Aria from Lori Laitman's 'The Scarlet Letter' to Premiere in London England
Aria from Lori Laitman's 'The Scarlet Letter' to Premiere in London England
British Mezzo-soprano Katherine Marriott will perform the "Witch's Dance" aria from Lori Laitman's new opera, 'The Scarlet Letter'. The opera saw its world premiere at The University of Central Arkansas a mere month ago, and has already been hailed as a significant and exciting new work. "This great story seems be on its way to becoming great opera...." said Ellis Widner of The Arkansas Democrat-Gazette following the opera's world premiere in November.
Katherine Marriott selected the aria for inclusion for her upcoming recital titled 'Seduction and the Dark Arts' to be performed on December 5th at The Red Hedgehog in Highgate, London, England. Upon receiving the aria from the composer, she reflected: "The aria is fabulous to sing, a real tour-de-force. The witch is gloriously, not simply, a catalyst. It's easy to find a strong personality in there, and the writing lends itself to finding many different colours in the tone’Δ¶ And David Mason is wonderful as the librettist - strikes exactly the right balance or lyricism and "speaking" tone, so it sounds neither dated nor banal! "
British Mezzo-soprano Katherine Marriott will perform the "Witch's Dance" aria from Lori Laitman's new opera, 'The Scarlet Letter'. The opera saw its world premiere at The University of Central Arkansas a mere month ago, and has already been hailed as a significant and exciting new work. "This great story seems be on its way to becoming great opera...." said Ellis Widner of The Arkansas Democrat-Gazette following the opera's world premiere in November.
Katherine Marriott selected the aria for inclusion for her upcoming recital titled 'Seduction and the Dark Arts' to be performed on December 5th at The Red Hedgehog in Highgate, London, England. Upon receiving the aria from the composer, she reflected: "The aria is fabulous to sing, a real tour-de-force. The witch is gloriously, not simply, a catalyst. It's easy to find a strong personality in there, and the writing lends itself to finding many different colours in the tone’Δ¶ And David Mason is wonderful as the librettist - strikes exactly the right balance or lyricism and "speaking" tone, so it sounds neither dated nor banal! "
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