. The matinees will also feature Victoria-born violinist Nikki Chooi, former student at the Victoria and Mount Royal College Conservatories and a participant in the NAC’s Summer Music Institute in 2004 and 2005 performing an excerpt from Beethoven’s Violin Concerto. Teachers will be given a teacher guide and class sets of student newspaper guides designed by the Ottawa Citizen to prepare for the matinees. Students will have the opportunity to sing and play along on recorders with the NAC Orchestra to Beethoven’s Ode to Joy.

MUSIC CONNECTIONS - WINNIPEG

Music Connections is a 9-week project involving up to 90 Grade 3 to 6 students from two inner-city Winnipeg schools – Mulvey and Dufferin Schools – that began on September 11, 2008 and culminates in a final “shared” performance with a brass octet from the NAC Orchestra on November 12 during which the children will perform and sing, and present creative responses to Vivaldi’s Four Seasons through dance, drama, music, visual arts and media. The partners involved are the NAC Orchestra, the Winnipeg Symphony Orchestra, the Wii Chiiwaakanak Learning Centre of the University of Winnipeg, the Winnipeg School Division and Learning Through the Arts of The Royal Conservatory (Toronto).

Teaching artists working with the students include Richard Dubé of Saskatoon who taught them how to assemble, decorate and play the Native American flute; singer/songwriter and storyteller Joseph Naytowhow, of the Woodland Cree Nation from Sturgeon Lake SK, who helped prepare the children to sing his composition “One People” in English and in Cree; and Lacey Eagle, a young opera singer from Flin Flon MB. Beyond the 9-week project, the three local Winnipeg partners will work together to develop a sustainability plan to continue the music programs. In addition, portions will be documented on video and shown at the final performance on November 12th. And from August through December, a research team led by Ann Patteson of Learning Through the Arts will oversee an extensive research component.

MUSIC ALIVE PROGRAM

The NAC will launch the second phase of its highly successful Music Alive Program (formerly titled Music Ambassador Programme) in Alberta and Saskatchewan. Over the next three school years, 6 professional Alberta and Saskatchewan-based teaching musicians with connections to the Calgary Philharmonic Orchestra and Edmonton, Red Deer, Regina and Saskatoon Symphony Orchestras will work with classroom teachers and students in 100 schools. The program provides opportunities for students and teachers, primarily in rural schools with limited access to live music and music education resources, to interact with orchestral music and musicians. It also assists generalist teachers in fulfilling provincial curricular objectives for the arts by providing accessible lesson plans. The 2008-09 season will be based on the music of Mozart using the NAC’s Let’s Go Mozart! Teacher Resource Kit and student newspaper guides.

RICHARD LI YOUNG ARTIST

Included in the outreach on the Saskatchewan portion of the NACO Western Tour will be up to 10 performance/presentations and teaching sessions by Saskatchewan-born trumpeter Amy Horvey in her capacity as the recipient of the Richard Li Young Artist Chair for the 2008-2009 season. This honour is awarded annually to an exceptional young Canadian musician under the age of 35 who aspires to, or is in the early stages of, an orchestral career. From Nov 9 to 17, Horvey will visit Regina, Waldeck, Cabri, Vanguard, Swift Current and the University of Saskatoon. The Richard Li Young Artist Chair was established thanks to the generosity of Hong Kong-Canadian businessman Richard Li.

CONCERT TOUR SCHEDULE

Oct. 25 and 27 at 8 p.m.: Programme 1 (two nights)

Vancouver, BC – Orpheum Theatre, presented by the Vancouver Symphony Orchestra

Includes a 7:05 p.m. pre-concert talk by NAC Award Composer Alexina Louie

Oct. 28 at 8 p.m.: Programme 2

Prince George, BC – Vanier Hall, presented by the Prince George Symphony Orchestra

Includes a 7:15 p.m. pre-concert lobby performance by District 57 Tapestry Singers and a post-concert Q & A with guest conductor James Judd and soloist Jon Kimura Parker

Oct. 29 at 8 p.m.: Programme 2

Whitehorse, Yukon Territories – Yukon Arts Centre presented by Yukon Arts Centre

Includes a 7:15 p.m. pre-concert lobby performance by the Whitehorse Suzuki Strings.

Oct. 30 at 10 a.m.: Student Matinee

Whitehorse, Yukon Territories – Yukon Arts Centre, presented by Whitehorse Concerts

Nov. 1 at 8 p.m.: Programme 3

Victoria, BC – Royal Theatre, a Gala fundraiser for the Victoria Symphony and the NAC Orchestra presented by Eric Charman

Includes a 7:15 p.m. pre-concert lobby performance by Viva Choirs and an intermission talk by NAC Award Composer Alexina Louie

Nov. 2 at 8 p.m.: Programme 2

Kamloops, BC – Sagebrush Theatre, presented by Kamloops Symphony Orchestra

Includes a 7:15 p.m. pre-concert lobby performance by the Kamloops Thompson Honour Choir.

Nov. 4 at 1:15 p.m.: Student Matinee

Edmonton, AB – Canadian Forces Base (CFB) Field House, presented by CFB Edmonton in collaboration with Guthrie School (located on the Base)

Nov. 5 at 10:30 a.m.: Student Matinee

Spruce Grove, AB – Horizon Stage, presented by City of Spruce Grove

Nov. 7 at 8 p.m.: Programme 4 (Finale combined with the Calgary Philharmonic Orchestra)

Calgary AB – Jack Singer Hall, presented by the Calgary Philharmonic Orchestra

Includes a 7:15 p.m. pre-concert lobby performance by the Arioso Choir of the Mount Royal College Conservatory and an intermission talk by NAC Award Composer Alexina Louie

Nov. 8 at 8 p.m.: Programme 4

Regina SK – Conexus Arts Centre, presented by the Regina Symphony Orchestra

Includes a 7:15 p.m. pre-concert lobby performance and an intermission talk by NAC Award Composer Alexina Louie

Nov. 9 at 7:30 p.m.: Programme 5

Saskatoon SKTCU Place, presented by the Saskatoon Symphony Orchestra

Includes a 6:45 p.m. pre-concert lobby performance by the Saskatoon Strings and an intermission talk by NAC Award Composer Alexina Louie

Nov. 10 at 8 p.m.: Programme 4

Winnipeg MN – Centennial Concert Hall, presented by the Winnipeg Symphony Orchestra

Includes a 7:15 p.m. pre-concert lobby performance by St. James-Assiniboia Children’s Choir and an intermission talk by NAC Award Composer Alexina Louie.

REPERTOIRE

Programme 1

LOUIE: Infinite Sky With Birds

MOZART: Concerto for Violin No. 3

TCHAIKOVSKY: Symphony No. 5

Programme 2

LOUIE: Infinite Sky with Birds

MOZART: Symphony No. 41

BEETHOVEN: Piano Concerto No. 4

Programme 3

LOUIE : Infinite Sky with Birds

MOZART: Concerto for Violin No. 3

MOZART: Symphony No. 41

Programme 4

LOUIE: Infinite Sky with Birds

TCHAIKOVSKY: Concerto for Piano No. 1

TCHAIKOVSKY: Symphony No. 5

Programme 5

LOUIE : Infinite Sky with Birds

BEETHOVEN: Piano Concerto No. 4

TCHAIKOVSKY: Symphony No. 5

Pinchas Zukerman and the National Arts Centre Orchestra

Pinchas Zukerman has for four decades been recognized internationally as one of the world’s greatest string players. His discography contains over 100 titles, and has earned him 21 Grammy nominations and two Grammy awards. Since his appointment as Music Director of the National Arts Centre Orchestra in 1998, he has taken an interest in virtually every aspect of Ottawa’s artistic community while continuing his international career. He is the driving force behind the national role the National Arts Centre plays in education and community outreach, and in the use of new technology to reach Canadians from coast to coast. This includes the creation in Ottawa of the NAC Summer Music Institute which over ten years has provided training from an international faculty to 581 instrumentalists, conductors and composers from 34 countries.

Touring is an important part of the mandate of the National Arts Centre Orchestra which has visited, in its 39-year history, 112 cities in Canada, and 122 cities internationally. The Western Canada Tour is Pinchas Zukerman’s ninth tour with the National Arts Centre Orchestra, and eighth since being appointed Music Director in 1998. In 1999 he led the coast-to-coast Canada Tour, followed by Tour 2000 to Israel and Europe, the Atlantic Tour 2002, the United States and Mexico Tour 2003, the British Columbia Tour 2004, the Alberta-Saskatchewan Tour in 2005 and the Quebec Tour in 2006. As guest conductor and soloist in 1990, Zukerman led the Orchestra on a European Tour.

Jon Kimura Parker

The extraordinary career of internationally acclaimed concert pianist Jon Kimura Parker has taken him from Carnegie Hall and London’s Royal Festival Hall to Baffin Island and Zimbabwe. In recent seasons, he has performed as guest soloist with the New York Philharmonic, The Cleveland Orchestra, The Philadelphia Orchestra, the Warsaw Philharmonic and the NHK Tokyo Orchestra.

Jon Kimura Parker has a long history with the National Arts Centre Orchestra including a 1998 tour in Canada and a 1996 tour in the Eastern U.S. This season, he is the NAC Orchestra’s first artist-in-residence appearing in concert and in recital, and playing an integral role in education outreach. The Vancouver-born musician is an Officer of The Order of Canada, this country’s highest civilian honour.

Alexina Louie

One of the most frequently performed Canadian classical composers, Vancouver-born Alexina Louie is a two-time Juno Award-winner of international renown. She has been widely commissioned and performed by Canada’s leading orchestras, ensembles and soloists, and has gained both personal acclaim for her compositions and recognition for Canada’s new music abroad.

Alexina Louie is one of three recipients of the National Arts Centre Composers Awards ($75,000 each) through which she has written three compositions for the NACO and collaborated on a number of educational and outreach programs. She was Lead Composer of the NAC Summer Music Institute’s Young Composers Programme in 2005 and accompanied the Orchestra on its BC Tour in 2004.

James Judd

Considered one of the pre-eminent interpreters of English orchestral music, British-born conductor James Judd is Music Director Emeritus of the New Zealand Symphony Orchestra, former Principal Guest Conductor of the Orchestre National de Lille in France and former Music Director of the Florida Philharmonic Orchestra where he spent 14 groundbreaking years including its first tour of the major concert halls of Europe. He has amassed an extensive collection of recordings on the Naxos label.

James Judd made his National Arts Centre Orchestra debut in May 2002 and has returned regularly since. He has led major orchestras including the Berlin Philharmonic and the Israel Philharmonic; conducted in the Salzburg Mozarteum and Vienna’s Musikverein, and continues to conduct regularly with all of the major British ensembles.

Boris Brott

Boris Brott is one of the most internationally recognized Canadian conductors. He enjoys an international career as guest conductor, educator, motivational speaker and cultural ambassador. In May 2004, he was named to the newly created position of Principal Youth and Family Conductor of the National Arts Centre Orchestra, where for over 20 years he has regularly been conducting student matinees and concerts for young people. On tour, he has led the Orchestra in student matinees in the U.S. (2003), British Columbia (2004), Alberta-Saskatchewan (2005), and Quebec in 2006.

Mr. Brott is founding Conductor and Music Director of the New West Symphony in Los Angeles California. In addition he serves as Artistic Director of the McGill Chamber Orchestra in Montreal and is Artistic Director of the Brott Music Festival, established in 1988. In Canada, Mr. Brott had developed no fewer than six Canadian Orchestras. Internationally, he has served as Assistant Conductor to the New York Philharmonic under Leonard Bernstein, and as Music Director and Conductor for the Royal Ballet. In 1987, Mr. Brott became an Officer of the Order of Canada.

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La Coalition canadienne des arts maintiendra les questions ayant trait aux arts et à la culture à l’avant-plan des préoccupations du gouvernement fédéral

LA COALITION CANADIENNE DES ARTS

La Coalition canadienne des arts maintiendra les questions ayant trait aux arts et à la culture à l'avant-plan des préoccupations du gouvernement fédéral

Le 15 octobre 2008 – L'importance des arts et de la culture s'est inscrite comme jamais auparavant au premier plan des 40e élections fédérales. Dans les grandes villes comme dans les plus petites, les artistes, organismes artistiques, membres des conseils d'administration, travailleurs culturels, publics et partisans ont instamment prié tous les partis gouvernementaux d'augmenter le financement fédéral destiné aux arts et à la culture. Des milliers de personnes ont assisté à des concerts,des rassemblements, des séances de discussion ouvertes et des réunions générales des candidats organisés dans des centres de différentes tailles pour démontrer leur appui envers la culture et les arts au Canada.

La Coalition canadienne des arts remarque que tous les partis sont conscients du rôle essentiel que jouent les arts et la culture au pays : «Les arts sont essentiels à notre pays et à nos collectivités. Ils ne devraient pas être un luxe auquel seul ont droit certains privilégiés parmi nous – les arts devraient être à la portée de tous» de dire le gouvernement Conservateur nouvellement réélu.

La Coalition se réjouit à l'idée de collaborer avec le Premier Ministre Stephen Harper, les nouveaux Cabinet et caucus en vue de voir les arts s'épanouir au Canada. Nous comptons sur l'appui de tous les partis et des député(e)s de façon à ce que les arts et la culture restent bien en vue au programme du gouvernement fédéral à Ottawa.

Tous les partis se sont rendu compte du rôle essentiel que jouent les arts et la culture non seulement au point de vue de la réputation du Canada dans le monde mais aussi dans l'économie du pays. Un nouveau rapport du Conference Board du Canada a déclaré que l'apport du secteur culturel s'était chiffré par des augmentations directes de 46 milliards de dollars et indirectes de 87 milliards de dollars.

La Coalition canadienne des arts qui représente le plus grand consortium appuyant les arts, la culture et le patrimoine, réclame un financement accru au programme fédéral artistique et culturel. Une communauté des arts et de la culture florissante, soutenue par un financement adéquat du gouvernement fédéral, placera le Canada dans le peloton de tête des sociétés dont la stratégie de développement marie brillamment innovation, excellence, cohésion sociale et prospérité économique.

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Canadian Arts Coalition will keep arts and cultural issues on Ottawa’s agenda


Canadian Arts Coalition will keep arts and cultural issues on Ottawa's agenda


October 15, 2008 – The importance of arts and culture headlined Canada's 40th federal election, like never before. In towns and cities across the country, artists, arts organizations, board members, cultural workers, audience members and supporters called on all parties to increase federal investment in arts and culture. Thousands of individuals showed up at concerts, rallies, town halls and local all-candidates debates organized in centres, large and small to demonstrate their support for the important role that arts and culture hold in Canada.


The Canadian Arts Coalition notes that all parties recognized the important role of arts and culture in our country: "The arts are essential to our country and our communities. The arts should not be a luxury available only to a privileged few – arts should be accessible to everyone," said the re-elected Conservative government.


The Coalition looks forward to working with Prime Minister Harper, his new Cabinet and caucus to realize the full potential of the arts in Canada. Similarly, we will count on the interest and support of all parties and MPs to ensure that federal investment in arts and culture stays on the agenda in Ottawa.


All parties recognized the important contribution arts and culture makes to Canada, and the country's economy. A new report from the Conference Board of Canada found that the contribution of the cultural sector to the economy increased to $46 billion directly, $87 billion indirectly.


The Canadian Arts Coalition is Canada's largest consortium of arts, culture and heritage supporters advocating for increased federal investment in arts and culture. We believe that a thriving arts and culture sector, supported by adequate investment by the federal government, will place Canada at the forefront of a global society that values innovation, excellence, social cohesion and economic prosperity.


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Michel Rivard avec I Musici de Montréal


Michel Rivard avec I Musici de Montréal
Le 18 novembre 2008, 20h

Montréal, le 15 octobre 2008 - Michel Rivard, l’un des auteurs-compositeurs-interprètes les plus prolifiques de la scène québécoise, se joindra le temps d’une soirée à Maestro Yuli Turovsky et ses Musici, pour célébrer à sa façon le 25ième anniversaire de l’orchestre.

Pour cet événement unique, Michel Rivard livrera une sélection de ses plus grands succès, accompagné par I Musici de Montréal. Un concert bénéfice au profit de l’orchestre, dans l’atmosphère intime du Métropolis en formule Cabaret, le Mardi 18 novembre 2008, à 20h.

Pour de plus amples renseignements, communiquez avec le 514-982-6038 ou à info@imusici.com

Billets au coût de 46.50$ ou 101.50$
En vente :
Chez I Musici de Montréal : 514-982-6038 ou à info@imusici.com
ou au Métropolis: 514-908-9090
ou sur Ticketpro : 514 790-1111 ou au www.ticketpro.ca

Michel Rivard With I Musici de Montréal
Tuesday, November 18th, 2008

Montréal, October 15, 2008 - Michel Rivard, one of the most prolific singer-songwriters of Québec will join Maestro Yuli Turovsky and I Musici de Montréal to celebrate the 25th anniversary of the orchestra in a very special way.

In the program, a selection of Michel Rivard’s best known songs, accompanied by I Musici de Montréal. This benefit concert for the orchestra will be held in the intimate cabaret setting of the Metropolis on Tuesday, December 18, 2008 at 8:00 pm.

For more information call 514-983-6038 or info@imusici.com

Tickets are for sale at a cost of $46.50 or $101.50
At I Musici de Montréal: 514-982-6038 or at
info@imusici.com
at Metropolis: 514-908-9090
And on Ticketpro: 514-790-1111 or
www.ticketpro.ca


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PSO Receives Grants from MAC and Target

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PORTLAND SYMPHONY ORCHESTRA RECEIVES GRANTS FROM MAINE ARTS COMMISSION AND TARGET


PORTLAND, Maine – The Portland Symphony Orchestra (PSO) recently received two grants totaling $13,000 for support of its education programs during the 2008-2009 season.


The Maine Arts Commission, an independent state agency supported by the National Endowment of the Arts, has committed $10,000 in support of PSO's KinderKonzerts. These programs explore the different families of orchestral instruments while introducing children ages 3-7 to live symphonic music through fun and interactive programs with PSO musicians.


Additionally, Target has committed $3,000 for general support of PSO's music education programs.


The PSO is committed to offering a variety of education programs designed to instruct, enrich and inspire audiences of all ages. The PSO helps young people discover music as a pathway to creativity, self-discovery and self-expression, and fosters an important relationship to the traditions of live music performance.


For more information about the Portland Symphony Orchestra, its events and activities, visit portlandsymphony.com.

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Le Cinéma Ex-Centris

Le Cinéma Ex-Centris plonge dans l'automne avec une programmation « colorée »


Les Affluents (Guy Édoin) – C'est dur d'être aimé par des cons (Daniel Leconte)

All Together Now (Adrian Wills) – Le Tueur (Cédric Anger) - Restless (Amos Kollek) - Un Conte de NoËl (Arnaud Desplechin) - Don Quichotte (Ballet)

Cavalleria Rusticana & Pagliacci (Opéra)

Franz et le chef d'orchestre (Uzi et Lotta Geffenblad)

La Reine soleil (Philippe Leclerc)


Montréal, le jeudi 16 octobre 2008 — Cinéphiles, à vos agendas! Pendant que Le Festival du nouveau cinéma entame son dernier droit, c'est avec grand plaisir que le Cinéma Ex-Centris dévoile son excitante programmation automnale qui fera vibrer de nouveau les cinéphiles dès le 20 octobre! Pour plonger en force dans l'automne, l'équipe de programmation a une fois de plus concocté un programme riche et diversifié aussi exaltant qu'original. C'est au Cinéma Ex-Centris que se retrouveront les œuvres attendues de la saison avec, entres autres, le documentaire aux premières loges, des longs métrages de fiction et le retour en force des dimanches en famille avec Ciné-Kid. Regard détaillé sur la programmation :


EN OCTORE, UN BALLET ET UN OPÉRA EN HAUTE DÉFINITION


En octobre, dans le but d'offrir encore plus de choix à ses fidèles cinéphiles, le Cinéma Ex-Centris continue sa collaboration avec DigiScreen et enrichit sa programmation d'un opéra (Cavalleria Rusticana & Pagliacci) et d'un ballet (Don Quichotte) tous deux présentés en HAUTE DÉFINITION. Cavalleria Rusticana est un opéra en un acte interprété par MarÍa Bayo, Violeta Urmana, Vincenzo La Scola et Vladimir Galouzine qui sont dirigés par le chef d'orchestre Jesús López-Cobos. Présenté les 20 et 22 octobre seulement, à 14h30. De son côté, la directrice artistique du Ballet National de Cuba, Alicia Alonso, dirige d'une main de maître ses danseurs Viengsay Valdes et Romel Frometa dans Don Quichotte présenté le 21 octobre à 14h30. Billets en vente au coût de 20 $. À venir en novembre : Giselle (Ballet) et Don Giovanni (Opéra).


La programmation cinÉma…


La programmation cinéma s'ouvrira avec Les Affluents, un triptyque de trois films du réalisateur Guy Édoin, présenté trois fois seulement (20, 21 et 22 octobre) au coût unique de 8 $. Les Affluents ont été célébrés dans plus d'une cinquantaine de festivals nationaux et internationaux. Ce programme sera suivi de la présentation de Roastbeef, un court métrage de François Bégin et Myriam Bouchard, qui relate l'histoire d'un boucher qui fait danser la femme dont il est secrètement amoureux sur la musique étrange du bruit de ses couteaux. Le 20 et 22 octobre à 19h et le 21 octobre à 17h30 en version originale française.


Après avoir été présenté en Sélection officielle - hors compétition, au dernier Festival de Cannes, voici que les Québécois peuvent enfin découvrir le documentaire C'est dur d'être aimé par des cons, de Daniel Leconte. Ce documentaire raconte le procès auxquels furent confrontés l'hebdomadaire Charlie Hebdo et son directeur Philippe Val peu après la publication, début 2006, des fameuses caricatures de Mahomet, elles-mêmes publiées plusieurs mois auparavant dans le quotidien danois Jyllands-Posten. Un procès exceptionnel que le réalisateur suit en temps réel afin de décrypter les enjeux politiques internationaux, médiatiques et idéologiques. Une réflexion sur l'Islam, sur la presse, sur l'état de l'opinion dans la société française. Présenté dès le 20 octobre en version originale française.


En documentaire toujours, vibrez au rythme de All Together Now, du réalisateur canadien Adrian Wills, qui nous fait revivre l'histoire du partenariat des Beatles et du Cirque du Soleil autour de la création de « LOVE », le spectacle toujours couru de l'hôtel The Mirage à Las Vegas, et de l'album éponyme récipiendaire de deux Grammy. Un voyage dans lequel on suit pas à pas le spectacle, de sa création à la grande première. Il met en vedette Paul McCartney, Ringo Star, Yoko Ono et Olivia Harrison de même que George et Giles Martin et les créateurs du Cirque. Présenté dès le 24 octobre en version originale anglaise avec sous-titres français.


Après avoir été critique de cinéma puis scénariste avec Xavier Beauvois (Selon Matthieu, Le Petit Lieutenant) et Deux de Werner Schroeter, Cédric Anger passe à la réalisation avec Le Tueur. Un face-à-face moderne entre un tueur et sa cible. Paris, veille de Noël. Lorsque Dimitri Kopas débarque dans son bureau en se faisant passer pour un client ordinaire, Léo Zimmerman comprend qu'un contrat a été passé sur sa tête et que le jeune homme est là pour l'exécuter. Dévoré par l'angoisse et la paranoïa, ne dormant plus, Léo décide de venir à la rencontre du tueur et lui propose un étrange marché. Le Tueur s'avère un
cocktail costaud de thriller et de drame psychologique. Avec : Gilbert Melki, Grégoire Colin et Mélanie Laurent. Présenté dès le 14 novembre en version originale française.


Cinéaste prolifique (Bridget, Fast Food Fast Woman), le réalisateur israélien Amos Kollek nous offre son œuvre la plus personnelle avec Restless, dans laquelle il se consacre pour la première fois à des personnages masculins. Ce film relate la rédemption d'un poète israélien raté devenu escroc depuis qu'il s'est installé à New York. Alors qu'un succès inespéré vient changer sa vie, son passé revient au grand galop quand resurgit un fils abandonné vingt ans plus tôt. Restless est un film sur un père et son fils, et sur leur quête d'une improbable rédemption. Avec : Moshe Ivgy, Ran Danker, Karen Young, Phyllis Somerville, Michael Moshonov. Présenté dès le 21 novembre en version originale anglaise et hébraïque avec sous-titre français.


Dès le 21 novembre, Arnaud Desplechin nous offre un conte humain et cruel qui nous emporte et submerge dans un maelström d'émotions insoupçonnées et inattendues : Un Conte de Noël. Amour, haine, égoïsme, générosité sont au cœur de cette tragédie familiale jamais pesante, souvent hilarante et pourtant ô combien tendue voire inquiétante. Junon, mère et grand-mère d'une grande famille, apprend qu'elle est atteinte d'une maladie génétique rare. La famille au complet se retrouve dans la maison familiale de Roubaix pour passer Noël ensemble... et trouver un donateur compatible parmi les membres. Cette famille pleine d'esprits et de sentiments contrastés est composée e Mathieu Amalric, Catherine Deneuve, Chiaria Mastroianni, Melvil Poupaud, Jean-Paul Roussillon, Anne Cosigny et Emmanuelle Devos. Présenté en version originale française.


CINÉ-KID : DE RETOUR TOUS LES DIMANCHES À 13H!


Dès le 2 novembre, c'est le début de la saison de Ciné-Kid, le grand écran des petits et grands! Une sélection de films internationaux destinée aux cinéphiles de 3 ans à 16 ans, présentée tous les dimanches à 13h. Une occasion pour découvrir en famille le meilleur du cinéma jeunesse sous toutes ses facettes. Pour lancer la saison, Franz et le chef d'orchestre (dès 3 ans) ainsi que La Reine Soleil (dès 8 ans). Une nouveauté cette année : l'équipe de programmation est fière de dévoiler la programmation complète de la saison, disponible sur notre site web au www.ex-centris.com et à la billetterie du Cinéma Ex-Centris. Des cartes-familles au coût de 50 $ (3 séances au choix, 3 personnes à la fois) seront mises en vente dès le 31 octobre pour cette série.


Bon cinéma!

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Violin Magic with Schubert and Sarasate

Violin Magic with Schubert and Sarasate


Sinfonia Toronto will present a Masterpiece Series concert on Friday, November 14 at 8 pm in the Grace Church on-the-Hill (300 Lonsdale Road). Music Director, Nurhan Arman will conduct.


The concert titled 'Violin Magic' will feature the orchestra's concertmaster Violinist Mary-Elizabeth Brown in Schubert's playful Rondo and Sarasate's virtuoso showpiece 'Gypsy Airs'.

In addition to her position as concertmaster of Sinfonia Toronto, Mary-Elizabeth is currently Associate Concertmaster of Orchestra London Canada as well as Concertmaster of the Youth Orchestra of the Americas and of the Britten-Pears orchestra in Aldeburgh, England. She has played under distinguished conductors such as Kryszstof Penderecki, Lorin Maazel, Benjamin Zander, Carlos Miguel Prieto, Isaac Karabtchevsky and Placido Domingo.

She has been the recipient of numerous awards and grants from the University of Toronto, the City of London, DePaul University, the Hazel Crydermann-Wees Foundation, the Université de Montréal, Fonds des Amis de l'Art and the American Suzuki Foundation. She has soloed in masterclasses with Regis Pasqier, Pierre Amoyal, Sylvia Rosenberg, Jean-Jacques Kantorow, Pamela Frank, Pinchas Zukerman and the late Lorand Fenyves, among others. She has appeared with the London Youth Symphony, Orchestra London Canada and the Banff Festival Chamber Orchestra.

As a chamber musician, she has been heard on CBC Radio and at major festivals across Canada including the Scotia Festival, Le Festival Internationale du Domaine Forget and the Banff Summer Arts Festival. She has worked with members of the St. Lawrence, Orford, Artur Leblanc and Brentano Quartets as well as the Gryphon Trio, William Aide and Laurence Lesser. A two-time laureate of the Canadian Music Competition National Finals, she plays on a 1737 Guidantus violin and an F.N. Voirin bow on loan from the Banff Centre for the Arts.

Other works on the program are Janacek's brilliant Suite and Dvorak's romantic Serenade.

There will be a free post-concert reception, giving audience members a chance to meet the orchestra members, conductor and soloists.

Online discount tickets are $35 adult, $27 senior, $7 student (16-29) and can be purchased at www.sinfoniatoronto.com or at regular price by phone 905-825-8477 or at the door.

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Le nouveau Prix de composition de CBC/Radio-Canada

ESPACE MUSIQUE ET CBC RADIO 2 LANCENT UN TOUT NOUVEAU

CONCOURS DE CRÉATION MUSICALE :

ÉVOLUTION


Montréal, 15 octobre 2008 Espace musique, la radio musicale de Radio-Canada, et CBC Radio 2, en partenariat avec le Banff Centre, sont fiers d'annoncer la naissance du concours ÉVOLUTION, le nouveau Prix national de composition de CBC/Radio-Canada.


Date limite d inscription : 15 décembre 2008 à Radio-Canada.ca/evolution


Ouvert à tous les compositeurs canadiens ou résidents permanents âgés de 19 à 35 ans au 15 décembre 2008, ÉVOLUTION accueille toutes les esthétiques musicales contemporaines, une vitrine unique sur la création musicale d'aujourd hui. En plus des 55 000 $ en prix remis par CBC/Radio-Canada et ses collaborateurs, le Banff Centre offre aux cinq finalistes une résidence de composition unique, un séjour de 25 jours (du 2 au 26 mars) au cœur d'un des plus imposants parcs nationaux canadiens. Cette résidence intensive et obligatoire culminera avec la présentation en concert des cinq œuvres finalistes, le 26 mars 2009, un événement diffusé en direct sur CBC Radio 2, à l'antenne d'Espace musique et en son et en images sur Radio-Canada.ca/evolution.


« ÉVOLUTION a pour but d'identifier et d'encourager les jeunes compositeurs les plus prometteurs au pays, et de démystifier, par différents moyens, le processus de création musicale. Nous espérons ainsi mettre en lumière l immense talent de ces artistes issus d un milieu encore trop méconnu, tout en jetant un regard attentif et très personnel sur les étapes de composition d'une œuvre », ont déclaré Christiane LeBlanc et Mark Steinmetz, respectivement première directrice d'Espace musique et directeur de la programmation musicale de CBC Radio 2.


À partir de toutes les candidatures reçues au 15 décembre 2008, un jury national sélectionnera cinq finalistes dont les noms seront dévoilés publiquement le 2 février 2009. Les cinq compositeurs obtiendront alors des indications leur permettant de procéder au travail préliminaire de composition de l uvre finaliste. Mais c'est à partir du 2 mars, à leur arrivée au Banff Centre, que les compositeurs vivront la partie la plus intense du concours, des moments que pourront suivre dans le détail les internautes sur Radio-Canada.ca/evolution. Des entrées de blogues, des vidéos, des entrevues et autres permettront au grand public de ne rien manquer de cette grande aventure.


CBC/Radio-Canada accordera une bourse de 5000 $ à chacun des cinq finalistes. De plus, à l'issue de la grande finale en concert le 26 mars 2009, le Grand Prix national de composition de 20 000 $ sera remis au lauréat par CBC/Radio-Canada et le Conseil des Arts du Canada. Le prix de l'Orchestre de la Francophonie canadienne, sous forme d une commande de 5000 $, sera quant à lui remis à l'un des cinq finalistes. Les auditeurs et les internautes seront appelés à faire connaître leur oeuvre préférée par un vote qui déterminera le lauréat du Prix du public d une valeur de 5000 $, offert par la Fondation Jeunesses Musicales du Canada.


CBC/Radio-Canada est le radiodiffuseur public national du Canada et l'une des plus importantes institutions culturelles du pays. Avec ses 28 services offerts sur toutes ses plateformes radio, télévision, Internet, radio par satellite, audio numérique, sans compter un service de distribution de disques et de musique, et ses services de messagerie sans fil WAP et SMS , CBC/Radio-Canada est de plus en plus accessible à tous les Canadiens, en tous lieux, à tout moment et d innombrables façons.

Radio-Canada.ca/evolution

CBC.ca/evolution



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Wednesday, October 15, 2008

Angela Cheng plays Beethoven's beautiful Piano Concerto No.3


Extraordinary Classical pianist Angela Cheng plays

Beethoven’s beautiful Piano Concerto No. 3

Vancouver BC Angela Cheng, one of the world’s finest Classical pianists and a favourite of Vancouver audiences, performs Beethoven’s Piano Concerto No. 3 in C minor on November 1st and 3rd at 8pm at the Orpheum Theatre. Guest conductor Yoav Talmi leads the orchestra in Beethoven’s Leonore Overture No.3 and Dvorak’s epic Symphony No. 9 ‘From the New World.’

Vancouver audiences welcome the Vancouver Symphony Orchestra back from the 2008 Asia-Pacific Tour in these performances.

“…nothing short of magic…a pianist one could listen to for hours…”

- The Record (Waterloo, Ontario)

Born in Hong Kong to a musical family, Angela Cheng moved to Canada at age 8 and settled in Edmonton. The first concert she attended was Gina Bachauer playing Beethoven’s 3rd Concerto with the Edmonton Symphony. She knew by then that she wanted to be a first-rate pianist and was well on her way. Cheng studied piano at the Alberta College from age 13 to 17 and the University of Alberta from age 17 to 19. She completed her Bachelors of Music at the Juilliard School in New York and her Masters of Music from Indiana State University.

Angela Cheng is the recipient of numerous awards. The gold medal winner of the 1986 Arthur Rubinstein International Piano Masters competition, Ms. Cheng has earned her reputation as one of Canada’s brightest stars. In 1988, Ms. Cheng became the first Canadian to win the Grand Prize at the Montreal International Music Competition and in 1991 she received the Medal of Excellence at the Mozarteum in Salzburg for her interpretations of Mozart.

Ms. Cheng has received international acclaim for her technical skill, tonal beauty, and musicianship. She has performed as a soloist with every major Canadian symphony orchestra as well as several American orchestras and the Israel Philharmonic. Ms. Cheng is busy this season touring across North America. She will be teaching a Masterclass at Florida State University before visiting Vancouver and then she is off to Indiana to perform in recital.

Well known and celebrated on both sides of the Atlantic Ocean, Yoav Talmi is currently the Artistic Director and Conductor of the Quebec Symphony and Principal Guest Conductor of the Israel Chamber Orchestra in Tel Aviv. In the past, he has served as Chief Conductor of the Hamburg Symphony, Principal Guest Conductor of the Munich Philharmonic, Music Director of the San Diego Symphony, Music Director of the Arnhem Philharmonic (Netherlands), and Music Director of both - the Israel Chamber Orchestra and the New Israeli Opera.

Both concerts on November 1st and 3rd will feature a pre-concert talk by Assistant Conductor Evan Mitchell, free to ticket holders, at 7:05pm in the auditorium.

CONCERT INFO

Masterworks Gold Series

New World Symphony

Yoav Talmi, conductor

Angela Cheng, piano

Beethoven Leonore Overture No.3

Beethoven Piano Concerto No. 3

Dvorak Symphony No.9 From the New World

Tickets $25 to $78.50 (Student, Senior and Subscriber discounts available)

Tickets available by phone at 604.876.3434 or online at www.vancouversymphony.ca

BIOGRAPHIES

Yoav Talmi

Maestro Talmi’s long and impressive guest conducting career spans several continents. His European engagements include all the major London orchestras, the Berlin Philharmonic, Amsterdam’s Concertgebouw, the Symphony Orchestras of Vienna and Prague, the Philharmonic Orchestras of St. Petersburg, Oslo, Stockholm, Warsaw and Israel, the Orchestre National de France, Zurich’s Tonhalle, Rome’s Santa Cecilia, and numerous radio orchestras in Israel, France, Italy, Spain, Germany, Poland, The Netherlands, Belgium, Finland and Sweden. He has also made several appearances with the NHK Symphony and the New Philharmonic Orchestras in Japan. In North America, he has appeared with the orchestras of Pittsburgh, Detroit, St. Louis, Houston, Dallas, Indianapolis, Montreal, Vancouver, Rochester and Seattle, as well as the Los Angeles Chamber Orchestra, the New York Chamber Symphony, the National Arts Centre Orchestra (Ottawa) and the Orchestra of St. Luke’s at Carnegie Hall.

Yoav Talmi’s summer activities includes the Aspen Music Festival, Casals Festival in Puerto Rico, Bergen Festival in Norway, Chautauqua Festival (NY), Helsinki Festival, Houston’s Mostly Mozart Festival, Jerusalem Festival, Montreal’s Lanaudière Festival and the Waterloo Festival in New Jersey.

Also a seasoned recording artist, Yoav Talmi has collaborated with Chandos, Decca, EMI, Naxos, Teldec. CBC Records (Toronto), Atma and Analekta (Montreal). His recording of Bruckner’s Ninth Symphony with the Oslo Philharmonic won the prestigious “Grand Prix du Disque” in Paris. Mr. Talmi’s recording of Schoenberg and Tchaikovsky with the Israel Chamber Orchestra for Teldec was chosen “Record of the Month” by Germany’s Fono-Forum magazine. The London Penguin Guide gave this same recording its highest rating. His recent recording French Showpieces with the Quebec Symphony and violinist James Ehnes was chosen “Record of the Month” by the French media magazine Repertoire, who gave this recording a perfect rating. Talmi’s Naxos recordings with the San Diego Symphony feature an all-Berlioz cycle that includes the Symphonie fantastique, the complete overtures, Roméo et Juliette, Harold in Italy, Rêverie et Caprice, excerpts from Les Troyens, and more. He has recorded also as pianist, accompanying his wife, flutist Er’ella Talmi.

Born in Israel, Yoav Talmi is a graduate of the Rubin Academy of Music in Tel Aviv and The Juilliard School in New York, where he earned degrees in both composition and conducting with grants from the America Israel Cultural Foundation (AICF). He was a recipient of the Koussevitzky Memorial Conducting Prize at the Tanglewood Festival [1969] and the Rupert Conductor’s Competition in London [1973].

Last July 2008, Yoav Talmi was awarded the ‘Frank Pelleg’ prize of the Israeli Cultural Ministry, for his high-level artistic achievements through many years of activity and in August 2008 he received the Quebec-City Medal, honoring his special contribution to the city’s 400 anniversary celebrations. Maestro Talmi holds an Honorary Doctorate from the Laval University in Quebec, Canada.

Angela Cheng

Consistently cited for her brilliant technique, tonal beauty and superb musicianship, Angela Cheng is one of Canada's brightest stars. She has appeared as soloist with virtually every orchestra in Canada, as well as the Birmingham Symphony, Buffalo Philharmonic, Colorado Symphony, Houston Symphony, Indianapolis Symphony, Jacksonville Symphony, Louisiana Philharmonic, Saint Louis Symphony, Syracuse Symphony, Utah Symphony and the Israel Philharmonic, among others. The frequency with which she is re-engaged is remarkable.

Angela Cheng's debut recording of two Mozart concerti with Mario Bernardi and the CBC Vancouver Orchestra received glowing reviews. Other CDs include: for Koch International, Clara Schumann's Concerto in A Minor with JoAnn Falletta and the Women's Philharmonic; for CBC Records, selected works of Clara and Robert Schumann, four Spanish concerti with Hans Graf and the Calgary Philharmonic, and both Shostakovich concerti with Mario Bernardi and the CBC Radio Orchestra. In the fall of 2006, an all- Chopin recital CD for Universal will be released.

Ms. Cheng appears regularly on recital series throughout the U.S. and Canada and has collaborated with numerous chamber ensembles including the Takács, Colorado and Vogler quartets. Her many festival appearances include Chautauqua, Colorado, Houston, Vancouver and the Festival International de Lanaudière in Quebec

Angela Cheng was the 1986 Gold Medal winner at the Arthur Rubinstein International Piano Masters Competition as well as the first Canadian to win the prestigious Montreal International Piano Competition (1988). In the same year, the Canada Council awarded Ms. Cheng its coveted Career Development Grant. For her outstanding interpretations of Mozart, she received the Medal of Excellence at the Mozarteum in Salzburg in 1991.


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WSO Performs Mt. Everest of Piano Works

WSO and Rising Canadian Musician Perform ‘Mount Everest’ of Piano Works


OCTOBER 14 -- On October 17 and 18 at the Centennial Concert Hall, Russian-Canadian pianist Sergei Saratovsky and the Winnipeg Symphony Orchestra will scale the world’s highest peak – in a musical sense – as they perform Sergei Rachmaninoff’s Piano Concerto No. 3.


Rachmaninoff’s third piano concerto is considered by many in the classical music world to be a pianist’s technical and emotional Mount Everest. With a reputation for being one of the most challenging concertos in the piano repertoire, the piece has often come to represent, as in the 1996 film Shine, triumph over great obstacles.


Saratovsky’s long list of triumphs ensures that, this weekend, the piece will be in good hands.

Originally from Karelia, Russia, Saratovsky moved to Canada in 2002 to complete a Masters degree in Piano Performance at Brandon University. He has won numerous International competitions and awards, including one from Russian President Vladimir Putin, recognizing his outstanding achievements in music. Most recently, Saratovsky was selected to play for Governor General Michaelle Jean, as the lone Canadian to reach the finals of the Montreal International Musical Competition. At the concert, in May 2008, Saratovsky also received the award for Best Canadian Artist.


"The sheer power and complexity of this Rachmaninoff piece is something Winnipeggers will want to hear," said WSO Music Director Alexander Mickelthwate. "And we are very lucky to have such a promising Canadian talent perform it with us."


This weekend’s concert will also include the Lemminkainen Suite, Op. 22, by Finnish composer Jean Sibelius. The piece, which was originally conceived as a mythological opera and evokes themes of Finnish history and nationalism, will feature Robin MacMillan on English horn.


Rachmaninoff 3 "Shines" takes place Friday, October 17 and Saturday, October 18 at 8 p.m. Tickets range from $26.25 to $61.00 and are available at the Centennial Concert Hall, by phone 949-3999, online at www.wso.mb.ca or at any Ticketmaster outlet.


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Pentaèdre : Max et les ogres

Une présentation de Pentaèdre

MAX ET LES OGRES

Samedi 1er novembre 2008, 14 h

Présentation des instruments à vents suivie
d'un magnifique conte pour enfants illustré par un théâtre de marionnettes

Chapelle historique du Bon-Pasteur
100, rue Sherbrooke Est
billets : gratuit pour les enfants - 10 $ adultes
Tél pour réservations : 514-270-2558


Montréal, 14 octobre 2008 – C’est à un grand événement familial que l’ensemble Pentaèdre nous convie le samedi 1er novembre prochain, 14 h, à la Chapelle historique du Bon-Pasteur ! Prêtant leurs voix et leurs instruments aux protagonistes du magnifique conte Max et les ogres, Pentaèdre et la talentueuse marionnettiste Karine St-Arnaud proposent un concert plein de rebondissements et de surprises, alors qu’un ogre se questionnera à savoir si un clarinettiste a peut-être meilleur goût qu’un champignon !


Programme du concert :

Marjan Mozetich Solos pour quintette à vents
Christoph Sturzenegger Max et les ogres
sur un texte de Marc Baumgartner


SYNOPSIS
Max et ses amis musiciens sont en retard pour se rendre au concert… Thierry et Laura, qui jouent du hautbois et du basson, ont pris beaucoup trop de temps pour gratter leurs anches et ranger leurs instruments. Tentant d’arriver tout de même à l’heure pour leur représentation, les trois musiciens décident de prendre un raccourci et s’aventurent dans la sombre forêt près de la ville où ils habitent. Or, dans cette forêt, vit une famille d’ogres un peu spéciale : comme personne ne passe d’ordinaire dans ce sombre bois, ces ogres sont devenus végétariens ! Habitués à ne manger que des champignons, l’aubaine que représente pour la famille d’ogres ces trois musiciens est une occasion à ne pas manquer!

Finissante de l'option théâtre du Collège Lionel-Groulx en 1997, Karine St-Arnaud est co-fondatrice du Théâtre de la Névrose!, dont le premier spectacle, White trash, s’est mérité une nomination au Gala des masques 2001 dans la catégorie "découverte de l'année". Passionnée par toutes les facettes du jeu et de la création, Karine consacre présentement ses énergies à la fondation de sa propre compagnie, à l’intérieur de laquelle elle se produira en solo, accompagnée de ses marionnettes qu’elle crée en grande partie à partir de
matériaux recyclés.

Depuis ses débuts en 1985, Pentaèdre se consacre à la découverte d'un répertoire de musique de chambre varié, original et souvent moins connu. Composé de cinq musiciens talentueux, dont la technique et la précision de jeu sont unanimement reconnues, Pentaèdre effectue des tournées au Québec, au Canada, aux États-Unis et en Europe. Récipiendaire du Prix OPUS 2002 du Meilleur concert de l’année, musique actuelle, contemporaine, électroacoustique, Pentaèdre collabore avec des artistes de renom et participe à des créations audacieuses, dont récemment l’opéra comique A Chair in Love ou L’Amour est un opéra muet avec les mimes Omnibus. Son enregistrement récent du Winterreise de Schubert (version de chambre de Normand Forget), avec le ténor Christoph Prégardien, s’est attiré des éloges de la critique internationale.

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Conductor Gregory Vajda Joins Pianist William Wolfram


Classic Landmarks Masters

Pianist William Wolfram joins

Conductor Gregory Vajda

For weekend performances straight from

The Russian Heart

October 17th- 7:30pm, October 18th- 8:00pm

Edmonton, AB … The Edmonton Symphony Orchestra (ESO) is pleased to welcome conductor Gregory Vajda (pronounced VOID-ah) for a program that features Russian masterpieces. Hailed as a “young titan” by the Montréal Gazette after conducting the Montréal Symphony, Maestro Vajda has fast become one of the most sought-after conductors on the international scene. He makes his ESO debut alongside pianist William Wolfram for Rachmaninoff’s Piano Concerto No. 1 in F-sharp minor. The weekend performances also include Tchaikovsky’s Symphony No. 4 in F minor and Kodály’s Dances of Marosszek.

Ticket prices for this performance range from $20-$69 (agency fees apply). Student and senior $20 rush tickets are on sale, subject to availability, two hours prior to performance time. Afterthoughts will feature conductor Gregory Vajda and pianist William Wolfram. Saturday evening’s 7:15 pm Symphony Prelude features conductor/pianist Michael Massey.

The next performance of The Masters takes place on November 15th & 16th with conductor Bill Eddins and violinist Livia Sohn.

This series is generously supported by Classic Landmarks Master Builder

Media Sponsor: CKUA Radio Network

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COC's January Productions and Programs


Fidelio by Ludwig van Beethoven

3 performances: January 24, 27 and 30, 2009 at 7:30 p.m.

Four Seasons Centre for the Performing Arts

145 Queen St. W. (at University Avenue)


The Canadian Opera Company kicks off its winter season with Fidelio, Ludwig van Beethoven’s opera of triumphant courage and love in the face of oppression. In Beethoven’s only opera, Leonore, disguised as the young man Fidelio, works at the prison where her husband is unjustly incarcerated. World-renowned Canadian soprano Adrianne Pieczonka makes her role debut as Leonore and American tenor Jon Villars is her great love, Florestan. Gidon Saks sings the villainous Don Pizarro, who unjustly imprisons Florestan. Mats Almgren, a remarkable Hagen in the COC’s Ring Cycle, is the jailer, Rocco and Virginia Hatfield is Marzelline, his daughter. Fidelio is a co-production with Opéra national du Rhin (ONR) and Staatstheater Nürnberg, a COC collaboration that began last season with Eugene Onegin. German conductor Gregor Bühl makes his company debut leading the COC Orchestra.


Single tickets are $60 – $290 (specially priced $20 tickets for young people under the age of 30 go on sale January 17, 2009). Tickets go on sale December 1, 2008 and are available online at www.coc.ca, by calling COC Ticket Services at 416-363-8231, or in person at the

Four Seasons Centre for the Performing Arts Box Office, 145 Queen St. W., Monday to Saturday from 11 a.m. to 7 p.m.


Rusalka by Antonín Dvořák

1 performance: January 31, 2009 at 7:30 p.m. (Opening performance)

Four Seasons Centre for the Performing Arts

145 Queen St. W. (at University Avenue)


The winter season continues with the COC premiere of Antonín Dvořák’s Rusalka. In this adult fairy tale, inspired in part by Hans Christian Anderson’s The Little Mermaid, the water nymph Rusalka falls in love with a mortal prince. To be with him, she sacrifices her immortality and her voice. Dvořák’s dreamy and romantic music, which includes the stunning “Song to the Moon,” brings to aching life this beautiful, timeless story.


Julie Makerov returns to sing the title role, and famed Canadian tenor Michael Schade makes his first appearance with the COC in five years as Rusalka’s beloved Prince. Russian powerhouse Irina Mishura, sings Ježibaba, the malevolent witch. Richard Paul Fink returns to sing the role of Rusalka’s good-natured old friend, the Water Gnome, and former Ensemble soprano Joni Henson is the Foreign Princess vying for the Prince’s heart. Helikon Opera’s artistic director Dmitri Bertman, who staged the COC’s From the House of the Dead, returns to direct this luminous production from Theater Erfurt in Germany.


Single tickets are $60 – $290 (specially priced $20 tickets for young people under the age of 30 go on sale January 17, 2009). Tickets go on sale December 1, 2008 and are available online at www.coc.ca, by calling COC Ticket Services at 416-363-8231, or in person at the

Four Seasons Centre for the Performing Arts Box Office, 145 Queen St. W., Monday to Saturday from 11 a.m. to 7 p.m.



FREE CONCERT SERIES IN THE

RICHARD BRADSHAW AMPHITHEATRE


January 15 to January 29, 2009

Four Seasons Centre for the Performing Arts

145 Queen St. W. (at University Avenue)


The Free Concert Series in the Richard Bradshaw Amphitheatre includes concerts, performances and presentations by young musicians, Canadian and international opera stars and COC staff. This is an exciting opportunity for Torontonians to experience the artistic excellence and cultural diversity of the city. All performances are free to the public.


Date


Series


Artist

January 15, 2009

12 – 1 p.m.

Dance Series

Founded in 1992 by George Randolph, the Randolph Academy for the Performing Arts nurtures Triple Threat™; talent from Canada and abroad. The Triple Threat Cabaret is packed with song and dance, showcasing musical theatre hits, featuring the Academy’s recent graduates as well as current students.

January 20, 2009

12 – 1 p.m.

Chamber Music Series

Artists of the University of Toronto’s Faculty of Music perform Sound Exploration: New Music Festival Launch.

U of T’s distinguished music department perform a series of new works from various chamber ensembles.

January 22, 2009

12 – 1 p.m.

Chamber Music Series

Tokai String Quartet, poised to become one of Canada’s leading string quartets, presents Dvořák’s Quartet No. 12 in F major, the “American.” Written during Dvořák’s sojourn in the United States, the quartet explores themes and colours from Native American and African American music.

January 27, 2009

12 – 1 p.m.

Chamber Music Series

Under the direction of Kathleen Rudolph and Paul Widner, the wind and string ensembles of The Glenn Gould School perform a program of Russian chamber music featuring Rimsky-Korsakov’s charming wind quintet as well as music for strings.

January 29, 2009

12 – 1 p.m.

Piano Virtuoso Series

Pianist Younggun Kim performs Prokofiev’s legendary Sonata No. 7 “War Sonata 2/Stalingrad.” This sonata is a powerful and convincing synthesis of youthful exhibitionism and mature reflection on the most profound issues of the time. The agonizing intensity of the first two movements gives way to an exhilarating jazz-toccata in the finale.


EDUCATION & OUTREACH


After School Opera Program

The Canadian Opera Company’s popular After School Opera Program returns. The program, which introduces young people to all the exciting elements that make up an opera, is $10 for a 10-week session and is held at four convenient locations in Toronto: East York Community Centre; Barbara Frum Community Centre; St. Christopher House Music School; and the Joey and Toby Tanenbaum Opera Centre. Under the guidance of Canadian composer Dean Burry, young people ages 7-12 create an original operatic work based on their own ideas and improvisations. Mr. Burry has worked closely with the COC over the years, composing several children’s operas, including Isis and Seven Scorpions and The Brothers Grimm. No previous music experience is necessary.


After School Opera Program

$10 per session

LOCATION 1

EAST YORK COMMUNITY CENTRE

1081-1/2 Pape Ave. (Pape and O’Connor)

Winter Session: January 12 – March 9, 2009

Time: Mondays, 4 – 6 p.m.

Call 416-396-2896 to register

LOCATION 2

BARBARA FRUM COMMUNITY CENTRE

20 Covington Rd. (Lawrence and Bathurst)

Winter Session: January 13 – March 10, 2009

Time: Tuesdays, 4 – 6 p.m.

Call 416-395-6122 to register

LOCATION 3

ST. CHRISTOPHER HOUSE MUSIC SCHOOL

248 Ossington Ave. (Dundas and Ossington)

Winter Session: January 14 – March 11, 2009

Time: Wednesdays, 4 – 6 p.m.

Call 416-532-4828 to register


LOCATION 4

JOEY AND TOBY TANENBAUM OPERA CENTRE

227 Front St. E. (Front and Berkeley)

Winter Session: January 15 – March 12, 2009

Time: Thursdays, 4 – 6 p.m.

Call 416-306-2377 to register


For more information please contact the COC’s Education and Outreach department at 416-306-2377 or visit www.coc.ca.


The After School Opera Program is generously supported by the Imperial Oil Foundation and

Kraft Canada.


Opera 101

The Canadian Opera Company presents Opera 101, a FREE event that treats young adults to a friendly, interactive, and informal discussion. Hosted by CBC Radio’s Brent Bambury, special guests Adrianne Pieczonka and Virginia Hatfield discuss Beethoven’s only opera, Fidelio. World-renowned soprano, Adrianne Pieczonka makes her role debut as Leonore in Fidelio, and soprano Virginia Hatfield, a graduate from the COC Ensemble Studio, returns to sing Marzelline. Together they discuss their experiences in the production; Ms Hatfield as an up-and-coming artist and Ms Pieczonka as an established artist.


Opera neophytes have the chance to enjoy drinks and free munchies while getting the scoop on what opera is all about. Topics covered in the past include the design, production and directorial decisions involved in creating an opera. New this season, audience members are invited to stick around following the discussion to enjoy FREE, live musical entertainment.


Opera 101

FREE

Drake Hotel (1150 Queen St. W.)

Tuesday, January 13, 2009

at 7:30 p.m.

For more information please visit www.coc.ca.


The Opera Exchange

The Canadian Opera Company, in collaboration with the Jackman Humanities Institute, the Munk Centre for International Studies, and the Faculty of Music at the University of Toronto, presents


The Opera Exchange, a symposium that provides a thorough and entertaining look at the operas performed during the COC’s 2008/09 season. An extraordinary array of academic specialists present lectures, followed by panel discussions with members of the COC’s creative teams.


During the second instalment of the series, participants have the opportunity to discover new insights about Love and Liberation: Beethoven’s Fidelio, in which a panel of experts explore Beethoven’s only opera. Topics include: the revolutionary and philosophical roots of the opera, its relevance today; the music, politics, and themes of triumph, love and tenderness, highlighted by musical excerpts performed by members of the COC Ensemble Studio.


Love and Liberation: Beethoven’s Fidelio

Saturday, January 31, 2009

9:30 a.m. to 4 p.m.

$25 per participant ($15 for U of T Faculty and $5 for students)

Walter Hall, Edward Johnson Building,

The Faculty of Music;

80 Queen’s Park (at Museum subway station)

Order online at www.coc.ca

or call COC Ticket Services at 416-306-2377


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Cinq concurrents se méritent une place à la finale du nouveau Concours international d'orgue du Canada et le prix Messiaen est décerné à Andrew Dewar

Cinq concurrents se méritent une place à la Finale et le prix Messiaen de 5 000 $ est décerné

Cinq concurrents se méritent une place à la finale du nouveau Concours international d'orgue du Canada et le prix Messiaen est décerné à Andrew Dewar

Montréal, le 15 octobre 2008 – La première édition du Concours international d'orgue du Canada (CIOC) continue sur sa lancée, maintenant que le nombre de concurrents dans la deuxième épreuve est passé de neuf à cinq. Alors que la première épreuve rassemblait à l'église Immaculée-Conception 15 concurrents de onze pays présentant des récitals composés d'œuvres des 17e et 18e siècles avec une place de choix au répertoire de Bach, la deuxième épreuve regroupait neuf concurrents de sept pays. En effet, les 13 et 14 octobre sur l'orgue Casavant de l'église Saint-Jean-Baptiste, chaque concurrent a présenté un récital de 55 minutes composé d'œuvres des 19e et 20e siècles, avec une place de choix au répertoire de Olivier Messiaen. Des neuf concurrents, cinq ont été retenus par le jury pour la finale.

Seul concours international d'orgue des Amériques en 2008, le CIOC tient sa première édition à Montréal du 8 au 19 octobre dans trois églises. Les concurrents sélectionnés se disputent des prix et bourses totalisant 72 000 $. À l'exception du prix du public Richard Bradshaw, le jury international du CIOC, composé de neuf éminents spécialistes de la musique d'orgue, attribuera tous les prix. D'ailleurs, à l'issue du récital du dernier concurrent hier soir, le jury a délibéré pendant environ trente minutes avant de rendre sa décision sur les cinq concurrents admis à la finale et le récipiendaire du prix Messiaen de 5 000 $. C'est le directeur artistique du CIOC et président du jury, John Grew, qui a dévoilé les noms des cinq finalistes :

Els Biesemans (Belgique)

Frédéric Champion (France)

Andrew Dewar (Royaume-Uni)

Jens Korndörfer (Allemagne)

Dongho Lee

(Corée du sud)

« Le CIOC est un concours de haut niveau, attirant 15 virtuoses de l'orgue pour sa toute première édition. C'est un véritable accomplissement! Quel que soit le résultat, ces 15 concurrents font désormais partie de l'histoire et du succès du CIOC », a affirmé John Grew.

Prix Messiaen

La deuxième épreuve s'est clôturée avec le dévoilement du récipiendaire du prix Messiaen de 5 000 $. Noël Spinelli, le président du conseil d'administration du CIOC, a annoncé le choix du jury. Le prix est allé au concurrent britannique, Andrew Dewar, dont l'interprétation des pièces imposées de Messiaen, soit Le mystère de la Sainte Trinité et Offrande et Alléluia final, était émouvante. « Je ne suis pas surpris qu'Andrew ait remporté le prix Messiaen. Il est en fait lauréat d'un grand nombre de concours, dont le Concours d'orgue international de St. Albans. J'ai hâte à la finale. Je suis sûre que ce sera spectaculaire! », a déclaré M. Spinelli.

Une finale exceptionnelle

La finale se tiendra ce vendredi 17 octobre sur l'orgue Casavant de la basilique Notre-Dame à compter de 14 h avec, dans l'ordre de passage, les récitals de Els Biesemans, Jens Korndörfer et Andrew Dewar. L'épreuve reprendra à 20 h avec les deux derniers finalistes, soit Dongho Lee et Frédéric Champion. Les cinq finalistes présenteront chacun un récital de 60 minutes, dont ils ont choisi eux-mêmes le répertoire. En fin de soirée, le jury dévoilera les lauréats du Concours, c'est-à-dire les récipiendaires du premier, deuxième et troisième prix.

Quant au prix du public Richard Bradshaw de 5 000 $, le public le décernera à l'un des cinq concurrents qui se produira lors de l'épreuve finale. « Ce prix honore la mémoire de notre ami et collègue, le regretté Richard Bradshaw, qui a fortement encouragé la tenue du Concours », a précisé John Grew, directeur artistique du CIOC. Le public pourra voter sur place le 17 octobre ou sur le site Internet du CIOC (www.ciocm.org) jusqu'à midi le 19 octobre. Ce prix sera annoncé lors de la cérémonie de remise des prix dans le cadre du concert gala de clôture le dimanche 19 octobre à 19 h 30 à l'église Saint-Jean-Baptiste. Mme Diana Bradshaw présentera en personne le prix du public dédié à la mémoire de son mari Richard Bradshaw.

À propos du CIOC

Le Concours international d'orgue du Canada (CIOC) accueille au pays de jeunes organistes recrutés à travers le monde. L'organisme effectue un travail annuel pour promouvoir l'orgue comme instrument majeur dans la culture musicale au pays en plus de contribuer au rayonnement de la musique d'orgue grâce au talent de jeunes organistes. Présenté sur des instruments de qualité dans des lieux d'une grande beauté architecturale, le CIOC jouera un rôle important dans la mise en valeur du patrimoine qui a fait de Montréal une référence nord-américaine dans le domaine de l'orgue. Pour tous les détails, visitez le site Web du CIOC au www.ciocm.org.




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Les Éxilés de la lumière de Lise Vaillancourt


Du 10 au 20 décembre 2008

Les Exilés de la lumière

Présenté par Le Théâtre du Gant Rouge en codiffusion avec Espace Libre

Texte de Lise Vaillancourt

Mise en scène de Geoffrey Gaquère

Avec Carl Béchard, Émilie Bibeau, Markita Boies, Vincent Bolduc, Benoît Dagenais, Mathieu Gosselin, Johanne Haberlin, Roger Larue, Dominique Leduc, Jean Maheux, Isabelle Roy, Vincent-Guillaume Otis et Jennie-Anne Walker.

Décor Jean Bard Costumes Catherine Gauthier Musique Nicolas Basque Éclairage Erwinn BernardAssistance à la mise en scène et régie Stéphanie Capistran-Lalonde.

Montréal, octobre 2008 – Un poète rêve. Dans son rêve, il tombe amoureux d'une divinité et écrit une vaste légende pour deux anges. Quand il se réveille, il constate que sa feuille est restée blanche. Il sort et croise les personnages de son rêve qu'il ne reconnaît pas évidemment. Les personnages le poursuivent jusque dans un café et lui réclament leur existence jusqu'au moment où un ange s'incarne en mettant au monde un cœur...

Les Exilés de la lumière est un mythe inventé ; la quête d'une jeune divinité qui veut devenir humaine. Dans ce récit qui rassemble plus d'une vingtaine de personnages, il y a l'Amour, devenu un vieux plaignard laid et manipulateur, le Temps qui vit sous la terre et range les morts, la Révolte de 1837 qui traîne derrière elle sa fille endormie, la Révolution Tranquille, et une kyrielle d'humains, représentés par des clochards, des mineurs et un poète qui vit une peine d'amour et n'arrive plus à écrire.

Chaque soir, treize acteurs vont créer un mythe devant public dans un espace vide.

Lors du lancement de saison d'Espace Libre, l'auteur Lise Vaillancourt, une chandelle à la main, proclamait :

Nous serons des flambeurs qui jouerons l'histoire d'un nouveau monde qui demande à naître.

Nous dirons comme Apollinaire: « il n'y a plus rien de commun entre nous et ceux ou celles qui craignent les brûlures ».

Ainsi, pour vous, nous ferons le théâtre.

Avec une chandelle.

Ce sera votre show de Noël.

Lise VAILLANCOURT a écrit une quinzaine de pièces. Dans les années 80, elle a dirigé le Théâtre Expérimental des Femmes et a fondé l'Espace Go avec Ginette Noiseux. Elle s'est fait connaître avec Billy Strauss, L'Affaire Dumouchon et un petit récit, Journal d'une obsédée. Trois de ses oeuvres ont été nominées au Prix littéraire du Gouverneur Général du Canada. Sa compagnie, Le Théâtre du Gant Rouge, a comme mandat d'explorer la mise en univers de textes contemporains. Deux autres de ses pièces seront créées dans la saison 2008-2009 : Une Histoire pour Edouard et Tout est encore possible. Geoffrey GAQUÈRE a mis en scène Couche avec moi (c'est l'hiver) de Fanny Britt. Il a joué dans Elisabeth, roi d'Angleterre au TNM et dans le Roland de la Pire Espèce.


LES EXILÉS DE LA LUMIÈRE

Du 10 au 20 décembre 08

Du mardi au samedi à 20h / samedi 20 décembre 16h et 20h

SOIRÉE LÈVE-TÔT LE JEUDI 18 DÉCEMBRE À 19H, SUIVI D'UNE DISCUSSION AVEC LES ARTISTES

BILLETTERIE: 514-521-4191

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Le PC de retour au pouvoir : la FCCF en état de veille

Fédération culturelle canadienne-française - Visitez le site Web

Le PC de retour au pouvoir : la FCCF en état de veille

Ottawa le 15 octobre 2008 - Avec l'annonce du retour du Parti conservateur au pouvoir, la Fédération culturelle canadienne-française (FCCF) avoue qu'elle reste en état de veille face aux nombreuses inconnues de la plate-forme électorale du Parti conservateur et aux déclarations faites lors de la campagne électorale qui n'avaient rien pour rassurer les milieux artistiques et culturels de la francophonie canadienne.

La présidente de la FCCF, Mme Raymonde Boulay LeBlanc estime qu'« un gouvernement élu se doit de travailler en consultation et en partenariat avec les milieux concernés par les décisions qu'il prend. Dans le contexte de la francophonie canadienne, pour nos organismes artistiques et culturels, un manquement de concertation dans la création et/ou l'abolition de programmes touchant le développement du milieu culturel et artistique équivaut à un non respect de la Loi sur les langues officielles. La FCCF espère que M. Harper et son prochain gouvernement en seront conscients et vont réaliser que le Canada, dans une perspective de mondialisation, sera plus fort lorsqu'il pourra offrir à ses artistes et à ses créateurs les conditions optimales d'une création vivante et dynamique et à ses communautés francophones et acadienne, un espace culturel fort. La FCCF attend du prochain gouvernement des politiques volontaristes et des actions appropriées. »

Dans ce contexte, la FCCF estime qu'« un amenuisement de la responsabilité du prochain gouvernement fédéral en matière culturelle ne serait être justifié. La FCCF sera particulièrement vigilante à ce que le futur gouvernement poursuive des investissements en vertu des programmes existants d'agences et ministères fédéraux et surtout honore l'annonce faite dans la « Feuille de route sur la dualité linguistique ». La FCCF veut travailler avec le prochain gouvernement pour la consolidation définitive d'un espace culturel francophone élargi et reconnu au pays et dans le monde. A cet égard, la nomination du prochain Ministre de Patrimoine canadien va être un élément révélateur de la vision que le gouvernement fédéral voudra se doter pour les arts et la culture, notamment ceux de la francophonie canadienne. » déclare Mme Boulay LeBlanc.

La FCCF est un organisme national dont la mission est de promouvoir l'expression artistique et culturelle des communautés francophones et acadienne. Elle réunit des représentants de sept regroupements nationaux en théâtre, en littérature, en chanson-musique, en arts médiatiques et en arts visuels, ainsi que des représentants de onze provinces et territoires du Canada.


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Tuesday, October 14, 2008

Ne manquez pas la prestation enflammée du trio Annie Comtois


Rappel : Ne manquez pas la prestation enflammée du trio Annie Comtois de retour à la magnifique Maison du jazz ce mercredi 15 octobre à 20h!

Montréal, le 14 octobre 2008 – Dans le cadre de la tournée du spectacle Précieuses minutes, la charmante et sympathique Annie Comtois vous invite à une présentation spéciale qui aura lieu ce mercredi 15 octobre, à la Maison du jazz, 2060, rue Aylmer. Entourée de Thomas Carbou à la guitare et de François Brisson à la basse, Annie vous fera vibrer sur des rythmes swing, latin et soul.

C’est un spectacle à ne pas manquer ! Annie est une artiste dans l’âme à découvrir : « sa voix suave, sa passion enivrante et sa personnalité pétillante » nous touche à coup sûr. Cette jeune chanteuse s’inspire de la musique pop et aborde le jazz avec authenticité et y ajoute une touche unique de soul! Ses compositions pop-jazz dévoilent des textes d’une poésie imagée et empreinte des moments précieux du quotidien et des mélodies accrocheuses!

Pour écouter la voix d’Annie en un clic de souris et connaître les prochaines dates de ses spectacles, nous vous invitons sur le www.myspace.com/anniecomtois.

Plaisir et émotions seront de la fête! En plus d’entendre plusieurs compositions originales d’Annie (dont les cinq figurant sur le mini-album), vous serez bercés par des grands classiques du jazz et quelques chansons françaises reprises dans l’esprit d’improvisation. C’est un spectacle à voir et à revoir !

L’admission générale est de 5 $.


Y'a du bruit dans ma cabane, Productions SuperMusique

Productions SuperMusique
création, production et diffusion de musiques actuelles

Y’ A DU BRUIT DANS MA CABANE
29e saison : 2008 - 2009
www.supermusique.qc.ca


Montréal, mardi 14 octobre 2008 — Productions SuperMusique, sous la direction artistique des musiciennes Joane Hétu et Danielle Palardy, propose une 29e saison audacieuse et diversifiée dans l’univers vivifiant de la musique actuelle. Y a du bruit dans ma cabane accueillera 40 créateurs et instrumentistes, artistes chevronnés et de la relève, qui se relaieront sur différentes scènes montréalaises. Place aux musiques acoustiques et électroniques, musiques d’ensemble, musiques écrites et improvisées, créations multimédias et explorations bruitistes.

Vendredi 31 octobre 2008 à 20 h 30, à la salle du O Patro Vys
Fini les bonbons !!!
Un super Coup de cœur pour le Quintette de l’Halloween et le Duo Zubot & Ceccarelli qui illustrent avec brio le mordant, l’intelligence et la vigueur des jeunes improvisateurs de la scène de la musique actuelle. Une soirée festive, gourmande et masquée.

Mercredi 10 décembre 2008 à 20 h30 au Cabaret Juste pour rire
Ça cogne
Un concert lancement de disques avec les duos Fred Frith - Danielle P Roger (Frith + Roger, Pas de deux) et Michel F Coté - Isaiah Ceccarelli (Vulgarités, duo). Soirée présentée en collaboration avec la maison de disques DAME (Distribution Ambiances Magnétiques Etc).

Mercredi 17 et jeudi 18 décembre 2008 à 20 h 30 à la Société des arts technologiques (SAT)
Y a du bruit dans ma cabane
Le grand concert annuel de SuperMusique dans un décor sonore et imagé, concocté par les ingénieux Jean Derome, David Fafard, Colin Gagné, Joane Hétu, Danielle Palardy Roger et Martin Tétreault. Sept musiciens de l’Ensemble SuperMusique interpréteront des œuvres qui révéleront l’univers personnalisé de diverses pièces d’une maison.

Mercredi 25 mars 2009 à 20 h30 à la Sala Rossa
Ça frappe
Un concert lancement de disques avec le duo Elliot Sharp et Antoine Berthiaume (BASE) et
un quatuor d’improvisateurs réunis par Philippe Lauzier (Disparition de l’usine éphémère).
Soirée présentée en collaboration avec DAME.

Mercredi 29 et jeudi 30 avril 2009 à 20 h 30 au Studio 01 de la Galerie OBORO
Natura Sonoris
Une Carte Blanche offerte à la bricoleuse de sons Magali Babin autour d’une œuvre multimédia, réunissant autour de Magali Babin, la musicienne Myléna Bergeron, les concepteurs du duo l’Œil de verre ainsi que le cinéaste Karl Lemieux.

Mardi 12 mai 2009 à 20 h 30 à la Sala Rossa
Soirée bénéfice - Coup de chapeau à Diane Labrosse
Une activité de financement pour le Fonds de création créé par PSM pour soutenir la recherche et l’innovation musicale par l’octroi de bourses à des artistes de la scène de la musique actuelle. Une soirée dédiée à la musicienne Diane Labrosse qui a été, pendant 25 ans, codirectrice artistique de PSM. Au programme, performances, encan et tirage.

PRODUCTIONS SUPERMUSIQUE - SAISON 2008-2009 : des artistes chevronnés et des artistes palpitants de la relève
Mélanie Auclair, Magali Babin, Marie-Soleil Bélanger, Rémy Bélanger de Beauport, Myléna Bergeron, Antoine Berthiaume, Guillaume Bloch, Isaiah Ceccarelli,
Guido del Fabbro, Jean Derome, Marie Davidson, Xarah Dion, David Fafard, Bernard Falaise, Fred Frith, Colin Gagné, Claire Gignac, Normand Guilbeault, Pierre Hébert, Joane Hétu, Diane Labrosse, Philippe Lauzier, Karl Lemieux, Germaine Liu, Elisabeth Lima, Élodie Lombardo, Séverine Lombardo, Giorgio Magnanensi, Pierre-Yves Martel, L’œil de verre, Danielle Palardy Roger, Elliot Sharp, Daniel Soulières, Pierre Tanguay, Martin Tétreault , Némo Venba
Joshua Zubot

Créé en 1979, Productions SuperMusique est entièrement dédié à la musique actuelle, à l’improvisation et à l’expérimentation sonore et axe ses activités sur la création, la production, la programmation de concerts à Montréal et propose des ateliers de création sonore destinés à de jeunes publics. PSM assure l’organisation des tournées internationales de plusieurs ensembles dont le trio Les Poules, le duo Nous perçons les oreilles /et l’Ensemble SuperMusique

SuperMusique est membre de Le Vivier, un regroupement de 22 ensembles et organismes qui œuvre dans le secteur des musiques nouvelles et qui s’est donné comme objectif premier, d’établir un lieu de diffusion, de création, d’échange et de formation au cœur de Montréal

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Cet automne au Cinéma Parallèle!


Cet automne au Cinéma Parallèle

La Mémoire des anges (Luc Bourdon) / L'Homme sur le fil (James Marsh) Un Capitalisme sentimental (Olivier Asselin) Sous la cagoule, un voyage au bout de la torture (Patricio Henriquez) Eldorado (Bouli Lanners) / Papa à la chasse aux lagopèdes (Robert Morin) Et plusieurs autres découvertes et soirée festive


Montréal, le mardi 14 octobre 2008 – Pour célébrer l'arrivée des couleurs de l'automne, le Cinéma Parallèle, véritable moteur de la diffusion cinématographique indépendante au Québec, vous en mettra plein la vue avec une programmation mettant de l'avant le talent de chez nous. Sept films audacieux : cinq œuvres québécoises, une comédie belge et un documentaire anglais sur un étonnant personnage; voilà la recette pour un automne éclatant ! Le Cinéma Parallèle vous propose un parcours cinématographique captivant placé sous le thème de l'Histoire…


Montréal 1950-1960

Pour débuter sa programmation d'automne, le Cinéma Parallèle présente un assemblage virtuose d'archives et d'extraits tirés de 120 films produits par l'ONF. À la fois documentaire, poème et essai, La Mémoire des anges de Luc Bourdon est une expérience unique permettant de visiter le Montréal des années 1950 et 1960 avec ses grandes figures, ses lieux emblématiques et ses citoyens ordinaires. Le film se déploie telle une prodigieuse leçon d'histoire : du Red light au maire Jean Drapeau, du marché de la place Jacques-Cartier aux grands magasins du centre-ville, de la construction de la Place Ville-Marie aux usines de textile. Un hommage à la vitalité de Montréal et une déclaration d'amour au cinéma qui saura séduire les spectateurs de toutes les générations. Précédé du court métrage Rosa Rosa de Félix Dufour-Laperrière, cette programmation est présentée dès le 20 octobre en version originale française.


New York, 1974

Récipiendaire du Prix du public et du Prix du jury du cinéma international au Festival Sundance 2008, L'homme sur le fil (Man on wire) de James Marsh reconstitue le "crime artistique du siècle". Ce superbe documentaire britannique dresse le portrait d'un Icare moderne, autodidacte de la cabriole à 400 mètres de hauteur, un acrobate qui allie habilement adresse, charisme et coordination. Le 6 août 1974, Philippe Petit tend un câble entre les deux tours du World Trade Center, à 1300 pieds d'altitude, alors les immeubles les plus hauts du monde, et passe presque une heure à danser en l'air avant de se faire arrêter par la police. Sur fond d'images d'archives et de scènes de reconstitution, Philippe Petit en personne raconte cette extraordinaire aventure. Présenté dès le 20 octobre en version originale anglaise et française avec sous-titres français.


Les années folles à Paris

À l'aube du krach d'octobre 1929, Fernande Bouvier, une jeune femme naïve qui rêve d'amour et de beauté, est l'objet d'un sinistre pari entre trois hommes d'affaires. Un capitalisme sentimental d'Olivier Asselin raconte l'histoire d'un spéculateur boursier qui prétend pouvoir faire augmenter la valeur de n'importe quoi, même celle d'une pauvre artiste ratée sans talent et sans qualité. « Ce qui importe ce n'est pas l'offre mais la demande, et la demande ça se crée ! » Film d'ouverture du Festival du nouveau cinéma 2008. Avec : Lucille Fluet, Sylvie Moreau, Paul Ahmarani. Présenté à compter du 31 octobre en version originale anglaise et française, sous-titrée en français.


L'après 11 septembre 2001…

Avec le 11 septembre 2001 est né un Nouvel Ordre mondial. La guerre contre le terrorisme donne aujourd'hui lieu à une violence institutionnalisée qui s'exerce en toute impunité. Le documentaire Sous la cagoule, un voyage au bout de la torture de Patricio Henríquez retrace le parcours d'individus qui ont été torturés en toute illégalité par des États démocratiques sûrs de leur bon droit. Il illustre le drame méconnu des victimes de cette nouvelle barbarie et donne ainsi un vrai visage à la souffrance. Présenté à partir du 7 novembre en version originale française, pachtoune, arabe, anglaise & espagnole, sous-titrée en français


Transposer sa propre histoire

Eldorado (Bouli Lanners) est une comédie belge à destins croisés. Yvan, dealer de voitures vintage, la quarantaine colérique, surprend le jeune Elie en train de le cambrioler. Pourtant, il ne lui casse pas la gueule. Au contraire, il se prend d'une étrange affection pour lui et accepte de le ramener chez ses parents au volant de sa vieille Chevrolet. Commence alors le curieux voyage de deux bras cassés à travers un pays magnifique, mais tout aussi déjanté! « L'idée du film est inspirée d'un fait réel : une nuit, en rentrant chez moi, j'ai surpris deux cambrioleurs, l'un planqué sous mon lit, l'autre sous mon bureau ! Un moment de vie improbable ; trois types qui ont la trouille et une longue nuit de discussion. », Bouli Lanners au sujet de l'origine de son film. Avec : Bouli Lanners, Fabrice Adde. Présenté dès le 14 novembre, en version originale française.


Leçon d'économie (à la manière de Robert Morin)

Dans Papa, à la chasse aux lagopèdes, dernier opus du prolifique réalisateur Robert Morin, Vincent Lemieux, un fraudeur notoire et recherché par la police, prétend partir à la chasse aux lagopèdes alors qu'il prend la fuite vers le Grand Nord en vue de s'échapper du pays. Durant son trajet, il se confie sur bande vidéo pour s'excuser à ses deux fillettes de leur imposer l'ignominie d'avoir un père criminel. Au fil de ses aveux, Vincent Lemieux s'embourbe littéralement dans une lutte à finir entre le repentir véritable et la bonne conscience. Avec François Papineau. Présenté à compter du 21 novembre, en version originale française.


Voyage au Moyen-Orient

Alors que des artistes arabes comme Walid Raad se consacrent résolument à l'art de la représentation de soi, plusieurs créateurs occidentaux, désireux de présenter la crise au Moyen-Orient sous un autre jour, suscitent des débats autour du thème : « comment s'écrit l'histoire et qui s'en charge ». I Don't Want You To Know Who I Am : Voyage Au Moyen-Orient (en passant par le Midwest) regroupe le travail de quatre artistes (Paul Chan, John Smith, David Thorne, Julia Meltzer) qui s'intéressent à cet enjeu. Dans toutes ces œuvres, la poésie prévaut sur le jugement de l'histoire. Cette soirée vidéo a été préparée pour le Vidéographe par l'artiste Frédéric Moffet, en collaboration avec le Video Data Bank (Chicago). Présenté le 14 novembre à 21H en version originale multilingue sous-titrée en anglais.


Fondé en 1967, le Cinéma Parallèle est un organisme à but non lucratif qui défend le cinéma indépendant et la vidéo du Québec et du Canada, encourage la relève et fait découvrir de nouveaux auteurs internationaux. Le Cinéma Parallèle est le lauréat du Grand Prix 2001 du Conseil des arts de Montréal. Le Cinéma Parallèle remercie de leur soutien : la Société des entreprises culturelles du Québec, le Conseil des Arts du Canada, Téléfilm Canada, le Conseil des Arts de Montréal et Propriétés Terra Incognita.


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Marquis Classics releases new Sinfonia Toronto CD

A new CD by Sinfonia Toronto has just been released by Marquis Classics. "Flanders Fields Reflections" is conducted by the orchestra's Music Director Nurhan Arman and dedicated to string compositions by Canadian composer John Burge. Works on the CD include One Sail, which features the renowned Canadian cellist Shauna Rolston.

Maestro Arman expressed delight with the release. "John's wonderful music for strings has been in our repertoire for a number of years. We had already performed the Toronto premieres of his Upper Canada Fiddle Suite and One Sail, and also the world premiere of Flanders Fields Reflections, which was a Sinfonia Toronto commission and the first orchestral work ever composed about the famous Canadian poem. Recording these works was a real labour of love for us, and we are delighted that now people across Canada will be able to listen to these remarkable compositions. We have a strong commitment to performing Canadian music and other contemporary compositions from around the world, and it's a great privilege to help pieces as beautiful as these become better known."

The Flanders Fields CD is now available online on the Sinfonia Toronto website www.sinfoniatoronto.com, and will also be available in retail stores and directly from Marquis Classics www.marquisclassics.com.

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Les Violons du Roy accueillent le virtuose de la flûte Maurice Steger


Flûtes alors !

Bernard Labadie,
chef d’orchestre
Maurice Steger, flûte à bec

Série Baroque avant tout
Mardi 4 novembre, 20 h
Salle Raoul-Jobin, Palais Montcalm (Québec)

Série chefs-d’œuvre du matin
Mardi 4 novembre, 10 h 30
Salle Raoul-Jobin, Palais Montcalm (Québec)

G.P. Telemann Ouverture en sol majeur « des Nations anciens et modernes », TWV 55 :G4
Suite en la mineur pour flûte à bec alto, cordes et basse continue TWV 55a
G. Sammartini Concerto en fa majeur pour flûte à bec soprano, cordes et basse continue
C. Avison Concerto grosso no 1 en la majeur (d’après D. Scarlatti)
A. Vivaldi Concerto en do majeur pour flûte à bec sopranino, cordes et basse continue, RV 443

Québec, le 14 octobre – Le mardi 4 novembre, pour débuter la série Baroque avant tout, Bernard Labadie et Les Violons du Roy proposent une soirée surprenante et électrisante avec le Suisse Maurice Steger, l’un des plus influents virtuoses de la flûte à bec qui, pour l’occasion, jouera brillamment sur trois différents instruments. Les œuvres avec soliste seront aussi données à 10 h 30 dans le cadre de la série de concerts commentés Chefs-d’œuvre du matin.

« L’énergie qu’il déploie est très contagieuse »
L’un des solistes les plus populaires de sa génération, Maurice Steger est reconnu internationalement pour ses interprétations virtuoses et innovatrices de musiques baroques italiennes et anglaises. Le flûtiste joue tant avec les orchestres symphoniques modernes qu’avec les orchestres aux instruments anciens réputés tels que l’ Akademie für Alte Musik de Berlin, la Musica Antiqua Köln, l’orchestre baroque Europa Galante, les Accademia Bizantina ou I Barocchisti. Parmi ses enregistrements primés réalisés sous étiquette Claves Records figure Suites & Concerto pour flûte à bec et orchestre de Telemann un CD qui s’est mérité des distinctions dans le monde entier dont un Diapason d'or, un Choc du Monde de la Musique, et 10 / 10 du Mois du magazine Classics today.

La flûte à bec : L’une des « favorites » de l’époque baroque
L’époque allant de 1690 à 1750 constitue sans contredit l’apogée de la flûte à bec en tant qu’instrument soliste et concertant. De la plume de plusieurs compositeurs naissent alors de nombreuses œuvres mettant en lumière le caractère tour à tour brillant, chaleureux et volubile de la flûte à bec soprano, alto et sopranino. Le programme du concert propose d’abord la Suite en la mineur pour flûte à bec alto, cordes et basse continue de Telemann, une œuvre célébrissime qui devint au cours des années 1960 un véritable « tube » de la musique baroque. Puis, le public pourra découvrir le Concerto en fa majeur pour flûte à bec soprano, cordes et basse continue de Sammartini, lui-même virtuose de la flûte à bec et pour qui Vivaldi composa la dernière œuvre au programme, le Concerto en do majeur pour flûte à bec sopranino, un sommet de virtuosité qui soulèvera assurément le public.

En début de concert, Les Violons du Roy, sous la direction de Bernard Labadie, interpréteront l’Ouverture en sol majeur « des Nations anciens [sic] et modernes » dans laquelle Telemann dépeint avec humour les principaux peuples faisant commerce à Hambourg. Le programme sera complété par le Concerto grosso en la majeur no 1 de Charles Avison, une œuvre reflétant l’enthousiasme du compositeur anglais pour le recueil de 42 sonates pour clavecin de Domenico Scarlatti, qui renferme une musique originale et haute en couleurs.

La saison 2008-2009 à Québec est présentée par Hydro-Québec, partenaire de saison. La Série Chefs-d’œuvre du matin est une présentation du Mouvement des caisses Desjardins.

Série Baroque avant tout
Année anniversaire pour Handel, Haydn et Purcell, ces compositeurs sont au cœur de la série Baroque avant tout. Cinq concerts qui présentent notamment la célèbre Water Music et l’ode pastorale l’Allegro, il Penseroso ed il Moderato de Handel avec l’orchestre baroque Arion et La Chapelle de Québec, le Stabat Mater de Haydn ainsi que diverses musiques instrumentales de Purcell. Le violon endiablé d’Elizabeth Wallfisch fera aussi partie de la fête !

Série Chefs-d’œuvre du matin
La série Chefs-d’œuvre du matin est de retour, cette fois avec une offre de cinq concerts. Ces concerts commentés par les chefs et ponctués de démonstrations des musiciens permettent aux mélomanes d’enrichir leur expérience du concert. D’une durée d’environ 70 minutes sans entracte, ces concerts ont lieu en matinée à 10 h 30.

L’abonnement

Abonnez-vous à l’une des séries de la Saison 2008-2009 et profiter d’un rabais sur le tarif régulier et de nombreux privilèges. En vous abonnant avant le 31 octobre, vous courez la chance de gagner l’un des trois prix du concours « Trois chances plutôt qu’une ». Tous les détails sont disponibles dans la brochure de saison ou sur le site : violonsduroy.com.

Nouveauté : la formule Trio Découverte permet de créer votre série de 3 concerts parmi 14 grands concerts du soir et de découvrir ainsi la gamme variée du répertoire des Violons du Roy. Vous pouvez choisir autant de trios que vous le désirez…

Le tarif 29 ans et moins de retour !
Un concert de haut niveau au même prix qu’un film, soit seulement 12,50 $.

Information et Réservation

Billetterie du Palais Montcalm
(418) 641-6040, poste 0 ou (418) 692-3026
www.billetech.com

Concerts à venir au Palais Montcalm :
Mercredi 12 novembre, 14 h et 20 h :
Au son du cor !
Bernard Labadie, chef
Séries Da Camera et Chefs-d’œuvre du matin

www.violonsduroy.com


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Le jury du Concours international d'orgue du Canada annonce les dix concurrents admis à la deuxième épreuve et le gagnant du prix Bach

Dix concurrents se méritent une place dans la deuxième épreuve et le prix Bach de 5 000 $ est décerné!

Le jury du Concours international d'orgue du Canada annonce les dix concurrents admis à la deuxième épreuve et le gagnant du prix Bach

Montréal, le 13 octobre 2008 – La première édition du Concours international d'orgue du Canada (CIOC) s'est amorcé sur une bonne note mercredi dernier, alors que la première épreuve a vu 15 jeunes organistes de 11 pays se produire sur l' orgue Beckerath de l'église Immaculée-Conception. Entre les 8 et 10 octobre, chaque concurrent a joué un récital de 45 minutes composé d'œuvres des 17e et 18e siècles avec une place de choix au répertoire de Johann Sebastian Bach. Parmi les 15, dix ont été admis à la deuxième épreuve.

Seul concours international d'orgue des Amériques en 2008, le CIOC tient sa première édition à Montréal du 8 au 19 octobre dans trois églises. Les 15 concurrents qui ont été sélectionnés pour la première épreuve du Concours se disputent des prix et bourses totalisant 72 000 $. À l'exception du prix du public Richard Bradshaw, le jury international du CIOC, composé de neuf éminents spécialistes de la musique d'orgue, attribuera tous les prix. D'ailleurs, à l'issue du récital du dernier concurrent, le jury a délibéré pendant trente minutes avant d'annoncer les 10 concurrents sélectionnés pour la deuxième épreuve en même temps que le récipiendaire du prix Bach de 5 000 $. C'est le directeur artistique du CIOC et président du jury, John Grew, qui a dévoilé les dix concurrents :

Federico Andreoni (Italie)

Els Biesemans (Belgique)

Frédéric Champion (France)

Andrew Dewar (Royaume-Uni)

Jens Korndörfer (Allemagne)

Christian Lane (États-Unis)

Dongho Lee (Corée du sud)

Ka Young Lee (Corée du sud)

Jonathan Oldengarm (Canada)

Sunny Son (États-Unis).

« Le CIOC est un concours de haut niveau. Quelque soit le résultat, il reste que nos 15 concurrents ont été les premiers à participer au nouveau Concours international d'orgue du Canada. Ils ont écrit une page dans notre histoire et je les en remercie », a affirmé John Grew.

La première épreuve s'est clôturée avec le dévoilement du récipiendaire du prix Bach. Noël Spinelli, le président du conseil d'administration du CIOC, a annoncé le choix du jury. C'est la concurrente belge, Els Biesemans, dont l'interprétation des pièces imposées de Bach était remarquable qui s'est méritée le prix. « Je dois admettre que son récital de Bach était extraordinaire. Maintenant Je suis curieux d'entendre les dix concurrents de la deuxième épreuve pour découvrir qui remportera le prix Messiaen », a déclaré M. Spinelli.

La deuxième épreuve se tient les 13 et 14 octobre sur l'orgue Casavant de l'église Saint-Jean-Baptiste, où chacun des dix concurrents présentera un récital de 55 minutes composé d'œuvres des 19e et 20e siècles, avec une place de choix au répertoire de Olivier Messiaen. À la fin de cette épreuve, le jury choisira les cinq concurrents qui se produiront en finale à la basilique Notre-Dame le 17 octobre, et annoncera le récipiendaire du prix Messiaen de 5 000 $. Pour l'ordre de passage des concurrents à la deuxième épreuve, visitez www.ciocm.org.

À propos du CIOC

Le Concours international d'orgue du Canada (CIOC) accueille au pays de jeunes organistes recrutés à travers le monde. L'organisme effectue un travail annuel pour promouvoir l'orgue comme instrument majeur dans la culture musicale au pays en plus de contribuer au rayonnement de la musique d'orgue grâce au talent de jeunes organistes. Présenté sur des instruments de qualité dans des lieux d'une grande beauté architecturale, le CIOC jouera un rôle important dans la mise en valeur du patrimoine qui a fait de Montréal une référence nord-américaine dans le domaine de l'orgue. Pour tous les détails, visitez le site Web du CIOC au www.ciocm.org.


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Henry Du Mont


New volume in the monumental edition of French baroque composer H. Du Mont

Before his installation in Versailles in 1682, the Sun King organized his official music around three talented composers : J.-B. Lully for secular music and, for sacred music, Henry Du Mont and his colleague Pierre Robert. This period was decisive in the creation of French musical style and of the splendour of Versailles. This scholarly edition of the music of Henry Du Mont sheds light on a little-known aspect of the history of baroque music in France and offers to performers, singers and choral groups the opportunity of rediscovering a remarkable musical heritage.

This volume, edited by Laurence Decobert and based on the original publication in 1681, collects a representative sample of sacred works composed before the installation of the King in Versailles. Du Mont, who was then 70, published 37 motets and 3 instrumental pieces mostly composed for the daily mass of Louis XIV. The composer, near the end of his career as choirmaster of the Royal Chapel, choose a sumptuous selection from his huge output.

The volume contains motets for one to four voices and also includes motets which can be performed with two choirs. Most of the works are accompanied by instruments ad libitum - often 1 or 2 violins (or treble viols; the composer use the ambiguous abbreviation "viol.") – but some require "symphonies" (a small string orchestra). The motets are elegant, varied, and relatively easy to perform.

In a very detailed preface, the editor presents the numerous printed and manuscript sources of these motets, describing and comparing them very precisely – dating, corrections by the composer, the meticulous details for the performers. The circulation of these works is discussed, with particular attention given to a copy made by the English composer John Blow, which was itself copied until the early 19th century. Also discussed are the vocal and instrumental requirements, innovations in notation (links between two chords in figured bass), the ossia, time signatures, the origins and functions of the sacred texts used, and much more.

This volume contains, in addition to the preface in French and English and the scores of these 40 pieces, all the texts of the motets (in Latin with French and English translation), 13 facsimiles and, at the end, a critical apparatus. Material for performance is also available separately in set of parts for singers and for instruments.

Laurence Decobert, who has a doctorate in musicology from the Sorbonne, is a librarian in the Department of Music of the Bibliothèque nationale de France. She devotes part of her research to religious music in France in the second half of the seventeenth century and has edited several volumes of grands motets by Henry Du Mont published by the Centre de Musique Baroque de Versailles. She is currently preparing a monograph on the choirmaster of Louis XIV. She also interested in collection of early music in the department of music of the Bibliothèque nationale de France and has just published an article on the collection Philidor in the Revue de Musicologie.

Du Mont suggests alternative voices for twelve of the motets. The original version is published in the critical edition. Vocal parts, which include original and all alternative versions, are also available. For example, the full score for the motet O nomen Jesu is available for 2 sopranos in the parts for "Motets à 2 voix, vol. 1 (voix de dessus)" and also in the alternative version suggested by Du Mont for high tenor and tenor in the parts for "Motets à 2 voix, vol. 3 (voix d'hommes 1)".

For more information, prices and ordering information, please visit the online shop of the Editions du Centre de Musique Baroque de Versailles: http://editions.cmbv.fr/achat/new.php?langue=en





Henry Du Mont, Motets à II, III et IV parties (1681), édition scientifique de Laurence Decobert (CMBV)

Cette edition scientifique de la musique d'Henry Du Mont éclaire une partie peu connue de la musique baroque en France et permet aux interprètes, chanteurs ou chœurs, d'accéder à un remarquable patrimoine musical. Avant son installation à Versailles, le Roi-Soleil organise sa musique officielle autour de 3 talentueux compositeurs. Jean-Baptiste Lully se charge (principalement) de la musique profane et Henry Du Mont et Pierre Robert se partagent la charge de sous-maître de la Chapelle Royale. Tous trois orienterons de manière décisive le style musical français caractéristique de la splendeur de Versailles.

Ce recueil, publié par Christophe Ballard en 1681, rassemble un échantillon représentatif du répertoire exécuté à la messe de Louis XIV avant l'installation de la Cour à Versailles. En effet, Henry Du Mont, qui a alors 70 ans, présente au public 37 motets et 3 pièces instrumentales majoritairement composés pour la messe quotidienne de Louis XIV. Le compositeur organise et supervise de près cette édition : le choix des œuvres est somptueux, le sous-maître de la Chapelle royale, en fin de carrière, pouvant se targuer d'un catalogue important.

Le volume contient des motets pour des effectifs vocaux allant de 2 à 4 voix, mais aussi des pièces à 1 voix et 4 motets pouvant s'exécuter « à deux chœurs ». La plupart sont accompagnés par des instruments ad libitum – souvent 1 ou 2 violons (ou violes, le compositeur laissant planer une ambiguïté par l'usage de l'abréviation « viol. ») – et certains nécessitent des « symphonies » (un petit orchestre à cordes). On trouvera là des œuvres élégantes, de caractères variés et d'une exécution relativement aisée.

Dans une préface très détaillée, l'éditeur scientifique présente les nombreuses sources imprimées et manuscrites de ces motets en les décrivant et les comparant très précisément. La question de la circulation des œuvres est abordée – notamment des copies de la main du compositeur anglais John Blow qui furent elles-mêmes copiées jusqu'au début du 19e siècle – la datation des œuvres, les corrections que le compositeur a portées sur les exemplaires imprimés, ses précisions méticuleuses pour les interprètes. Sont également traités la question des effectifs vocaux et instrumentaux, les innovations techniques d'écriture (liaison des chiffrages de basse continue), les ossia, les chiffres de mesure, l'origine et les attributions des textes utilisés, etc.

Ce volume contient, outre la préface en français et en anglais et la musique, tous les textes des motets (avec leur traduction en français et anglais), 13 fac-similés et, en fin de volume, un appareil critique.

Laurence Decobert est conservateur au département de la Musique de la Bibliothèque nationale de France et docteur en musicologie (Paris-Sorbonne). Elle consacre une partie de ses recherches à la musique religieuse en France dans la seconde moitié du XVIIe siècle, a également réalisé plusieurs volumes de grands motets de Henry Du Mont aux éditions du Centre de Musique Baroque de Versailles et prépare actuellement une monographie sur le sous-maître de Louis XIV. Elle s'intéresse par ailleurs à la mise en valeur des collections anciennes du département de la Musique et vient de publier un article sur La collection Philidor dans la Revue de musicologie.

Henry Du Mont propose des effectifs alternatifs pour 12 de ces motets. Présentés dans ce volume critique comme dans l'édition de 1681, ils sont transposés pour les interprètes dans nos « tirés-à-part ». Le motet O nomen Jesu, par exemple, se trouve dans :

  • Motets à 2 voix, vol. 1 (voix de dessus), version originale pour voix de dessus et bas-dessus ;
  • Motets à 2 voix, vol. 3 (voix d'hommes, 1), pour voix de haute-contre et taille, les voix ayant été, dans ce recueil, transposées à l'octave inférieure comme le suggère Du Mont.

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Monday, October 13, 2008

Met Opera singers in "Fugitives"


New York Festival of Song Presents
Fugitives
Concert, Theater, and Film Music by Composers Fleeing Hitler's Europe:
Kurt Weill, Erich Korngold, and Many Others

November 18 and 20 at Merkin Concert Hall

Artists: Metropolitan Opera's Joseph Kaiser and Kate Lindsey, pianist/host Steven Blier


New York Festival of Song, whose recent A Bernstein/Bolcom Celebration was performed with "Comic and dramatic flair," (The New York Times) presents Fugitives, songs by composers who fled Hitler's Europe, on November 18 and 20 at the newly restored Merkin Concert Hall. The program will feature music from Broadway, the concert stage and Berlin cabaret by Kurt Weill, Erich Korngold, Alexander Zemlinsky, Arnold Schoenberg and many others.


Fugitives will be sung by two of the Metropolitan Opera's rising young stars. Tenor Joseph Kaiser currently appears as Narraboth in Salome and was last season's Roméo opposite Anna Netrebko. Mezzo-soprano Kate Lindsey will be featured in Met productions of The Magic Flute, Rusalka and The Ring Cycle, and makes her guest artist debut with the New York Philharmonic in a concert performance of L'enfant et les sortilèges, conducted by Lorin Maazel. Once again, New York Festival Of Song Artistic Director Steven Blier, a "national treasure when it comes to the art of song," (The New York Times) will be the pianist/host for the evening.

Curtain time for both concerts is 8 PM. Tickets for Fugitives are $40 - $55. Call (212) 501-3330, or visit www.kaufman-center.org. Merkin Concert Hall at Kaufman Center is at 129 West 67tg Street, New York, NY 10023. There are also a limited number of $15 student tickets available by calling (646) 230-8380. For more information about New York Festival Of Song (NYFOS), please visit their website at www.nyfos.org.

Program

Altdeutsches Minnelied (Old German Love Song) Alexander von Zemlinsky
Meeraugen (Eyes of the Sea) Zemlinsky
Gefasster Abschied (Calm Departure) Erich Korngold
Sommer (Summer) Korngold
Unendliche Liebe (Eternal Love) Franz Schreker
Rosentod (The Death of Roses) Schreker
The Lottery Agent's Tango (from Silbersee) Kurt Weill
Waldsonne (Sun in the Forest) Arnold Schoenberg
Erwartung (Expectation) Schoenberg
Wenn der alte Motor wieder takt (When the old car starts
up again) Friedrich Hollaender
Die Ballade von Wasserad (The Song of the Water Wheel) Hanns Eisler
Ändere die Welt, sie braucht es
(The World is in Need of Change) Eisler






O schöne Hand, Kelch, dessen Duft Musik  (Oh lovely                                      Viktor Ullmann hand, chalice of music's scent)      
Fünf Lieder (Five Songs) Hans Krása
Ihr Mädchen seid wie die Gärten (Your Girl is like a Garden)
An die Brüder (To a Brother)
Mach, dass etwas uns geschieht! (Pray that something happens to us!)
Die Liebe (Love)
Vice versa
The Sleepless Lady Kurt Tucholsky



How Can You Tell an American,
from Knickerbocker Holiday Weill
O mistress mine Korngold
Elend (Misery) Zemlinsky
Black Market Frederick Hollaender
Love Song, from Love Life Weill
Wie lange noch? (How much longer?) Weill
Arizona Marsch, from Arizona Lady Emmerich Kálmán

(Program subject to change)


Canadian-born tenor JOSEPH KAISER starred as Tamino in the Kenneth Branagh film adaptation of The Magic Flute. This season he will make two highly anticipated debuts: at the Los Angeles Opera as Tamino under the baton of James Conlon, and at the Bayerische Staatsoper in Jen fa. He returns to the Salzburg Festival as Septimius in a new Christoph Loy production of Handel's Theodora. His concert schedule includes performances of the Berlioz Requiem under Marek Janowski, Beethoven's Symphony No. 9 with Christoph von Dohnányi and the Boston Symphony Orchestra, and Mendelssohn's Elijah with Yannick Nézet-Séguin and the Orchestre Métropolitain du Grand Montréal. Mr. Kaiser has appeared at the Caramoor Festival in a joint program with Lorraine Hunt Lieberson, which was presented under the auspices of the New York Festival of Song (available on Bridge Records), in Chicago at the Chicago Humanities Festival, in Montreal with the André Turp Society, and on the Debut Series of the National Arts Centre in Ottawa.

KATE LINDSEY made her debut this summer at the Tanglewood Festival in a concert version of Les Troyens conducted by James Levine, and appeared in two other chamber music concerts at the festival. Other recent engagements have included appearances at the Metropolitan Opera as Cherubino in Le nozze di Figaro (opposite Bryn Terfel) and Stéphano in Roméo et Juliette (with Mr. Kaiser and Anna Netrebko); debuts with the Boston Lyric Opera as Cherubino, the Boston Symphony Orchestra in a new commission by John Harbison conducted by James Levine, the Cleveland Orchestra in performances of Haydn's Harmoniemesse conducted by Franz Welser-Möst, and the Met Chamber Ensemble in Zankel Hall. She also appeared as Rosina in Il barbiere di Siviglia and Stéphano at the Opera Theatre of Saint Louis, and Angelina in La Cenerentola at the Wolf Trap Opera.


NYFOS Artistic Director STEVEN BLIER also enjoys an eminent career as an accompanist and vocal coach. Among the many artists he has partnered in recital are Renée Fleming, Cecilia Bartoli, Lorraine Hunt Lieberson, Susan Graham, Frederica von Stade, Jessye Norman and Samuel Ramey. He has performed throughout North America and Europe, including recitals at Carnegie Hall, La Scala, Milan, and a Live From Lincoln Center telecast. Mr. Blier co-founded the New York Festival of Song (NYFOS) in 1988 with Michael Barrett. Since the Festival's inception he has programmed, performed, translated and annotated over one hundred vocal recitals with repertoire spanning the entire range of song. His discography includes the premiere recording of Leonard Bernstein's Arias and Barcarolles (Koch International), which won a Grammy Award; the NYFOS discs of Blitzstein, Gershwin, and German Lieder (Unquiet Peace); Gershwin's Lady Be Good! (Nonesuch Records); four albums of songs by Charles Ives in partnership with baritone William Sharp (Albany Records); first recordings of music by Busoni and Borodin with cellist Dorothy Lawson (Koch International); and Spanish Love Songs with Joseph Kaiser and the late Lorraine Hunt Lieberson (Bridge Records). In December, Bridge will release the original cast recording of Bastianello / Lucrezia, the acclaimed John Musto and William Bolcom operas with libretti by Mark Campbell, commissioned and premiered by NYFOS.

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Cat on Hot Tin Roof, The Leanor and Alvin Segal Theatre- Oct. 26- Nov. 16


October 26- November 16, 2008

"You know we just got to love each other an' stay together, all of us, just as close as we can, especially now that such a black thing has come and moved into this place without invitation."- Big Mama

MONTREAL October 2008- The Leanor and Alvin Segal Theatre is excited to offer this anticipated production marking the third chapter of the Segal mounting the great plays of Tennessee Williams. Beginning with A Streetcar Named Desire, a historic first co-production with Soulpepper Theatre Company, it continued with Chris Abraham's award-winning production of The Glass Menagerie. Cat on a Hot Tin Roof is Williams' iconic tale of passion and dispassion in the heat of a 1950's Southern night, where poetry, bourbon and desire hang in the air. Directed by the much-respected Greg Kramer.

In this story, Brick, the former star athlete, and his wife Maggie 'The Cat', have returned to his father's Mississippi cotton plantation to celebrate the ailing Big Daddy's birthday. Daughter-in-law Maggie fights to save her marriage to the alcoholic and despairing Brick who blames her for his best friend's suicide. Rivalry and intrigue flourish as the conflict escalates over who will finally gain control over the property. Through all the bickering and fighting, Big Mama tries desperately to hold onto whatever happiness and dignity the family still possesses. However, a storm of confrontations is brewing, and she is powerless to stop it.

Subjects such as cancer and the idea of "mendacity" reverberate through the lies told to protect and ease each other's pain. Societal rules of conduct are examined, as the old world explodes against the new. Kramer sees this mirrored today, "We are split into puritans, libertines and prudes." He also comments first-hand on how illness can take its toll, "As a cancer survivor myself, I understand only too well how the disease can affect a family. Cat on a Hot Tin Roof deals with this issue in a brutally honest way."

Beautifully placed in the arc of the season, Cat on a Hot Tin Roof fits perfectly between Dangerous Liaisons and Buried Child, following the former work as a game of smouldering sexual politics with strong women taking the lead role in the match, and preceding the later play in its examination of the breakdown of the traditional North American family. "One of the key aspects of our theatre's mandate is to produce classics that remain socially relevant today," Wasserman explained. Director Greg Kramer concurs, "Cat on a Hot Tin Roof is a gloriously human work, celebrating both the joys and pains of love, and is probably one of the finest works for the stage ever written, as astonishingly true and powerful today as it ever was."

The established, powerhouse Canadian cast includes Todd Sandomirsky (Stratford Festival) as Brick, Severn Thompson (Stratford and Shaw) as Maggie, Sharon Bakker (the original Paper Wheat and Saskatchewan Theatre Hall of Fame) as Big Mama and Barry Flatman (The Donnellys and multi-award nominee) as Big Daddy. Completing the extended family and friends are Bill Croft, Paula Jean Hixson, Jesse Todd, Gordon Masten, Bill Corday and Lindsay Owen Pierre.

The design team, including the always-creative John C. Dinning, set; Luc Prairie, lighting; James Lavoie costumes, Troy Slocum, sound and George Allister, video design, will turn the plantation home around and expose all to the outside elements. Todd Bricker is the stage manager and Lori Allen completes the team as assistant stage manager.

"Nothing's more determined than a cat on a hot tin roof. Is there? Is there, baby?"- Maggie

88.5 CBC Radio One proudly presents Sunday-@-the-Segal with Diana Leblanc

Sunday, October 26, 11am. Admission is free.

Join us for another season of intimate conversation and riveting lectures as we welcome Diana Leblanc talking about

the various approaches to directing American classics.

Monday Night Talkbacks presented by Pratt and Whitney Canada

As usual following the play, some of the actors and/or designers will remain on stage to take questions from the audience.

Run:

October 26-November 16

Previews:

October 26 1:30 pm

October 27-29 8:00 pm

October 29 1:00pm

Sunday-@-the-Segal:

October 26 11:00 am

Media Opening Night:
Thursday, October 30 8:00 pm

Performances:

Monday - Thursday, 8:00 pm

Saturday 8:30 pm

Sunday 7:00 pm

Matinées:

Wednesdays 1:00 pm

Sundays 2:00 pm

Box Office:

(514) 739-7944

www.segalcentre.org

Segal Centre for Performing Arts at the Saidye

5170 cote St. Catherine Rd.

Admission (514) 790-1245 www.admission.com

Greg Kramer- Director

Previously for the Segal, Greg appeared in The Tempest and Amadeus as well as being the magic consultant for Houdini. An award-winning novelist, actor and director, Greg has made Montreal his home since 1999. His credits now cover twenty-five years and well over 100 productions across the country, including work at the Vancouver Playhouse, Arts Club Theatres, Manitoba Theatre Centre, Imago, Buddies-in-Bad-Times, Native Earth and the National Arts Centre. He most recently directed Have a Heart at the Centaur Theatre and The Gut Girls for Concordia University, and was seen this summer as Prospero in The Tempest in Montreal parks for Repercussion Theatre. His fourth book, Wally, is published by Riverbank Press and he is working on his latest, a medical dystopia.

Todd Sandomirsky Brick

Cat on a Hot Tin Roof marks Todd's Leanor and Alvin Segal Theatre debut. Recent credits: Agent Kohn in XIII starring Stephen Dorff on NBC this fall, Shishkebab in Outlander with Jim Caviziel, Glaring Man in The Tracey Fragments starring Ellen Page, Terry Bennett in the Golden Globe-nominated The State Within starring Jason Isaacs, and at Stratford Festival he appeared in Hamlet, Much Ado About Nothing, and Treasure Island. Todd co-founded Toronto's Shakespeare in the Rough, playing Berowne in Love's Labour Lost and Cloten in Cymbeline.

Severn Thompson- Maggie

Severn is very happy to be making her first appearance at the Leanor and Alvin Segal Theatre. She has just finished her third season at the Stratford Shakespeare Festival where she was in the Spanish classic Fuente Ovejuna, the Greek classic Trojan Woman and a new play, Palmer Park. The season before she played Portia in Merchant of Venice. Severn has also spent several seasons at the Shaw Festival and has worked at a number of theatres across the country, such as Theatre Passe Muraille, Tarragon, the Globe, Theatre Calgary and the Piggery. Severn is a graduate of the National Theatre School of Canada.

Barry Flatman- Big Daddy

Barry has worked as a professional actor, across North America, for over 40 years. He also produced, wrote, directed and taught for stage, TV, film, and radio, and was nominated for both Juno and Gemini awards. Recent credits include Guns (CBC), The Andromeda Strain for A&E, Saw III (Lion's Gate), The Company (TNT), The State Within (BBC/Shaftesbury), Fatal Error (TBS), and This is Wonderland (CBC). Barry starred in Kevin McCollum's production of White Christmas and in the Toronto premiere of David Hare's Stuff Happens.

Sharon Bakker - Big Mama

Sharon is back in Montreal where she last appeared at the Centaur in Paper Wheat. She has performed across Canada, at Native Earth Performing Arts (Dreary and Izzy); the Blythe Festival (Thirteen Hands, Yesteryear, Quiet in the Land); Alberta Theatre Projects (For the Pleasure of Seeing Her Again); Persephone Theatre (Humanity and No, Waiting for the Parade, The Stone Angel); Sunshine Theatre (The Plum Tree); Rosthern Station Arts Centre (Anne of Green Gable, Dry Streak, The Tomorrow Box); and Manitoba Theatre Centre (Shakespeare's Dog). Sharon was inducted into the Saskatchewan Theatre Hall of Fame in 2003.

Tennessee Williams- Playwright

Tennessee Williams (1911 – 1983) is regarded as one of America's greatest playwrights. He wrote fiction and motion picture screenplays, but he is acclaimed primarily for his plays—nearly all of which are set in the South, but which rise above regionalism to approach universal themes. He won the Pulitzer Prize for Drama for A Streetcar Named Desire in 1948 and for Cat on a Hot Tin Roof in 1955. In addition, The Glass Menagerie (1945) and The Night of the Iguana (1961) received New York Drama Critics' Circle Awards. His 1952 play, The Rose Tattoo, received the Tony Award for best play.

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Sunday, October 12, 2008

Calgary Cinematheque presents High and Low


The Calgary Cinematheque presents acclaimed Japanese director Akira Kurosawa’s High and Low (1963) for October featured screening

The Screening

The Calgary Cinematheque continues it’s season-two programming with High and Low by famed Japanese director Akira Kurosawa.

High and Low

Adapted from Evan Hunter’s pulp novel King’s Ransom, the film could arguably be called one of the best thrillers ever made. Kurosawa’s mastery of the art form is evident, and the film clearly demonstrates the director’s two cinematic fortes – epic samurai thrillers and tragic tales of everyday people.

Starring Kurosawa mainstay Toshiro Mifune as Kingo Gondo - a powerful executive, who is faced with the ransom demands of a kidnapper who has supposedly taken his son - the plot twists and turns and reveals Gondo’s inner anguish, comments on police methods and procedures, and demonstrates the true cost of ambition.

Shot in black and white, and presented in newly restored 35mm, the film is a must-see for fans of Kurosawa and great films alike. The film shows why Kurosawa is considered a true master of cinema, with every shot being an experience in pure cinematic joy.

The Calgary Cinematheque presents

Akira Kurosawa’s High and Low

Thursday, October 23, 2008. 7:00 PM

Plaza Theatre, 1133 Kensington Road NW, Calgary, Alberta

Tickets: $10.00 for members/students/seniors, $12.00 for non-members.

Calgary Cinematheque Memberships available for $25.00 at the door

For information visit: www.calgarycinema.org

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